La Brava

by Elmore Leonard

  Maurice said, even before reaching the desk, "Where the prints? They didn't come out, did they? What'd I tell you last night? I said stop it down."

  "I've got an idea," LaBrava said. "Why don't you take care of this young lady--she's looking for a respectable place, no roaches, no noise--and I'll go see about the negatives I got hanging in the dryer."

  "How they look?"

  "Just tell me if you want 'em printed soft or crisp."

  "I want 'em now is what I want. While she's still hung-over, ashamed, kicking herself."

  LaBrava said to the girl, "Did I tell you he was a sweet old guy?"

  "You didn't have to," the girl said, smiling at Maurice. "Mr. Zola, it's a pleasure. I'm Franny Kaufman."

  A pair of dull amber safelights recessed in the ceiling gave the darkroom form, indicated shapes, but nothing more. LaBrava hit the negative with a squirt of Dust Chaser, slipped it into the enlarger and paused. He added a yellow filter, feeling sympathy for the woman upstairs in 304, Maurice's guest suite. The exposure was timed for twelve seconds.

  He moved to the long section of the L-shaped stainless steel sink, dropped the exposed eight-by-ten sheet into the first of three trays.

  An image began to appear, lights and darks, the curve of a woman's shoulder, arm touching the lower part of her face. He had not seen her clearly through the viewfinder; only a glimpse in that part of a moment as the flash exploded. He didn't know what she looked like and was intrigued now, the way he had been curious about her in the car last night.

  LaBrava lifted the print from the solution, dipped it into the second tray, the stop bath, drew it through and placed it face up in the third tray, in the clear liquid of the fix solution. He leaned his arms on the narrow edge of the sink, low and uncomfortable, hunched over to study the face, the eyes staring at him through water and amber darkness.

  Someone he had seen before.

  But he wasn't sure. It might be the look, an expression he recognized. He couldn't see her features clearly.

  He lifted the print from the tray, staring as water ran from it, dripped from it, became single drops in the silence, and he was aware of a curious feeling: wanting to turn on the light and see the woman's face, but hesitant, cautious, on the verge of discovery and wanting the suspense of these moments to last a while longer. Then thought of a way.

  He set the eight-by-ten aside and printed the second and third exposures of the woman's arm and face against the mattress, this time without the softening effect of the yellow filter, and ran them through the baths. When there were three images, three pairs of eyes set in pale white staring at him from the counter top, he walked to the door, turned on the light and walked back...

  He stopped and could do nothing but stare at the familiar gaze, knowing why darkness, before, had given him a feeling of recognition.

  Because he had seen her only in the dark. Had watched her, how many times, in the black and white dark of movie theaters, up on the screen.

  Jean Shaw.

  Dark hair parted in the middle, the awareness in her eyes even half awake. Why hadn't he thought of her in the car yesterday? He had seen her for a moment in his mind, without a name, and by then they were looking for Northeast Fourth Street.

  She had changed. Well, yeah, in twenty-five years people changed, everybody changed. She hadn't changed that much though. The hair maybe, the way it was styled. But she was pale in black and white as she had been on the screen and the eyes--he would never forget her eyes.

  Jean Shaw. Upstairs, right now.

  The movie star he had fallen in love with the first time he had ever fallen in love in his life, when he was twelve years old.

  Chapter 5

  CUNNO REY SAID TO NOBLES, "Let me ask you something, okay? You ever see a snake eat a bat? Here is a wing sticking out of the snake's mouth, the wing, it's still moving, this little movement like is trying to fly. The snake, he don't care. You know why? Because the other end of the bat is down in the snake turning to juice, man. Sure, the snake, he don't even have to move, just lay there and keep swallowing as long as it takes. He don't even have to chew," Cundo Rey said, watching Richard Nobles eating his Big Mac and poking fries in his mouth a few at a time, dipped in ketchup. "Mmmmmmm, nice juicy bat."

  They were in the McDonald's on Federal Highway, Delray Beach, the place crowded with local people having lunch. Nobles had on his two-tone-blue Star Security uniform, but not the hat. Here he was from a family whose men spent their lives outdoors and wore their, hats in the house and he hated 'em. No, he liked to leave his golden hair free and run his fingers through it from time to time. Give it a casual look.

  He said, mouth full of hamburger, "I ate a snake. I've ate a few different kinds. You flour 'em, deep-fry 'em in some Crisco so the meat crackles, they're pretty good. But I never ate a bat. Time you skin it what would you have?"

  There--if the Cuban was trying to make him sick he was wasting his time. If the Cuban had something else in mind and was leading up to it, Nobles did not see it yet.

  Ah, but then the Cuban said, drinking his coffee, not eating anything, "You understand what I'm saying to you?"

  So, he would be making his point now. Fucking Cuban hotshot with his wavy hair and little gold ring in his ear. Cundo Rey was the first nigger Richard Nobles had ever seen with long wavy hair. It was parted on the right side and slanted down across his forehead over his left eye. The hair and his gold chains and silk shirts gave Cundo Rey his hot-shit Caribbean look. The way they had met last summer, ten months ago:

  Nobles was making night rounds in the company Plymouth with the official Star Security stars on the doors--cruising past shopping malls and supermarkets, shining the spot into dark areas of parking lots, dying to see some suspicious dark-skinned character in his beam so he could go beat on him--came to the Chevy dealership out Glade Road and got out of the car. It was one of the places he had to go inside, turn off the alarm with a shunt key they gave him, and look around. This night when he came out there was this dinge standing by the Plymouth. The dinge goes, "What about you leave the door open, sir, so I can get my car keys?" Telling Nobles he was supposed to pick up his car in for the free five thousand mile checkup before the place closed but didn't make it. See, all he needed was to get his keys--telling it to Nobles in this Cuban nigger accent like Nobles was a fool. Nobles had slapped his cowhide sap against the palm of his hand a few times, but then had to grin. Which must have given the dinge confidence, for then he goes, "And if you don't believe that, sir, how you like to put five hundred dollars in your pocket and drive yourself the fuck out of here?"

  Nobles admired all kinds of nerve and this Cuban was polite and had fun in his eyes.

  What Cundo Rey would do usually he'd wire a brand new car out on the lot and put on stolen plates, then drive it down to South Miami or Homestead, nighttime garages he knew, and sell the car for parts. Once or twice a month make a minimum twenty-five hundred a car. Also, couple nights a week dance go-go. Get sweaty, man, lose yourself, have some fun and make a few hundred bucks.

  This had confused Nobles at first. Wait a minute. Dance go-go?

  Yeah, Cundo Rey danced go-go as a pro in a little leopard jockstrap, let the ladies reach up on their bar stools and stuff money in there, let them have a feel, spin around and shake a finger, naughty-naughty, if they tried to grab his business. Sure, dance go-go, bump and grind to salsa riffs, sometimes steel drum, have a time, work clubs Ladies' Night from West Palm down to South Beach where he appeared at a gay bar once in a while, Cheeky's; though he would have to work up his nerve for that scene, stuff his nose good with coke, because it was the freak show at the end of the world, that place.

  Was he a queer? At first, usually when they were sitting in the Plymouth looking over a car dealership, Nobles had half-expected Cundo to reach over and try to cop his joint; but he had not tried it yet and he did talk about ass like he got his share of it; so Nobles decided Cundo was straight. Just weird.

  But why wou
ld a man, even a Cuban, act like a queer if he wasn't one? "What do you do it for?" he asked Cundo Rey, and Cundo Rey said, "I steal cars in darkness, I dance in lights." Nobles had seen him dance only one time. It was a place out by Miami International and Nobles had felt his own body moving as the ladies reached for Cundo Rey's crotch and Cundo Rey squirmed and writhed above them to that booger music, mouth full of white teeth sucking and smacking. Jesus. That one time was enough. Nobles believed it would take more nerve to get up there and act crazy than it would to break and enter.

  They had a deal going now. Nobles would go in a dealership and get a key, Cundo Rey would start a car with it and Nobles would hang the key back up on the board--later scratch his head with everybody else, squint and kick gravel at how new cars were disappearing off the lots. He was making an extra grand a month for a few minutes' work on dark nights.

  "The snake I saw, is only this long," Cundo Rey said, moving his hands apart in the air and looking from one to the other. "What is that? Less than two meters. The snake lay in the sand and swallowed for three hour, still you see the tip of the bat's wing sticking out of is mouth. Taking his time... the snake isn't going nowhere."

  Nobles said, "Yeah?"

  "What does the snake have? Patience. What's the hurry? Now with the lady, you know you going to score good there, uh? Sure, so be cool, let it happen."

  Nobles said, "I'm gonna get a present, like on my birthday? I want to know what it is. I pick the box up and shake it. I was a little kid I used to do that. You give me a hard time, partner, I'll pick you up and shake you."

  Cundo Rey sipped his coffee--very poor coffee, like water--watching Nobles wiping his big thick hands on a golden arch napkin, sucking at his teeth. The Monster from the Big Scrub, with a neck so red it could stop traffic. Cundo Rey had come ashore in Dade County only a few years ago, boat-lifted out of Cambinado del Este prison and had worked hard to learn English--asking the girls why they didn't correct him and the girls saying, because he talked cute. Richard Nobles had come down out of some deep woods only a few hours by car to the north. And yet there was no doubt in Cundo Rey's mind that he was the American, a man of the city, and Nobles the alien, with mud between his toes. Nobles, with his size, his golden hair, his desire to break and injure, his air of muscular confidence, was fascinating to watch. A swamp creature on the loose.

  Cundo Rey said, "You threaten me?" Yes, he liked to watch Nobles and he liked to annoy him, too, sometimes. Without getting too close. "I don't have to do this thing with you."

  "I'm kidding," Nobles said. "You're my little helper, aren't you?"

  Let him believe it. "If this is a good idea," Cundo Rey said, "I don't see why you can't wait for her to come home."

  "Man, I got to get going now, take off this goddamn uniform and get into something sporty. I mean all the time, not just off-duty. That drunk asshole I work for, he's gonna go broke any minute the shape he keeps things. Hires a bunch of scudders barely out of high school, they got as much brains as a box of rocks, I'm out there humping like a four-horse weed chopper, keeping the son of a bitch in booze."

  Cundo Rey was staring at him, squinting, fooling with his gold earring. "I don't know what you talking about."

  "I'm saying I want to get out of there, now, is what I'm saying. Clean out your ears. Take that girlish goddamn thing off while you're doing it. I'm embarrassed to be seen with you."

  "Yes, but you don't have the plan yet," Cundo Rey said, not the least self-conscious, fishing now, pulling the line in slowly. "You got this woman has a big place, very expensive, you been with her, what, a few times..."

  "I was with her last night."

  "Okay, she's got a big place, a car..."

  "Cadillac Eldorado."

  "Some jewelry maybe..."

  "You spook, we ain't gonna rob her."

  "No? What we going to do?"

  "We gonna hang her up and flat skin her."

  Cundo Rey began fooling with his earring again. "Hang her up and skin her. Flat?"

  "Only first, right now, we got to find out where she went."

  "You don't want to wait for her to come home."

  "When's that? She in a hospital, a rest home or what?"

  Nobles paused, squeezed his eyes to slits and grinned, show the Cuban he had his number along with great admiration. "Be easy to find out. Man as nervy as you are. Be fun, too. What else you got to do?"

  Three young girls with trays came by. Cundo Rey, fooling with curly ends of his raven hair now, working in his mind but always aware, looked up idly as they passed the booth. Nobles didn't say a word to them, didn't reach out or make a grab. He was serious today, all business.

  He had started out, with his first hamburger, talking about a guy he wanted to stomp, a guy he didn't know but wore a shirt with bananas and different fruit on it. Some guy who had... "sandbagged" him? He wanted to know where the guy lived. But first he wanted to find the woman who had been a film actress.

  "You don't have a feeling for this woman?" the Cuban asked.

  Nobles said, "I want a feel I pick one about twenty years younger. This here is old meat. Good looking, you understand, but aged." Nobles hunched over the table. "Come on. Ain't any of us getting any younger."

  "I'll tell you what it is," the Cuban said, "why I hesitate. I don't like to get drunk."

  "You have about five rum and Cokes, get you a little glassy-eyed's all. So it looks real. I Meyers-Act you in there and you find the record book first chance, see where they took her. Glenn says it's like a blue notebook. Be on one of the desks but not in that back office, the office to the west side of the building, in there. Bear right as you go in the front door. Blue notebook, it's got the record of where everybody's sent, whether they went to detox or the shelter or if they left with somebody, the name and address of the party."

  Cundo Rey said, "Glenn knows where the book is, why don't he do it? Go in and ask where she went."

  "No, Glenn ain't the person I thought he was. See, they was to ask him why he wants to know, Glenn, he'd start to sweat like he's got little bugs up his ass, become twitchy, afraid they'd call Boca Police and check him out. No, Glenn ain't casual enough for this type of deal."

  "Yes, but you bring him into this..."

  "No. No, I haven't. I come out of the bar last night looking around--was Glenn told me where they took her, that's all. See, Glenn's from Umatilla originally, me and him go way back. But this here's not any kind of deal for old Glenn." Nobles winked and grinned. "I got you, partner, what do I need anybody else for?"

  "I still don't like to get drunk," Cundo Rey said.

  "Hey, no, just get feeling good's all."

  "I got another idea," Cundo Rey said. "You finished?"

  They left the McDonald's and got in Nobles' official dark blue star-decorated Plymouth.

  "One time I was picked up," Cundo Rey said, "it was up in Volusia County, strange place, man. I don't know what I was doing there, making a special delivery, 'Vette to some guy ran whiskey, I think. Everyone there talk like you."

  Nobles grinned at him. "Sure, that's close to my neck of the woods. Fact I know several boys ran booze." He saw Cundo's shirt unbuttoned, Cundo leaning forward to take it off. "The hell you doing?"

  "I was in the jail there, they say plead guilty, man, go to Apalachee for a year, I think was the place they tole me."

  Christ, raising his skinny butt to slip his pants off now. Nobles would look from Cundo to the Federal Highway and back again, moving along north in light traffic. "Apalachee Correctional," Nobles said, deciding to be cool. "I think it's for juveniles, but I guess a squirt like you could get sent there."

  "So I tore my clothes off," Cundo Rey said.

  "You did?"

  He had his clothes off now, pants and silk shirt, sitting there in skimpy red jockeys as he unfastened his gold chains.

  "I told them there were all these little invisible creatures crawling all over me and I screamed and scratched myself enough to bleed."


  "Invisible creatures," Nobles said, grinning. "Shit."

  "So they sent me up to this place, Chatahoochee, instead. You know where it is?"

  "You bet I do. Nuthouse right up there by the Georgia line."

  "Yes, so one night I walked out, stepped across that line to freedom. I'm going to leave my shoes on."

  "I would." Nobles turned onto Northeast Fourth, let the car coast as it approached the stucco mental health facility up on the left. There were cars at a gas station farther on, but none on the street.

  "I'm going to trust you with my jewelry. So don't sell it."

  "No, I'll take good care of it. Listen, I ain't walking in with you bareass."

  "It's okay, they let me in. A blue notebook, uh?"

  Nobles braked gently to a full stop and pointed. "Be in the office that end of the building there."

  "Okay, I'll call you later," Cundo Rey said, opening the door.

  Nobles said, "Wait a sec. There's a broad works in there, I think she's the supervisor. Brown wavy hair, these real long legs, nice high butt. See if you can find out where she lives or if she just works nights or what."

  "Man, you don't want much, do you?" Cundo Rey got out, slipped off his red briefs and dropped them in through the window. "Hide these... where? So I can find them."

  "I'll put 'em in a paper sack, in the bushes back there where they park. Then you come on over the public beach, nobody'll think you're strange."

  "Okay. I see you."

  Jesus. Nobles couldn't believe it. He watched Cundo walk around past the front of the car--bareass as the day he was born back of some sugarmill, except for his tan socks and white shoes--watched him cross the street and walk up to the mental health place, cheeks of his ass pale moons, lighter than his dusky skin and it surprised Nobles. Look at the son of a bitch, like he was out for a stroll. As Cundo turned half around and waved Nobles mashed the gas pedal and got out of there.

  Chapter 6

  HE FOUND MAURICE IN 304, the guest suite facing the ocean, the room filled with sunlight and old slipcovered furniture. Maurice took the prints without comment, began studying them as he moved toward the closed door to the bedroom. LaBrava came in, followed him part way. He was anxious, but remembered to keep his voice low.