by Ray Bradbury
Garvey was shocked and charmed as his dwindling popularity returned. Ah, art! Ah, life! The pendulum swinging back and forth, from complex to simple, again to complex. From romantic to realistic, back to romantic. The clever man could sense intellectual perihelions, and prepare for the violent new orbits. Garvey's subconscious brilliance sat up, began to eat a bit, and some days dared to walk about, trying its unused limbs. It caught fire!
"How unimaginative the world is," his long-neglected other self said, using his tongue. "If somehow my leg were severed accidentally I wouldn't wear a wooden leg, no! I'd have a gold leg crusted with precious stones made, and part of the leg would be a golden cage in which a bluebird would sing as I walked or sat talking to friends. And if my arm were cut off I'd have a new arm made of copper and jade, all hollow inside, a section for dry ice in it. And five other compartments, one for each finger. Drink, anyone? I'd cry. Sherry? Brandy? Dubonnet? Then I'd twist each finger calmly over the glasses. From five fingers, five cool streams, five liqueurs or wines. I'd tap the golden faucets shut. 'Bottoms up!' I'd cry.
"But, most of all, one almost wishes that one's eye would offend one. Pluck it out, the Bible says. It was the Bible, wasn't it? If that happened to me, I'd use no grisly glass eyes, by God. None of those black, pirate's patches. Know what I'd do? I'd mail a poker chip to your friend in France, what's his name? Matisse! I'd say, 'Enclosed find poker chip, and personal check. Please paint on this chip one beautiful blue human eye. Yrs., sincerely. G. Garvey!'"
Well, Garvey had always abhorred his body, found his eyes pale, weak, lacking character. So he was not surprised a month later (when his Gallup ran low again) to see his right eye water, fester, and then pull a complete blank!
Garvey was absolutely bombed!
But--equally--secretly pleased.
With the Cellar Septet smiling like a jury of gargoyles at his elbow, he airmailed the poker chip to France with a check for fifty dollars.
The check returned, uncashed, a week later.
In the next mail came the poker chip.
H. Matisse had painted a rare, beautiful blue eye on it, delicately lashed and browed. H. Matisse had tucked this chip in a green-plush jeweler's box, quite obviously as delighted as was Garvey with the entire enterprise.
Harper's Bazaar published a picture of Garvey, wearing the Matisse poker-chip eye, and yet another of Matisse, himself, painting the monocle after considerable experimentation with three dozen chips!
H. Matisse had had the uncommon good sense to summon a photographer to Leica the affair for posterity. He was quoted. "After I had thrown away twenty-seven eyes, I finally got the very one I wanted. It flies posthaste to Monsieur Garvey!"
Reproduced in six colors, the eye rested balefully in its green-plush box. Duplicates were struck off for sales by the Museum of Modern Art. The Friends of the Cellar Septet played poker, using red chips with blue eyes, white chips with red eyes, and blue chips with white eyes.
But there was only one man in New York who wore the original Matisse monocle and that was Mr. Garvey.
"I'm still a nerve-wracking bore," he told his wife, "but now they'll never know what a dreadful ox I am underneath the monocle and the Mandarin's finger. And if their interest should happen to dwindle again, one can always arrange to lose an arm or leg. No doubt of it. I've thrown up a wondrous facade; no one will ever find the ancient boor again."
And as his wife put it only the other afternoon: "I hardly think of him as the old George Garvey any more. He's changed his name. Giulio, he wants to be called. Sometimes, at night, I look over at him and call, 'George,' but there's no answer. There he is, that mandarin's thimble on his little finger, the white and blue Matisse Poker-Chip monocle in his eye. I wake up and look at him often. And do you know? Sometimes that incredible Matisse Poker Chip seems to give out with a monstrous wink."
SKELETON
It was past time for him to see the doctor again. Mr. Harris turned palely in at the stair well, and on his way up the flight saw Dr. Burleigh's name gilded over a pointing arrow. Would Dr. Burleigh sigh when he walked in? After all, this would make the tenth trip so far this year. But Burleigh shouldn't complain; he was paid for the examinations!
The nurse looked Mr. Harris over and smiled, a bit amusedly, as she tiptoed to the glazed glass door, opened it, and put her head in. Harris thought he heard her say, "Guess who's here, Doctor." And didn't the doctor's voice reply, faintly, "Oh, my God, again?" Harris swallowed uneasily.
When Harris walked in, Dr. Burleigh snorted. "Aches in your bones again! Ah!!" He scowled and adjusted his glasses. "My dear Harris, you've been curried with the finest-tooth combs and bacteria-brushes known to science. You're just nervous. Let's see your fingers. Too many cigarettes. Let's smell your breath. Too much protein. Let's see your eyes. Not enough sleep. My response? Go to bed, stop the protein, no smoking. Ten dollars, please."
Harris stood sulking.
The doctor glanced up from his papers. "You still here? You're a hypochondriac! That's eleven dollars, now."
"But why should my bones ache?" asked Harris.
Dr. Burleigh spoke as to a child. "You ever had a sore muscle, and kept irritating it, fussing with it, rubbing it? It gets worse, the more you bother it. Then you leave it alone and the pain vanishes. You realize you caused most of the soreness, yourself. Well, son, that's what's with you. Leave yourself alone. Take a dose of salts. Get out of here and take that trip to Phoenix you've stewed about for months. Do you good to travel!"
Five minutes later, Mr. Harris riffled through a classified phone directory at the corner druggist's. A fine lot of sympathy one got from blind fools like Burleigh! He passed his finger down a list of BONE SPECIALISTS, found one named M. Munigant. Munigant lacked an M.D., or any other academic lettering behind his name, but his office was conveniently near. Three blocks down, one block over. . . .
M. Munigant, like his office, was small and dark. Like his office, he smelled of iodoform, iodine, and other odd things. He was a good listener, though, and listened with eager shiny moves of his eyes, and when he talked to Harris, his accent was such that he softly whistled each word; undoubtedly because of imperfect dentures.
Harris told all.
M. Munigant nodded. He had seen cases like this before. The bones of the body. Man was not aware of his bones. Ah, yes, the bones. The skeleton. Most difficult. Something concerning an imbalance, an unsympathetic coordination between soul, flesh, and skeleton. Very complicated, softly whistled M. Munigant. Harris listened, fascinated. Now, here was a doctor who understood his illness! Psychological, said M. Munigant. He moved swiftly, delicately to a dingy wall and slashed down half a dozen X-rays to haunt the room with their look of things found floating in an ancient tide. Here, here! The skeleton surprised! Here luminous portraits of the long, the short, the large, the small bones. Mr. Harris must be aware of his position, his problem! M. Munigant's hand tapped, rattled, whispered, scratched at faint nebulae of flesh in which hung ghosts of cranium, spinal-cord, pelvis, lime, calcium, marrow, here, there, this, that, these, those, and others! Look!
Harris shuddered. The X-rays and the paintings blew in a green and phosphorescent wind from a land peopled by the monsters of Dali and Fuseli.
M. Munigant whistled quietly. Did Mr. Harris wish his bones--treated?
"That depends," said Harris.
Well, M. Munigant could not help Harris unless Harris was in the proper mood. Psychologically, one had to need help, or the doctor was useless. But (shrugging) M. Munigant would "try."
Harris lay on a table with his mouth open. The lights were switched off, the shades drawn. M. Munigant approached his patient.
Something touched Harris's tongue.
He felt his jawbones forced out. They creaked and made faint cracking noises. One of those skeleton charts on the dim wall seemed to quiver and jump. A violent shudder seized Harris. Involuntarily, his mouth snapped shut.
M. Munigant shouted. His nose had almost been bi
tten off! No use, no use! Now was not the time! M. Munigant whispered the shades up, dreadfully disappointed. When Mr. Harris felt he could cooperate psychologically, when Mr. Harris really needed help and trusted M. Munigant to help him, then maybe something could be done. M. Munigant held out his little hand. In the meantime, the fee was only two dollars. Mr. Harris must begin to think. Here was a sketch for Mr. Harris to take home and study. It would acquaint him with his body. He must be tremblingly aware of himself. He must be on guard. Skeletons were strange, unwieldy things. M. Munigant's eyes glittered. Good day to Mr. Harris. Oh, and would he care for a breadstick? M. Munigant proffered a jar of long hard salty breadsticks to Harris, taking one himself, saying that chewing breadsticks kept him in--ah--practice. Good day, good day, to Mr. Harris! Mr. Harris went home.
The next day, Sunday, Mr. Harris discovered innumerable fresh aches and pains in his body. He spent the morning, his eyes fixed staring with new interest at the small, anatomically perfect painting of a skeleton M. Munigant had given him.
His wife, Clarisse, startled him at dinner when she cracked her exquisitely thin knuckles, one by one, until he clapped his hands to his ears and cried, "Stop!"
The rest of the afternoon he quarantined himself in his room. Clarisse played bridge in the parlor laughing and chatting with three other ladies while Harris, hidden away, fingered and weighed the limbs of his body with growing curiosity. After an hour he suddenly rose and called:
"Clarisse!"
She had a way of dancing into any room, her body doing all sorts of soft, agreeable things to keep her feet from ever quite touching the nap of a rug. She excused herself from her friends and came to see him now, brightly. She found him re-seated in a far corner and she saw that he was staring at the anatomical sketch. "Are you still brooding, sweet?" she asked. "Please don't." She sat upon his knees.
Her beauty could not distract him now in his absorption. He juggled her lightness, he touched her kneecap, suspiciously. It seemed to move under her pale, glowing skin. "Is it supposed to do that?" he asked, sucking in his breath.
"Is what supposed to do what?" she laughed. "You mean my kneecap?"
"Is it supposed to run around on top your knee that way?"
She experimented. "So it does," she marveled.
"I'm glad yours slithers, too," he sighed. "I was beginning to worry."
"About what?"
He parted his ribs. "My ribs don't go all the way down, they stop here. And I found some confounded ones that dangle in mid-air!"
Beneath the curve of her small breasts, Clarisse clasped her hands.
"Of course, silly, everybody's ribs stop at a given point. And those funny short ones are floating ribs."
"I hope they don't float around too much." The joke was most uneasy. Now, above all, he wished to be alone. Further discoveries, newer and stranger archaeological diggings, lay within reach of his trembling hands, and he did not wish to be laughed at.
"Thanks for coming in, dear," he said.
"Any time." She rubbed her small nose softly against his.
"Wait! Here, now . . ." He put his finger to touch his nose and hers. "Did you realize? The nose-bone grows down only this far. From there on a lot of gristly tissue fills out the rest!"
She wrinkled hers. "O f course, darling!" And she danced from the room.
Now, sitting alone, he felt the perspiration rise from the pools and hollows of his face, to flow in a thin tide down his cheeks. He licked his lips and shut his eyes. Now . . . now . . . next on the agenda, what . . . ? The spinal cord, yes. Here. Slowly, he examined it, in the same way he operated the many push-buttons in his office, thrusting them to summon secretaries, messengers. But now, in these pushings of his spinal column, fears and terrors answered, rushed from a million doors in his mind to confront and shake him! His spine felt horribly--unfamiliar. Like the brittle shards of a fish, freshly eaten, its bones left strewn on a cold china platter. He seized the little rounded knobbins. "Lord! Lord!"
His teeth began to chatter. God All-Mighty! he thought, why haven't I realized it all these years? All these years I've gone around with a--SKELETON--inside me! How is it we take ourselves for granted? How is it we never question our bodies and our being?
A skeleton. One of those jointed, snowy, hard things, one of those foul, dry, brittle, gouge-eyed, skull-faced, shake-fingered, rattling things that sway from neck-chains in abandoned webbed closets, one of those things found on the desert all long and scattered like dice!
He stood upright, because he could not bear to remain seated. Inside me now, he grasped his stomach, his head, inside my head is a--skull. One of those curved carapaces which holds my brain like an electrical jelly, one of those cracked shells with the holes in front like two holes shot through it by a double-barreled shotgun! With its grottoes and caverns of bone, its revetments and placements for my flesh, my smelling, my seeing, my hearing, my thinking! A skull, encompassing my brain, allowing it exit through its brittle windows to see the outside world!
He wanted to dash into the bridge party, upset it, a fox in a chickenyard, the cards fluttering all around like chicken feathers burst upward in clouds! He stopped himself only with a violent, trembling effort. Now, now, man, control yourself. This is a revelation, take it for what it's worth, understand it, savor it. BUT A SKELETON! screamed his subconscious. I won't stand for it. It's vulgar, it's terrible, it's frightening. Skeletons are horrors; they clink and tinkle and rattle in old castles, hung from oaken beams, making long, indolently rustling pendulums on the wind. . . .
"Darling, will you come meet the ladies?" His wife's clear, sweet voice called from far away.
Mr. Harris stood. His SKELETON held him up! This thing inside, this invader, this horror, was supporting his arms, legs, and head! It was like feeling someone just behind you who shouldn't be there. With every step, he realized how dependent he was on this other Thing.
"Darling, I'll be with you in a moment," he called weakly. To himself he said, Come on, brace up! You've got to go back to work tomorrow. Friday you must make that trip to Phoenix. It's a long drive. Hundreds of miles. Must be in shape for that trip or you won't get Mr. Creldon to invest in your ceramics business. Chin up, now!
A moment later he stood among the ladies, being introduced to Mrs. Withers, Mrs. Abblematt, and Miss Kirthy, all of whom had skeletons inside them, but took it very calmly, because nature had carefully clothed the bare nudity of clavicle, tibia, and femur with breasts, thighs, calves, with coiffure and eyebrow satanic, with bee-stung lips and--LORD! shouted Mr. Harris inwardly--when they talk or eat, part of their skeleton shows--their teeth! I never thought of that. "Excuse me," he gasped, and ran from the room only in time to drop his lunch among the petunias over the garden balustrade.
That night, seated on the bed as his wife undressed, he pared his toenails and fingernails scrupulously. These parts, too, were where his skeleton was shoving, indignantly growing out. He must have muttered part of this theory, because next thing he knew his wife, in negligee, was on the bed, her arms around his neck, yawning, "Oh, my darling, fingernails are not bone, they're only hardened epidermis!"
He threw the scissors down. "Are you certain? I hope so. I'd feel better." He looked at the curve of her body, marveling. "I hope all people are made the same way."
"If you aren't the darndest hypochondriac!" She held him at arm's length. "Come on. What's wrong? Tell mama."
"Something inside me," he said "Something--I ate."
The next morning and all afternoon at his downtown office, Mr. Harris sorted out the sizes, shapes, and construction of various bones in his body with displeasure. At ten A.M. he asked to feel Mr. Smith's elbow one moment. Mr. Smith obliged, but scowled suspiciously. And after lunch Mr. Harris asked to touch Miss Laurel's shoulder blade and she immediately pushed herself back against him, purring like a kitten and shutting her eyes.
"Miss Laurel!" he snapped. "Stop that!"
Alone, he pondered his neuroses. The war was jus
t over, the pressure of his work, the uncertainty of the future, probably had much to do with his mental outlook. He wanted to leave the office, get into business for himself. He had more than a little talent for ceramics and sculpture. As soon as possible he'd head for Arizona, borrow that money from Mr. Creldon, build a kiln and set up shop. It was a worry. What a case he was. But luckily he had contacted M. Munigant, who seemed eager to understand and help him. He would fight it out with himself, not go back to either Munigant or Dr. Burleigh unless he was forced to. The alien feeling would pass. He sat staring into space.
The alien feeling did not pass. It grew.
On Tuesday and Wednesday it bothered him terrifically that his epidermis, hair and other appendages were of a high disorder, while his integumented skeleton of himself was a slick clean structure of efficient organization. Sometimes, in certain lights with his lips drawn morosely down, weighted with melancholy, he imagined he saw his skull grinning at him behind the flesh.
Let go! he cried. Let go of me! My lungs! Stop!
He gasped convulsively, as if his ribs were crushing the breath from him.
My brain--stop squeezing it!
And terrifying headaches burnt his brain to a blind cinder.
My insides, let them be, for God's sake! Stay away from my heart!
His heart cringed from the fanning motion of ribs like pale spiders crouched and fiddling with their prey.
Drenched with sweat, he lay upon the bed one night while Clarisse was out attending a Red Cross meeting. He tried to gather his wits but only grew more aware of the conflict between his dirty exterior and this beautiful cool clean calciumed thing inside.
His complexion: wasn't it oily and lined with worry?
Observe the flawless, snow-white perfection of the skull.
His nose: wasn't it too large?
Then observe the tiny bones of the skull's nose before that monstrous nasal cartilage begins forming the lopsided proboscis.
His body: wasn't it plump?
Well, consider the skeleton; slender, svelte, economical of line and contour. Exquisitely carved oriental ivory! Perfect, thin as a white praying mantis!