If loves and joys, while up they sprung,
Were caught as in a snare; 70
Such is the lot of all the young,
However bright and fair.
Lo! Streams that April could not check
Are patient of thy rule;
Gurgling in foamy water-break,
Loitering in glassy pool:
By thee, thee only, could be sent
Such gentle mists as glide,
Curling with unconfirmed intent,
On that green mountain’s side. 80
How delicate the leafy veil
Through which yon house of God
Gleams, mid the peace of this deep dale
By few but shepherds trod!
And lowly huts, near beaten ways,
No sooner stand attired
In thy fresh wreaths, than they for praise
Peep forth, and are admired.
Season of fancy and of hope,
Permit not for one hour, 90
A blossom from thy crown to drop,
Nor add to it a flower!
Keep, lovely May, as if by touch
Of self-restraining art,
This modest charm of not too much,
Part seen, imagined part!
1826-1834.
ONCE I COULD HAIL (HOWE’ER SERENE THE SKY)
“Late, late yestreen I saw the new moone
Wi’ the auld moone in hir arme.”
‘Ballad of Sir Patrick Spence, Percy’s Reliques.’
ONCE I could hail (howe’er serene the sky)
The Moon re-entering her monthly round,
No faculty yet given me to espy
The dusky Shape within her arms imbound,
That thin memento of effulgence lost
Which some have named her Predecessor’s ghost.
Young, like the Crescent that above me shone,
Nought I perceived within it dull or dim;
All that appeared was suitable to One
Whose fancy had a thousand fields to skim; 10
To expectations spreading with wild growth,
And hope that kept with me her plighted troth.
I saw (ambition quickening at the view)
A silver boat launched on a boundless flood;
A pearly crest, like Dian’s when it threw
Its brightest splendour round a leafy wood;
But not a hint from under-ground, no sign
Fit for the glimmering brow of Proserpine.
Or was it Dian’s self that seemed to move
Before me?—nothing blemished the fair sight; 20
On her I looked whom jocund Fairies love,
Cynthia, who puts the ‘little’ stars to flight,
And by that thinning magnifies the great,
For exaltation of her sovereign state.
And when I learned to mark the spectral Shape
As each new Moon obeyed the call of Time,
If gloom fell on me, swift was my escape;
Such happy privilege hath life’s gay Prime,
To see or not to see, as best may please
A buoyant Spirit, and a heart at ease. 30
Now, dazzling Stranger! when thou meet’st my glance,
Thy dark Associate ever I discern;
Emblem of thoughts too eager to advance
While I salute my joys, thoughts sad or stern;
Shades of past bliss, or phantoms that, to gain
Their fill of promised lustre, wait in vain.
So changes mortal Life with fleeting years;
A mournful change, should Reason fail to bring
The timely insight that can temper fears,
And from vicissitude remove its sting; 40
While Faith aspires to seats in that domain
Where joys are perfect—neither wax nor wane.
1826.
THE MASSY WAYS, CARRIED ACROSS THESE HEIGHTS
THE massy Ways, carried across these heights
By Roman perseverance, are destroyed,
Or hidden under ground, like sleeping worms.
How venture then to hope that Time will spare
This humble Walk? Yet on the mountain’s side
A POET’S hand first shaped it; and the steps
Of that same Bard—repeated to and fro
At morn, at noon, and under moonlight skies
Through the vicissitudes of many a year—
Forbade the weeds to creep o’er its grey line. 10
No longer, scattering to the heedless winds
The vocal raptures of fresh poesy,
Shall he frequent these precincts; locked no more
In earnest converse with beloved Friends,
Here will he gather stores of ready bliss,
As from the beds and borders of a garden
Choice flowers are gathered! But, if Power may spring
Out of a farewell yearning—favoured more
Than kindred wishes mated suitably
With vain regrets—the Exile would consign 20
This Walk, his loved possession, to the care
Of those pure Minds that reverence the Muse.
1826.
THE PILLAR OF TRAJAN
WHERE towers are crushed, and unforbidden weeds
O’er mutilated arches shed their seeds;
And temples, doomed to milder change, unfold
A new magnificence that vies with old;
Firm in its pristine majesty hath stood
A votive Column, spared by fire and flood:—
And, though the passions of man’s fretful race
Have never ceased to eddy round its base,
Not injured more by touch of meddling hands
Than a lone obelisk, ‘mid Nubian sands, 10
Or aught in Syrian deserts left to save
From death the memory of the good and brave.
Historic figures round the shaft embost
Ascend, with lineaments in air not lost:
Still as he turns, the charmed spectator sees
Group winding after group with dream-like ease;
Triumphs in sunbright gratitude displayed,
Or softly stealing into modest shade.
—So, pleased with purple clusters to entwine
Some lofty elm-tree, mounts the daring vine; 20
The woodbine so, with spiral grace, and breathes
Wide-spreading odours from her flowery wreaths.
Borne by the Muse from rills in shepherds’ ears
Murmuring but one smooth story for all years,
I gladly commune with the mind and heart
Of him who thus survives by classic art,
His actions witness, venerate his mien,
And study Trajan as by Pliny seen;
Behold how fought the Chief whose conquering sword
Stretched far as earth might own a single lord; 30
In the delight of moral prudence schooled,
How feelingly at home the Sovereign ruled;
Best of the good—in pagan faith allied
To more than Man, by virtue deified.
Memorial Pillar! ‘mid the wrecks of Time
Preserve thy charge with confidence sublime—
The exultations, pomps, and cares of Rome,
Whence half the breathing world received its doom;
Things that recoil from language; that, if shown
By apter pencil, from the light had flown. 40
A Pontiff, Trajan ‘here’ the Gods implores,
‘There’ greets an Embassy from Indian shores;
Lo! he harangues his cohorts—’there’ the storm
Of battle meets him in authentic form!
Unharnessed, naked, troops of Moorish horse
Sweep to the charge; more high, the Dacian force,
To hoof and finger mailed;—yet, high or low,
None bleed, and none lie prostrate but the foe;
In every Roman, through all turns of fate,
&n
bsp; Is Roman dignity inviolate; 50
Spirit in him pre-eminent, who guides,
Supports, adorns, and over all presides;
Distinguished only by inherent state
From honoured Instruments that round him wait;
Rise as he may, his grandeur scorns the test
Of outward symbol, nor will deign to rest
On aught by which another is deprest.
—Alas! that One thus disciplined could toil
To enslave whole nations on their native soil;
So emulous of Macedonian fame, 60
That, when his age was measured with his aim,
He drooped, ‘mid else unclouded victories,
And turned his eagles back with deep-drawn sighs:
O weakness of the Great! O folly of the Wise!
Where now the haughty Empire that was spread
With such fond hope? her very speech is dead;
Yet glorious Art the power of Time defies,
And Trajan still, through various enterprise,
Mounts, in this fine illusion, toward the skies:
Still are we present with the imperial Chief, 70
Nor cease to gaze upon the bold Relief
Till Rome, to silent marble unconfined,
Becomes with all her years a vision of the Mind.
1826.
ON SEEING A NEEDLECASE IN THE FORM OF A HARP, THE WORK OF E.M.S.
FROWNS are on every Muse’s face,
Reproaches from their lips are sent,
That mimicry should thus disgrace
The noble Instrument.
A very Harp in all but size!
Needles for strings in apt gradation!
Minerva’s self would stigmatize
The unclassic profanation.
Even her ‘own’ needle that subdued
Arachne’s rival spirit, 10
Though wrought in Vulcan’s happiest mood,
Such honour could not merit.
And this, too, from the Laureate’s Child,
A living lord of melody!
How will her Sire be reconciled
To the refined indignity?
I spake, when whispered a low voice,
“Bard! moderate your ire;
Spirits of all degrees rejoice
In presence of the lyre. 20
The Minstrels of Pygmean bands,
Dwarf Genii, moonlight-loving Fays,
Have shells to fit their tiny hands
And suit their slender lays.
Some, still more delicate of ear,
Have lutes (believe my words)
Whose framework is of gossamer,
While sunbeams are the chords.
Gay Sylphs this miniature will court,
Made vocal by their brushing wings, 30
And sullen Gnomes will learn to sport
Around its polished strings;
Whence strains to love-sick maiden dear,
While in her lonely bower she tries
To cheat the thought she cannot cheer,
By fanciful embroideries.
Trust, angry Bard! a knowing Sprite,
Nor think the Harp her lot deplores!
Though ‘mid the stars the Lyre shine bright,
Love ‘stoops’ as fondly as he soars.” 40
1827.
TO ——
HAPPY the feeling from the bosom thrown
In perfect shape (whose beauty Time shall spare
Though a breath made it) like a bubble blown
For summer pastime into wanton air;
Happy the thought best likened to a stone
Of the sea-beach, when, polished with nice care,
Veins it discovers exquisite and rare,
Which for the loss of that moist gleam atone
That tempted first to gather it. That here,
O chief of Friends! such feelings I present, 10
To thy regard, with thoughts so fortunate,
Were a vain notion; but the hope is dear,
That thou, if not with partial joy elate,
Wilt smile upon this gift with more than mild content!
1827.
HER ONLY PILOT THE SOFT BREEZE
HER only pilot the soft breeze, the boat
Lingers, but Fancy is well satisfied;
With keen-eyed Hope, with Memory, at her side,
And the glad Muse at liberty to note
All that to each is precious, as we float
Gently along; regardless who shall chide
If the heavens smile, and leave us free to glide,
Happy Associates breathing air remote
From trivial cares. But, Fancy and the Muse,
Why have I crowded this small bark with you 10
And others of your kind, ideal crew!
While here sits One whose brightness owes its hues
To flesh and blood; no Goddess from above,
No fleeting Spirit, but my own true love?
1827.
WHY, MINSTREL, THESE UNTUNEFUL MURMURINGS
“WHY, Minstrel, these untuneful murmurings—
Dull, flagging notes that with each other jar?”
“Think, gentle Lady, of a Harp so far
From its own country, and forgive the strings.”
A simple answer! but even so forth springs,
From the Castalian fountain of the heart,
The Poetry of Life, and all ‘that’ Art
Divine of words quickening insensate things.
From the submissive necks of guiltless men
Stretched on the block, the glittering axe recoils; 10
Sun, moon, and stars, all struggle in the toils
Of mortal sympathy; what wonder then
That the poor Harp distempered music yields
To its sad Lord, far from his native fields?
1827.
TO S. H.
EXCUSE is needless when with love sincere
Of occupation, not by fashion led,
Thou turn’st the Wheel that slept with dust o’erspread;
‘My’ nerves from no such murmur shrink,—tho’ near,
Soft as the Dorhawk’s to a distant ear,
When twilight shades darken the mountain’s head.
Even She who toils to spin our vital thread
Might smile on work, O Lady, once so dear
To household virtues. Venerable Art,
Torn from the Poor! yet shall kind Heaven protect 10
Its own; though Rulers, with undue respect,
Trusting to crowded factory and mart
And proud discoveries of the intellect,
Heed not the pillage of man’s ancient heart.
1827.
DECAY OF PIETY
OFT have I seen, ere Time had ploughed my cheek,
Matrons and Sires—who, punctual to the call
Of their loved Church, on fast or festival
Through the long year the house of Prayer would seek:
By Christmas snows, by visitation bleak
Of Easter winds, unscared, from hut or hall
They came to lowly bench or sculptured stall,
But with one fervour of devotion meek.
I see the places where they once were known,
And ask, surrounded even by kneeling crowds, 10
Is ancient Piety for ever flown?
Alas! even then they seemed like fleecy clouds
That, struggling through the western sky, have won
Their pensive light from a departed sun!
1827.
SCORN NOT THE SONNET
SCORN not the Sonnet; Critic, you have frowned,
Mindless of its just honours; with this key
Shakspeare unlocked his heart; the melody
Of this small lute gave ease to Petrarch’s wound;
A thousand times this pipe did Tasso sound;
With it Camoens soothed an exile’s grief;
The Sonnet glittered a gay myrtle leaf
/> Amid the cypress with which Dante crowned
His visionary brow: a glow-worm lamp,
It cheered mild Spenser, called from Faeryland 10
To struggle through dark ways; and, when a damp
Fell round the path of Milton, in his hand
The Thing became a trumpet; whence he blew
Soul-animating strains—alas, too few!
1827.
FAIR PRIME OF LIFE! WERE IT ENOUGH TO GILD
FAIR Prime of life! were it enough to gild
With ready sunbeams every straggling shower;
And, if an unexpected cloud should lower,
Swiftly thereon a rainbow arch to build
For Fancy’s errands,—then, from fields half-tilled
Gathering green weeds to mix with poppy flower,
Thee might thy Minions crown, and chant thy power,
Unpitied by the wise, all censure stilled.
Ah! show that worthier honours are thy due;
Fair Prime of life! arouse the deeper heart; 10
Confirm the Spirit glorying to pursue
Some path of steep ascent and lofty aim;
And, if there be a joy that slights the claim
Of grateful memory, bid that joy depart.
1827.
RETIREMENT
IF the whole weight of what we think and feel,
Save only far as thought and feeling blend
With action, were as nothing, patriot Friend!
From thy remonstrance would be no appeal;
But to promote and fortify the weal
Of our own Being is her paramount end;
A truth which they alone shall comprehend
Who shun the mischief which they cannot heal.
Peace in these feverish times is sovereign bliss:
Here, with no thirst but what the stream can slake, 10
And startled only by the rustling brake,
Cool air I breathe; while the unincumbered Mind
By some weak aims at services assigned
To gentle Natures, thanks not Heaven amiss.
1827.
THERE IS A PLEASURE IN POETIC PAINS
‘THERE is a pleasure in poetic pains
Which only Poets know’;—’twas rightly said;
Whom could the Muses else allure to tread
Their smoothest paths, to wear their lightest chains?
When happiest Fancy has inspired the strains,
How oft the malice of one luckless word
Pursues the Enthusiast to the social board,
Delphi Complete Works of William Wordsworth Page 278