“Do with me as thou wilt! thy will is best.”
There issued forth no Voice to answer him,
But lo! Hodeirah’s Spirit comes to see
His vengeance, and beside him, a pure form
Of roseate light, the Angel mother hangs.
“My Child, my dear, my glorious, blessed Child,
“My promise is performed... fufil thy work!”
Thalaba knew that his death-hour was come,
And on he leapt, and springing up,
Into the Idol’s heart
Hilt-deep he drove the Sword.
The Ocean-Vault fell in, and all were crushed.
In the same moment at the gate
Of Paradise, Oneiza’s Houri-form
Welcomed her Husband to eternal bliss.
THE END
BALLADS
CONTENTS
MARY, THE MAID OF THE INN.
DONICA.
RUDIGER.
JASPAR.
LORD WILLIAM.
ST. PATRICK’S PURGATORY.
THE CROSS ROADS.
GOD’S JUDGEMENT ON A WICKED BISHOP.
THE PIOUS PAINTER.
ST. MICHAEL’S CHAIR.
KING HENRY V. AND THE HERMIT OF DREUX.
OLD CHRISTOVAL’S ADVICE, AND THE REASON WHY HE GAVE IT.
CORNELIUS AGRIPPA
VERY PITHY AND PROFITABLE.
KING CHARLEMAIN.
ST. ROMUALD.
THE KING OF THE CROCODILES.
THE ROSE.
THE LOVER’S ROCK.
GARCI FERRANDEZ.
KING RAMIRO.
THE INCHCAPE ROCK.
THE WELL OF ST. KEYNE.
BISHOP BRUNO.
THE BATTLE OF BLENHEIM.
A TRUE BALLAD OF ST. ANTIDIUS, THE POPE, AND THE DEVIL.
GONZALO HERMIGUEZ.
QUEEN ORRACA, AND THE FIVE MARTYRS OF MOROCCO.
THE OLD WOMAN OF BERKELEY, A BALLAD, SHEWING HOW AN OLD WOMAN RODE DOUBLE, AND WHO RODE BEFORE HER.
THE SURGEON’S WARNING.
HENRY THE HERMIT.
ST. GUALBERTO. ADDRESSED TO GEORGE BURNETT.
THE MARCH TO MOSCOW.
BROUGH BELLS.
QUEEN MARY’S CHRISTENING.
ROPRECHT THE ROBBER.
THE YOUNG DRAGON.
A TALE OF PARAGUAY. DEDICATION TO EDITH MAY SOUTHEY.
A TALE OF PARAGUAY. PROEM.
A TALE OF PARAGUAY. CANTO I.
A TALE OF PARAGUAY. CANTO II.
A TALE OF PARAGUAY. CANTO III.
A TALE OF PARAGUAY. CANTO IV.
ALL FOR LOVE.
THE PILGRIM TO COMPOSTELLA.
THE PILGRIM TO COMPOSTELLA: PRELUDE.
THE PILGRIM TO COMPOSTELLA: INTRODUCTION.
THE PILGRIM TO COMPOSTELLA. PART I.
THE PILGRIM TO COMPOSTELLA: PART II.
THE PILGRIM TO COMPOSTELLA: PART III.
THE PILGRIM TO COMPOSTELLA: PART IV.
Southey in middle age
MARY, THE MAID OF THE INN.
The story of the following ballad was related to me, when a school boy, as a fact which had really happened in the North of England. I have adopted the metre of Mr. Lewis’s Alonzo and Imogene — a poem deservedly popular.
MARY.
I.
Who is she, the poor Maniac, whose wildly-fix’d eyes
Seem a heart overcharged to express?
She weeps not, yet often and deeply she sighs,
She never complains, but her silence implies
The composure of settled distress.
II.
No aid, no compassion the Maniac will seek,
Cold and hunger awake not her care:
Thro’ her rags do the winds of the winter blow bleak
On her poor withered bosom half bare, and her cheek
Has the deathy pale hue of despair.
III.
Yet chearful and happy, nor distant the day,
Poor Mary the Maniac has been;
The Traveller remembers who journeyed this way
No damsel so lovely, no damsel so gay
As Mary the Maid of the Inn.
IV.
Her chearful address fill’d the guests with delight
As she welcomed them in with a smile:
Her heart was a stranger to childish affright,
And Mary would walk by the Abbey at night
When the wind whistled down the dark aisle.
V.
She loved, and young Richard had settled the day,
And she hoped to be happy for life;
But Richard was idle and worthless, and they
Who knew him would pity poor Mary and say
That she was too good for his wife.
VI.
’Twas in autumn, and stormy and dark was the night,
And fast were the windows and door;
Two guests sat enjoying the fire that burnt bright,
And smoking in silence with tranquil delight
They listen’d to hear the wind roar.
VII.
“Tis pleasant,” cried one, “seated by the fire side
“To hear the wind whistle without.”
“A fine night for the Abbey!” his comrade replied,
“Methinks a man’s courage would now be well tried
“Who should wander the ruins about.
VIII.
“I myself, like a school-boy, should tremble to hear
“The hoarse ivy shake over my head;
“And could fancy I saw, half persuaded by fear,
“Some ugly old Abbot’s white spirit appear,
“For this wind might awaken the dead!”
IX.
“I’ll wager a dinner,” the other one cried,
“That Mary would venture there now.”
“Then wager and lose!” with a sneer he replied,
“I’ll warrant she’d fancy a ghost by her side,
“And faint if she saw a white cow.”
X.
“Will Mary this charge on her courage allow?”
His companion exclaim’d with a smile;
“I shall win, for I know she will venture there now,
“And earn a new bonnet by bringing a bough
“From the elder that grows in the aisle.”
XI.
With fearless good humour did Mary comply,
And her way to the Abbey she bent;
The night it was dark, and the wind it was high
And as hollowly howling it swept thro’ the sky
She shiver’d with cold as she went.
XII.
O’er the path so well known still proceeded the Maid
Where the Abbey rose dim on the sight,
Thro’ the gate-way she entered, she felt not afraid
Yet the ruins were lonely and wild, and their shade
Seem’d to deepen the gloom of the night.
XIII.
All around her was silent, save when the rude blast
Howl’d dismally round the old pile;
Over weed-cover’d fragments still fearless she past,
And arrived in the innermost ruin at last
Where the elder tree grew in the aisle.
XIV.
Well-pleas’d did she reach it, and quickly drew near
And hastily gather’d the bough:
When the sound of a voice seem’d to rise on her ear,
She paus’d, and she listen’d, all eager to hear,
Aud her heart panted fearfully now.
XV.
The wind blew, the hoarse ivy shook over her head,
She listen’d, — nought else could she hear.
The wind ceas’d, her heart sunk in her bosom with dread
For she heard in the ruins distinctly the tread
Of footsteps approaching her near.
XVI.
Behind a wide column half breathless with fear
She crept to conceal herself ther
e:
That instant the moon o’er a dark cloud shone clear,
And she saw in the moon-light two ruffians appear
And between them a corpse did they bear.
XVII.
Then Mary could feel her heart-blood curdle cold!
Again the rough wind hurried by, —
It blew off the hat of the one, and behold
Even close to the feet of poor Mary it roll’d, —
She felt, and expected to die.
XVIII.
“Curse the hat!” he exclaims. “Nay come on and first hide
“The dead body,” his comrade replies.
She beheld them in safety pass on by her side,
She seizes the hat, fear her courage supplied,
And fast thro’ the Abbey she flies.
XIX.
She ran with wild speed, she rush’d in at the door,
She gazed horribly eager around,
Then her limbs could support their faint burthen no more,
And exhausted and breathless she sunk on the floor
Unable to utter a sound.
XX.
Ere yet her pale lips could the story impart,
For a moment the hat met her view; —
Her eyes from that object convulsively start,
For — oh God what cold horror then thrill’d thro’ her heart,
When the name of her Richard she knew!
XXI.
Where the old Abbey stands, on the common hard by
His gibbet is now to be seen.
Not far from the road it engages the eye,
The Traveller beholds it, and thinks with a sigh
Of poor Mary the Maid of the Inn.
DONICA.
In Finland there is a Castle which is called the New Rock, moated about with a river of unfounded depth, the water black and the fish therein very distateful to the palate. In this are spectres often seen, which foreshew either the death of the Governor, or some prime officer belonging to the place; and most commonly it appeareth in the shape of an harper, sweetly singing and dallying and playing under the water.
It is reported of one Donica, that after she was dead, the Devil walked in her body for the space of two years, so that none suspected but that she was still alive; for she did both speak and eat, though very sparingly; only she had a deep paleness on her countenance, which was the only sign of death. At length a Magician coming by where she was then in the company of many other virgins, as soon as he beheld her he said, “fair Maids, why keep you company with the dead Virgin whom you suppose to be alive?” when taking away the magic charm which was tied under her arm, the body fell down lifeless and without motion.
The following Ballad is founded on these stories. They are to be found in the notes to The Hierarchies of the blessed Angels; a Poem by Thomas Heywood, printed in folio by Adam Islip, 1635.
DONICA.
High on a rock, whose castled shade
Darken’d the lake below,
In ancient strength majestic stood
The towers of Arlinkow.
The fisher in the lake below
Durst never cast his net,
Nor ever swallow in its waves
Her passing wings would wet.
The cattle from its ominous banks
In wild alarm would run,
Tho’ parched with thirst and faint beneath
The summer’s scorching sun.
For sometimes when no passing breeze
The long lank sedges waved,
All white with foam and heaving high
Its deafening billows raved;
And when the tempest from its base
The rooted pine would shake,
The powerless storm unruffling swept
Across the calm dead lake.
And ever then when Death drew near
The house of Arlinkow,
Its dark unfathom’d depths did send
Strange music from below.
The Lord of Arlinkow was old,
One only child had he,
Donica was the Maiden’s name
As fair as fair might be.
A bloom as bright as opening morn
Flush’d o’er her clear white cheek,
The music of her voice was mild,
Her full dark eyes were meek.
Far was her beauty known, for none
So fair could Finland boast,
Her parents loved the Maiden much,
Young EBERHARD loved her most.
Together did they hope to tread
The pleasant path of life,
For now the day drew near to make
Donica Eberhard’s wife.
The eve was fair and mild the air,
Along the lake they stray;
The eastern hill reflected bright
The fading tints of day.
And brightly o’er the water stream’d
The liquid radiance wide;
Donica’s little dog ran on
And gambol’d at her side.
Youth, Health, and Love bloom’d on her cheek,
Her full dark eyes express
In many a glance to Eberhard
Her soul’s meek tenderness.
Nor sound was heard, nor passing gale
Sigh’d thro’ the long lank sedge,
The air was hushed, no little wave
Dimpled the water’s edge.
Sudden the unfathom’d lake sent forth
Strange music from beneath,
And slowly o’er the waters sail’d
The solemn sounds of Death.
As the deep sounds of Death arose,
Donica’s cheek grew pale,
And in the arms of Eberhard
The senseless Maiden fell.
Loudly the youth in terror shriek’d,
And loud he call’d for aid,
And with a wild and eager look
Gaz’d on the death-pale Maid.
But soon again did better thoughts
In Eberhard arise,
And he with trembling hope beheld
The Maiden raise her eyes.
And on his arm reclin’d she moved
With feeble pace and slow,
And soon with strength recover’d reach’d
Yet never to Donica’s cheek
Return’d the lively hue,
Her cheeks were deathy, white, and wan,
Her lips a livid blue.
Her eyes so bright and black of yore
Were now more black and bright,
And beam’d strange lustre in her face
So deadly wan and white.
The dog that gambol’d by her side,
And lov’d with her to stray,
Now at his alter’d mistress howl’d
And fled in fear away.
Yet did the faithful Eberhard
Not love the Maid the less;
He gaz’d with sorrow, but he gaz’d
With deeper tenderness.
And when he found her health unharm’d
He would not brook delay,
But press’d the not unwilling Maid
To fix the bridal day.
And when at length it came, with joy
They hail’d the bridal day,
And onward to the house of God
They went their willing way.
And as they at the altar stood
And heard the sacred rite,
The hallowed tapers dimly stream’d
A pale sulphureous light.
And as the Youth with holy warmth
Her hand in his did hold,
Sudden he felt Donica’s hand
Grow deadly damp and cold.
And loudly did he shriek, for lo!
A Spirit met his view,
And Eberhard in the angel form
His own Donica knew.
That instant from her earthly frame
Howling the Daemon fled,
And at the side of Eberhard
The livid form fell dead.
RUDIGER.
Divers Princes and Noblemen being assembled in a beautiful and fair Palace, which was situate upon the river Rhine, they beheld a boat or small barge make toward the shore, drawn by a Swan in a silver chain, the one end fastened about her neck, the other to the vessel; and in it an unknown soldier, a man of a comely personage and graceful presence, who stept upon the shore; which done, the boat guided by the Swan left him, and floated down the river. This man fell afterward in league with a fair gentlewoman, married her, and by her had many children. After some years, the same Swan came with the same barge into the same place; the soldier entering into it, was carried thence the way he came, left wife, children and family, and was never seen amongst them after.
Now who can judge this to be other than one of those spirits that are named Incubi? says Thomas Heywood. I have adopted his story, but not his solution, making the unknown soldier not an evil spirit, but one who had purchased happiness of a malevolent being, by the promised sacrifice of his first-born child.
RUDIGER.
Bright on the mountain’s heathy slope
The day’s last splendors shine
And rich with many a radiant hue
Gleam gayly on the Rhine.
And many a one from Waldhurst’s walls
Along the river stroll’d,
As ruffling o’er the pleasant stream
The evening gales came cold.
So as they stray’d a swan they saw
Complete Poetical Works of Robert Southey Page 113