Hither, however, in an evil hour for the peace of this little brotherhood of shepherds, came the cruel spoiler from Keswick. His errand was, to witness or to share in the char-fishing; for in Derwentwater (the Lake of Keswick) no char is found, which breeds only in the deep waters, such as Windermere, Crummock, Buttermere, and Coniston — never in the shallow ones. But, whatever had been his first object, that was speedily forgotten in one more deeply interesting. The daughter of the house, a fine young woman of eighteen, acted as waiter. In a situation so solitary, the stranger had unlimited facilities for enjoying her company, and recommending himself to her favour. Doubts about his pretensions never arose in so simple a place as this; they were overruled before they could well have arisen by the opinion now general in Keswick, that he really was what he pretended to be: and thus, with little demur, except in the shape of a few natural words of parting anger from a defeated or rejected rustic admirer, the young woman gave her hand in marriage to the showy and unprincipled stranger. I know not whether the marriage was, or could have been, celebrated in the little mountain chapel of Buttermere. If it were, I persuade myself that the most hardened villain must have felt a momentary pang on violating the altar of such a chapel; so touchingly does it express, by its miniature dimensions, the almost helpless humility of that little pastoral community to whose spiritual wants it has from generation to generation administered. It is not only the very smallest chapel by many degrees in all England, but is so mere a toy in outward appearance that, were it not for its antiquity, its wild mountain exposure, and its consecrated connexion with the final hopes and fears of the adjacent pastoral hamlet — but for these considerations, the first movement of a stranger’s feelings would be towards loud laughter; for the little chapel looks not so much a mimic chapel in a drop-scene from the Opera House as a miniature copy from such a scene; and evidently could not receive within its walls more than half a dozen of households. From this sanctuary it was — from beneath the maternal shadow, if not from the very altar, of this lonely chapel — that the heartless villain carried off the flower of the mountains. Between this place and Keswick they continued to move backwards and forwards, until at length, with the startling of a thunder-clap to the affrighted mountaineers, the bubble burst: officers of justice appeared: the stranger was easily intercepted from flight, and, upon a capital charge, was borne away to Carlisle. At the ensuing assizes he was tried for forgery on the prosecution of the Post-Office, found guilty, left for execution, and executed accordingly. On the day of his condemnation, Wordsworth and Coleridge passed through Carlisle, and endeavoured to obtain an interview with him. Wordsworth succeeded; but, for some unknown reason, the prisoner steadily refused to see Coleridge; a caprice which could not be penetrated. It is true that he had, during his whole residence at Keswick, avoided Coleridge with a solicitude which had revived the original suspicions against him in some quarters, after they had generally gone to sleep. But for this his motive had then been sufficient: he was of a Devonshire family, and naturally feared the eye, or the inquisitive examination of one who bore a name immemorially associated with the southern part of that county.
Coleridge, however, had been transplanted so immaturely from his native region that few people in England knew less of its family connexions. That, perhaps, was unknown to this malefactor; but, at any rate, he knew that all motive was now at an end for disguise of any sort; so that his reserve, in this particular, had now become unintelligible. However, if not him, Coleridge saw and examined his very interesting papers. These were chiefly letters from women whom he had injured, pretty much in the same way, and by the same impostures, as he had so recently practised in Cumberland; and, as Coleridge assured me, were in part the most agonizing appeals that he had ever read to human justice and pity. The man’s real name was, I think, Hatfield. And amongst the papers were two separate correspondences, of some length, with two young women, apparently of superior condition in life (one the daughter of an English clergyman), whom this villain had deluded by marriage, and, after some cohabitation, abandoned, — one of them with a family of young children. Great was the emotion of Coleridge when he recurred to his remembrance of these letters, and bitter, almost vindictive, was the indignation with which he spoke of Hatfield. One set of letters appeared to have been written under too certain a knowledge of his villany to whom they were addressed; though still relying on some possible remains of humanity, or perhaps (the poor writer might think) on some lingering preference for herself. The other set was even more distressing; they were written under the first conflicts of suspicions, alternately repelling with warmth the gloomy doubts which were fast arising, and then yielding to their afflicting evidence; raving in one page under the misery of alarm, in another courting the delusions of hope, and luring back the perfidious deserter, — here resigning herself to despair, and there again labouring to show that all might yet be well. Coleridge said often, in looking back upon that frightful exposure of human guilt and misery, that the man who, when pursued by these heart-rending apostrophes, and with this litany of anguish sounding in his ears, from despairing women and from famishing children, could yet find it possible to enjoy the calm pleasures of a Lake tourist, and deliberately to hunt for the picturesque, must have been a fiend of that order which fortunately does not often emerge amongst men. It is painful to remember that, in those days, amongst the multitudes who ended their career in the same ignominious way, and the majority for offences connected with the forgery of bank notes, there must have been a considerable number who perished from the very opposite cause — viz., because they felt, too passionately and profoundly for prudence, the claims of those who looked up to them for support. One common scaffold confounds the most flinty hearts and the tenderest. However, in this instance, it was in some measure the heartless part of Hatfield’s conduct which drew upon him his ruin: for the Cumberland jury honestly declared their unwillingness to hang him for having forged a frank; and both they, and those who refused to aid his escape when first apprehended, were reconciled to this harshness entirely by what they heard of his conduct to their injured young fellow-countrywoman.
She, meantime, under the name of The Beauty of Buttermere, became an object of interest to all England; melodramas were produced in the London suburban theatres upon her story; and, for many a year afterwards, shoals of tourists crowded to the secluded lake, and the little homely cabaret, which had been the scene of her brief romance; It was fortunate for a person in her distressing situation that her home was not in a town: the few and simple neighbours, who had witnessed her imaginary elevation, having little knowledge of worldly feelings, never for an instant connected with her disappointment any sense of the ludicrous, or spoke of it as a calamity to which her vanity might have co-operated. They treated it as unmixed injury, reflecting shame upon nobody but the wicked perpetrator. Hence, without much trial to her womanly sensibilities, she found herself able to resume her situation in the little inn; and this she continued to hold for many years. In that place, and that capacity, I saw her repeatedly, and shall here say a word upon her personal appearance, because the Lake poets all admired her greatly. Her figure was, in my eyes, good; but I doubt whether most of my readers would have thought it such. She was none of your evanescent, wasp-waisted beauties; on the contrary, she was rather large every way; tallish, and proportionably broad. Her face was fair, and her features feminine; and, unquestionably, she was what all the world would have agreed to call “good-looking.” But, except in her arms, which had something of a statuesque beauty, and in her carriage, which expressed a womanly grace, together with some degree of dignity and self-possession, I confess that I looked in vain for any positive qualities of any sort or degree. Beautiful, in any emphatic sense, she was not. Everything about her face and bust was negative; simply without offence. Even this, however, was more than could be said at all times; for the expression of her countenance could be disagreeable. This arose out of her situation; connected as it was with defective sensibil
ity and a misdirected pride. Nothing operates so differently upon different minds and different styles of beauty as the inquisitive gaze of strangers, whether in the spirit of respectful admiration or of insolence. Some I have seen upon whose angelic beauty this sort of confusion settled advantageously, and like a softening veil; others, in whom it meets with proud resentment, are sometimes disfigured by it. In Mary of Buttermere it roused mere anger and disdain; which, meeting with the sense of her humble and dependent situation, gave birth to a most unhappy aspect of countenance. Men who had no touch of a gentleman’s nature in their composition sometimes insulted her by looks and by words, supposing that they purchased the right to do this by an extra half-crown; and she too readily attributed the same spirit of impertinent curiosity to every man whose eyes happened to settle steadily upon her face. Yet, once at least, I must have seen her under the most favourable circumstances: for, on my first visit to Buttermere, I had the pleasure of Mr. Southey’s company, who was incapable of wounding anybody’s feelings, and to Mary, in particular, was well known by kind attentions, and I believe by some services. Then, at least, I saw her to advantage, and perhaps, for a figure of her build, at the best age; for it was about nine or ten years after her misfortune, when she might be twenty-seven or twenty-eight years old. We were alone, a solitary pair of tourists: nothing arose to confuse or distress her. She waited upon us at dinner, and talked to us freely. “This is a respectable young woman,” I said to myself; but nothing of that enthusiasm could I feel which beauty, such as I have beheld at the Lakes, would have been apt to raise under a similar misfortune. One lady, not very scrupulous in her embellishments of facts, used to tell an anecdote of her which I hope was exaggerated. Some friend of hers (as she affirmed), in company with a large party, visited Buttermere within one day after that upon which Hatfield suffered; and she protested that Mary threw upon the table, with an emphatic gesture, the Carlisle paper containing an elaborate account of his execution.
It is an instance of Coleridge’s carelessness that he, who had as little of fixed ill-nature in his temper as any person whom I have ever known, managed, in reporting this story at the time of its occurrence, to get himself hooked into a personal quarrel, which hung over his head unsettled for nine or ten years. A Liverpool merchant, who was then meditating a house in the Vale of Grasmere, and perhaps might have incurred Coleridge’s anger by thus disturbing, with inappropriate intrusions, this loveliest of all English landscapes, had connected himself a good deal with Hatfield during his Keswick masquerade; and was said even to have carried his regard to that villain so far as to have christened one of his own children by the names of “Augustus Hope.” With these and other circumstances, expressing the extent of the infatuation amongst the swindler’s dupes, Coleridge made the public merry. Naturally, the Liverpool merchant was not amongst those who admired the facetiousness of Coleridge on this occasion, but swore vengeance whenever they should meet. They never did meet, until ten years had gone by; and then, oddly enough, it was in the Liverpool man’s own house — in that very nuisance of a house which had, I suppose, first armed Coleridge’s wrath against him. This house, by time and accident, in no very wonderful way, had passed into the hands of Wordsworth as tenant. Coleridge, as was still less wonderful, had become the visitor of Wordsworth on returning from Malta; and the Liverpool merchant, as was also natural, either seeking his rent, or on the general errand of a friendly visit, calling upon Wordsworth, met Coleridge in the hall. Now came the hour for settling old accounts. I was present, and can report the case. Both looked grave, and coloured a little. But ten years work wonders: an armistice of that duration heals many a wound; and Samuel Taylor Coleridge, requesting his enemy’s company in the garden, entered upon a long metaphysical dissertation, bordering upon what you might call philosophical rigmarole, and rather puzzling to answer. It seemed to be an expansion, by Thomas Aquinas, of that parody upon a well-known passage in Shenstone, where the writer says —
“He kick’d me down-stairs with such a sweet grace That I thought he was handing me up.”
And, in the upshot, this conclusion eventuated (to speak Yankeeishly), that purely on principles of good neighbourhood and universal philanthropy could Coleridge have meditated or executed the insult offered in the “Morning Post.” The Liverpool merchant rubbed his forehead, and seemed a little perplexed; but he was a most good-natured man; and he was eminently a gentleman. At length, considering, perhaps, how very like Duns Scotus, or Albertus Magnus, Coleridge had shown himself in this luminous explanation, he might begin to reflect that, had any one of those distinguished men offered a similar affront, it would have been impossible to resent it; for who could think of kicking the “Doctor Seraphicus,” or would it tell to any man’s advantage in history that he had caned Thomas Aquinas? On these principles, therefore, without saying one word, Liverpoliensis held out his hand, and a lasting reconciliation followed.
Not very long, I believe, after this affair of Hatfield, Coleridge went to Malta. His inducement to such a step must have been merely a desire to see the most interesting regions of the Mediterranean under the shelter and advantageous introduction of an official station. It was, however, an unfortunate chapter of his life: for, being necessarily thrown a good deal upon his own resources in the narrow society of a garrison, he there confirmed and cherished, if he did not there form, his habit of taking opium in large quantities. I am the last person in the world to press conclusions harshly or uncandidly against Coleridge; but I believe it to be notorious that he first began the use of opium, not as a relief from any bodily pains or nervous irritations (since his constitution was strong and excellent), but as a source of luxurious sensations. It is a great misfortune, at least it is a great peril, to have tasted the enchanted cup of youthful rapture incident to the poetic temperament. That fountain of high-wrought sensibility once unlocked experimentally, it is rare to see a submission afterwards to the insipidities of daily life. Coleridge, to speak in the words of Cervantes, wanted better bread than was made of wheat; and, when youthful blood no longer sustained the riot of his animal spirits, he endeavoured to excite them by artificial stimulants.
At Malta he became acquainted with Commodore Decatur and other Americans of distinction; and this brought him afterwards into connexion with Allston, the American artist. Of Sir Alexander Ball, one of Lord Nelson’s captains in the battle of the Nile, and Governor of Malta, he spoke and wrote uniformly in a lavish style of panegyric, for which plainer men found it difficult to see the slightest ground. It was, indeed, Coleridge’s infirmity to project his own mind, and his own very peculiar ideas, nay, even his own expressions and illustrative metaphors, upon other men, and to contemplate these reflex images from himself as so many characters having an absolute ground in some separate object. “Ball and Bell”—”Bell and Ball,” were two of these pet subjects; he had a “craze” about each of them; and to each he ascribed thoughts and words to which, had they been put upon the rack, they never would have confessed.
From Malta, on his return homewards, he went to Rome and Naples. One of the cardinals, he tells us, warned him, by the Pope’s wish, of some plot, set on foot by Bonaparte, for seizing him as an anti-Gallican writer. This statement was ridiculed by the anonymous assailant in “Blackwood” as the very consummation of moonstruck vanity; and it is there compared to John Dennis’s frenzy in retreating from the sea-coast, under the belief that Louis XIV had commissioned emissaries to land on the English shore and make a dash at his person. But, after all, the thing is not so entirely improbable. For it is certain that some orator of the Opposition (Charles Fox, as Coleridge asserts) had pointed out all the principal writers in the “Morning Post” to Napoleon’s vengeance, by describing the war as a war “of that journal’s creation.” And, as to the insinuation that Napoleon was above throwing his regards upon a simple writer of political essays, that is not only abundantly confuted by many scores of established cases, but also is specially put down by a case circumstantially record
ed in the Second Tour to Paris by the celebrated John Scott of Aberdeen. It there appears that, on no other ground whatever than that of his connexion with the London newspaper press, some friend of Mr. Scott’s had been courted most assiduously by Napoleon during the Hundred Days. Assuredly Coleridge deserved, beyond all other men that ever were connected with the daily press, to be regarded with distinction. Worlds of fine thinking lie buried in that vast abyss, never to be disentombed or restored to human admiration. Like the sea, it has swallowed treasures without end, that no diving-bell will bring up again. But nowhere, throughout its shoreless magazines of wealth, does there lie such a bed of pearls confounded with the rubbish and “purgamenta” of ages, as in the political papers of Coleridge. No more appreciable monument could be raised to the memory of Coleridge than a republication of his essays in the “Morning Post,” and afterwards in the “Courier.” And here, by the way, it may be mentioned that the sagacity of Coleridge, as applied to the signs of the times, is illustrated by this fact, that distinctly and solemnly he foretold the restoration of the Bourbons, at a period when most people viewed such an event as the most romantic of visions, and not less chimerical than that “march upon Paris” of Lord Hawkesbury’s which for so many years supplied a theme of laughter to the Whigs.
Complete Poetical Works of Robert Southey Page 284