The Henna Artist

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The Henna Artist Page 31

by Alka Joshi


  Boteh: from the Persian word meaning “leaf,” it refers to a paisley design motif

  Brahmi: an herb used to stimulate the mind

  Bukwas: nonsense

  Bulbul: a songbird of Asia and Africa

  Burfi: a sweet made from milk, sometimes with various nuts

  Burri nazar: an evil look or evil gaze

  Bush-shirt: white T-shirt worn under man’s half-sleeve or full-sleeve shirt

  Caste: for centuries, Indians followed a rigid socioeconomic class structure that divided people according to their birth into four or five groups (the number is debatable): Brahmin (priests and teachers), Kshatriya (warriors), Vaishya (merchants), Shudras (servant class) and the Untouchables

  Chaat: savory snacks, freshly made, found at street stalls

  Chai: hot tea

  Chai-walla: one who sells hot tea

  Chameli: Indian jasmine

  Champa: fragrant flower often used in perfume and incense

  Chapatti: round, flat, unleavened bread

  Charanna: someone who earns four annas, equivalent to pennies

  Charpoy: traditional Indian bed woven with rope or netting

  Chole: cooked and spiced garbanzo beans

  Choti behen: little sister

  Chowkidar: gatekeeper, watchman

  Chunni: a woman’s head covering

  Chup-chup: hush-hush

  Chura: bangle

  Coriander: popular herb used in Indian cooking; also called cilantro

  Dal batti: cooked balls of wheat usually eaten with dal (lentil soup)

  Dalit: an Untouchable

  Devdas: a playboy

  Dhoti: a rectangular piece of cloth, unstitched, usually white, five to seven yards long, wrapped around the waist and legs, worn by men; once he stopped wearing suits, Mahatma Gandhi always wore a dhoti to encourage Indian customs over British

  Diya: an oil lamp made of clay

  Doodh-walla: milkman

  Frangipani: very fragrant, sweet-smelling flower; referred to as plumeria in other parts of the world

  Gajar ka halwa: a dessert made from shredded carrots

  Ghasti ki behen: sister of a hooker

  Ghazal: a love ballad, often on the theme of love

  Ghee: clarified butter or butter with the water removed

  Gobi: cauliflower

  Goonda: hoodlum

  Gopi: girl who herds cows

  Gori: a girl who is fair; also a woman’s name (English officials were called Gora Sahibs during British rule, meaning White Misters)

  Griha Pravesh: house warming

  Gymkhana: place where competitive games are held

  Hahn: yes

  Hai Ram: Oh, God!

  Jalebi: a fried orange-colored sweet covered in thick sugar-water

  Jeera: cumin seeds

  Jharu: broom

  Ji: an address of respect. The addition of ji to a person’s name (e.g., Ganesh-ji, Gandhi-ji) accords them respect and reverence

  Jiji: big sister

  Juey: fleas

  Juroor: Of course!

  Kajal: same as kohl, a black eyeliner

  Kaju: cashew

  Kathak: a popular form of highly energetic dance with ancient roots

  Khadi: handwoven cloth, often cotton; after the English destroyed Indian mills so they could sell English cloth to Indians, Gandhi encouraged Indians to boycott English goods by producing and using khadi cloth for saris and dhotis

  Kheer: a dessert similar to rice pudding

  Khus-khus fan: made of vetiver grass, the fan is first dampened to release a cooling perfume as it is used

  Kicheri: a rice and lentil dish, often served to children

  Kofta: dumplings made from potato or meat

  Kohl: same as kajal, a black eyeliner

  Koyal: a bird from the cuckoo family, known for its beautiful songs; often called the Nightingale of India

  Kulfi: ice cream

  Kundan: jewelry designed with uncut diamonds and gemstones set in a highly refined molten gold; believed to have originated in the royal courts of Rajasthan

  Kurtha: loose long-sleeved tunic worn over a pyjama bottom.

  Kya: What? What is it?

  Kya ho gya: What happened?

  Laddus: round balls cooked from sweetened lentils, ground chickpea or whole wheat flour

  Lakh: unit in the Indian numbering system equivalent to 100,000

  Lassi: a popular drink made with yogurt and often combined with mango pulp

  Maang tikka: jewelry worn on a woman’s forehead

  Maderchod: motherfucker

  Maharaja: the most powerful of all kings in a region

  Maharani: wife of a maharaji; the most powerful queen of the region

  Malish: a masseuse

  Mala: a necklace

  Mandala: a circular form, often drawn for ceremonial purposes

  Mandap: a covered stage erected specifically for the bride, groom and the pandit who is marrying them

  MemSahib: the respectful address for “Ma’am”

  Mirch: hot pepper

  Mutki: clay vessel in which water is kept cool

  Nahee: no

  Namaste: the popular Indian greeting made by bringing both palms together just below the neck

  Namkeen: salty snack, usually fried

  Nautch: dance

  Nawab: Muslim nobleman

  Neem: a type of evergreen tree used for a variety of health-related purposes

  Nimbu pani: sweetened limewater

  Oiseau: French for “bird”

  Paan: a betel leaf laced with tobacco and betel nut paste, sold everywhere

  Pakora: a fried savory, often filled with a single vegetable like onion or potato

  Pallu: the decorated end of a sari, meant to be worn over the shoulder

  Pandit: teacher, priest

  Paneer: fresh cheese made at home by curdling milk

  Pani: water

  Paisa: coin, equal of 1⁄100 of a rupee

  Pilao: fragrant rice, often includes vegetables

  Piyaj: onion

  Puja: divine worship

  Pukkah Sahib: a proper gentleman

  Purdah: an ancient practice in some Hindu and Muslim communities of men and women living in separate quarters

  Puri: a round, fried bread

  Pyjama: bottom half (pants) of a kurta pyjama set for men

  Rabri: a creamy dessert made from milk

  Rasmalai: a dessert made from milk and cream

  Raita: a cucumber yogurt condiment, served to cool the palate when spicy food is served

  Rickshaw-walla: person who cycles a rickshaw

  Roti: round flatbread made with whole wheat or corn

  Rudraksha: a tree whose seeds are used in Hindu prayer beads

  Rupees: Indian currency

  Sahib: the respectful address for “Sir”

  Saali kutti: bitch

  Saas: mother-in-law (also sassuji)

  Sadhu: holy man

  Sajna: vegetable resembling a long green bean

  Salaam: a greeting, in Arabic

  Salla kutta: dirty dog, a derogatory expression

  Salwaar-kameez: a tunic and pants set worn mostly by girls and younger women in 1950s; today, it’s more of a fashion statement worn by young and old alike

  Samosa: a fried savory, often filled with potato, spices and peas

  Sangeet: a singalong

  Sari: common draped women’s garment, 5–9 yards in length

  Sev puri: a salty, fried fast food

  Shabash: Bravo! Well done!

  Sharab: alcohol

  Subji: any sort of curried vegetable dish

  Tabla:
a drumlike instrument, played with fingers and palms of the hand

  Tiffin: stainless steel carrier with several containers that sit atop one another

  Tikka: a mark on the forehead made of fragrant paste, like sandalwood or vermilion

  Titli: butterfly

  Tonga-walla: man who steers a horse-drawn carriage

  Topa: hat or head covering for children

  Tulsi: a sacred herb thought to have healing properties for a variety of ailments

  Turban: a man’s head covering made of a long piece of fabric

  Turmeric: bright orange-colored spice, usually in powdered form

  Uncle: respectful, affectionate address for an elder male acquaintance

  Vata: foundational concept of the body’s energetic forces in Ayurvedic tradition

  Veranda: covered porch

  Zamindar: landowner who has tenant farmers working his land

  Zaroor: absolutely, certainly

  THE STORY OF HENNA

  For more than five thousand years, henna (or mehendi) has been used to adorn bodies. In the hot climates of India, Pakistan, China, the Middle East and North Africa, the Lawsonia enermis plant is abundant, growing to five feet high. The plant—whose leaves, flowers and twigs are ground to make henna powder—is easy to find and inexpensive.

  Mixed with water, sugar, oil, lemon or other ingredients, the powder’s color is intensified, and its medicinal and healing properties enhanced. Henna cools the body in hot weather and protects skin from drying. In India, men and women apply henna, instead of chemical dyes, to their graying hair, where it has a similar, soothing effect. It is common in some cultures to dip hands and feet whole in henna to stay cool.

  Usually associated with weddings and bridal preparation, henna is also used on other significant occasions: engagements, birthdays, holidays, religious celebrations, naming ceremonies and more. Ancient Egyptians applied henna to bodies before mummification. In Southern China, henna has been used in erotic rituals for three thousand years.

  Today’s henna artists continue to create increasingly elaborate, intricate and unique designs even in the absence of a special occasion. The ability of an artist to customize the design to the wearer, no matter their geographical location, allows the art of henna to transcend culture, religious beliefs or ethnicity.

  RADHA’S RECIPE FOR HENNA PASTE

  The leaves, flowers and stems of the henna plant are first dried, then ground into a powder, and tough bits, like veins, are removed. The action of grinding releases the bonding agent so when the powder is mixed with hot water, the resulting paste sticks to the skin for a considerable period of time and the fresh herbal fragrance lingers on the wearer.

  The darker the color of the henna, the longer the design will remain on the skin. Acidic elements like lemon juice, vinegar or strong black tea help intensify the henna color from amber to dark brown. Same goes for tea tree, eucalyptus, geranium, clove or lavender oils, which have the ability to bind the stain to the skin more strongly. The soles of our feet and our palms, the thickest parts of our skin, absorb the henna stain best.

  After mixing the paste, let it sit for six to twelve hours in a cool, dark place before applying it.

  To prevent the henna from drying or falling off the skin before the dye has a chance to set, spray the damp design, carefully, with a sugar/lemon mix (or add sugar to the paste itself before application). Only use natural sugars, like nonacidic fruit juices of mango and guava, which also add to the color and intensity of the shade. The more fruit juice you add, the less water you should mix into the paste.

  The wearer should not wash her hands right after the paste flakes off. Heat will help seal the design further, so massage the skin immediately after with clove or lavender oil. Within a few days, the color will darken from a light orange to a reddish brown. (For this reason, the wearer should have her henna painted a few days before a celebratory event, when the design will be at its peak.)

  THE CASTE SYSTEM IN INDIA

  India’s caste system is complicated and difficult to explain. Started a thousand years before Christ as a way to separate society into four distinct occupational categories, the system now identifies more than 3,000 castes and 25,000 subcastes.

  Some believe that the original four castes were created from the body of Brahma, the God of Creation. From his head came the Brahmins, who were given the role of priests, educators and intellectuals. From his arms came the Kshatriyas, the warriors and rulers responsible for protecting the populace. Vaishyas, or traders, who ran businesses and lent money, came from his thighs. The fourth caste, Shudras, were laborers in the fields and servants in the home; they came from Brahma’s feet.

  The Dalits, or Untouchables, were denied any role in the caste system, working as butchers, latrine and street cleaners and leather tanners; they also handled the dead. Children inherited the caste of their parents.

  The Mughals, who ruled India for most of the sixteenth and seventeenth centuries, retained India’s caste system. Later, the British used the caste tradition as a convenient way to organize their colonial rule.

  With India’s independence in 1947 came a new constitution that banned discrimination on the basis of caste, acknowledging that the system had unfairly given privilege to some while holding others back.

  Unfortunately, it took several decades, and repeated Dalit demonstrations, before India provided substantial “reservations” (akin to the Affirmative Action program in the US) that allow Dalits to be admitted to universities and hold public sector jobs.

  Caste continues to play a major role in arranged marriages, food preparation and religious worship. Intercaste marriage can blemish the reputation of both families involved and often result in the couple being ostracized. Some castes refuse to eat meat while others insist on it. Indians are tolerant of religious practices different from their own, but each caste continues to practice its own religious rituals.

  Because the caste system is so deeply rooted in India’s culture, and has been for thousands of years, it will take time for its people to let go of long-held beliefs in the power, privileges and restrictions of castes. Social media has increased the population’s exposure to and communication with the noncaste Western world, which is changing some of those beliefs. Similarly, more education and career opportunities for women and lower castes have led to many caste taboos being challenged. Nonetheless, caste-like systems continue not only in India but also Sri Lanka, Nepal, Japan, Korea, Yemen, Indonesia, China and certain countries in Africa.

  MALIK’S RECIPE FOR BATTI BALLS

  An authentic Rajasthani meal, dal batti churma is a hearty dish, both savory and sweet, served at weddings and many other ceremonies. Dal is a simple curry that can be made from green, yellow or black lentils as well as dried garbanzo beans, and seasoned with cumin, turmeric, coriander, green chilies, onions, garlic and salt. There are as many recipes for dal as there are for chapattis.

  Batti, a whole wheat flour rolled into a ball and baked in a charcoal fire or oven, accompanies the dal. It can be served whole, dunked into dal, or it can be crushed and mixed with sugar or jaggery to make the sweet dessert churma.

  Following is a recipe for the batti balls, which Malik deep-fries in ghee, but which can be baked in an oven for a healthier dish.

  INGREDIENTS:

  Whole wheat flour: 2 cups

  Fennel seeds: 2 teaspoons

  Salt: 2 teaspoons

  Melted ghee (or canola oil): 4 tablespoons (more, if frying the batti)

  Whole yogurt: 1⁄4 cup (do not use low fat or nonfat)

  Lukewarm water: 2 tablespoons

  DIRECTIONS:

  Preheat the oven to 350°F.

  Add the fennel seeds, salt and ghee/oil to the wheat flour and mix well.

  Stir the water in the yogurt until smooth. Add to the flour mixture.
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br />   Knead the dough until all the flour is well mixed. It should feel firm, like cookie dough, not cake mixture.

  Roll the dough between your palms to make 1 1⁄2–inch round balls.

  Place the batti balls on a cookie tray, 2 inches apart, and bake for 15 minutes. The balls should be a golden brown on the bottom. Turn them over for another 15 minutes to cook the other side.

  To test, break one ball apart and make sure it’s cooked all the way through.

  Serve with dal.

  MAKES 4 SERVINGS

  THE PALACE RECIPE FOR ROYAL RABRI

  An easy-to-make dessert, rabri is creamy, rich and wholesome. It’s time-consuming, but definitely worth the effort. Read a book while you’re stirring—maybe even this one!

  INGREDIENTS:

  Whole milk: 10 cups

  Heavy whipping cream: 2 cups

  Sugar: 4⁄5 cup

  Cardamom seeds, crushed: 1 teaspoon

  Toasted sliced slivered almonds: 2 tablespoons

  Saffron: 6 threads

  Rose or kewra essence (optional): 1 teaspoon

  DIRECTIONS:

  Combine milk and cream in a deep saucepan. Boil for 2 hours on low heat, stirring continuously. Scrape the cream that collects on the sides of the pan, adding it back into the mixture. Do not let the milk burn.

  Set aside 2 tablespoons of hot milk mixture in a bowl and soak the saffron threads in it.

  Add sugar to the pan.

  When the milk mixture is creamy and reduced to half its volume, remove the pan from heat. Let cool.

  Fold the saffron essence, crushed cardamom seeds and almonds into the mixture.

  Chill for 4 hours.

  MAKES 10 SERVINGS

  ISBN: 9781488055447

  The Henna Artist

  Copyright © 2020 by Alka Joshi

  All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews.

  This is a work of fiction. Names, characters, places and incidents are either the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, businesses, companies, events or locales is entirely coincidental.

 

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