by John Updike
And yet the downtown of an afternoon gives a festive, busy impression: East Main Street in the blocks around Tilden is a carnival of idleness, thronged by an onrolling mass of dark citizens in flashy clothes, a Mardi Gras parade of costumes lovingly assembled by those whose lawful domain extends scarcely an inch beyond their skins, and whose paltry assets are all on view. Their joy amounts to defiance. Their cackling, whooping voices are loud with the village fellowship, the luxuriant mutual attention, of those with little to do and nowhere to go.
After the Civil War, a conspicuous gaudiness entered New Prospect with the erection of an elaborate City Hall, a sprawling, turreted aggregation, Moorish in feeling, of rounded arches and rococo ironwork capped by a great tower in mansard style. Its sloped sides are covered in multicolored fish-scale shingles and contain four white clock faces the size, if they were to be brought down to Earth, of wading pools. The broad copper gutters and downspouts, monuments to the skilled metalworkers of their time, have turned mint-green with age. This civic pile, whose principal bureaucratic operations were long ago relegated to less lofty, more modern, less spectacular, but air-conditioned and easier-to-heat structures behind it, has been recently awarded, after much lobbying, the status of a national architectural treasure. It stands within sight of Central High School, a block to the west, the school’s once-generous grounds much nibbled by widened streets and real-estate encroachments permitted by bribed officials.
On the eastern edge of the lake of rubble, where becalmed parking lots alternate with choppy waves of knocked-down brick, a thick-walled ironstone church supports a heavy steeple and advertises, on a cracked signboard, its award-winning gospel choir. The windows of this church, blasphemously assigning God a face, and gesturing hands, sandalled feet, and tinted robes—in short, a human body with all that is unclean and encumbering about it—are blackened by decades of industrial soot and made further indecipherable by their protective grids of wire. Religion’s images now attract hatred, as in the wars of the Reformation. The church’s decorous glory days of pious white burghers in the hierarchically assigned pews also belong to the past. Now African-American congregants bring their dishevelled, shouting religion, their award-winning choir dissolving their brains in a rhythmical rapture as illusory as (Shaikh Rashid sardonically puts forward the analogy) the shuffling, mumbling trance of Brazilian candomblé. It is here that Joryleen sings.
The day after she invited Ahmad to come hear her sing in the choir, her boyfriend, Tylenol Jones, comes up to Ahmad in the hall. His mother, having delivered a ten-pound infant, saw the name in a television commercial for painkiller and liked the sound of it. “Hey, Arab,” he says. “Hear you been dissing Joryleen.”
Ahmad tries to talk the other’s language. “No way, dissing. We talked a little. It was she come up to me.”
Reaching carefully, Tylenol takes the more slender boy’s shoulder in his hand and digs his thumb into that sensitive place below the shoulder ball. “She say you disrespect her religion.” His thumb works deeper, into nerves that have been asleep all of Ahmad’s life. Tylenol has a square face the color of walnut furniture-stain while it’s still sitting up wet on the wood. He is a tackle on the Central High football team and a gymnast on the rings in the winter, so his hands are iron-strong. His thumb is gouging wrinkles into Ahmad’s crisp white shirt; the taller boy makes an impatient motion to shrug off the hostile grip.
“Her religion is the wrong one,” Ahmad informs Tylenol, “and anyway she said she had no use for it but to sing in that foolish choir.” The iron thumb keeps digging, but with a surge of adrenaline Ahmad swats it away, the edge of his hand chopping at the thick branch of muscle.
Tylenol’s face darkens and comes closer with a jerk. “Don’t you talk to me of foolish—you so foolish nobody give you shit, Arab.”
“’Cept Joryleen,” comes the quick response, riding the same adrenaline. Ahmad feels watery inside and suspects his face is shamefully stiff with fear, but there is a holy bliss in confronting even a superior enemy, allowing rage to increase your mass. He dares go on, “And I wouldn’t exactly call it shit, what she gave me. It was simple friendliness your type wouldn’t understand.”
“My type, what is that? My type has no use for your type, that’s the truth, you dumb fuck. You weird queer. You faggot.”
His face is so close Ahmad smells cheese from the cafeteria macaroni. He gives Tylenol a push on his chest to make some distance. Other Central High students are crowding around, there in the hall, the cheerleader types and computer nerds, the Rastas and Goths, the wallflowers and do-nothings, waiting for something entertaining to happen. Tylenol likes the audience; he announces, “Black Muslims I don’t diss, but you not black, you not anything but a poor shithead. You no raghead, you a shithead.”
Ahmad calculates that a push back from Tylenol that he would accept would be a fair way to ease out of this contention, with the next change-of-class bell about to sound. But Tylenol wants no part of a truce; he gives Ahmad a sneak punch in the stomach that pops all of the air out of him. Ahmad’s astonished, gulping expression makes the watching schoolmates laugh, including the chalk-faced Goths, minority whites at Central who pride themselves on showing no emotion, like their nihilistic punk-rock heroes. Plus, there are silvery giggles from several bubbly buxom brown girls, Miss Populars, who Ahmad thinks should be kinder. Some day they will be mothers. Some day soon, the little whores.
He is losing face and has no choice but to wade into those iron hands of Tylenol’s and try to make a dent in that shield-like chest and the obtuse walnut-stained mask above it. The bout becomes mostly pushing and squeezing and grunting, since a fistfight lurching into the lockers would make a racket to bring the teachers and security guards. In this minute before the bell rings and everybody has to scatter to classes, Ahmad does not so much blame the other boy—he is just a robot of meat, a body too full of its juices and reflexes to have a brain—as he blames Joryleen. Why did she have to tell her boyfriend the whole private conversation? Why do girls have to tell all the time? To make themselves important, like those fat-lettered graffiti for those who spray them on helpless walls. It was she who brought up religion, inviting him so saucily to her church to sit with kinky-haired kafirs, the singe of Hellfire on them like the brown skin on barbecued drumsticks. It gets his devils to murmuring inside him, the way Allah allows so many grotesquely mistaken and corrupt religions to lure millions down to Hell forever when in a single flash of light the All-Powerful could show them the way, the Straight Path. It was as if (Ahmad’s devils murmur, as he and Tylenol push and flail at one another while trying not to make noise) the Merciful, the Beneficent, cannot be bothered.
The bell rings, in its little tamper-proof box high on the custard-colored wall. Nearby in the hall a door with its big pane of frosted glass snaps open; Mr. Levy, a guidance counselor, emerges. His coat and pants don’t match, like a rumpled suit put together blindly. The man stares absent-mindedly, then warily, at the suspiciously clustered students. The gathering freezes into instant silence, and Ahmad and Tylenol back off, putting their enmity on hold. Mr. Levy, a Jew who has been in this school system practically forever, looks old and tired, baggy-eyed, his hair thinned raggedly on the top of his head and a few strands standing up mussed. His sudden appearance startles Ahmad like a prick of conscience: he has an appointment with Mr. Levy this week, to discuss his future after high-school graduation. Ahmad knows he must have a future, but it seems insubstantial to him, and repels his interest. The only guidance, says the third sura, is the guidance of Allah.
Tylenol and his gang would be laying for him now. After being dissed to pretty much a standstill, the bully with his iron thumbs wouldn’t be satisfied with anything less than a black eye or a broken tooth or finger—something that would show. Ahmad knows it is a sin to be vain of his appearance: self-love is a form of competition with God, and competition is what He cannot abide. But how can the boy not cherish his ripened manhood, his lengthened limbs, the
upright, dense, and wavy crown of his hair, his flawless dun skin, paler than his father’s but not the freckled, blotchy pink of his red-haired mother and of those peroxided blondes who in white-bread America are considered the acme of beauty? Though he shuns, as unholy and impure, the glances of lingering interest he receives from the dusky girls around him in the school, Ahmad does not wish his body marred. He wishes to keep it as its Maker formed it. Tylenol’s enmity becomes one more reason to leave this hellish castle, where the boys bully and hurt for sheer pleasure and the infidel girls wear skintight hiphuggers almost low enough—less than a finger’s breadth, he has estimated—to release into view the topmost fringe of their pubic curls. The very bad girls, the ones already thoroughly fallen, have tattoos where only their boyfriends get to see them, and where the tattoo artist had to poke his needle most gingerly. There is no end of devilish contortions once human beings feel free to compete with God and to create themselves.
He has only two months of his schooling left. Spring is in the air beyond the brick walls, the caged tall windows. The customers at the Shop-a-Sec make their pathetic, poisonous purchases with a new humor, a new palaver. His feet fly across the school’s old cinder track as if each stride is individually cushioned. When he paused on the sidewalk to puzzle over the spiral trail of the roasted and vanished worm, all around him new green shoots, garlic and dandelions and clover, brightened the winter-weary patches of grass, and birds explored in rapid, excited arcs the invisible medium that sustained them.
Jack Levy wakes, now that he is sixty-three, between three and four in the morning, with the taste of dread in his mouth, dry from his breath being dragged through it while he dreamed. His dreams are sinister, soaked through with the misery of the world. He reads the dying, ad-starved local daily, the New Prospect Perspective, and the New York Times or Post when these are left lying around in the faculty room, and, as if this is not enough of Bush and Iraq and domestic murders in Queens and East Orange—murders even of children aged two or four or six, so young that struggling and crying out against their murderers, their parents, would seem to them blasphemy, as Isaac’s resisting Abraham would have been blasphemy—Levy in the evening, between the hours of six and seven, while his corpulent wife, moving pieces of their dinner from the refrigerator to the microwave, keeps crossing in front of the little screen of the kitchen television set, turns on the metro round-up and the network talking heads; he watches until the commercials, all of which he has repeatedly seen before, so exasperate him that he clicks the imbecilic device off. On top of the news, Jack has personal misery, misery that he “owns,” as people say now—the heaviness of the day to come, the day that will dawn through all this dark. As he lies there awake, fear and loathing squirm inside him like the components of a bad restaurant meal—twice as much food as you want, the way they serve it now. Dread slams shut the door back into sleep, an awareness, deepening each day, that all that is left on Earth for his body to do is to ready itself for death. He has done his courting and mating; he has fathered a child; he has worked to feed that child, little sensitive Mark with his shy cloudy eyes and slippery lower lip, and to furnish him with all the tawdry junk the culture of the time insisted he possess, to blend in with his peers. Now Jack Levy’s sole remaining task is to die and thus contribute a little space, a little breathing room, to this overburdened planet. The task hangs in the air just above his insomniac face like a cobweb with a motionless spider in the center.
His wife, Beth, a whale of a woman giving off too much heat through her blubber, breathes audibly beside him, her tireless little rasp of a snore extending into unconsciousness her daily monologue, her output of prattle. When, in a repressed fury, he nudges her with a knee or elbow or gently cups in his hand a buttock bared by her risen nightgown, she docilely falls silent, and then he fears that he has woken her, breaking the unspoken vow taken between any two people who have agreed, however long ago, to sleep together. He wants only to jog her up to the level of sleep where her breath will stop vibrating in her nose. It was like tuning the violin he used to play, in his boyhood. Another Heifetz, another Isaac Stern: is that what his parents had hoped for? He disappointed them—a segment of misery where his own and the world’s coincided. His parents grieved. He had defiantly told them he was quitting lessons. The life in books and on the streets meant more to him. He was eleven, maybe twelve to take such a stand, and never picked up the violin again, though sometimes, hearing on the car radio a snatch of Beethoven or a Mozart concerto or Dvoák’s Gypsy music that he had once practiced in a student arrangement, Jack is surprised to feel the fingering trying to live again in his left hand, twitching on the steering wheel like a dying fish.
Why beat himself up? He has done all right, more than all right: prize student at Central High, class of ’59, before it felt so much like a prison and you could still study and take pride in the praise of the teachers; diligent commuter to CCNY before sharing a SoHo apartment with two guys and a girl who kept shifting her affections around; after graduation, two years of draft-era Army, before Vietnam heated up, basic training at Fort Dix, file clerk at Fort Meade, Maryland, south enough of the Mason-Dixon Line to be full of anti-Semitic Southerners, then the second year at Fort Bliss in El Paso, in so-called human resources, matching men to assignments, the start of his giving guidance to teen-agers; afterwards to Rutgers for a master’s on the cut-back GI Bill; since then, teaching high-school history and social science thirty years before becoming full-time guidance counselor these last six. The bare facts of his career make him feel trapped, in a curriculum vitae as tight as a coffin. The room’s black air has become hard to breathe, and he stealthily turns from lying on his side to lying on his back, like a stiff laid out at a Catholic viewing.
How noisy bedsheets can be!—crashing waves, next to your ear. He doesn’t want to wake Beth. Close to suffocated, he can’t cope with her too. For a moment, like the first sip of a drink before the ice cubes turn the whisky watery, the new position eases the problem. On his back, he has the calm of a dead man but with no casket lid inches from his nose. The world is quiet—the commuter traffic not yet started up, the night prowlers with their broken mufflers having at last crawled into bed. He hears a lone truck shifting gears at the blinking stoplight one street over and, two rooms away, a restless fit of soft-pawed galloping from Carmela, the Levys’ desexed, declawed cat. Declawed, she can’t be let outdoors, for fear the cats with claws will kill her. In her indoors captivity, sleeping away much of the day under the sofa, she hallucinates at night, imagining in the stilled house the feral adventures, the battles and escapes, that she can never have, for her own good. So desolate is the sensory surround of these pre-dawn hours, and so alone does Jack Levy appear to himself, that the furtive uproar of a deluded, neutered cat soothes him almost enough for his mind, excused from sentry duty, to slip back into sleep.
But, sustained in wakefulness by a nagging bladder, he instead lies exposed, as to a sickening blast of radioactivity, to an awareness of his life as a needless blot—a botch, a prolonged blunder—imposed upon the otherwise immaculate surface of this ungodly hour. In the world’s dark forest he had missed the right path. But was there any right path? Or was being alive in itself the mistake? In the stripped-down history that he used to purvey to students who had trouble believing that the world didn’t begin with their births and the proliferation of computer games, even the greatest men came to nothing, to a grave, their visions unfulfilled—Charlemagne, Charles V, Napoleon, the unspeakable but considerably successful and still, at least in the Arab world, admired Adolf Hitler. History is a machine perpetually grinding mankind to dust. Jack Levy’s guidance counseling replays in his head as a cacophony of miscommunication. He sees himself as a pathetic elderly figure on a shore, shouting out to a flotilla of the young as they slide into the fatal morass of the world—its dwindling resources, its disappearing freedoms, its merciless advertisements geared to a preposterous popular culture of eternal music and beer and impossibly
thin and fit young females.
Or had most young females, even Beth, once been as thin as those in the beer and Coke commercials? No doubt she had, but he could hardly remember—like trying to see the television screen as she waddles back and forth assembling dinner. They had met in his year and a half at Rutgers. She had been a Pennsylvania girl, from the East Mount Airy section of northwest Philadelphia, studying library science. He had been drawn to her lightness, her bubbly laugh, her sly quickness at making everything, even their courtship, a joke. What sort of baby boys do you think we would make? Will they be born half circumcised? She was German-American, Elizabeth Fogel, with a more uptight, less lovable older sister, Hermione. He was a Jew. But not a proud Jew, wrapped in the ancient covenant. His grandfather had shed all religion in the New World, putting his faith in a revolutionized society, a world where the powerful could no longer rule through superstition, where food on the table, decent housing and shelter, replaced the untrustworthy promises of an unseen God.
Not that the Jewish God had ever been big on promises—a shattered glass at your wedding, a quick burial in a shroud when you die, no saints, no afterlife, just a lifetime of drudging loyalty to the tyrant who asked Abraham to make a burnt offering of his only son. Poor Isaac, the trusting shmuck, having been nearly killed by his own father was as an old blind man tricked out of his blessing by his son Jacob and his own wife, Rebekah, brought to him veiled from Paddanaram. More lately, over in the old country, if you observed all the rules—and for the Orthodox it was a long list of rules—you got a yellow star and a one-way ticket to the gas ovens. No, thanks: Jack Levy took a stiff-necked pleasure in being one of Judaism’s stiff-necked naysayers. He had encouraged the world to make “Jack” of “Jacob” and had argued against his son’s circumcision, though a slick Wasp doctor at the hospital talked Beth into it, for “purely hygienic” reasons, claiming that studies showed it would lower the risk of venereal disease for Mark and of cervical cancer for Mark’s partners. A week-old infant, his prick just a little fat button on the seamed pincushion of his balls, and they were improving his sex life and coming to the rescue of female infants as yet unborn.