The house was arranged over two floors and appeared to be in good condition. A little unloved and neglected certainly – but basically sound. No small thing considering its proximity to the sea. It had a rather sad history, which culminated in the drowning of the son of the house some years previously, but Maximilian was sure that his family would inject new life and happiness into the place.
As the family busied itself making their new home habitable, Max noticed a walled enclosure beyond the yard at the back of the house. The twilight made it hard to see clearly, but it seemed to contain statues. Max was intrigued.
Max was woken by a strange dream before dawn the next day. An eerie figure had been whispering in his ear – though Max couldn’t tell what the figure had been trying to tell him. He looked out the window at the early morning mist and quickly dressed. The walled garden was further than he’d thought, though the rusty padlock on the gate was easily opened. The statues seemed to be of a circus troupe. They were all gathered around a central figure of a clown standing on a plinth with one fist raised. Max bent to look at a star engraving at the clown’s feet, but when he looked up again he saw that the clown’s upraised fist was now an outstretched hand – palm open invitingly. Max ran all the way home without looking back.
Max’s world became stranger and stranger as he got to know his new home – and he soon realised that, as they had left one threat behind in the city, his family had found a deadlier danger in their new home. A danger drawing ever nearer the shore …
About the Author
Carlos Ruiz Zafón was born in Barcelona and is the author of six novels, including The Shadow of the Wind. His work has been translated into more than thirty-five languages, selling more than fifteen million copies worldwide, and he has received numerous international awards.
His debut novel The Prince of Mist, one of four written for younger readers, launched his phenomenally successful career in publishing, winning the prestigious Edebe Prize.
For Discussion
How does the author set the tone of the novel?
‘Sometimes memories follow you wherever you go – you don’t need to take them with you.’ To what extent is this a theme of The Prince of Mist?
How long is the shadow cast by the war?
What is the significance of rain to Max?
‘I now know that a man’s life is broadly divided into three periods.’ Do you agree?
‘Amusement is like laudanum: it takes away all the misery and pain, even if only for a short time.’ Another theme?
‘Nothing is as powerful as a promise.’ True?
‘The more you try to hide from the truth, the quicker it finds you.’ Is Maximilian right?
‘In an infinite universe, there were too many things that escaped human understanding.’ How far is The Prince of Mist about understanding?
How does the author build the tension in The Prince of Mist?
How close to, and how different from, the classic ghost story is The Prince of Mist?
Suggested Further Reading
Neverwhere by Neil Gaiman
•
The Turn of the Screw by Henry James
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His Dark Materials Trilogy by Philip Pullman
•
Carrie by Stephen King
•
The Woman in Black by Susan Hill
•
The October Country by Ray Bradbury
Coming soon from Carlos Ruiz Zafón
The Midnight Palace
ISBN: 978-0-2978-5645-0
Price: £12.99
I’LL NEVER FORGET THE NIGHT IT SNOWED OVER Calcutta. The calendar at St Patrick’s Orphanage was inching towards the final days of May 1932, leaving behind one of the hottest months ever recorded in the city of palaces.
With each passing day, we felt sadder and more fearful of the approaching summer, when we would all turn sixteen, for this would mean our separation and the end of the Chowbar Society, the secret club of seven members that had been our refuge during our years at the orphanage. We had grown up there with no other family than ourselves, with no other memories than the stories we told in the small hours round an open fire in the courtyard of an abandoned mansion – a large rambling ruin which stood on the corner of Cotton Street and Brabourne Road and which we’d christened the Midnight Palace. At the time, I didn’t know I would never again see the streets of my childhood, the city whose spell has haunted me to this day.
I have never returned to Calcutta, but I have always been true to the promise we all made to ourselves on the banks of the Hooghly River: the promise never to forget what we had witnessed. Time has taught me to treasure the memory of those days and to preserve the letters I received from the accursed city, for they keep the flame of my memories alive. It was through those letters that I found out our palace had been demolished and an office building erected over its ashes, and that Mr Thomas Carter, the head of St Patrick’s, had passed away after spending the last years of his life in darkness, following the fire that closed his eyes for ever.
As the years went by, I heard about the gradual disappearance of all the sites that had formed the backdrop to our lives. The fury of a city that seemed to be devouring itself and the deceptive passage of time eventually erased all trace of the Chowbar Society and its members; at which point, I began to fear that this story might be lost for ever for want of a narrator. The vagaries of fate have chosen me, the person least suited to the task, to tell the tale and unveil the secret that both bonded and separated us so many years ago in the old railway station of Jheeter’s Gate. I would have preferred someone else to have been in charge of rescuing this story, but once again life has taught me that my role is to be a witness, not the leading actor.
All these years I’ve kept the few letters sent to me by Roshan, guarding them closely because they shed light on the fate of each member of our unique society; I’ve read them over and over again, aloud, in the solitude of my study. Perhaps because somehow I felt that I had unwittingly become the repository of everything that had happened to us. Perhaps because I understood that, among that group of seven youngsters, I was always the most reluctant to take risks, the least daring, and therefore the most likely to survive.
In that spirit, and trusting that my memory won’t betray me, I will try to relive the mysterious and terrible events that took place during those four blazing days in May 1932.
It will not be easy, and I beg my readers to forgive my inadequate words as I attempt to salvage that dark Calcutta summer from the past. I have done my best to reconstruct the truth, to return to those troubled days that would inevitably shape our future. All that is left for me now is to take my leave and allow the facts to speak for themselves.
I’ll never forget the fear on the faces of my friends the night it snowed in Calcutta. But, as Ben used to tell me, the best place to start a story is at the beginning …
Calcutta, May 1916
SHORTLY AFTER MIDNIGHT A BOAT EMERGED OUT of the mist that rose like a fetid curse from the surface of the Hooghly River. The faint glow of a flickering lantern attached to the mast revealed the figure of a man wrapped in a cape, rowing with difficulty towards the distant shore. Further to the east, under a blanket of leaden clouds, the outline of Fort William in the Maidan – a sort of Hyde Park carved out of tropical jungle – stood out against an endless expanse of street lamps and bonfires that spread as far as the eye could see. Calcutta.
The man stopped for a few moments to recover his breath and look back at the silhouette of Jheeter’s Gate Station rising from the shadows on the opposite bank. The further he went, the more the station made of glass and steel seemed to melt into the city – a jungle of marble mausoleums blackened by decades of neglect; naked walls once coated in ochre, blue and gold, their colours peeled away by the fury of the monsoon, leaving them blurred and faded, like watercolours dissolving in a pond.
Only the certainty that he had just a few hours to live – perhaps only a
few minutes – kept him going, leaving behind in that ill-fated place the woman he had sworn to protect. As Lieutenant Peake made his last journey to Calcutta, aboard an old river boat, the rain that had arrived in the early hours of darkness was washing away every last second of his life.
While he struggled to row the boat towards the shore, the lieutenant could hear the crying of the two babies hidden inside the bilge. Peake turned his head and noticed the lights of the other boat twinkling only a hundred metres behind him. He pictured the smile of his pursuer, savouring the hunt for his prey. Relentless.
Ignoring the children’s tears of hunger and cold, he applied his remaining strength to steering the boat towards the threshold that led into the ghostly labyrinth of streets. Two hundred years had been enough to transform the thick jungle growing around Kalighat into a city even God did not dare enter.
In a matter of minutes the storm looming over the city had unleashed all its fury. By mid-April and well into the month of June, the city withered in the clutches of the so-called Indian summer, with temperatures reaching up to forty degrees and a level of humidity close to saturation. But with the arrival of violent electric storms, which turned the sky into a battle scene, thermometers could plunge thirty degrees in a few moments.
The curtain of rain hid the unsteady jetties of rotten wood that dangled over the water’s edge, but Peake didn’t stop until he felt the hull hit the planks of the fishermen’s dock. Only then did he thrust the anchoring pole into the muddy riverbed and rush to extract the children, who lay wrapped in a blanket. As he took them in his arms, the crying of the babies permeated the night like a trail of blood calling out to a predator. Pressing the bundle against his chest, Peake jumped ashore.
As the rain pelted down, he saw the other boat approaching the river bank, slowly, like a funeral barge. Gripped by fear, Peake ran towards the streets bordering the southern edge of the Maidan, a district known by its privileged residents – mostly British and other Europeans – as the White Town.
He clung to one remaining hope of being able to save the children, but he was still far from the heart of North Calcutta and Aryami Bose’s house. The old lady was the only person who could help him now. Peake stopped for a moment and scanned the gloomy expanse of the Maidan, searching for the distant glow of the street lamps that flickered in the northern part of the city. The dark streets, cloaked by the storm, would be his safest hiding place. Holding the children tight, Lieutenant Peake set off again, heading east, hoping to find cover in the shadows cast by the palatial buildings of the city centre.
Moments later, the black barge that had been pursuing him came to a halt by the dock. Three men jumped ashore and moored the vessel. The small cabin door slowly opened and a dark figure wrapped in a black cloak crossed the gangplank the men had laid from the jetty, ignoring the rain. Once ashore, the figure stretched out a black-gloved hand and, pointing to the place where Peake had disappeared, gave a sinister smile.
THE WINDING ROAD that cut across the Maidan, rounding the fortress, had turned into a swamp under the pounding rain. Peake vaguely remembered having crossed that part of the city in the days when he was serving under Colonel Llewelyn. But that had been in broad daylight, on horseback and surrounded by an armed cavalry regiment. Ironically, fate now took him along the same stretch of open fields that had been levelled by Lord Clive in 1758 so that the cannons of Fort William could enjoy a clear line of fire in all directions. Only this time he was the target.
Lieutenant Peake ran towards an area of trees, sensing the furtive gaze of those hidden in the dark, the nocturnal inhabitants of the Maidan. He knew that nobody here would try to waylay him and snatch his cape or take the children who were crying in his arms. The invisible presences could smell death clinging to his heels, and not a soul would dare come between him and his pursuer.
Peake jumped over the railings separating the Maidan from Chowringhee Road and entered the main artery of Calcutta. The majestic avenue had been built on top of the old path which, only three hundred years earlier, had crossed the Bengali jungle southwards, leading to the temple of Kali, the Kalighat, which gave the city its name.
Because of the rain, the swarms of people who usually prowled the area at night had retreated and the city looked like a large, empty bazaar. Peake knew that the veil of rain that blurred his vision, but also shrouded him, could vanish as instantly as it had appeared. The storms that entered the Ganges Delta from the ocean quickly travelled north or west after discharging their deluge on the Bengali Peninsula, leaving behind a trail of mist and flooded streets, where children played in filthy puddles and carts ran aground in the mud like drifting ships.
The lieutenant ran along Chowringhee Road until he felt the muscles of his legs give way and he was barely able to support the weight of the babies. He could see the lights of the northern district, but he knew he would not be able to keep up this pace much longer, and Aryami Bose’s house was still a good distance away. He had to make a stop.
He paused to get his breath back under the staircase of an old textile warehouse, the walls of which were covered in official notices announcing its imminent demolition. He vaguely recalled having inspected the place years ago after some rich merchant had reported that it concealed a notorious opium den.
Now, dirty water poured down the crumbling stairs like dark blood gushing from a wound. The place seemed deserted. Lieutenant Peake lifted the children close to his face and looked into their bewildered eyes; the two babies were no longer crying, but they were trembling from the cold and the blanket that covered them was soaking. Peake held their tiny hands in his, hoping to give them some warmth as he peeped through the cracks in the staircase, keeping an eye on the streets leading off the Maidan. He couldn’t remember how many assassins his pursuer had recruited, but he knew that there were only two bullets left in his revolver, two bullets he would have to use with all the cunning he could muster – he had fired the rest of his ammunition in the tunnels of the railway station. Peake wrapped the children in the drier part of the blanket and left them lying on a bit of dry floor he spied in a hollow in the warehouse wall.
He pulled out his revolver, slowly peering round the side of the stairs. He strained his eyes and recognised the line of distant lights on the other side of the Hooghly River. The sound of hurried footsteps startled him and he moved back into the shadows.
Three men emerged from the darkness of the Maidan, the blades of their knives shining in the gloom. Peake rushed to gather the children in his arms once again and took a deep breath, aware that if he were to flee at that moment, the men would fall on him like a pack of wolves.
The lieutenant stood motionless against the wall, watching his pursuers as they stopped to search for his trail. The assassins exchanged a few mumbled words and then one signalled to the other two that they should separate. Peake shuddered as he realised that the one who had given the order was now approaching the staircase; for a split second he thought that the smell of his fear alone would lead the killer to his hiding place.
Desperately, he scanned the wall below the staircase in search of some gap through which he could escape. He knelt down by the hollow where he had left the babies a few seconds earlier and tried to dislodge some planks which were loose and softened by damp. The rotten wood yielded easily and Peake felt a breath of noxious air escape from the dilapidated building. He turned his head and saw the murderer standing only twenty metres away, at the foot of the staircase, brandishing his knife.
Peake wrapped the babies in his cape for protection and crawled through into the warehouse. A sharp pain, just above his knee, suddenly paralysed his right leg. He patted his leg with trembling hands and found a rusty nail sunk into his flesh. Stifling a scream, Peake grabbed the tip of the cold metal and pulled hard. He felt the skin tear and warm blood trickled through his fingers. A wave of nausea and pain clouded his vision. Gasping, he gathered the babies and struggled to his feet. An eerie passageway with hundreds of empty shelves sp
read before him. Without a moment’s hesitation, Peake ran towards the other end of the warehouse, the wounded structure creaking beneath the storm.
WHEN PEAKE RE-EMERGED INTO the night after running hundreds of metres through the bowels of the ruined building, he discovered he was only a stone’s throw from the Tiretta Bazaar, one of the commercial centres of North Calcutta. He thanked his lucky stars and set off towards the jumble of narrow streets, heading straight for the house of Aryami Bose.
It took him ten minutes to reach the home of the last woman in the Bose family line. Aryami lived alone in a sprawling house built in the Bengali style that rose amid the dense wild vegetation that had invaded the courtyard over the years, making the place look abandoned. Yet no inhabitant of North Calcutta – an area also known as the Black Town – would have dared go beyond that courtyard and enter the domain of Aryami Bose. Those who knew her loved and respected her as much as they feared her. And there wasn’t a soul in the streets of North Calcutta who hadn’t heard of Aryami Bose and her ancestry. For the people of the area she was like a spirit: a powerful and invisible presence.
Peake ran to the spearheaded gates, through the overgrown courtyard and up the cracked marble staircase that led to the front door. Holding both babies under one arm he banged repeatedly with his fist, hoping he would be heard through the storm.
The lieutenant continued to pound on the door for a good five minutes, his eyes fixed on the deserted streets behind him, fearing he would catch sight of his pursuers at any moment. When the door finally yielded, Peake turned round and was blinded by the light of a candle. A voice he hadn’t heard in five years whispered his name. He shaded his eyes with one hand and recognised the inscrutable face of Aryami Bose.
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