Baby Pictures of Famous Dictators. Year of the Tucks Medicated Pad. Poor Yorick Entertainment Unlimited. Documentary or uncredited cast w/ narrator P. A. Heaven; 16 mm.; 45 minutes; black and white; sound. Children and adolescents play a nearly incomprehensible nuclear strategy game with tennis equipment against the real or holographic(?) backdrop of sabotaged ATHSCME 1900 atmospheric displacement towers exploding and toppling during the New New England Chemical Emergency of Y.W. CELLULOID (UNRELEASED)
Stand Behind the Men Behind the Wire. Year of the Tucks Medicated Pad. Poor Yorick Entertainment Unlimited. Documentary cast w/ narrator Soma Richardson-Levy; Super-8 mm.; 52 minutes; black and white/color; sound. Shot on location north of Lowell MA, documentary on Essex County Sheriff’s Dept. and Massachusetts Department of Social Services’ expedition to track, verify, capture, or propitiate the outsized feral infant alleged to have crushed, gummed, or picked up and dropped over a dozen residents of Lowell in January, Y.T.M.P. INTERLACE TELENT CARTRIDGE #357–12–56
As of Yore. Year of the Tucks Medicated Pad. Poor Yorick Entertainment Unlimited. Cosgrove Watt, Marlon Bain; 16/78 mm.; 181 minutes; black and white/color; sound. A middle-aged tennis instructor, preparing to instruct his son in tennis, becomes intoxicated in the family’s garage and subjects his son to a rambling monologue while the son weeps and perspires. INTERLACE TELENT CARTRIDGE # 357–16–09
The Clever Little Bastard. Unfinished, unseen. UNRELEASED
The Cold Majesty of the Numb. Unfinished, unseen. UNRELEASED
Good-Looking Men in Small Clever Rooms That Utilize Every Centimeter of Available Space With Mind-Boggling Efficiency. Unfinished due to hospitalization. UNRELEASED
Low-Temperature Civics. Year of the Tucks Medicated Pad. Poor Yorick Entertainment Unlimited. Cosgrove Watt, Herbert G. Birch, Ken N. Johnson, Soma Richardson-Levy, Everard Maynell, ‘Madame Psychosis,’ Phillip T. Smothergill, Paul Anthony Heaven; 35 mm.; 80 minutes; black and white; sound. Wyler parody in which four sons (Birch, Johnson, Maynell, Smothergill) intrigue for control of a sandwich-bag conglomerate after their CEO father (Watt) has an ecstatic encounter with Death (‘Psychosis’) and becomes irreversibly catatonic. NATIONAL DISSEMINATION IN INTERLACE TELENT’S ‘CAVALCADE OF EVIL’ SERIES — JANUARY/YEAR OF TRIAL-SIZE DOVE BAR — AND INTERLACE TELENT CARTRIDGE #357–89–05
(At Least) Three Cheers for Cause and Effect. Year of the Tucks Medicated Pad. Poor Yorick Entertainment Unlimited. Cosgrove Watt, Pam Heath, ‘Hugh G. Rection’; 78 mm.; 26 minutes; black and white; sound. The headmaster of a newly constructed high-altitude sports academy (Watt) becomes neurotically obsessed with litigation over the construction’s ancillary damage to a V.A. hospital far below, as a way of diverting himself from his wife’s (Heath’s) poorly hidden affair with the academically renowned mathematical topologist who is acting as the project’s architect (‘Rection’). CELLULOID (UNRELEASED)
(The) Desire to Desire. Year of the Tucks Medicated Pad. Poor Yorick Entertainment Unlimited. Robert Lingley, ‘Madame Psychosis,’ Marla-Dean Chumm; 35 mm.; 99 minutes(?); black and white; silent. A pathology resident (Lingley) falls in love with a beautiful cadaver (‘Psychosis’) and the paralyzed sister (Chumm) she died rescuing from the attack of an oversized feral infant. Listed by some archivists as unfinished. UNRELEASED
Safe Boating Is No Accident. Year of the Tucks Medicated Pad(?). Poor Yorick Entertainment Unlimited/X-Ray and Infrared Photography by Shuco-Mist Medical Pressure Systems, Enfield MA. Ken N. Johnson, ‘Madame Psychosis,’ P. A. Heaven. Kierkegaard/Lynch (?) parody, a claustrophobic water-ski instructor (Johnson), struggling with his romantic conscience after his fiancée’s (‘Psychosis’’s) face is grotesquely mangled by an outboard propeller, becomes trapped in an overcrowded hospital elevator with a defrocked Trappist monk, two overcombed missionaries for the Church of Jesus Christ of Latter-Day Saints, an enigmatic fitness guru, the Massachusetts State Commissioner for Beach and Water Safety, and seven severely intoxicated opticians with silly hats and exploding cigars. Listed by some archivists as completed the following year, Y.T.-S.D.B. UNRELEASED
Very Low Impact. Year of the Tucks Medicated Pad. Poor Yorick Entertainment Unlimited. Marla-Dean Chumm, Pam Heath, Soma Richardson-Levy-O’Byrne; 35 mm.; 30 minutes; color; sound. A narcoleptic aerobics instructor (Chumm) struggles to hide her condition from students and employers. POSTHUMOUS RELEASE Y.W.-Q.M.D.; INTERLACE TELENT CARTRIDGE # 357–97–29
The Night Wears a Sombrero. Year of the Tucks Medicated Pad (?). Ken N. Johnson, Phillip T. Smothergill, Dianne Saltoone, ‘Madame Psychosis’; 78 mm.; 105 minutes; color; silent/sound. Parody/homage to Lang’s Rancho Notorious, a nearsighted apprentice cowpoke (Smothergill), swearing vengeance for a gunslinger’s (Johnson’s) rape of what he (the cowpoke) mistakenly believes is the motherly brothel-owner (Saltoone) he (the cowpoke) is secretly in love with, loses the trail of the gunslinger after misreading a road sign and is drawn to a sinister Mexican ranch where Oedipally aggrieved gunslingers are ritually blinded by a mysterious veiled nun (‘Psychosis’). Listed by some archivists as completed the preceding year, Y.W. INTERLACE TELENT CARTRIDGE #357–56–51
Accomplice! Year of the Tucks Medicated Pad. Poor Yorick Entertainment Unlimited. Cosgrove Watt, Stokely ‘Dark Star’ McNair; 16 mm.; 26 minutes; color; sound. An aging pederast mutilates himself out of love for a strangely tattooed street hustler. INTERLACE TELENT CARTRIDGE # 357–10–10 withdrawn from dissemination after Cartridge Scene reviewers called Accomplice! ‘… the stupidest, nastiest, least subtle and worst-edited product of a pretentious and wretchedly uneven career.’ NOW UNRELEASED
Untitled. Unfinished. UNRELEASED
Untitled. Unfinished. UNRELEASED
Untitled. Unfinished. UNRELEASED
Dial C for Concupiscence. Year of the Trial-Size Dove Bar. Poor Yorick Entertainment Unlimited. Soma Richardson-Levy-O’Byrne, Marla-Dean Chumm, Ibn-Said Chawaf, Yves Fran-coeur; 35 mm.; 122 minutes; black and white; silent w/ subtitles. Parodic noir- style tribute to Bresson’s Les Anges du Peché, a cellular phone operator (Richardson-Levy-O’Byrne), mistaken by a Québecois terrorist (Francoeur) for another cellular phone operator (Chumm) the FLQ had mistakenly tried to assassinate, mistakes his mistaken attempts to apologize as attempts to assassinate her (Richardson-Levy-O’Byrne) and flees to a bizarre Islamic religious community whose members communicate with each other by means of semaphore flags, where she falls in love with an armless Near Eastern medical attaché (Chawaf). RELEASED IN INTERLACE TELENT’S ‘HOWLS FROM THE MARGIN’ UNDERGROUND FILM SERIES — MARCH/Y.T.-S.D.B. — AND INTERLACE TELENT CARTRIDGE #357–75–43
Insubstantial Country. Year of the Trial-Size Dove Bar. Poor Yorick Entertainment Unlimited. Cosgrove Watt; 16 mm.; 30 minutes; black and white; silent/sound. An unpopular après-garde filmmaker (Watt) either suffers a temporal lobe seizure and becomes mute or else is the victim of everyone else’s delusion that his (Watt’s) temporal lobe seizure has left him mute. PRIVATE CARTRIDGE RELEASE BY POOR YORICK ENTERTAINMENT UNLIMITED
It Was a Great Marvel That He Was in the Father Without Knowing Him. Year of the Trial-Size Dove Bar. Poor Yorick Entertainment Unlimited. Cosgrove Watt, Phillip T. Smothergill; 16 mm.; 5 minutes; black and white; silent/ sound. A father (Watt), suffering from the delusion that his etymologically precocious son (Smothergill) is pretending to be mute, poses as a ‘professional conversationalist’ in order to draw the boy out. RELEASED IN INTERLACE TELENT’S ‘HOWLS FROM THE MARGIN’ UNDERGROUND FILM SERIES — MARCH/Y.T.-S.D.B — AND INTERLACE TELENT CARTRIDGE #357–75–50
Cage IV — Web. Unfinished. UNRELEASED
Cage V — Infinite Jim. Unfinished. UNRELEASED
Death and the Single Girl. Unfinished. UNRELEASED.
The Film Adaptation of Peter Weiss’s ‘The Persecution and Assassination of Marat as Performed by the Inmates of the Asylum at Charenton Under the Direction of the Marquis de Sade.’ Year of the Trial-Size Dove Bar. Poor Yorick Entertainment Unlimited. James O. Incandenz
a, Disney Leith, Urquhart Ogilvie, Jr., Jane Ann Prickett, Herbert G. Birch, ‘Madame Psychosis,’ Marla-Dean Chumm, Marlon Bain, Pam Heath, Soma Richardson-Levy-O’Byrne-Chawaf, Ken N. Johnson, Dianne Saltoone; Super-8 mm.; 88 minutes; black and white; silent/sound. Fictional ‘interactive documentary’ on Boston stage production of Weiss’s 20th-century play within play, in which the documentary’s chemically impaired director (Incandenza) repeatedly interrupts the inmates’ dumbshow-capering and Marat and Sade’s dialogues to discourse incoherently on the implications of Brando’s Method Acting and Artaud’s Theatre of Cruelty for North American filmed entertainment, irritating the actor who plays Marat (Leith) to such an extent that he has a cerebral hemorrhage and collapses onstage well before Marat’s scripted death, whereupon the play’s nearsighted director (Ogilvie), mistaking the actor who plays Sade (Johnson) for Incandenza, throws Sade into Marat’s medicinal bath and throttles him to death, whereupon the extra-dramatic figure of Death (‘Psychosis’) descends deus ex machina to bear Marat (Leith) and Sade (Johnson) away, while Incandenza becomes ill all over the theater audience’s first row. 8 MM. SYNC-PROJECTION CELLULOID. UNRELEASED DUE TO LITIGATION, HOSPITALIZATION
Too Much Fun. Unfinished. UNRELEASED
The Unfortunate Case of Me. Unfinished. UNRELEASED
Sorry All Over the Place. Unfinished. UNRELEASED
Infinite Jest (V?). Year of the Trial-Size Dove Bar. Poor Yorick Entertainment Unlimited. ‘Madame Psychosis’; no other definitive data. Thorny problem for archivists. Incandenza’s last film, Incandenza’s death occurring during its post-production. Most archival authorities list as unfinished, unseen. Some list as completion of Infinite Jest (IV), for which Incandenza also used ‘Psychosis,’ thus list the film under Incandenza’s output for Y.T.M.P. Though no scholarly synopsis or report of viewing exists, two short essays in different issues of Cartridge Quarterly East refer to the film as ‘extraordinary’ d and ‘far and away [James O. Incandenza’s] most entertaining and compelling work.’ e West Coast archivists list the film’s gauge as ‘16 … 78 … n mm.,’ basing the gauge on critical allusions f to ‘radical experiments in viewers’ optical perspective and context’ as IJ(V?)’s distinctive feature. Though Canadian archivist Tête-Bêche lists the film as completed and privately distributed by P.Y.E.U. through posthumous provisions in the filmmaker’s will, all other comprehensive filmographies have the film either unfinished or UNRELEASED, its Master cartridge either destroyed or vaulted sui testator. (back to text)
25. More like July–October, actually. (back to text)
26. Synthetically enhanced enkephalin, an opiate-like pentapeptide or so-called endorphin manufactured in the human spine, one of the compounds prominently involved in the infamous ‘CadaverGate’ scandal that brought down so many funeral directors in the Year of the Perdue Wonderchicken. (back to text)
27. Metro Boston subdialectical argot — origin unknown — for cannabis, pot, grass, du-Bois, dope, ganja, bhang, herb, hash, m. jane, kif, etc.; with ‘Bing Crosby’ designating cocaine and organic methoxies (’drines), and — inexplicably — ‘Doris’ standing for synthetic dickies, psychs, and phenyls. (back to text)
28. Monoamine-oxidase inhibitors, a venerable class of antidepressants/anxiolytics, of which Parnate — SmithKline Beecham’s product-name for tranylcypromine sulfate — is a member. Zoloft is sertraline hydrochloride, a serotonin-reuptake-inhibitor (SRI) not all that dissimilar to Prozac, manufactured by Pfizer-Roerig. (back to text)
29. Electro-Convulsive Therapy. (back to text)
30. A neutral boric acid eyewash, a kind of turbo-charged Visine, available over-counter from Wyeth Labs, with its own eye-cup of apothecary-blue plastic that’s downright gorgeous when held up to a window’s light. (back to text)
31. Schtitt’s term for Mr. A. deLint, which means technically ‘soulmate’ or ‘spouse’ but isn’t meant at all sexually w/r/t deLint, we can rest assured. (back to text)
32. Roughly, ‘They Can Kill You, But the Legalities of Eating You Are Quite a Bit Dicier.’ (back to text)
33. I.e., ‘Before Subsidization’ or the beginning of the subsidized O.N.A.N.ite lunar calendar under President Gentle; see sub. (back to text)
34. A.k.a. ‘E.L.D.,’ that still-green shoot off the pure branch of math that deals with systems and phenomena whose chaos is beyond even Mandelbrotian math’s Strange Equations and Random Attractants, a delimiting reaction against the Chaos Theories of fractal-happy meteorologists and systems analysts, E.L.D., whose post-Gödelian theorems and nonexistence proofs amount to extremely lucid and elegant admissions of defeat in certain cases, hands thrown up w/ complete deductive justification. Incandenza, whose frustrated interest in grand-scale failure was unflagging through four different careers, would have been all over Extra-Linear Dynamics like white on rice, had he survived. (back to text)
35. I.e., presumably, ‘of-Georg-Cantor,’ Cantor being a 1900s-era set-theorist (German also) and more or less founder of transfinite mathematics, the man who proved some infinities were bigger than other infinities, and whose 1905-ish Diagonal Proof demonstrated that there can be an infinity of things between any two things no matter how close together the two things are, which D. Proof deeply informed Dr. J. Incandenza’s sense of the transstatistical aesthetics of serious tennis. (back to text)
36. Low-Bavarian for something like ‘wandering alone in blasted disorienting territory beyond all charted limits and orienting markers,’ supposedly. (back to text)
37. Wheelchair. (back to text)
38. Ghostly light- and monster-shadow phenomenon particular to certain mountains; e.g. q.v. Part I of Goethe’s Faust, the Walpurgisnacht six-toed danceathon on the Harz-Bröcken, in which there’s described a classic ‘Bröckengespenstphänom.’ (Gespenst means specter or wraith.) (back to text)
39. Marathe’s superior in the A.F.R., a the leader of the Wheelchair Assassins’ U.S.A. cell, and the former boyhood friend of Rémy Marathe’s late older brothers, both struck and killed by trains. b (back to text)
40. In other words, M. Fortier and the A.F.R. (as far as Marathe knew) believed that Marathe was functioning as a kind of ‘triple agent’ or duplicitous ‘double agent’ — at Fortier’s direction, Marathe had pretended to approach B.S.S. seeking to trade knowledge of the A.F.R.’s anti-O.N.A.N. activities for protection and medical care for his hideously ill wife (Marathe’s) — only (as far as Marathe can know) Marathe and very few B.S.S. operatives know that Marathe is now only pretending to pretend to betray, that M. Steeply is fully aware that Marathe responds to B.S.S.’s summonses with what M. Fortier believes is his (Fortier’s) full knowledge, that M. Fortier is not (as far as Marathe and Steeply can reasonably posit) aware that Steeply and B.S.S. are aware that Fortier is aware of Marathe’s meetings with Steeply, and that Marathe’s own violent death will be the smallest of his (Marathe’s) problems should his Mont-Tremblant countrymen come to suspect the even-numbered total of his final loyalties. (back to text)
41. Intra-O.N.A.N. sobriquet for ‘acting as a double agent’; similarly w/ ‘tripling,’ and so on. (back to text)
42. The ‘thing of important’ seems to be that Marathe’s A.F.R. superiors believe he only is pretending to betray them in order to secure advanced U.S. cardiac-prosthetic technology for his wife; but that in fact he really is betraying them (the superiors, his country) — probably actually for that medical tech — and is thus only pretending only to pretend. (back to text)
43. Chronic inflammation of the terminal ileum and adjacent tissues, named in dubious honor of a Dr. Crohn in B.S. 1932. (back to text)
44. Professional euphemism for involuntary interrogation, either w/ or w/o physical inducements. (back to text)
45. See Note 304 sub. (back to text)
46. Over-the-counter topical stuff for the corticatization of skin, tincture of benzoin facilitates the development of the kinds of callus that don’t get blood-blisters underneath. Way more common and universal among serious players than Lemon P
ledge. Finding the smell of t. of b. nauseous, some junior players prefer an applied layer of corn starch or baby powder, which makes the t. of b. easier to wash off later but also leaves weird little white fingerprints over everything you touch. (back to text)
47. Le Front de la Lib´ eration de la Québec, rather a younger and rowdier and less implacably businesslike cell than the A.F.R., and symbolically adopting certain cultural customs, musics and motifs associated with Hawaii, supposedly an ironic nod to the idea that Québec is now, too, a kind of annex or territory of the U.S., a Canadian province only on paper, and separated from its real captor-nation by distances of space and culture that are unbridgeable. (back to text)
48. The progressive asymmetrical narrowing of one or more cardiac sinuses; can be either atherosclerotic or neoplastic; rare before continental Interdependence; now the third-leading cause of death among adults of Québec and New Brunswick and the seventh among adults of the Northeastern U.S.A.; associated with chronic low-level exposure to 2,3,7,8 Tetrachlorodibenzo-P-Di- and -Trioxin compounds. (back to text)
49. Redundancy sic. (back to text)
50. Said galoots also known, in the old founder’s AA circle, Enfield MA’s White Flag Group, as ‘The Crocodiles.’ (back to text)
51. Syntax sic, which had helped drive Mrs. Avril Incandenza — her Op-Ed letters and formal complaints apparently ignored at every political level — to help found the Militant Grammarians of Massachusetts, ever since a bramble in the flank of advertisers, corporations, and all fast-and-loose-players with the integrity of public discourse — see sub. (back to text)
52. The Gas Chromatography/Mass Spectometry scan uses particle-bombardment and a positive-ion read by a spectrometer. It’s the mid-range test of choice for corporations and athletic bodies, way less expensive than chromosomatic breakdowns of hair samples, but — as long as environmental controls on the hardware’re strictly observed — more comprehensive and reliable than the older E.M.I.T. and AbuScreen/RIA urine tests. (back to text)
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