His house was called The Outside of the Asylum.
His name was simply John Watson, though he preferred to be called - and some of his friends had now reluctantly agreed to this - Wonko the Sane.
In his house were a number of strange things, including a grey glass bowl with eight words engraved upon it.
We can talk of him much later on - this is just an interlude to watch the sun go down and to say that he was there watching it.
He had lost everything he cared for, and was now simply waiting for the end of the world - little realizing that it had already been and gone.
Chapter 16
After a disgusting Sunday spent emptying rubbish bins behind a pub in Taunton, and finding nothing, no raffle ticket, no telephone number, Arthur tried everything he could to find Fenchurch, and the more things he tried, the more weeks passed.
He raged and railed against himself, against fate, against the world and its weather. He even, in his sorrow and his fury, went and sat in the motorway service station cafeteria where he'd been just before he met her.
"It's the drizzle that makes me particularly morose."
"Please shut up about the drizzle," snapped Arthur.
"I would shut up if it would shut up drizzling."
"Look..."
"But I'll tell you what it will do when it shuts up drizzling, shall I?"
"No."
"Blatter."
"What?"
"It will blatter."
Arthur stared over the rim of his coffee cup at the grisly outside world. It was a completely pointless place to be, he realized, and he had been driven there by superstition rather than logic. However, as if to bait him with the knowledge that such coincidences could in fact happen, fate had chosen to reunite him with the lorry driver he had encountered there last time.
The more he tried to ignore him, the more he found himself being dragged back into the gravitic whirlpool of the man's exasperating conversation.
"I think," said Arthur vaguely, cursing himself for even bothering to say this, "that it's easing off."
"Ha!"
Arthur just shrugged. He should go. That's what he should do. He should just go.
"It never stops raining!" ranted the lorry driver. He thumped the table, spilt his tea, and actually, for a moment, appeared to be steaming.
You can't just walk off without responding to a remark like that.
"Of course it stops raining," said Arthur. It was hardly an elegant refutation, but it had to be said.
"It rains... all... the time," raved the man, thumping the table again, in time to the words.
Arthur shook his head.
"Stupid to say it rains all the time..." he said.
The man's eyebrows shot up, affronted.
"Stupid? Why's it stupid? Why's it stupid to say it rains all the time if it rains the whole time?"
"Didn't rain yesterday."
"Did in Darlington."
Arthur paused, warily.
"You going to ask me where I was yesterday?" asked the man. "Eh?"
"No," said Arthur.
"But I expect you can guess."
"Do you."
"Begins with a D."
"Does it."
"And it was pissing down there, I can tell you."
"You don't want to sit there, mate," said a passing stranger in overalls to Arthur cheerily. "That's Thundercloud Corner that is. Reserved special for old Raindrops Keep Falling On My Head here. There's one reserved in every motorway caff between here and sunny Denmark. Steer clear is my advice. 'Swhat we all do. How's it going, Rob? Keeping busy? Got your wet-weather tyres on? Har har."
He breezed by and went to tell a joke about Britt Ekland to someone at a nearby table.
"See, none of them bastards take me seriously," said Rob McKeena. "But," he added darkly, leaning forward and screwing up his eyes, "they all know it's true!"
Arthur frowned.
"Like my wife," hissed the sole owner and driver of McKeena's All-Weather Haulage. "She says it's nonsense and I make a fuss and complain about nothing, but," he paused dramatically and darted out dangerous looks from his eyes, "she always brings the washing in when I phone to say I'm on me way home!" He brandished his coffee spoon. "What do you make of that?"
"Well..."
"I have a book," he went on, "I have a book. A diary. Kept it for fifteen years. Shows every single place I've ever been. Every day. And also what the weather was like. And it was uniformly," he snarled, "'orrible. All over England, Scotland, Wales I been. All round the Continent, Italy, Germany, back and forth to Denmark, been to Yugoslavia. It's all marked in and charted. Even when I went to visit my brother," he added, "in Seattle."
"Well," said Arthur, getting up to leave at last, "perhaps you'd better show it to someone."
"I will," said Rob McKeena.
And he did.
Chapter 17
Misery, dejection. More misery and more dejection. He needed a project and he gave himself one.
He would find where his cave had been.
On prehistoric Earth he had lived in a cave, not a nice cave, a lousy cave, but... There was no but. It had been a totally lousy cave and he had hated it. But he had lived in it for five years which made it home of some kind, and a person likes to keep track of his homes. Arthur Dent was such a person and so he went to Exeter to buy a computer.
That was what he really wanted, of course, a computer. But he felt he ought to have some serious purpose in mind before he simply went and lashed out a lot of readies on what people might otherwise mistake as being just a thing to play with. So that was his serious purpose. To pinpoint the exact location of a cave on prehistoric Earth. He explained this to the man in the shop.
"Why?" said the man in the shop.
This was a tricky one.
"OK, skip that," said the man in the shop. "How?"
"Well, I was hoping you could help me with that."
The man sighed and his shoulders dropped.
"Have you much experience of computers?"
Arthur wondered whether to mention Eddie the shipboard computer on the Heart of Gold, who could have done the job in a second, or Deep Thought, or--but decided he wouldn't.
"No," he said.
"Looks like a fun afternoon," said the man in the shop, but he said it only to himself.
Arthur bought the Apple anyway. Over a few days he also acquired some astronomical software, plotted the movements of stars, drew rough little diagrams of how he seemed to remember the stars to have been in the sky when he looked up out of his cave at night, and worked away busily at it for weeks, cheerfully putting off the conclusion he knew he would inevitably have to come to, which was that the whole project was completely ludicrous.
Rough drawings from memory were futile. He didn't even know how long it had been, beyond Ford Prefect's rough guess at the time that it was "a couple of million years" and he simply didn't have the maths.
Still, in the end he worked out a method which would at least produce a result. He decided not to mind the fact that with the extraordinary jumble of rules of thumb, wild approximations and arcane guesswork he was using he would be lucky to hit the right galaxy, he just went ahead and got a result.
He would call it the right result. Who would know?
As it happened, through the myriad and unfathomable chances of fate, he got it exactly right, though he of course would never know that. He just went up to London and knocked on the appropriate door.
"Oh. I thought you were going to phone me first."
Arthur gaped in astonishment.
"You can only come in for a few minutes," said Fenchurch. "I'm just going out."
Chapter 18
A summer's day in Islington, full of the mournful wail of antique-restoring machinery.
Fenchurch was unavoidably busy for the afternoon, so Arthur wandered in a blissed-out haze and looked at all the shops which, in Islington, are quite an useful bunch, as anyone who regularly needs old woo
dworking tools, Boer War helmets, drag, office furniture or fish will readily confirm.
The sun beat down over the roofgardens. It beat on architects and plumbers. It beat on barristers and burglars. It beat on pizzas. It beat on estate agent's particulars.
It beat on Arthur as he went into a restored furniture shop.
"It's an interesting building," said the proprietor, cheerfully. "There's a cellar with a secret passage which connects with a nearby pub. It was built for the Prince Regent apparently, so he could make his escape when he needed to."
"You mean, in case anybody might catch him buying stripped pine furniture," said Arthur
"No," said the proprietor, "not for that reason."
"You'll have to excuse me," said Arthur. "I'm terribly happy."
"I see."
He wandered hazily on and found himself outside the offices of Greenpeace. He remembered the contents of his file marked "Things to do - urgent!", which he hadn't opened again in the meantime. He marched in with a cheery smile and said he'd come to give them some money to help free the dolphins.
"Very funny," they told him, "go away."
This wasn't quite the response he had expected, so he tried again. This time they got quite angry with him, so he just left some money anyway and went back out into the sunshine.
Just after six he returned to Fenchurch's house in the alleyway, clutching a bottle of champagne.
"Hold this," she said, shoved a stout rope in his hand and disappeared inside through the large white wooden doors from which dangled a fat padlock off a black iron bar.
The house was a small converted stable in a light industrial alleyway behind the derelict Royal Agricultural Hall of Islington. As well as its large stable doors it also had a normal-looking front door of smartly glazed panelled wood with a black dolphin door knocker. The one odd thing about this door was its doorstep, which was nine feet high, since the door was set into the upper of the two floors and presumably had been originally used to haul in hay for hungry horses.
An old pulley jutted out of the brickwork above the doorway and it was over this that the rope Arthur was holding was slung. The other end of the rope held a suspended 'cello.
The door opened above his head.
"OK," said Fenchurch, "pull on the rope, steady the 'cello. Pass it up to me."
He pulled on the rope, he steadied the 'cello.
"I can't pull on the rope again," he said, "without letting go of the 'cello."
Fenchurch leant down.
"I'm steadying the 'cello," she said. "You pull on the rope."
The 'cello eased up level with the doorway, swinging slightly, and Fenchurch manoeuvred it inside.
"Come on up yourself," she called down.
Arthur picked up his bag of goodies and went in through the stable doors, tingling.
The bottom room, which he had seen briefly before, was pretty rough and full of junk. A large old cast-iron mangle stood there, a surprising number of kitchen sinks were piled in a corner. There was also, Arthur was momentarily alarmed to see, a pram, but it was very old and uncomplicatedly full of books.
The floor was old stained concrete, excitingly cracked. And this was the measure of Arthur's mood as he stared up the rickety wooden steps in the far corner. Even a cracked concrete floor seemed to him an almost unbearably sensual thing.
"An architect friend of mine keeps on telling me how he can do wonderful things with this place," said Fenchurch chattily as Arthur emerged through the floor. "He keeps on coming round, standing in stunned amazement muttering about space and objects and events and marvellous qualities of light, then says he needs a pencil and disappears for weeks. Wonderful things have, therefore, so far failed to happen to it."
In fact, thought Arthur as he looked about, the upper room was at least reasonably wonderful anyway. It was simply decorated, furnished with things made out of cushions and also a stereo set with speakers which would have impressed the guys who put up Stonehenge.
There were flowers which were pale and pictures which were interesting.
There was a sort of gallery structure in the roof space which held a bed and also a bathroom which, Fenchurch explained, you could actually swing a cat in. "But," she added, "only if it was a reasonably patient cat and didn't mind a few nasty cracks about the head. So. Here you are."
"Yes."
They looked at each other for a moment.
The moment became a longer moment, and suddenly it was a very long moment, so long one could hardly tell where all the time was coming from.
For Arthur, who could usually contrive to feel self-conscious if left alone for long enough with a Swiss Cheese plant, the moment was one of sustained revelation. He felt on the sudden like a cramped and zoo-born animal who awakes one morning to find the door to his cage hanging quietly open and the savannah stretching grey and pink to the distant rising sun, while all around new sounds are waking.
He wondered what the new sounds were as he gazed at her openly wondering face and her eyes that smiled with a shared surprise.
He hadn't realized that life speaks with a voice to you, a voice that brings you answers to the questions you continually ask of it, had never consciously detected it or recognized its tones till it now said something it had never said to him before, which was "Yes".
Fenchurch dropped her eyes away at last, with a tiny shake of her head.
"I know," she said. "I shall have to remember," she added, "that you are the sort of person who cannot hold on to a simple piece of paper for two minutes without winning a raffle with it."
She turned away.
"Let's go for a walk," she said quickly. "Hyde Park. I'll change into something less suitable."
She was dressed in a rather severe dark dress, not a particularly shapely one, and it didn't really suit her.
"I wear it specially for my 'cello teacher," she said. "He's a nice boy, but I sometimes think all that bowing gets him a bit excited. I'll be down in a moment."
She ran lightly up the steps to the gallery above, and called down, "Put the bottle in the fridge for later."
He noticed as he slipped the champagne bottle into the door that it had an identical twin to sit next to.
He walked over to the window and looked out. He turned and started to look at her records. From above he heard the rustle of her dress fall to the ground. He talked to himself about the sort of person he was. He told himself very firmly that for this moment at least he would keep his eyes very firmly and steadfastly locked on to the spines of her records, read the titles, nod appreciatively, count the blasted things if he had to. He would keep his head down.
This he completely, utterly and abjectly failed to do.
She was staring down at him with such intensity that she seemed hardly to notice that he was looking up at her. Then suddenly she shook her head, dropped the light sundress over herself and disappeared quickly into the bathroom.
She emerged a moment later, all smiles and with a sunhat and came tripping down the steps with extraordinary lightness. It was a strange kind of dancing motion she had. She saw that he noticed it and put her head slightly on one side.
"Like it?" she said.
"You look gorgeous," he said simply, because she did.
"Hmmmm," she said, as if he hadn't really answered her question.
She closed the upstairs front door which had stood open all this time, and looked around the little room to see that it was all in a fit state to be left on its own for a while. Arthur's eyes followed hers around, and while he was looking in the other direction she slipped something out of a drawer and into the canvas bag she was carrying.
Arthur looked back at her.
"Ready?"
"Did you know," she said with a slightly puzzled smile, "that there's something wrong with me?"
Her directness caught Arthur unprepared.
"Well," he said, "I'd heard some vague sort of..."
"I wonder how much you do know about me," she said. "If y
ou heard from where I think you heard then that's not it. Russell just sort of makes stuff up, because he can't deal with what it really is."
A pang of worry went through Arthur.
"Then what is it?" he said. "Can you tell me?"
"Don't worry," she said, "it's nothing bad at all. Just unusual. Very very unusual."
She touched his hand, and then leant forward and kissed him briefly.
"I shall be very interested to know," she said, "if you manage to work out what it is this evening."
Arthur felt that if someone tapped him at that point he would have chimed, like the deep sustained rolling chime his grey fishbowl made when he flicked it with his thumbnail.
Chapter 19
Ford Prefect was irritated to be continually wakened by the sound of gunfire.
He slid himself out of the maintenance hatchway which he had fashioned into a bunk for himself by disabling some of the noisier machinery in his vicinity and padding it with towels. He slung himself down the access ladder and prowled the corridors moodily.
They were claustrophobic and ill-lit, and what light there was continually flickering and dimming as power surged this way and that through the ship, causing heavy vibrations and rasping humming noises.
That wasn't it, though.
He paused and leaned back against the wall as something that looked like a small silver power drill flew past him down the dim corridor with a nasty searing screech.
That wasn't it either.
He clambered listlessly through a bulkhead door and found himself in a larger corridor, though still ill-lit.
The ship lurched. It had been doing this a fair bit, but this was heavier. A small platoon of robots went by making a terrible clattering.
Still not it, though.
Acrid smoke was drifting up from one end of the corridor, so he walked along it in the other direction.
He passed a series of observation monitors let into the walls behind plates of toughened but still badly scratched perspex.
One of them showed some horrible green scaly reptilian figure ranting and raving about the Single Transferable Vote system. It was hard to tell whether he was for or against it, but he clearly felt very strongly about it. Ford turned the sound down.
That wasn't it, though.
He passed another monitor. It was showing a commercial for some brand of toothpaste that would apparently make you feel free if you used it. There was nasty blaring music with it too, but that wasn't it.
So Long, And Thanks For All The Fish Page 7