Praise for Unmasked
“It’s fun, easy reading ... a varied assortment of adventurous tales to journey with”
—Publishers Weekly
“An appropriate short fiction collection for a pandemic era.”
—Kaye Lynne Booth, Writing to Be Read
When the mask comes off, can you handle what’s underneath?
When your secret identity is revealed …
When the monster is unleashed …
When the superhero’s child has no power …
When Death himself is caught unawares …
Pull back the mask to reveal 21 tales from seasoned and award-winning authors, of magical masks, gas masks, death masks, superheroes, secret identities, disguised robots, alien symbionts, a Napoleonic thief, a swindling demon—even a hidden clown.
Who will take the risk?
Explore the masks we wear, the mysteries they conceal, and the price we pay when they’re stripped away.
Join us in our unmasquerade as we revel in—revelation!
Unmasked: Stories of Risk and Revelation
Copyright © 2021 WordFire, Inc.
Additional Copyright information available at the end
All rights reserved. No part of this book may be reproduced or transmitted in any form or by any electronic or mechanical means, including photocopying, recording or by any information storage and retrieval system, without the express written permission of the copyright holder, except where permitted by law. This novel is a work of fiction. Names, characters, places and incidents are either the product of the author’s imagination, or, if real, used fictitiously.
The ebook edition of this book is licensed for your personal enjoyment only. The ebook may not be re-sold or given away to other people. If you would like to share the ebook edition with another person, please purchase an additional copy for each recipient. Thank you for respecting the hard work of this author.
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EBook ISBN: 978-1-68057-227-8
Trade Paperback ISBN: 978-1-68057-226-1
Hardcover ISBN: 978-1-68057-228-5
Library of Congress Control Number: 2021934156
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Cover artwork images by Mark Holt and Janet McDonald
Kevin J. Anderson, Art Director
Published by
WordFire Press, LLC
PO Box 1840
Monument CO 80132
Kevin J. Anderson & Rebecca Moesta, Publishers
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WordFire Press eBook Edition 2021
WordFire Press Trade Paperback Edition 2021
WordFire Press Hardcover Edition 2021
Printed in the USA
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Contents
Introduction
Kevin J. Anderson
Pygmalion
Seanan McGuire
La Marionnette
Alicia Cay
Speakeasy
Keltie Zubko
Framing Marta
James Romag
The Green Gas
Liam Hogan
Death by Misadventure
John M. Olsen
The Fog of War
Edward J. Knight
Faces of Death
Ed Burkley
The Quota
Tom Howard
Wa-Ha-Ya (The Wolf)
JL Curtis
I Have No Name
Andi Christopher
Beauty Is Lifted from Its Face as a Mask
Eric James Stone
Pagliacci’s Joke
Travis Heermann
A New Purpose
Rebecca M. Senese
Eyeless
Gama Ray Martinez
In Defiance of Death
Rebecca E. Treasure
Qualia
Russell Davis
Shot in the Dark
Brennen Hankins
The Hibakusha
Michael Scott Bricker
Mope Not for the Mighty
Michael Nethercott
Sinner, Baker, Fabulist, Priest; Red Mask, Black Mask, Gentleman, Beast
Eugie Foster
If You Liked …
Other WordFire Press Titles
Introduction
Taking off the Mask
Kevin J. Anderson
We all wear masks, sometimes literal ones like a superhero or a bank robber; sometimes metaphorical ones, when a person disguises their true personality. As we edited this anthology, everyone around us was wearing a protective COVID mask in the face of a pandemic.
Unmasked: Stories of Risk and Revelation is an anthology put together by my grad students at Western Colorado University, all of whom are working toward their Master of Arts degree in Publishing. As their instructor, I guided this project from start to finish, but the real work was all theirs. The students developed the concept for the anthology, wrote up the submission guidelines, read through over five hundred stories in the slushpile, worked within the budget generously provided by Draft2Digital, selected the very best stories in a range of genres and tones, wrote rejection letters as well as contracts. They worked with the authors on any necessary rewrites and copy edits, they chose the cover art, designed and produced the book, and released it as their graduating project.
In Unmasked you will find uplifting superhero stories, dark dystopian stories, humorous tales of mistaken identity, the fast-paced adventures of thieves and spies, chilling tales of haunted death masks and supernatural revenge, and uplifting stories about finding and revealing one’s true identity. As a bonus, we are including the Nebula Award-winning masterpiece “Sinner, Baker, Fabulist, Priest; Red Mask, Black Mask, Gentleman, Beast” by the late Eugie Foster, a novelette I edited back in Nebula Awards Showcase 2011, which fit so perfectly with the theme.
Take off your own mask, put on your reading glasses, and enjoy these 21 tales of risk and revelation.
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—Kevin J. Anderson,
Director, Publishing Program
Graduate Program in Creative Writing
Western Colorado University
Kevin J. Anderson has published more than 170 books, 58 of which have been national or international bestsellers. He has written numerous novels in the Star Wars, X-Files, and Dune universes, as well as unique steampunk fantasy novels Clockwork Angels and Clockwork Lives, written with legendary rock drummer Neil Peart, based on the concept album by the band Rush. His original works include the Saga of Seven Suns series, the Terra Incognita fantasy trilogy, the Saga of Shadows trilogy, and his humorous horror series featuring Dan Shamble, Zombie PI. He has edited numerous anthologies, written comics and games, and the lyrics to two rock CDs. Anderson and his wife Rebecca Moesta are the publishers of WordFire Press and he is the Director of the Publishing MA program at Western Colorado University. His most recent novels are Vengewar, Stake, and The Duke of Caladan (with Brian Herbert).
Pygmalion
Seanan McGuire
When I was a kid, people used to ask me all the time. “What’s it like having one of the most amazing superheroes in the universe as your mother?” “What was it like when you were little, did you get Wonderland diamonds in your Christmas stocking, did you get roast wyvern for Thanksgiving?” “Are you sorry not to have powers of your own?”
They never asked the question I wanted them to ask, which was, “Do you ever resent your mother for setting an unattainable example for the young women of the world, guaranteeing you would never be enough in the eyes of anyone who knew you, or for that matter, in your own?”
Let�
�s be clear: Mom never treated me like I didn’t matter just because I couldn’t lift a car over my head, or fly, or turn myself to stone. She treated me like I was the most important thing in the world, the most important thing she had ever done or ever would do, and she did her best to shield me from the reality of her world. I had to put the real story together for myself.
Had to figure out that her friends who came around for stale cake and mediocre coffee sneered at me because of all the things she didn’t. Had to figure out that they came to my birthday parties under duress, badly wrapped presents that never exceeded my mother’s strict twenty-dollar limit in their hands.
Had to figure out that the man with the blond hair and the heroic jawline, the man whose eyes looked so much like my own, the man who would never look at me for more than a few seconds without clenching his hands into fists, the man who never once addressed me without being forced …
Had to figure out that he was Zenith, just without the cape and boots and heroic pose, and more, he was almost certainly my father. You’d think realizing the world’s greatest superhero was your father would come with dramatic music, or at least the feeling of finally falling into line with your destiny, but all I felt was tired. I was nine years old, and I knew no one would believe me if I told them. He was the world’s greatest superhero. He could do infinitely better than a middle-aged diner waitress whose house had peeling wallpaper and water spots on the ceilings, and if he did have a kid, they’d be a lot better than me. They’d have powers, they’d be amazing.
All this happened about a year before Mom’s secret identity got blown, which wasn’t my fault, no matter what the tabloids try to say. She did that all by herself.
But after I was sure that Mom’s friend Paul was actually Zenith in civilian drag, I’d started to look a little more closely at the rest of Mom’s friends. Some of them worked at the diner, or were regular patrons there, but others, the ones who came to my birthday party with pursed lips and the same general air as me when I was forced to do my homework on a bright spring day …
The others lined up, one to one, with the known members of the Association of Heroes. The bright-garbed men and women who soared the skies, righting wrongs, dispensing justice, and generally behaving in a heroic manner. It was the first secret I’d ever had, and it was a big one, big enough to break the world, or at least that’s what it felt like tucked away inside my nine-year-old heart, where I could keep it safe.
For one year, I was an impenetrable fortress, more secure than any bank—more secure than Fort Knox, even. Some people have tried to spin it since then, said I was the one who tipped off the papers as to Mom’s daytime occupation, said I was jealous of her. Jealous of what? I was nine. She hadn’t told me yet that she had powers, or that if I hadn’t developed them by the time I started puberty, I wasn’t going to. See again, nine. I thought I knew how the world worked, and how it was always going to work. Me and Mom, and occasional visits from her friends who thought of me as a particularly demanding and high-maintenance pet. They didn’t quite pat me on the head and tell me to sit and stay, but they came close sometimes. I guess by that point, they’d all been living gods for long enough that they didn’t understand how human kids worked anymore.
And then came that awful, terrible, life-changing, world-ending day when I was pulled out of Mrs. Harris’s advanced math class and moved to the office, where I’d been surrounded by strange, silent men in black suits who carried large guns and looked at the world around them as if it was inherently their enemy, not to be trusted under any circumstances. And no one had even tried to explain what was going on.
That’s the part that still gets to me today. I was ten on the day the news broke—by a matter of three whole weeks, I was ten. A child. An innocent, civilian child. The fact that my mother was a soldier in an unending war between the forces of good and evil didn’t matter to me. Whether or not I got invited to Missy Sinclair’s slumber party, now that mattered to me.
You may remember that slumber party. It was all over the news.
Missy and I were the only survivors.
Anyway, Mom showed up at the school three hours after the final bell, five hours after I’d been put on lockdown. Five hours of sitting in anxious silence, no one telling me what was going on or why I’d been taken out of class. I had spent that time spinning nightmare scenarios in my head, worlds where I’d been orphaned by a fire at the diner or something equally unlikely, worlds where I’d have to go and live with the father who had never acknowledged me as his own, leaving our familiar, dingy, but comfortable house behind. So when the door slammed open and Mom walked in, fully costumed, the marble mask covering her eyes and the marble sword in her hand, I was so relieved to see her that I was halfway across the room before her appearance registered.
Galatea. Greatest superwoman in the world, second only to Zenith for most powerful superhuman. The woman of every civilian’s dreams and every villain’s nightmares. I had her action figure. And even as I remembered that fact, I remembered how reluctant Mom had been to buy it for me, even after weeks of begging and pleading. It hadn’t been until I told the mall Santa that I wanted my own Galatea doll more than anything else in the world, even a puppy, that she’d been willing to break down and bring me one.
I’d wondered how she’d been able to afford the deluxe battle-ready Galatea with real sword-swinging action when she could barely afford to pay the power bill. Looking at her in full armor, with threads of stone running through her hair and the famous sword in her hand, my first nonsensical thought was that she could damn well have gotten me the Battle Cruiser playset at the same time.
And then I passed out, unconscious on the floor of the principal’s office.
Everyone knows the story from there: some nosy tabloid reporter had put together that Zenith was seen near our little suburban town too often for anything other than a civilian life, and had decided to win a Pulitzer by unmasking the world’s greatest superhuman. Real nice guy, that reporter. He’s tried to get a private interview with me every year for the last fifteen, saying that only he can truly tell my story. Asshole. He’s the one who ruined my life as a side effect of his ill-considered bid for fame, and he thinks he could somehow be fair to me?
He didn’t get his Pulitzer. He didn’t find Zenith, either … not directly. What he found was Mom, who had never previously been photographed without her mask, but whose lips had been carried in picture form to a thousand plastic surgeons, and whose chin had been on the cover of Time magazine so many times that it was sort of a miracle it had taken as long as it did for someone to look at Mom’s profile and go “huh, doesn’t she look like …”
Finding Mom led him inexorably to finding Mom’s secret identity, and finding Mom’s hospital records, which listed “Jack Smith” as my father. “Paul Smith” was Zenith’s only publicly known alias at the time, having been the name he worked under during his brief time as a judicial assistant. When a woman who looks like Galatea and a man with Zenith’s alias have a daughter in a town that sees more than its fair share of superhero activity relative to its size? And that girl is named Hope Anesidora? He might have worked for a tabloid, but he knew how to connect the dots, and while I’d been sitting happily in math class, unaware that the world was about to change forever, he’d been releasing his magnum opus, an expose on Galatea’s civilian activities. Including my name, and the name of my school. He basically drew a map for any supervillain who wanted to get back at my mom to follow, and then he released it into the world with no concern for my safety.
My parents’ trying to sue him for violating the laws that protect child superheroes made the news, of course, and that was the first time most of the world saw my face. Serious Streisand Effect, since most people had seen me as a forgettable footnote until I mattered enough to go to court over, where the judge had found that although the reporter was guilty of bad judgment and possible child endangerment, he hadn’t violated any laws surrounding secret identities. Why?
So now I was in the paper not only for being the daughter of the world’s two greatest superhumans, who had never even been rumored to be in a relationship before. Zenith was supposedly in a long-term relationship with a civilian district attorney, whose public repudiation of him as both man and lawyer was one of the only things to distract the public’s attention from Mom and me while all this was going down, and Mom had always said justice had to come before she was willing to even consider seeking love for love’s own sake—but I was in the paper for being completely defenseless without my parents.
All Mom’s friends started coming around again, in costume this time, finally willing to look directly at me. They couldn’t pull me out of school and send me to the school their own children attended, because it was one of those special schools for kids who could bend rebar or see through walls, and the faculty wouldn’t know what to do with me. Even if the teachers could figure me out, the rest of the student body would eat me alive. I was relieved when they said I wasn’t going to be changing schools, even if I had to walk to class escorted by Association security forces, who had identified me with unforgiving accuracy as a possible kidnapping risk.
They didn’t scare the other kids away. In fact, they did exactly the opposite; for the six weeks after the news broke, I was the most popular kid in school, enjoying a level of social acceptance that I could only have dreamed of before. I was still pudgy and uncoordinated, with frizzy hair and a tendency to drift off into daydreams when I was supposed to be filling out worksheets or participating in class, but my parents were superheroes, and that made me amazing.
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