‘I’ve had enough, by the Gods, I’m up to here with you, up to here! Very well, listen: I’m going to break myself off a hazel rod and go fishing, and you will have some time to yourselves, you’ll be able to tell each other everything. Tell each other everything, try to understand each other. It is not as difficult as you think. And after that, by the Gods, do it. Do it with him, Poppet. Do it with her, Geralt, and be good to her. And then, you’ll either bloody get over it, or . . .’
Dandelion turned around rapidly and walked away, breaking reeds and cursing. He made a rod from a hazel branch and horsehair and fished until dusk fell.
After he had walked off, Geralt and Essi stood for a long time, leaning against a misshapen willow tree bent over the water. They stood, holding hands. Then the Witcher spoke, spoke softly for a long time, and Little Eye’s little eye was full of tears.
And then, by the Gods, they did it, she and he.
And everything was all right.
X
The next day they organised something of a ceremonial supper. Essi and Geralt bought a dressed lamb in a village they passed through. While they were haggling, Dandelion surreptitiously stole some garlic, onions and carrots from the vegetable patch behind the cottage. As they were riding away they also swiped a pot from the fence behind the smithy. The pot was a little leaky, but the Witcher soldered it using the Igni Sign.
The supper took place in a clearing deep in the forest. The fire crackled merrily and the pot bubbled. Geralt carefully stirred the stew with a star-shaped stirrer made from the top of a spruce tree stripped of bark. Dandelion peeled the onions and carrots. Little Eye, who had no idea about cooking, made the time more pleasant by playing the lute and singing racy couplets.
It was a ceremonial supper. For they were going to part in the morning. In the morning each of them was going to go their own way; in search of something they already had. But they did not know they had it, they could not even imagine it. They could not imagine where the roads they were meant to set off on the next morning would lead. Each of them travelling separately.
After they had eaten, and drunk the beer Drouhard had given them, they gossiped and laughed, and Dandelion and Essi held a singing contest. Geralt lay on a makeshift bed of spruce branches with his hands under his head and thought he had never heard such beautiful voices or such beautiful ballads. He thought about Yennefer. He thought about Essi, too. He had a presentiment that . . .
At the end, Little Eye and Dandelion sang the celebrated duet of Cynthia and Vertvern, a wonderful song of love, beginning with the words: ‘Many tears have I shed . . .’ It seemed to Geralt that even the trees bent down to listen to the two of them.
Then Little Eye, smelling of verbena, lay down beside him, squeezed in under his arm, wriggled her head onto his chest, sighed maybe once or twice and fell peacefully asleep. The Witcher fell asleep, much, much later.
Dandelion, staring into the dying embers, sat much longer, alone, quietly strumming his lute.
It began with a few bars, from which an elegant, soothing melody emerged. The lyric suited the melody, and came into being simultaneously with it, the words blending into the music, becoming set in it like insects in translucent, golden lumps of amber.
The ballad told of a certain witcher and a certain poet. About how the witcher and the poet met on the seashore, among the crying of seagulls, and how they fell in love at first sight. About how beautiful and powerful was their love. About how nothing – not even death – was able to destroy that love and part them.
Dandelion knew that few would believe the story told by the ballad, but he was not concerned. He knew ballads were not written to be believed, but to move their audience.
Several years later, Dandelion could have changed the contents of the ballad and written about what had really occurred. He did not. For the true story would not have moved anyone. Who would have wanted to hear that the Witcher and Little Eye parted and never, ever, saw each other again? About how four years later Little Eye died of the smallpox during an epidemic raging in Vizima? About how he, Dandelion, had carried her out in his arms between corpses being cremated on funeral pyres and had buried her far from the city, in the forest, alone and peaceful, and, as she had asked, buried two things with her: her lute and her sky blue pearl. The pearl from which she was never parted.
No, Dandelion stuck with his first version. And he never sang it. Never. To no one.
Right before the dawn, while it was still dark, a hungry, vicious werewolf crept up to their camp, but saw that it was Dandelion, so he listened for a moment and then went on his way.
THE SWORD OF DESTINY
I
He found the first body around noon.
The sight of victims of violent death seldom shocked the Witcher; much more often he looked at corpses with total indifference. This time he was not indifferent.
The boy was around fifteen. He was lying on his back, legs sprawled, his face frozen in a grimace of terror. In spite of that Geralt knew the boy had died at once, had not suffered, and probably had not even known he was dying. The arrow had struck him in the eye and was driven deep into the skull, through the occipital bone. The arrow was fletched with striped, pheasant flight feathers dyed yellow. The shaft stuck up above the tufts of grass.
Geralt looked around, and quickly and easily found what he was hunting for. A second, identical arrow, lodged in the trunk of a pine tree, around six paces behind the corpse. He knew what had happened. The boy had not understood the warning, and hearing the whistle and thud of the arrow had panicked and begun to run the wrong way. Towards the one who had ordered him to stop and withdraw at once. The hissing, venomous, feathered whistle and the short thud of the arrowhead cutting into the wood. Not a step further, man, said that whistle and that thud. Begone, man, get out of Brokilon at once. You have captured the whole world, man, you are everywhere. Everywhere you introduce what you call modernity, the era of change, what you call progress. But we want neither you nor your progress here. We do not desire the changes you bring. We do not desire anything you bring. A whistle and a thud. Get out of Brokilon!
Get out of Brokilon, thought Geralt. Man. No matter that you are fifteen and struggling through the forest, insane with fear, unable to find your way home. No matter that you are seventy and have to gather brushwood, because otherwise they will drive you from the cottage for being useless, they will stop giving you food. No matter that you are six and you were lured by a carpet of little blue flowers in a sunny clearing. Get out of Brokilon! A whistle and a thud.
Long ago, thought Geralt, before they shot to kill, they gave two warnings. Even three.
Long ago, he thought, continuing on his way. Long ago.
Well, that’s progress.
The forest did not seem to deserve the dreadful notoriety it enjoyed. It was terribly wild and arduous to march through, but it was the commonplace arduousness of a dense forest, where every gap, every patch of sunlight filtered by the boughs and leafy branches of huge trees, was immediately exploited by dozens of young birches, alders and hornbeams, by brambles, junipers and ferns, their tangle of shoots covering the crumbly mire of rotten wood, dry branches and decayed trunks of the oldest trees, the ones that had lost the fight, the ones that had lived out their lifespan. The thicket, however, did not generate the ominous, weighty silence which would have suited the place more. No, Brokilon was alive. Insects buzzed, lizards rustled the grass underfoot, iridescent beetles scuttled, thousands of spiders tugged webs glistening with drops of water, woodpeckers thumped tree trunks with sharp series of raps and jays screeched.
Brokilon was alive.
But the Witcher did not let himself be deceived. He knew where he was. He remembered the boy with the arrow in his eye. He had occasionally seen white bones with red ants crawling over them among the moss and pine needles.
He walked on, cautiously but swiftly. The trail was fresh. He hoped to reach and send back the men walking in front of him. He deluded himself
that it was not too late.
But it was.
He would not have noticed the next corpse had it not been for the sunlight reflecting on the blade of the short sword it was gripping. It was a grown man. His simple clothing, coloured a practical dun, indicated his lowly status. His garments – not counting the blood stains surrounding the two feathers sticking into his chest – were clean and new, so he could not have been a common servant.
Geralt looked around and saw a third body, dressed in a leather jacket and short, green cape. The ground around the dead man’s legs was churned up, the moss and pine needles were furrowed right down to the sand. There was no doubt; this man had taken a long time to die.
He heard a groan.
He quickly parted the juniper bushes and saw the deep tree throw they were concealing. A powerfully built man, with black, curly hair and beard contrasting with the dreadful, downright deathly pallor of his face, was lying in the hollow on the exposed roots of the pine. His pale, deerskin kaftan was red with blood.
The Witcher jumped into the hollow. The wounded man opened his eyes.
‘Geralt . . .’ he groaned. ‘O, ye Gods . . . I must be dreaming . . .’
‘Frexinet?’ the Witcher asked in astonishment. ‘You, here?’
‘Yes, me . . . Ooooow . . .’
‘Don’t move,’ Geralt said, kneeling beside him. ‘Where were you hit? I can’t see the arrow . . .’
‘It passed . . . right through. I broke off the arrowhead and pulled it out . . . Listen Geralt—’
‘Be quiet, Frexinet, or you’ll choke on your blood. You have a punctured lung. A pox on it, I have to get you out of here. What the bloody hell were you doing in Brokilon? It’s dryad territory, their sanctuary, no one gets out of here alive. I can’t believe you didn’t know that.’
‘Later . . .’ Frexinet groaned and spat blood. ‘I’ll tell you later . . . Now get me out. Oh, a pox on it. Have a care . . . Oooooow . . .’
‘I can’t do it,’ Geralt said, straightening up and looking around. ‘You’re too heavy.’
‘Leave me,’ the wounded man grunted. ‘Leave me, too bad . . . But save her . . . by the Gods, save her . . .’
‘Who?’
‘The princess . . . Oh . . . Find her, Geralt.’
‘Lie still, dammit! I’ll knock something up and haul you out.’
Frexinet coughed hard and spat again; a viscous, stretching thread of blood hung from his chin. The Witcher cursed, vaulted out of the hollow and looked around. He needed two young saplings. He moved quickly towards the edge of the clearing, where he had seen a clump of alders.
A whistle and thud.
Geralt froze to the spot. The arrow, buried in a tree trunk at head height, had hawk feather fletchings. He looked at the angle of the ashen shaft and knew where it had been shot from. About four dozen paces away there was another hollow, a fallen tree, and a tangle of roots sticking up in the air, still tightly gripping a huge lump of sandy earth. There was a dark mass of blackthorn there amid the lighter stripes of birches. He could not see anyone. He knew he would not.
He raised both hands, very slowly.
‘Ceádmil! Vá an Eithné meáth e Duén Canell! Esseá Gwynbleidd!’
This time he heard the soft twang of the bowstring and saw the arrow, for it had been shot for him to see. Powerfully. He watched it soar upwards, saw it reach its apex and then fall in a curve. He did not move. The arrow plunged into the moss almost vertically, two paces from him. Almost immediately a second lodged next to the first, at exactly the same angle. He was afraid he might not see the next one.
‘Meáth Eithné!’ he called again. ‘Esseá Gwynbleidd!’
‘Gláeddyv vort!’ A voice like a breath of wind. A voice, not an arrow. He was alive. He slowly unfastened his belt buckle, drew his sword well away from himself and threw it down. A second dryad emerged noiselessly from behind a fir trunk wrapped around with juniper bushes, no more than ten paces from him. Although she was small and very slim, the trunk seemed thinner. He had no idea how he had not seen her as he approached. Perhaps her outfit had disguised her; a patchwork which accentuated her shapely form, sewn weirdly from scraps of fabric in numerous shades of green and brown, strewn with leaves and pieces of bark. Her hair, tied with a black scarf around her forehead, was olive green and her face was criss-crossed with stripes painted using walnut-shell dye.
Naturally, her bowstring was taut and she was aiming an arrow at him.
‘Eithné . . .’ he began.
‘Tháess aep!’
He obediently fell silent, standing motionless, holding his arms away from his trunk. The dryad did not lower her bow.
‘Dunca!’ she cried. ‘Braenn! Caemm vort!’
The one who had shot the arrows earlier darted out from the blackthorn and slipped over the upturned trunk, nimbly clearing the depression. Although there was a pile of dry branches in it Geralt did not hear even one snap beneath her feet. He heard a faint murmur close behind, something like the rustling of leaves in the wind. He knew there was a third.
It was that one, dashing out from behind him, who picked up his sword. Her hair was the colour of honey and was tied up with a band of bulrush fibres. A quiver full of arrows swung on her back.
The furthest one approached the tree throw swiftly. Her outfit was identical to that of her companions. She wore a garland woven from clover and heather on her dull, brick-red hair. She was holding a bow, not bent, but with an arrow nocked.
‘T’en thesse in meáth aep Eithné llev?’ she asked, coming over. Her voice was extremely melodious and her eyes huge and black. ‘Ess’ Gwynbleidd?’
‘Aé . . . aesseá . . .’ he began, but the words in the Brokilon dialect, which sounded like singing in the dryad’s mouth, stuck in his throat and made his lips itchy. ‘Do none of you know the Common Speech? I don’t speak your—’
‘An’ váill. Vort llinge,’ she cut him off.
‘I am Gwynbleidd. White Wolf. Lady Eithné knows me. I am travelling to her as an envoy. I have been in Brokilon before. In Duén Canell.’
‘Gwynbleidd.’ The redhead narrowed her eyes. ‘Vatt’ghern?’
‘Yes,’ he confirmed. ‘The Witcher.’
The olive-haired one snorted angrily, but lowered her bow. The red-haired one looked at him with eyes wide open, but her face – smeared with green stripes – was quite motionless, expressionless, like that of a statue. The immobility meant her face could not be categorised as pretty or ugly. Instead of such classification, a thought came to him about indifference and heartlessness, not to say cruelty. Geralt reproached himself for that judgement, catching himself mistakenly humanising the dryad. He ought to have known, after all, that she was older than the other two. In spite of appearances she was much, much older than them.
They stood in indecisive silence. Geralt heard Frexinet moaning, groaning and coughing. The red-haired one must also have heard, but her face did not even twitch. The Witcher rested his hands on his hips.
‘There’s a wounded man over there in the tree hole,’ he said calmly. ‘He will die if he doesn’t receive aid.’
‘Tháess aep!’ the olive-haired one snapped, bending her bow and aiming the arrowhead straight at his face.
‘Will you let him die like a dog?’ he said, not raising his voice. ‘Will you leave him to drown slowly in his own blood? In that case better to put him out of his misery.’
‘Be silent!’ the dryad barked, switching to the Common Speech. But she lowered her bow and released the tension on the bowstring. She looked at the other questioningly. The red-haired one nodded, indicating the tree hollow. The olive-haired one ran over, quickly and silently.
‘I want to see Lady Eithné,’ Geralt repeated. ‘I’m on a diplomatic mission . . .’
‘She,’ the red-haired one pointed to the honey-haired one, ‘will lead you to Duén Canell. Go.’
‘Frex . . . And the wounded man?’
The dryad looked at him, squinting. She was still fi
ddling with the nocked arrow.
‘Do not worry,’ she said. ‘Go. She will lead you there.’
‘But . . .’
‘Va’en vort!’ She cut him off, her lips tightening.
He shrugged and turned towards the one with the hair the colour of honey. She seemed the youngest of the three, but he might have been mistaken. He noticed she had blue eyes.
‘Then let us go.’
‘Yes,’ the honey-coloured haired one said softly. After a short moment of hesitation she handed him his sword. ‘Let us go.’
‘What is your name?’ he asked.
‘Be silent.’
She moved very swiftly through the dense forest, not looking back. Geralt had to exert himself to keep up with her. He knew the dryad was doing it deliberately, knew that she wanted the man following her to get stuck, groaning, in the undergrowth, or to fall to the ground exhausted, incapable of going on. She did not know, of course, that she was dealing with a witcher, not a man. She was too young to know what a witcher was.
The young woman – Geralt now knew she was not a pure-blood dryad – suddenly stopped and turned around. He saw her chest heaving powerfully beneath her short, dappled jacket, saw that she was having difficulty stopping herself from breathing through her mouth.
‘Shall we slow down?’ he suggested with a smile.
‘Yeá.’ She looked at him with hostility. ‘Aeén esseáth Sidh?’
‘No, I’m not an elf. What is your name?’
‘Braenn,’ she answered, marching on, but now at a slower pace, not trying to outdistance him. They walked alongside each other, close. He smelled the scent of her sweat, the ordinary sweat of a young woman. The sweat of dryads carried the scent of delicate willow leaves crushed in the hands.
Introducing the Witcher Page 55