by A. A. Milne
* * *
Nowhere more altered, perhaps, about a hundred years ago, than in one little orchard attached to an old stone house with a honeysuckle porch; where, on a bright autumn morning, there were sounds of music and laughter, and where two girls danced merrily together on the grass, while some half–dozen peasant women standing on ladders, gathering the apples from the trees, stopped in their work to look down, and share their enjoyment. It was a pleasant, lively, natural scene; a beautiful day, a retired spot; and the two girls, quite unconstrained and careless, danced in the freedom and gaiety of their hearts.
* * *
If there were no such thing as display in the world, my private opinion is, and I hope you agree with me, that we might get on a great deal better than we do, and might be infinitely more agreeable company than we are. It was charming to see how these girls danced. They had no spectators but the apple–pickers on the ladders. They were very glad to please them, but they danced to please themselves (or at least you would have supposed so); and you could no more help admiring, than they could help dancing. How they did dance!
* * *
Not like opera–dancers. Not at all. And not like Madame Anybody’s finished pupils. Not the least. It was not quadrille dancing, nor minuet dancing, nor even country–dance dancing. It was neither in the old style, nor the new style, nor the French style, nor the English style: though it may have been, by accident, a trifle in the Spanish style, which is a free and joyous one, I am told, deriving a delightful air of off–hand inspiration, from the chirping little castanets. As they danced among the orchard trees, and down the groves of stems and back again, and twirled each other lightly round and round, the influence of their airy motion seemed to spread and spread, in the sun–lighted scene, like an expanding circle in the water. Their streaming hair and fluttering skirts, the elastic grass beneath their feet, the boughs that rustled in the morning air—the flashing leaves, the speckled shadows on the soft green ground—the balmy wind that swept along the landscape, glad to turn the distant windmill, cheerily—everything between the two girls, and the man and team at plough upon the ridge of land, where they showed against the sky as if they were the last things in the world—seemed dancing too.
* * *
At last, the younger of the dancing sisters, out of breath, and laughing gaily, threw herself upon a bench to rest. The other leaned against a tree hard by. The music, a wandering harp and fiddle, left off with a flourish, as if it boasted of its freshness; though the truth is, it had gone at such a pace, and worked itself to such a pitch of competition with the dancing, that it never could have held on, half a minute longer. The apple–pickers on the ladders raised a hum and murmur of applause, and then, in keeping with the sound, bestirred themselves to work again like bees.
* * *
The more actively, perhaps, because an elderly gentleman, who was no other than Doctor Jeddler himself—it was Doctor Jeddler’s house and orchard, you should know, and these were Doctor Jeddler’s daughters—came bustling out to see what was the matter, and who the deuce played music on his property, before breakfast. For he was a great philosopher, Doctor Jeddler, and not very musical.
* * *
‘Music and dancing to–day!’ said the Doctor, stopping short, and speaking to himself. ‘I thought they dreaded to–day. But it’s a world of contradictions. Why, Grace, why, Marion!’ he added, aloud, ‘is the world more mad than usual this morning?’
* * *
‘Make some allowance for it, father, if it be,’ replied his younger daughter, Marion, going close to him, and looking into his face, ‘for it’s somebody’s birth–day.’
* * *
‘Somebody’s birth–day, Puss!’ replied the Doctor. ‘Don’t you know it’s always somebody’s birth–day? Did you never hear how many new performers enter on this—ha! ha! ha!—it’s impossible to speak gravely of it—on this preposterous and ridiculous business called Life, every minute?’
* * *
‘No, father!’
* * *
‘No, not you, of course; you’re a woman—almost,’ said the Doctor. ‘By–the–by,’ and he looked into the pretty face, still close to his, ‘I suppose it’s your birth–day.’
* * *
‘No! Do you really, father?’ cried his pet daughter, pursing up her red lips to be kissed.
* * *
‘There! Take my love with it,’ said the Doctor, imprinting his upon them; ‘and many happy returns of the—the idea!—of the day. The notion of wishing happy returns in such a farce as this,’ said the Doctor to himself, ‘is good! Ha! ha! ha!’
* * *
Doctor Jeddler was, as I have said, a great philosopher, and the heart and mystery of his philosophy was, to look upon the world as a gigantic practical joke; as something too absurd to be considered seriously, by any rational man. His system of belief had been, in the beginning, part and parcel of the battle–ground on which he lived, as you shall presently understand.
* * *
‘Well! But how did you get the music?’ asked the Doctor. ‘Poultry–stealers, of course! Where did the minstrels come from?’
* * *
‘Alfred sent the music,’ said his daughter Grace, adjusting a few simple flowers in her sister’s hair, with which, in her admiration of that youthful beauty, she had herself adorned it half–an–hour before, and which the dancing had disarranged.
* * *
‘Oh! Alfred sent the music, did he?’ returned the Doctor.
* * *
‘Yes. He met it coming out of the town as he was entering early. The men are travelling on foot, and rested there last night; and as it was Marion’s birth–day, and he thought it would please her, he sent them on, with a pencilled note to me, saying that if I thought so too, they had come to serenade her.’
* * *
‘Ay, ay,’ said the Doctor, carelessly, ‘he always takes your opinion.’
* * *
‘And my opinion being favourable,’ said Grace, good–humouredly; and pausing for a moment to admire the pretty head she decorated, with her own thrown back; ‘and Marion being in high spirits, and beginning to dance, I joined her. And so we danced to Alfred’s music till we were out of breath. And we thought the music all the gayer for being sent by Alfred. Didn’t we, dear Marion?’
* * *
‘Oh, I don’t know, Grace. How you tease me about Alfred.’
* * *
‘Tease you by mentioning your lover?’ said her sister.
* * *
‘I am sure I don’t much care to have him mentioned,’ said the wilful beauty, stripping the petals from some flowers she held, and scattering them on the ground. ‘I am almost tired of hearing of him; and as to his being my lover—’
* * *
‘Hush! Don’t speak lightly of a true heart, which is all your own, Marion,’ cried her sister, ‘even in jest. There is not a truer heart than Alfred’s in the world!’
* * *
‘No–no,’ said Marion, raising her eyebrows with a pleasant air of careless consideration, ‘perhaps not. But I don’t know that there’s any great merit in that. I—I don’t want him to be so very true. I never asked him. If he expects that I—But, dear Grace, why need we talk of him at all, just now!’
* * *
It was agreeable to see the graceful figures of the blooming sisters, twined together, lingering among the trees, conversing thus, with earnestness opposed to lightness, yet, with love responding tenderly to love. And it was very curious indeed to see the younger sister’s eyes suffused with tears, and something fervently and deeply felt, breaking through the wilfulness of what she said, and striving with it painfully.
* * *
The difference between them, in respect of age, could not exceed four years at most; but Grace, as often happens in such cases, when no mother watches over both (the Doctor’s wife was dead), seemed, in her gentle care of her young sister, and in the steadiness of her devotion to her, older
than she was; and more removed, in course of nature, from all competition with her, or participation, otherwise than through her sympathy and true affection, in her wayward fancies, than their ages seemed to warrant. Great character of mother, that, even in this shadow and faint reflection of it, purifies the heart, and raises the exalted nature nearer to the angels!
* * *
The Doctor’s reflections, as he looked after them, and heard the purport of their discourse, were limited at first to certain merry meditations on the folly of all loves and likings, and the idle imposition practised on themselves by young people, who believed for a moment, that there could be anything serious in such bubbles, and were always undeceived—always!
* * *
But, the home–adorning, self–denying qualities of Grace, and her sweet temper, so gentle and retiring, yet including so much constancy and bravery of spirit, seemed all expressed to him in the contrast between her quiet household figure and that of his younger and more beautiful child; and he was sorry for her sake—sorry for them both—that life should be such a very ridiculous business as it was.
* * *
The Doctor never dreamed of inquiring whether his children, or either of them, helped in any way to make the scheme a serious one. But then he was a Philosopher.
* * *
A kind and generous man by nature, he had stumbled, by chance, over that common Philosopher’s stone (much more easily discovered than the object of the alchemist’s researches), which sometimes trips up kind and generous men, and has the fatal property of turning gold to dross and every precious thing to poor account.
* * *
‘Britain!’ cried the Doctor. ‘Britain! Holloa!’
* * *
A small man, with an uncommonly sour and discontented face, emerged from the house, and returned to this call the unceremonious acknowledgment of ‘Now then!’
* * *
‘Where’s the breakfast table?’ said the Doctor.
* * *
‘In the house,’ returned Britain.
* * *
‘Are you going to spread it out here, as you were told last night?’ said the Doctor. ‘Don’t you know that there are gentlemen coming? That there’s business to be done this morning, before the coach comes by? That this is a very particular occasion?’
* * *
‘I couldn’t do anything, Dr. Jeddler, till the women had done getting in the apples, could I?’ said Britain, his voice rising with his reasoning, so that it was very loud at last.
* * *
‘Well, have they done now?’ replied the Doctor, looking at his watch, and clapping his hands. ‘Come! make haste! where’s Clemency?’
* * *
‘Here am I, Mister,’ said a voice from one of the ladders, which a pair of clumsy feet descended briskly. ‘It’s all done now. Clear away, gals. Everything shall be ready for you in half a minute, Mister.’
* * *
With that she began to bustle about most vigorously; presenting, as she did so, an appearance sufficiently peculiar to justify a word of introduction.
* * *
She was about thirty years old, and had a sufficiently plump and cheerful face, though it was twisted up into an odd expression of tightness that made it comical. But, the extraordinary homeliness of her gait and manner, would have superseded any face in the world. To say that she had two left legs, and somebody else’s arms, and that all four limbs seemed to be out of joint, and to start from perfectly wrong places when they were set in motion, is to offer the mildest outline of the reality. To say that she was perfectly content and satisfied with these arrangements, and regarded them as being no business of hers, and that she took her arms and legs as they came, and allowed them to dispose of themselves just as it happened, is to render faint justice to her equanimity. Her dress was a prodigious pair of self–willed shoes, that never wanted to go where her feet went; blue stockings; a printed gown of many colours, and the most hideous pattern procurable for money; and a white apron. She always wore short sleeves, and always had, by some accident, grazed elbows, in which she took so lively an interest, that she was continually trying to turn them round and get impossible views of them. In general, a little cap placed somewhere on her head; though it was rarely to be met with in the place usually occupied in other subjects, by that article of dress; but, from head to foot she was scrupulously clean, and maintained a kind of dislocated tidiness. Indeed, her laudable anxiety to be tidy and compact in her own conscience as well as in the public eye, gave rise to one of her most startling evolutions, which was to grasp herself sometimes by a sort of wooden handle (part of her clothing, and familiarly called a busk), and wrestle as it were with her garments, until they fell into a symmetrical arrangement.
* * *
Such, in outward form and garb, was Clemency Newcome; who was supposed to have unconsciously originated a corruption of her own Christian name, from Clementina (but nobody knew, for the deaf old mother, a very phenomenon of age, whom she had supported almost from a child, was dead, and she had no other relation); who now busied herself in preparing the table, and who stood, at intervals, with her bare red arms crossed, rubbing her grazed elbows with opposite hands, and staring at it very composedly, until she suddenly remembered something else she wanted, and jogged off to fetch it.
* * *
‘Here are them two lawyers a–coming, Mister!’ said Clemency, in a tone of no very great good–will.
* * *
‘Ah!’ cried the Doctor, advancing to the gate to meet them. ‘Good morning, good morning! Grace, my dear! Marion! Here are Messrs. Snitchey and Craggs. Where’s Alfred!’
* * *
‘He’ll be back directly, father, no doubt,’ said Grace. ‘He had so much to do this morning in his preparations for departure, that he was up and out by daybreak. Good morning, gentlemen.’
* * *
‘Ladies!’ said Mr. Snitchey, ‘for Self and Craggs,’ who bowed, ‘good morning! Miss,’ to Marion, ‘I kiss your hand.’ Which he did. ‘And I wish you’—which he might or might not, for he didn’t look, at first sight, like a gentleman troubled with many warm outpourings of soul, in behalf of other people, ‘a hundred happy returns of this auspicious day.’
* * *
‘Ha ha ha!’ laughed the Doctor thoughtfully, with his hands in his pockets. ‘The great farce in a hundred acts!’
* * *
‘You wouldn’t, I am sure,’ said Mr. Snitchey, standing a small professional blue bag against one leg of the table, ‘cut the great farce short for this actress, at all events, Doctor Jeddler.’
* * *
‘No,’ returned the Doctor. ‘God forbid! May she live to laugh at it, as long as she can laugh, and then say, with the French wit, “The farce is ended; draw the curtain.”’
* * *
‘The French wit,’ said Mr. Snitchey, peeping sharply into his blue bag, ‘was wrong, Doctor Jeddler, and your philosophy is altogether wrong, depend upon it, as I have often told you. Nothing serious in life! What do you call law?’
* * *
‘A joke,’ replied the Doctor.
* * *
‘Did you ever go to law?’ asked Mr. Snitchey, looking out of the blue bag.
* * *
‘Never,’ returned the Doctor.
* * *
‘If you ever do,’ said Mr. Snitchey, ‘perhaps you’ll alter that opinion.’
* * *
Craggs, who seemed to be represented by Snitchey, and to be conscious of little or no separate existence or personal individuality, offered a remark of his own in this place. It involved the only idea of which he did not stand seized and possessed in equal moieties with Snitchey; but, he had some partners in it among the wise men of the world.