by James, Ella
Yep.
She goes for the pepper shaker first, taking it from where it stands next to the napkin holder. Pepper first, and then the salt. She stares into space as she chews and swallows, digs into the soft, ripe fruit, and then repeats. I’m some thirty feet away, behind a column painted to look like a tree.
I didn’t bother with the ruse of food.
I watch her push aside the finished shell of peel that held the first half of her snack. She scoops the seed out of the second half and sets it in the empty bowl of peel. Then she digs into the fruit with her spoon once again, at one point bringing her hand to her mouth and straightening a finger. I can’t see her clearly enough to know for sure, but I think she licked it. She should know better than that.
Her flaxen hair is pulled into a ponytail. Sleek, but nothing fancy. Up against the stark white of her coat, her skin looks deeply tanned. I’m too far away to see the freckles strewn across her nose and cheeks, but I assume they’re where they’ve always been.
Truth be told, she looks exactly like I thought she would, right down to the pink and gray sneakers I see underneath her table, and the small, square, multicolored, canvas purse she wears diagonally across her chest.
Once she’s finished with the avocado, she appears to lick her lips, and then she’s staring into space—or at the mom and children at a round table ten or fifteen feet in front of her. Her shoulders look relaxed. Her back is straight, her long legs crossed. She gives no clue she is getting up until she does. Rather than gather the fruit peel to her chest and then stand up, she stands first, lingering over the table for a moment before she reaches over to pick up her trash, as if it’s an afterthought. She confirms my hunch—that she’s distracted—a moment later, when she throws her stainless steel spoon away, along with the fruit peel and her napkin.
Her eyes widen.
Oops.
She hesitates a moment before turning, walking past a few restaurant-fronts, and disappearing into the sea of people in the vast lobby.
I don’t need to hurry after her—I know where she’s going—but I do. I grab my leather briefcase, toss my coat over one arm, and follow her with long strides.
The bustling lobby is busier than usual, because it’s Wednesday. The outpatient clinics are busiest mid-week. No one wants to come to the hospital Monday or Friday. Not for a planned appointment.
I pass the wide hallway that snakes around the hospital’s right, front quadrant, and head past benches, sculptures, and a long row of check-in and information desks that form a line down the center of the lobby.
The elevator banks are straight ahead, but I’m not going there. I hang a right, down a hall that leads toward the admin offices, and then take the first stairwell I see. My loafers rap softly against the cement stairs—quiet enough that I can hear her Nikes bounce against the stairs above.
I know it’s her.
I know her gait.
I look up into the sliver of space at the middle of the stairwell, and I can see her coat flap, see her ponytail fly, as she climbs. I’m still on the first flight when I hear a door open then shut.
Shortly thereafter, I push through the same third-floor door, coming out beside a water fountain and a large, fake, potted plant. I slip into my coat, pick my briefcase back up, and follow the route I remember from my interview: past the waiting room, the doors to the NCCU, and finally the neurosurgery inpatient check-in desk, using my new ID to get the doors to open.
Once I’m in the neurosurgery inpatient area, I walk past patient rooms, the nurse station—deserted, because they’re changing shifts in Conference Room 1—a restroom, and several patient rooms.
As I near the door to Conference Room 2, I see her dark gold hair, her slender shoulders. Then she’s through it, out of sight.
There’s this moment, as I step into the room behind her, when I feel light and weightless. Like I think a patient must feel during surgery, hovering somewhere near the ceiling. Then I see the face of one of our chief residents, Dr. Dorothy Eilert, and I’m back on solid ground.
She nods at me.
I nod back.
I stand near the back of the small room while a handful of residents from years two through six, plus two chief residents—the seventh years—greet the four of us newbies for orientation. I stand there, still and calm, while Dr. Eilert goes over some logistics, introduces each of us.
In med school, I learned how to bullshit with the best of them. The art of sounding sure when I don’t know shit. What kind of smile makes me look sincere and empathetic, even when I’ve got a killer headache. How to live off stale bagels and caffeinated gum, while sleeping an hour every other day on a cot sized for a nine-year-old. I can talk to patients with tact, swallow criticism with grace, and keep my ego in a little box I only open when I really need to push myself. Surgeons aren’t supposed to be human. We must be more than.
So I smile when Eilert introduces me. I stand four feet behind her, and while Eilert and the other chief speak, I keep my jaw relaxed, my face relaxed, so only I know that I want to strip her crisp, white coat off, push her up against the wall, grab her by the ponytail, and fuck her until she cries—for me. I want to hear her moan, whimper, and beg—for me.
She stands there, playing with her hair as she listens to Eilert, rubbing an itch near her collar, breathing, her heart beating, and the sight of it is so surreal. I can’t stop looking. Even when my gaze is pointed downward, my attention is aimed at her.
I tell myself my racing pulse is nothing but adrenaline, fired off because of what my senses process. My reaction to her is scientific. Predictable. Meaningless. There’s no such thing as serendipity. There’s no such thing as fate or soul mates. Everything I’ve learned in school—in life—has taught me that.
Evie is nothing but a memory, dancing out in front of me.
I can keep focused.
We four interns—otherwise known as first-year residents—get our marching orders for the first three months.
“Kim, inpatient. Prinz, critical care. Rutherford, neurosurgery. Jones, you’ll be our floater. What that really means—” Eilert winks at me, “is neurosurgery six days out of seven and inpatient the seventh. Our second years have us mostly covered in the NCCU.”
I can see the birthmark on the back of her neck. Will we be in surgery together, ever? Surely so.
The buzz of people talking ebbs and flows around me. I chat and smile and listen as my body riots from the inside out.
And then it’s over, people turning toward the door. I smile and shake a few hands. Everyone starts filing out. I turn to follow…but I can’t move.
I can feel the heat of her behind me, feel the tug of her.
I step toward the door as the last of our colleagues slips through it.
I watch it shut.
Then I turn and look into the past.
* * *
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Acknowledgments
I spent nearly twelve months writing Covet, and it was often not pretty. Without a great deal of support from my family and close friends, and a lot of kindness and generosity from my publishing team, this book would not be in your hands. Jamie, Kiezha, Mary, and Rebecca—thank you is not enough. I appreciate your love and friendship more than I can ever express. As you probably know, LOL, I would never have finished this book without you. But hey…I did finish it! Yay team! To Candi and the team at Candi Kane PR and Kylie and the team at Give Me Books, innumerable thank yous for your patience and kindness. Kiezha, my dear friend and editor at Librum Artis Editorial Services, read Covet in many pieces and in at least two different story incarnations, and never once failed to make time and energy for this mammoth project. Thank you for making my work shine and for being one of the best friends I’ve ever had. Jamie Davis, who also helped behind the scenes with her author management services, donated many hours of her time reading my randomly timed deluges of fifty-seven texts—often fifty-seven panicked, wailing texts—and listeni
ng to me babble on the phone while I tried to “find the plot.” I could not do life without you. Mary, thank you for reading Covet in its early form and for your constant generosity and support. I’m so lucky to have you as a friend. Rebecca…no words. I’m so, so grateful to have you in my life! Thank you to Abby for formatting two versions of Covet in close proximity, at the last minute. I appreciate you! A thousand thank yous to the members of my author group, Ella’s Elite, who faithfully read my Covet updates and cheered me on through many delays. You mean so much to me. Thank you to the bloggers who signed up for…oh, I think at least two blitzes. Maybe three? Thank you for your patience and kindness. To my author friends—a massive THANK YOU. It’s impossible to successfully release a book without a community-wide effort, and I have so many kind friends who have supported me during the writing process and offered their support this week, too. There are too many of you to list, but you know who you are. Thank you for making this solitary path less lonely. Especially thank you to Harloe Rae for your non-stop generosity and kind texts. Thank you to Laurelin, Sunniva, Anna Paige, and whoever else ends up offering a blurb for Covet at the last minute. You guys are awesome. Last but not least, thank you to my husband and my kids. My work on Covet rearranged our lives, and I could not have finished without you guys’ love, patience, and support.
If you read and enjoyed Covet, please consider leaving a review on Amazon. If you do review, consider refraining from mentioning “the big twists.” Inevitably, someone will leave spoilers, but when fewer people do, the reading experience is more enjoyable for others.
If you loved Covet and want a signed Covet paperback, you can get one for a limited time here: http://bit.ly/EJCovet
There is a prequel scene in which Declan finds out about his “sex tape” in the Sox locker room. If you want to read that, sign up for my newsletter. I’ll be sending it out sometime later this week, and also sending out my playlist.
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Want to keep in touch? I would love that! Follow me on Instagram, my favorite social media, at @authorellajames and join my wonderful reader group at https://www.facebook.com/groups/EllasEliteTeam.
Finally, if you’re struggling with addiction or mental illness, please be gentle with yourself. In choosing to write about such sensitive topics, I acknowledge that my work could be triggering for some people. If I was reading this book, I would be one of those. Some of my favorite people in the world struggle with addiction, and I have struggled with mental illness. If you need a lifeline, consider calling the National Suicide Prevention Lifeline at 1-800-273-8255.
Thank you for reading. I hope you enjoyed Declan and Finley’s love story as much as I did.
XO,
Ella
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