by Stefan Zweig
The old man felt the change with all the fullness of his wise heart. He sensed that he was further from her now, but not stranger, and that he was not at the centre of her wishes but left to one side, like a pleasant memory. And he was glad of this change, much as he also loved Esther, for he saw young, strong, kind instincts in her which, he hoped, would do more than his own efforts to break through the defiance and reserve of the nature she had inherited. He knew that her love for him, an old man at the end of his days, was wasteful, although it could bring blessing and promise to her young life.
He owed wonderful hours to the love for the child that had awakened in Esther. Images of great beauty formed before him, all expressing a single idea and yet all different. Soon it was an affectionate game—his sketches showed Esther playing with the child, still a child herself in her unbounded delight, they showed flexible movements without harshness or passion, mild colours blending gently, the tender merging of tender forms. And then again there were moments of silence when the child had fallen asleep on her soft lap, and Esther’s little hands watched over him like two hovering angels, when the tender joy of possession lit in her eyes, and a silent longing to wake the sleeping face with loving play. Then again there were seconds when the two pairs of eyes, hers and the baby’s, were drawn to each other unconsciously, unintentionally, each seeking the other in loving devotion. Again, there were moments of charming confusion when the child’s clumsy hands felt for the girl’s breast, expecting to find his mother’s milk there. Esther’s cheeks would flush bashfully at that, but she felt no fear now, no reluctance, only a shy surge of emotion that turned to a happy smile.
These days were the creative hours that went into the picture. The painter made it out of a thousand touches of tenderness, a thousand loving, blissful, fearful, happy, ardent maternal glances. A great work full of serenity was coming into being. It was plain and simple—just a child playing and a girl’s head gently bending down. But the colours were milder and clearer than he had ever painted colours before, and the forms stood out as sharply and distinctly as dark trees against the glow of an evening sky. It was as if there must be some inner light hidden in the picture, shedding that secret brightness, as if air blew in it more softly, caressingly and clearly than in any other earthly work. There was nothing supernatural about it, and yet it showed the mystical mind of the man who had created it. For the first time the old man felt that in his long and busy creative life he had always been painting, brushstroke after brushstroke, some being of which he really knew nothing. It was like the old folk tale of the magical imps who do their work in hiding, yet so industriously that people marvel in the morning to see all they did overnight. That was how the painter felt when, after moments of creative inspiration, he stepped back from the picture and looked critically at it. Once again the idea of a miracle knocked on the door of his heart, and this time he hardly hesitated to let it in. For this work seemed to him not only the flower of his entire achievement, but something more distant and sublime of which his humble work was not worthy, although it was also the crown of his artistic career. Then his cheerful creativity would die away and turn to a strange mood when he felt fear of his own work, no longer daring to see himself in it.
So he distanced himself from Esther, who now seemed to him only the means of expressing the earthly miracle that he had worked. He showed her all his old kindness, but once again his mind was full of the pious dreams that he had thought far away. The simple power of life suddenly seemed to him so wonderful. Who could give him answers? The Bible was old and sacred, but his heart was earthly and still bound to this life. Where could he ask whether the wings of God descended to this world? Were there signs of God still abroad today, or only the ordinary miracles of life?
The old man did not venture to wish for the answer, although he had seen strange things during his life. But he was no longer as sure of himself as in the old days when he believed in life and in God, and did not stop to wonder which of them was really true. Every evening he carefully covered up the picture, because once recently, on coming home to see silver moonlight resting on it like a blessing, he felt as if the Mother of God herself had shown him her face, and he could almost have thrown himself down in prayer before the work of his own hands.
Something else, however, happened at this time in Esther’s life, nothing in itself strange or unlikely, but it affected the depths of her being like a rising storm and left her trembling in pain that she did not understand. She was experiencing the mystery of maturity, turning from a child into a woman. She was bewildered, since no one had taught her anything about it in advance; she had gone her own strange way alone between deep darkness and mystical light. Now longing awoke in her and did not know where to turn. The defiance that used to make her avoid playing with other children or speaking an unnecessary word burnt like a dark curse at this time. She did not feel the secret sweetness of the change in her, the promise of a seed not yet ready to come to life, only a dull, mysterious pain that she had to bear alone. In her ignorance, she saw the legends and miracles of which the old painter had spoken like lights leading her astray, while her dreams followed them through the most unlikely of possibilities. The story of the mild woman whose picture she had seen, the girl who became a mother after a wonderful Annunciation, suddenly struck her with almost joyful fear. She dared not believe it, because she had heard many other things that she did not understand. However, she thought that some miracle must be taking place inside her because she felt so different in every way, the world and everyone in it also suddenly seemed so different, deeper, stranger, full of secret urges. It all appeared to come together into an inner life trying to get out, then retreating again. There was some common factor at work; she did not know where it lay, but it seemed to hold everything that had once been separate together. She herself felt a force that was trying to take her out into life, to other human beings, but it did not know where to turn, and left behind only that urgent, pressing, tormenting pain of unspent longing and unused power.
In these hours when she was overwhelmed by desperation and needed some kind of support to cling to, Esther tried something that she had thought impossible before. She spoke to her foster father. Until now she had instinctively avoided him, because she felt the distance between them. But now she was driven over that threshold. She told him all about it, and talked about the picture, she looked deep into herself to find something gleaned from those hours that could be useful to her. And the landlord, visibly pleased to hear of the change in her, patted her cheeks with rough kindness and listened. Sometimes he put in a word, but it was as casual and impersonal as the way he spat out tobacco. Then he told her, in his own clumsy fashion, what had just happened to her. Esther listened, but it was no use. He didn’t know what else to say to her and didn’t even try. Nothing seemed to touch him except outwardly, there was no real sympathy between them, and his words suggested an indifference that repelled her. She knew now what she had only guessed before—people like him could never understand her. They might live side by side, but they did not know each other; it was like living in a desert. And in fact she thought her foster father was the best of all those who went in and out of this dismal tavern, because he had a certain rough plainness about him that could turn to kindness.
However, this disappointment could not daunt the power of her longings, and they all streamed back towards the two living beings she knew who spanned the morning and evening of human life. She desperately counted the lonely night hours still separating her from morning, and then she counted the morning hours separating her from her visit to the painter. Her ardent longings showed in her face. And once out in the street she abandoned herself entirely to her passion like a swimmer plunging into a foaming torrent, and raced through the hurrying crowd, stopping only when, with flushed face and untidy hair, she reached the door of the house she longed to see. In this time of the change in her, she was overcome by an instinctive urge to make free, passionate gestures, and it gave h
er a wild and desirable beauty.
That greedy, almost desperate need for affection made her prefer the baby to the old man, in whose friendly kindness there was a serenity that rejected stormy passion. He knew nothing about the feminine change in Esther, but he guessed it from her demeanour, and her sudden ecstatic transports made him uneasy. Sensing the nature of the elemental urge driving her on, he did not try to rein it in. Nor did he lose his fatherly love for this lonely child, although his mind had gone back to contemplation of the abstract interplay of the secret forces of life. He was glad to see her, and tried to keep her with him. The picture was in fact finished, but he did not tell Esther so, not wishing to part her from the baby on whom she lavished such affection. Now and then he added a few brushstrokes, but they were minor details—the design of a fold, a slight shading in the background, a fleeting nuance added to the play of light. He dared not touch the real idea behind the picture any more, for the magic of reality had slowly retreated, and he thought the dual aspect of the painting conveyed the spiritual nature of the wonderful creativity that now, as the memory of his execution of it faded, seemed to him less and less like the work of earthly powers. Any further attempt at improvement, he thought, would be not only folly but a sin. And he made up his mind that after this work, in which his hand had clearly been guided, he would do no more paintings, for they could only be lesser works, but spend his days in prayer and in searching for a way to reach those heights whose golden evening glow had rested on him in these late hours of his life.
With the fine instinct that the orphaned and rejected harbour in their hearts, like a secret network of sensitive fibres encompassing everything said and unsaid, Esther sensed the slight distance that the old man who was so dear to her had placed between them, and his mild tenderness, which was still the same, almost distressed her. She felt that at this moment she needed his whole attention and the free abundance of his love so that she could tell him all that was in her heart, all that now troubled it, and ask for answers to the riddles around her. She waited for the right moment to let out the words to express her mental turmoil, but the waiting was endless and tired her out. So all her affection was bent on the child. Her love concentrated on that helpless little body; she would catch the baby up and smother him with warm kisses so impetuously, forgetting his vulnerability, that she hurt him and he began to cry. Then she was less fiercely loving, more protective and reassuring, but even her anxieties were a kind of ecstasy, just as her feelings were not truly maternal, but more of a surge of longing erotic instincts dimly sensed. A force was trying to emerge in her, and her ignorance led her to turn it on the child. She was living out a dream, in a painful dazed state; she clung convulsively to the baby because he had a warm, beating heart, like hers, because she could lavish all the tenderness in her on his silent lips, because with him, unconsciously longing for a human touch, she could clasp another living creature without fearing the shame that came over her if she said a single word to a stranger. She spent hours and hours like that, never tiring, and never realising how she was giving herself away.
For her, all the life for which she longed so wildly was now contained in the child. These were dark times, growing even darker, but she never noticed. The citizens of Antwerp gathered in the evenings and talked of the old liberties and good King Charles, who had loved his land of Flanders so much, with regret and secret anger. There was unrest in the city. The Protestants were secretly uniting. Rabble who feared the daylight assembled, as ominous news arrived from Spain. Minor skirmishes and clashes with the soldiers became more frequent, and in this uneasy, hostile atmosphere the first flames of war and rebellion flared up. Prudent people began to look abroad, others consoled and reassured themselves as well as they could, but the whole country was in a state of fearful expectation, and it was reflected in all faces. At the tavern, the men sat together in corners talking in muted voices, while the landlord spoke of the horrors of war, and joked in his rough way, but no one felt like laughing. The carefree cheerfulness of easy-going folk was extinguished by fear and restless waiting.
Esther felt nothing of this world, neither its muted alarms nor its secret fevers. The child was contented as always, and laughed back at her in his own way—and so she noticed no change in her surroundings. Confused as she was, her life followed a single course. The darkness around her made her fantastic dreams seem real, and it was a reality so distant and strange that she was incapable of any sober, thoughtful understanding of the world. Her femininity, once awakened, cried out for a child, but she did not know the dark mystery involved. She only dreamt a thousand dreams of having a child herself, thinking of the simple marvels of biblical legends and the magical possibility conjured up by her lonely imagination. If anyone had explained this everyday miracle to her in simple words, she might perhaps have looked at the men passing her by with the bashful but considering gaze that was to be seen in the eyes of girls at that time. As it was, however, she never thought of men, only of the children playing in the street, and dreamt of the miracle that might, perhaps, give her a rosy, playful baby some day, a baby all her own who would be her whole happiness. So wild was her wish for one that she might even have given herself to the first comer, throwing aside all shame and fear, just for the sake of the happiness she longed for, but she knew nothing about the creative union of man and woman, and her instincts led her blindly astray. So she returned, again and again, to the other woman’s baby. By now she loved him so deeply that he seemed like her own.
One day she came to visit the painter, who had noticed with secret uneasiness her extreme, almost unhealthily passionate love of the child. She arrived with a radiant face and eagerness sparkling in her eyes. The baby was not there as usual. That made her anxious, but she would not admit it, so she went up to the old man and asked him about the progress of his picture. As she put this question the blood rose to her face, for all at once she felt the silent reproach of the many hours when she had paid neither him nor his work any attention. Her neglect of this kindly man weighed on her conscience. But he did not seem to notice.
“It is finished, Esther,” he said with a quiet smile. “It was finished long ago. I shall be delivering it tomorrow.”
She turned pale, and felt a terrible presentiment that she dared not consider more closely. Very quietly and slowly she asked, “Then I can’t come and see you any more?”
He put out both hands to her in the old, warm, compelling gesture that always captivated her. “As often as you like, my child. And the more often that is the happier I shall be. As you see, I am lonely here in this old room of mine, and when you are here it is bright and cheerful all day. Come to see me often, Esther, very often.”
All her old love for the old man came welling up, as if to break down all barriers and pour itself out in words. How good and kind he was! Was he not real, and the baby only her own dream? At that moment she felt confident again, but other ideas still hung over that budding confidence like a storm cloud. And the thought of the child tormented her. She wanted to suppress her pain, she kept swallowing the words, but they came out at last in a wild, desperate cry. “What about the baby?”
The old man said nothing, but there was a harsh, almost unsparing expression on his face. Her neglect of him at this moment, when he had hoped to make her soul entirely his own, was like an angry arm warding him off. His voice was cold and indifferent as he said, “The baby has gone away.”
He felt her glance hanging on his lips in wild desperation. But a dark force in him made him cruel. He added nothing to what he had said. At that moment he even hated the girl who could so ungratefully forget all the love he had given her, and for a second this kind and gentle man felt a desire to hurt her. But it was only a brief moment of weakness and denial, like a single ripple running away into the endless sea of his gentle kindness. Full of pity for what he saw in her eyes, he turned away.
She could not bear this silence. With a wild gesture, she flung herself on his breast and clung to him,
sobbing and moaning. Torment had never burnt more fiercely in her than in the desperate words she cried out between her tears. “I want the baby back, my baby. I can’t live without him, they’ve stolen my one small happiness from me. Why do you want to take the baby away from me? I know I’ve been unkind to you … Oh, please forgive me and let me have the baby back! Where is he? Tell me! Tell me! I want the baby back …”
The words died away into silent sobbing. Deeply shaken, the old man bent down to her as she clung to him, her convulsive weeping slowly dying down, and she sank lower and lower like a dying flower. Her long, dark hair had come loose, and he gently stroked it. “Be sensible, Esther, and don’t cry. The baby has gone away, but—”