Delphi Complete Works of Lucian

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by Lucian Samosata


  Just so you, when you have granted the principles of any school, believe in the deductions from them, and take their consistency, false as it is, for a guarantee of truth. Then with some of you, hope travels through, and you die before you have seen the truth and detected your deceivers, while the rest, disillusioned too late, will not turn back for shame: what, confess at their years that they have been abused with toys all this time? so they hold on desperately, putting the best face upon it and making all the converts they can, to have the consolation of good company in their deception; they are well aware that to speak out is to sacrifice the respect and superiority and honour they are accustomed to; so they will not do it if it may be helped, knowing the height from which they will fall to the common level. Just a few are found with the courage to say they were deluded, and warn other aspirants. Meeting such a one, call him a good man, a true and an honest; nay, call him philosopher, if you will; to my mind, the name is his or no one’s; the rest either have no knowledge of the truth, though they think they have, or else have knowledge and hide it, shamefaced cowards clinging to reputation.

  But now for goodness’ sake let us drop all this, cover it up with an amnesty, and let it be as if it had not been said; let us, assume that the Stoic philosophy, and no other, is correct; then we can examine whether it is practicable and possible, or its disciples wasting their pains; it makes wonderful promises, I am told, about the Happiness in store for those who reach the summit; for none but they shall enter into full possession of the true Good. The next point you must help me with — whether you have ever met such a Stoic, such a pattern of Stoicism, as to be unconscious of pain, untempted by pleasure, free from wrath, superior to envy, contemptuous of wealth, and, in one word, Happy; such should the example and model of the Virtuous life be; for any one who falls short in the slightest degree, even though he is better than other men at all points, is not complete, and in that case not yet Happy.

  Her. I never saw such a man.

  Ly. I am glad you do not palter with the truth. But what are your hopes in pursuing philosophy, then? You see that neither your own teacher, nor his, nor his again, and so on to the tenth generation, has been absolutely wise and so attained Happiness. It will not serve you to say that it is enough to get near Happiness; that is no good; a person on the doorstep is just as much outside and in the air as another a long way off, though with the difference that the former is tantalized by a nearer view. So it is to get into the neighbourhood of Happiness — I will grant you so much — that you toil like this, wearing yourself away, letting this great portion of your life slip from you, while you are sunk in dullness and wakeful weariness; and you are to go on with it for twenty more years at the least, you tell me, to take your place when you are eighty — always assuming some one to assure you that length of days — in the ranks of the not yet Happy. Or perhaps you reckon on being the exception; you are to crown your pursuit by attaining what many a good man before you, swifter far, has pursued and never overtaken.

  Well, overtake it, if that is your plan, grasp it and have it whole, this something, mysterious to me, of which the possession is sufficient reward for such toils; this something which I wonder how long you will have the enjoyment of, old man that you will be, past all pleasure, with one foot in the grave; ah, but perhaps, like a brave soul, you are getting ready for another life, that you may spend it the better when you come to it, having learned how to live: as though one should take so long preparing and elaborating a superlative dinner that he fainted with hunger and exhaustion!

  However, there is another thing I do not think you have observed: Virtue is manifested, of course, in action, in doing what is just and wise and manly; but you — and when I say you, I mean the most advanced philosophers — you do not seek these things and ensue them, but spend the greater part of your life conning over miserable sentences and demonstrations and problems; it is the man who does best at these that you hail a glorious victor. And I believe that is why you admire this experienced old professor of yours: he nonplusses his associates, knows how to put crafty questions and inveigle you into pitfalls; so you pay no attention to the fruit — which consists in action — , but are extremely busy with the husks, and smother each other with the leaves in your debates; come now, Hermotimus, what else are you about from morning to night?

  Her. Nothing; that is what it comes to.

  Ly. Is it wronging you to say that you hunt the shadow or the snake’s dead slough, and neglect the solid body or the creeping thing itself? You are no better than a man pouring water into a mortar and braying it with an iron pestle; he thinks he is doing a necessary useful job, whereas, let him bray till all’s blue (excuse the slang), the water is as much water as ever it was.

  And here let me ask you whether, putting aside his discourse, you would choose to resemble your master, and be as passionate, as sordid, as quarrelsome, ay, and as addicted to pleasure (though that trait of his is not generally known). Why no answer, Hermotimus? Shall I tell you a plea for philosophy which I lately heard? It was from the mouth of an old, old man, who has quite a company of young disciples. He was angrily demanding his fees from one of these; they were long overdue, he said; the day stated in the agreement was the first of the month, and it was now the fifteenth.

  The youth’s uncle was there, a rustic person without any notion of your refinements; and by way of stilling the storm, Come, come, sir, says he, you need not make such a fuss because we have bought words of you and not yet settled the bill. As to what you have sold us, you have got it still; your stock of learning is none the less; and in what I really sent the boy to you for, you have not improved him a bit; he has carried off and seduced neighbour Echecrates’s daughter, and there would have been an action for assault, only Echecrates is a poor man; but the prank cost me a couple of hundred. And the other day he struck his mother; she had tried to stop him when he was smuggling wine out of the house, for one of his club-dinners, I suppose. As to temper and conceit and impudence and brass and lying, he was not half so bad twelve months ago as he is now. That is where I should have liked him to profit by your teaching; and we could have done, without his knowing the stuff he reels of at table every day: ‘a crocodile [Footnote: See Puzzles in Notes.] seized hold of a baby,’ says he, ‘and promised to give it back if its father could answer’ — the Lord knows what; or how, ‘day [Footnote: See Puzzles in Notes.] being, night cannot be’; and sometimes his worship twists round what we say somehow or other, till there we are with horns [Footnote: See Puzzles in Notes.] on our heads! We just laugh at it — most of all when he stuffs up his ears and repeats to himself what he calls temperaments and conditions and conceptions and impressions, and a lot more like that. And he tells us God is not in heaven, but goes about in everything, wood and stone and animals — the meanest of them, too; and if his mother asks him why he talks such stuff, he laughs at her and says if once he gets the ‘stuff’ pat off, there will be nothing to prevent him from being the only rich man, the only king, and counting every one else slaves and offscourings.

  When he had finished, mark the reverend philosopher’s answer. You should consider, he said, that if he had never come to me, he would have behaved far worse — very possibly have come to the gallows. As it is, philosophy and the respect he has for it have been a check upon him, so that you find he keeps within bounds and is not quite unbearable; the philosophic system and name tutor him with their presence, and the thought of disgracing them shames him. I should be quite justified in taking your money, if not for any positive improvement I have effected, yet for the abstentions due to his respect for philosophy; the very nurses will tell you as much: children should go to school, because, even if they are not old enough to learn, they will at least be out of mischief there. My conscience is quite easy about him; if you like to select any of your friends who is acquainted with Stoicism and bring him here to-morrow, you shall see how the boy can question and answer, how much he has learnt, how many books he has read on axioms, syllogis
ms, conceptions, duty, and all sorts of subjects. As for his hitting his mother or seducing girls, what have I to do with that? am I his keeper?

  A dignified defence of philosophy for an old man! Perhaps you will say too that it is a good enough reason for pursuing it, if it will keep us from worse employments. Were our original expectations from philosophy at all of a different nature, by the way? did they contemplate anything beyond a more decent behaviour than the average? Why this obstinate silence?

  Her. Oh, why but that I could cry like a baby? It cuts me to the heart, it is all so true; it is too much for me, when I think of my wretched, wasted years — paying all that money for my own labour, too! I am sober again after a debauch, I see what the object of my maudlin affection is like, and what it has brought upon me.

  Ly. No need for tears, dear fellow; that is a very sensible fable of Aesop’s. A man sat on the shore and counted the waves breaking; missing count, he was excessively annoyed. But the fox came up and said to him: ‘Why vex yourself, good sir, over the past ones? you should let them go, and begin counting afresh.’ So you, since this is your mind, had better reconcile yourself now to living like an ordinary man; you will give up your extravagant haughty hopes and put yourself on a level with the commonalty; if you are sensible, you will not be ashamed to unlearn in your old age, and change your course for a better.

  Now I beg you not to fancy that I have said all this as an anti-Stoic, moved by any special dislike of your school; my arguments hold against all schools. I should have said just the same if you had chosen Plato or Aristotle, and condemned the others unheard. But, as Stoicism was your choice, the argument has seemed to be aimed at that, though it had no such special application.

  Her. You are quite right. And now I will be off to metamorphose myself. When we next meet, there will be no long, shaggy beard, no artificial composure; I shall be natural, as a gentleman should. I may go as far as a fashionable coat, by way of publishing my renunciation of nonsense. I only wish there were an emetic that would purge out every doctrine they have instilled into me; I assure you, if I could reverse Chrysippus’s plan with the hellebore, and drink forgetfulness, not of the world but of Stoicism, I would not think twice about it. Well, Lycinus, I owe you a debt indeed; I was being swept along in a rough turbid torrent, unresisting, drifting with the stream; when lo, you stood there and fished me out, a true deus ex machina. I have good enough reason, I think, to shave my head like the people who get clear off from a wreck; for I am to make votive offerings to-day for the dispersion of that thick cloud which was over my eyes. Henceforth, if I meet a philosopher on my walks (and it will not be with my will), I shall turn aside and avoid him as I would a mad dog.

  A LITERARY PROMETHEUS — Πρὸς τὸν εἰπόντα Προμηθεὺς εἶ ἐν λόγοις

  Translated by H. W. Fowler and F. G. Fowler

  A LITERARY PROMETHEUS

  So you will have me a Prometheus? If your meaning is, my good sir, that my works, like his, are of clay, I accept the comparison and hail my prototype; potter me to your heart’s content, though my clay is poor common stuff, trampled by common feet till it is little better than mud. But perhaps it is in exaggerated compliment to my ingenuity that you father my books upon the subtlest of the Titans; in that case I fear men will find a hidden meaning, and detect an Attic curl on your laudatory lips. Where do you find my ingenuity? in what consists the great subtlety, the Prometheanism, of my writings? enough for me if you have not found them sheer earth, all unworthy of Caucasian clay-pits. How much better a claim to kinship with Prometheus have you gentlemen who win fame in the courts, engaged in real contests; your works have true life and breath, ay, and the warmth of fire. That is Promethean indeed, though with the difference, it may be, that you do not work in clay; your creations are oftenest of gold; [Section: 2] we on the other hand who come before popular audiences and offer mere lectures are exhibitors of imitations only. However, I have the general resemblance to Prometheus, as I said before — a resemblance which I share with the dollmakers — , that my modelling is in clay; but then there is no motion, as with him, not a sign of life; entertainment and pastime is the beginning and the end of my work. So I must look for light elsewhere; possibly the title is a sort of lucus a non lucendo, applied to me as to Cleon in the comedy:

  Full well Prometheus-Cleon plans — the past.

  Or again, the Athenians used to call Prometheuses the makers of jars and stoves and other, clay-workers, with playful reference to the material, and perhaps to the use of fire in baking the ware. If that is all your ‘Prometheus’ means, you have aimed your shaft well enough, and flavoured your jest with the right Attic tartness; my productions are as brittle as their pottery; fling a stone, and you may smash them all to pieces.

  But here some one offers me a crumb of comfort: ‘That was not the likeness he found between you and Prometheus; he meant to commend your innovating originality: at a time when human beings did not exist, Prometheus conceived and fashioned them; he moulded and elaborated certain living things into agility and beauty; he was practically their creator, though Athene assisted by putting breath into the clay and bringing the models to life.’ So says my some one, giving your remark its politest possible turn. Perhaps he has hit the true meaning; not that I can rest content, however, with the mere credit of innovation, and the absence of any original to which my work can be referred; if it is not good as well as original, I assure you I shall be ashamed of it, bring down my foot and crush it out of existence; its novelty shall not avail (with me at least) to save its ugliness from annihilation. If I thought otherwise, I admit that a round dozen of vultures would be none too many for the liver of a dunce who could not see that ugliness was only aggravated by strangeness.

  Ptolemy, son of Lagus, imported two novelties into Egypt; one was a pure black Bactrian camel, the other a piebald man, half absolutely black and half unusually white, the two colours evenly distributed; he invited the Egyptians to the theatre, and concluded a varied show with these two, expecting to bring down the house. The audience, however, was terrified by the camel and almost stampeded; still, it was decked all over with gold, had purple housings and a richly jewelled bridle, the spoil of Darius’ or Cambyses’ treasury, if not of Cyrus’ own. As for the man, a few laughed at him, but most shrank as from a monster. Ptolemy realized that the show was a failure, and the Egyptians proof against mere novelty, preferring harmony and beauty. So he withdrew and ceased to prize them; the camel died forgotten, and the parti-coloured man became the reward of Thespis the fluteplayer for a successful after-dinner performance.

  I am afraid my work is a camel in Egypt, and men’s admiration limited to the bridle and purple housings; as to combinations, though the components may be of the most beautiful (as Comedy and Dialogue in the present case), that will not ensure a good effect, unless the mixture is harmonious and well-proportioned; it is possible that the resultant of two beauties may be bizarre. The readiest instance to hand is the centaur: not a lovely creature, you will admit, but a savage, if the paintings of its drunken bouts and murders go for anything. Well, but on the other hand is it not possible for two such components to result in beauty, as the combination of wine and honey in superlative sweetness? That is my belief; but I am not prepared to maintain that my components have that property; I fear the mixture may only have obscured their separate beauties.

  For one thing, there was no great original connexion or friendship between Dialogue and Comedy; the former was a stay-at-home, spending his time in solitude, or at most taking a stroll with a few intimates; whereas Comedy put herself in the hands of Dionysus, haunted the theatre, frolicked in company, laughed and mocked and tripped it to the flute when she saw good; nay, she would mount her anapaests, as likely as not, and pelt the friends of Dialogue with nicknames — doctrinaires, airy metaphysicians, and the like. The thing she loved of all else was to chaff them and drench them in holiday impertinence, exhibit them treading on air and arguing with the clouds, or m
easuring the jump of a flea, as a type of their ethereal refinements. But Dialogue continued his deep speculations upon Nature and Virtue, till, as the musicians say, the interval between them was two full octaves, from the highest to the lowest note. This ill-assorted pair it is that we have dared to unite and harmonize-reluctant and ill — disposed for reconciliation.

 

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