by Jerry
We made our way past sprawling fields tilled by human and animal muscle, thin crops straining toward the sky, frost shelters laid open to the muggy heat. And as we traveled, we joined streams of more traffic, all heading for Maginus: battered carts, spindly adults, and their skinny, hollow-eyed children; the Moon soil is thin and cannot nourish us well, and we are all, of course, slowly poisoned besides, even the cattle and horses and mules.
Maginus is an old, eroded crater complex some kilometers southeast of Tycho. Its ancient walls glimmer with crescent lakes and glaciers. Sheltered from the winds of Morning and Evening, Maginus is a center of life, and as the rain cleared I saw the tops of the giant trees looming over the horizon long before we reached the foothills. I thought I saw creatures leaping between the tree branches. They may have been lemurs, or even bats; or perhaps they were kites wielded by ambitious children.
Berge took delight as we crossed the many water courses, pointing out engineering features which had been anticipated by Leonardo, dams and bridges and canal diversions and so forth, some of them even constructed since the Failing.
But I took little comfort, oppressed as I was by the evidence of our fall. For example, we journeyed along a road made of lunar glass, flat as ice and utterly impervious to erosion, carved long ago into the regolith. But our cart was wooden, and drawn by a spavined, thin-legged mule. Such contrasts are unendingly startling. All our technology would have been more than familiar to Leonardo. We make gadgets of levers and pulleys and gears, their wooden teeth constantly stripped; we have turnbuckles, devices to help us erect our cathedrals of Moon concrete; we even fight our pathetic wars with catapults and crossbows, throwing lumps of rock a few kilometers.
But once we hurled ice moons across the solar system. We know this is so, else we could not exist here.
As we neared the phytomine, the streams of traffic converged to a great confluence of people and animals. There was a swarm of reunions of friends and family, and a rich human noise carried on the thick air.
When the crowds grew too dense, we abandoned our wagon and walked. Berge, with unconscious generosity, supported me with a hand clasped about my arm, guiding me through this human maelstrom. All Berge wanted to talk about was Leonardo da Vinci. “Leonardo was trying to figure out the cycles of the Earth. For instance, how water could be restored to the mountaintops. Listen to this.” He fumbled, one-handed, with his dog-eared manuscript. “We may say that the Earth has a spirit of growth, and that its flesh is the soil; its bones are the successive strata of the rocks which form the mountains, its cartilage is the tufa stone; its blood the veins of its waters . . . And the vital heat of the world is fire which is spread throughout the Earth; and the dwelling place of the spirit of growth is in the fires, which in divers parts of the Earth are breathed out in baths and sulfur mines . . . You understand what he’s saying? He was trying to explain the Earth’s cycles by analogy with the systems of the human body.”
“He was wrong.”
“But he was more right than wrong, Uncle! Don’t you see? This was centuries before geology was formalized, even longer before matter and energy cycles would be understood. Leonardo had gotten the right idea, from somewhere. He just didn’t have the intellectual infrastructure to express it . . .”
And so on. None of it was of much interest to me. As we walked, it seemed to me that his weight was the heavier, as if I, the old fool, was constrained to support him, the young buck. It was evident his sickliness was advancing fast—and it seemed that others around us noticed it, too, and separated around us, a sea of unwilling sympathy.
Children darted around my feet, so fast I found it impossible to believe I could ever have been so young, so rapid, so compact, and I felt a mask of old-man irritability settle on me. But many of the children were, at age seven or eight or nine, already taller than me, girls with languid eyes and the delicate posture of giraffes. The one constant of human evolution on the Moon is how our children stretch out, ever more languorous, in the gentle Moon gravity. But they pay a heavy price in later life in brittle, calcium-depleted bones.
At last we reached the plantation itself. We had to join queues, more or less orderly. There was noise, chatter, a sense of excitement. For many people, such visits are the peak of each slow lunar Day.
Separated from us by a row of wooden stakes and a few meters of bare soil was a sea of green, predominantly mustard plants. Chosen for their bulk and fast growth, all of these plants had grown from seed or shoots since the last lunar Dawn. The plants themselves grew thick, their feathery leaves bright. But many of the leaves were sickly, already yellowing. The fence was supervised by an unsmiling attendant, who wore—to show the people their sacrifice had a genuine goal—artifacts of unimaginable value, ear rings and brooches and bracelets of pure copper and nickel and bronze.
The Maginus mine is the most famous and exotic of all the phytomines: for here gold is mined, still the most compelling of all metals. Sullenly, the attendant told us that the mustard plants grow in soil in which gold, dissolved out of the base rock by ammonium thiocyanate, can be found at a concentration of four parts per million. But when the plants are harvested and burned, their ash contains four hundred parts per million of gold, drawn out of the soil by the plants during their brief lives.
The phytomines are perhaps our planet’s most important industry.
It took just a handful of dust, a nanoweapon from the last war that ravaged Earth, to remove every scrap of worked metal from the surface of the Moon. It was the Failing. The cities crumbled. Aircraft fell from the sky. Ships on the great circular seas disintegrated, tipping their hapless passengers into freezing waters. Striving for independence from Earth, caught in this crosscurrent of war, our Moon nation was soon reduced to a rabble, scraping for survival.
But our lunar soil is sparse and ungenerous. If Leonardo was right—that Earth with its great cycles of rock and water is like a living thing—then the poor Moon, its reluctant daughter, is surely dead. The Moon, ripped from the outer layers of parent Earth by a massive primordial impact, lacks the rich iron which populates much of Earth’s bulk. It is much too small to have retained the inner heat which fuels Earth’s great tectonic cycles, and so died rapidly; and without the water baked out by the violence of its formation, the Moon is deprived of the great ore lodes peppered through Earth’s interior.
Moon rock is mostly olivine, pyroxene, and plagioclase feldspar. These are silicates of iron, magnesium, and aluminum. There is a trace of native iron, and thinner scrapings of metals like copper, tin, and gold, much of it implanted by meteorite impacts. An Earth miner would have cast aside the richest rocks of our poor Moon as worthless slag.
And yet the Moon is all we have.
We have neither the means nor the will to rip up the top hundred meters of our world to find the precious metals we need. Drained of strength and tools, we must be more subtle.
Hence the phytomines. The technology is old—older than the human Moon, older than spaceflight itself. The Vikings, marauders of Earth’s darkest age (before this, the darkest of all) would mine their iron from “bog ore,” iron-rich stony nodules deposited near the surface of bogs by bacteria which had flourished there: miniature miners, not even visible to the Vikings who burned their little corpses to make their nails and swords and pans and cauldrons.
And so it goes, across our battered, parched little planet, a hierarchy of bacteria and plants and insects and animals and birds, collecting gold and silver and nickel and copper and bronze, their evanescent bodies comprising a slow merging trickle of scattered molecules, stored in leaves and flesh and bones, all for the benefit of that future generation who must save the Moon.
Berge and I, solemnly, took ritual scraps of mustard-plant leaf on our tongues, swallowed ceremonially. With my age-furred tongue I could barely taste the mustard’s sharpness. There were no drawn-back frost covers here because these poor mustard plants would not survive to the Sunset: they die within a lunar Day, from poisonin
g by the cyanide.
Berge met friends and melted into the crowds.
I returned home alone, brooding.
I found my family of seals had lumbered out of the ocean and onto the shore. These are constant visitors. During the warmth of Noon they will bask for hours, males and females and children draped over each other in casual, sexless abandon, so long that the patch of regolith they inhabit becomes sodden and stinking with their droppings. The seals, uniquely among the creatures from Earth, have not adapted in any apparent way to the lunar conditions. In the flimsy gravity they could surely perform somersaults with those flippers of theirs. But they choose not to; instead they bask, as their ancestors did on remote Arctic beaches. I don’t know why this is so. Perhaps they are, simply, wiser than we struggling, dreaming humans.
The long Afternoon sank into its mellow warmth. The low sunlight diffused, yellow-red, to the very top of our tall sky, and I would sit on my stoop imagining I could see our precious oxygen evaporating away from the top of that sky, molecule by molecule, escaping back to the space from which we had dragged it, as if hoping in some mute chemical way to reform the ice moon we had destroyed.
Berge’s illness advanced without pity. I was touched when he chose to come stay with me, to “see it out,” as he put it.
My fondness for Berge is not hard to understand. My wife died in her only attempt at childbirth. This is not uncommon, as pelvises evolved in heavy Earth gravity struggle to release the great fragile skulls of Moon-born children. So I had rejoiced when Berge was born; at least some of my genes, I consoled myself, which had emanated from primeval oceans now lost in the sky, would travel on to the farthest future. But now, it seemed, I would lose even that.
Berge spent his dwindling energies in feverish activities. Still his obsession with Leonardo clung about him. He showed me pictures of impossible machines, far beyond the technology of Leonardo’s time (and, incidentally, of ours); shafts and cogwheels for generating enormous heat, a diving apparatus, an “easy-moving wagon” capable of independent locomotion. The famous helicopter intrigued Berge particularly. He built many spiral-shaped models of bamboo and paper; they soared into the thick air, easily defying the Moon’s gravity, catching the reddening light.
I have never been sure if he knew he was dying. If he knew, he did not mention it, nor did I press him.
In my gloomier hours—when I sat with my nephew as he struggled to sleep, or as I lay listening to the ominous, mysterious rumbles of my own failing body, cumulatively poisoned, wracked by the strange distortions of lunar gravity—I wondered how much farther we must descend.
The heavy molecules of our thick atmosphere are too fast-moving to be contained by the Moon’s gravity. The air will be thinned in a few thousand years: a long time, but not beyond comprehension. Long before then we must have reconquered this world we built, or we will die.
So we gather metals. And, besides that, we will need knowledge.
We have become a world of patient monks, endlessly transcribing the great texts of the past, pounding into the brains of our wretched young the wisdom of the millennia. It seems essential we do not lose our concentration as a people, our memory. But I fear it is impossible. We are Stone Age farmers, the young broken by toil even as they learn. I have lived long enough to realize that we are, fragment by fragment, losing what we once knew.
If I had one simple message to transmit to the future generations, one thing they should remember lest they descend into savagery, it would be this: People came from Earth. There: cosmology and the history of the species and the promise of the future, wrapped up in one baffling, enigmatic, heroic sentence. I repeat it to everyone I meet. Perhaps those future thinkers will decode its meaning, and will understand what they must do.
Berge’s decline quickened, even as the sun slid down the sky, the clockwork of our little universe mirroring his condition with a clumsy, if mindless, irony. In the last hours I sat with him, quietly reading and talking, responding to his near-adolescent philosophizing with my customary brusqueness, which I was careful not to modify in this last hour.
“. . . But have you ever wondered why we are here and now?” He was whispering, the sickly gold of his face picked out by the dwindling sun. “What are we, a few million, scattered in our towns and farms around the Moon? What do we compare to the billions who swarmed over Earth in the final years? Why do I find myself here and now rather than then? It is so unlikely . . .” He turned his great lunar head to me. “Do you ever feel you have been born out of your time, as if you are stranded in the wrong era, an unconscious time traveler?”
I had to confess I never did, but he whispered on.
“Suppose a modern human—or someone of the great ages of Earth—was stranded in the sixteenth century, Leonardo’s time. Suppose he forgot everything of his culture, all its science and learning—”
“Why? How?”
“I don’t know . . . But if it were true—and if his unconscious mind retained the slightest trace of the learning he had discarded—wouldn’t he do exactly what Leonardo did? Study obsessively, try to fit awkward facts into the prevailing, unsatisfactory paradigms, grope for the deeper truths he had lost?”
“Like Earth’s systems being analogous to the human body.”
“Exactly.” A wisp of excitement stirred him. “Don’t you see? Leonardo behaved exactly as a stranded time traveler would.”
“Ah.” I thought I understood; of course, I didn’t. “You think you’re out of time. And your Leonardo, too!” I laughed, but he didn’t rise to my gentle mockery. And in my unthinking way I launched into a long and pompous discourse on feelings of dislocation: on how every adolescent felt stranded in a body, an adult culture, unprepared . .
But Berge wasn’t listening. He turned away, to look again at the bloated sun. “All this will pass,” he said. “The sun will die. The universe may collapse on itself, or spread to a cold infinity. In either case it may be possible to build a giant machine that will recreate this universe—everything, every detail of this moment—so that we will all live again. But how can we know if this is the first time? Perhaps the universe has already died, many times, to be born again. Perhaps Leonardo was no traveler. Perhaps he was simply remembering.” He looked up, challenging me to argue; but the challenge was distressingly feeble.
“I think,” I said, “you should drink more soup.”
But he had no more need of soup, and he turned to look at the sun once more.
It seemed too soon when the cold started to settle on the land once more, with great pancakes of new ice clustering around the rim of the Tycho Sea.
I summoned his friends, teachers, those who had loved him.
I clung to the greater goal: that the atoms of gold and nickel and zinc which had coursed in Berge’s blood and bones, killing him like the mustard plants of Maginus—killing us all, in fact, at one rate or another—would now gather in even greater concentrations in the bodies of those who would follow us. Perhaps the pathetic scrap of gold or nickel which had cost poor Berge his life would at last, mined, close the circuit which would lift the first of our ceramic-hulled ships beyond the thick, deadening atmosphere of the Moon.
Perhaps. But it was cold comfort.
We ate the soup, of his dissolved bones and flesh, in solemn silence. We took his life’s sole gift, further concentrating the metal traces to the far future, shortening our lives as he had.
I have never been a skillful host. As soon as they could, the young people dispersed. I talked with Berge’s teachers, but we had little to say to each other; I was merely his uncle, after all, a genetic tributary, not a parent. I wasn’t sorry to be left alone.
Before I slept again, even before the sun’s bloated hull had slid below the toothed horizon, the winds had turned. The warm air that had cradled me was treacherously fleeing after the sinking sun. Soon the first flurries of snow came pattering on the black, swelling surface of the Tycho Sea. My seals slid back into the water, to seek out whatever
riches or dangers awaited them under Callisto ice.
A KNIGHT OF GHOSTS AND SHADOWS
Gardner Dozois
Sometimes the old man was visited by time-travelers.
He would be alone in the house, perhaps sitting at his massive old wooden desk with a book or some of the notes he endlessly shuffled through, the shadows of the room cavernous around him. It would be the very bottom of the evening, that flat timeless moment between the guttering of one day and the quickening of the next when the sky is neither black nor gray, nothing moves, and the night beyond the window glass is as cold and bitter and dead as the dregs of yesterday’s coffee. At such a time, if he would pause in his work to listen, he would become intensely aware of the ancient brownstone building around him, smelling of plaster and wood and wax and old dust, imbued with the kind of dense humming silence that is made of many small sounds not quite heard. He would listen to the silence until his nerves were stretched through the building like miles of fine silver wire, and then, as the shadows closed in like iron and the light itself would seem to grow smoky and dim, the time-travelers would arrive.
He couldn’t see them or hear them, but in they would come, the time-travelers, filing into the house, filling up the shadows, spreading through the room like smoke. He would feel them around him as he worked, crowding close to the desk, looking over his shoulder. He wasn’t afraid of them. There was no menace in them, no chill of evil or the uncanny—only the feeling that they were there with him, watching him patiently, interestedly, without malice. He fancied them as groups of ghostly tourists from the far future, here we see a twenty-first century man in his natural habitat, notice the details of gross corporeality, please do not interphase anything, clicking some future equivalent of cameras at him, how quaint, murmuring appreciatively to each other in almost-audible mothwing voices, discorporate Gray Line tours from a millennium hence slumming in the darker centuries.