Collected Works of Algernon Blackwood

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Collected Works of Algernon Blackwood Page 128

by Algernon Blackwood


  ‘But, we shall come to it in time,’ he caught another flying sentence that reached him through the brown tangle of Monkey’s hair. It was spoken with eager emphasis. ‘Does not every letter you write begin with dear?….’

  All that she said added something to life, it seemed, like poetry which, he remembered, ‘enriches the blood of the world.’ The selections were not idle, due to chance, but belonged to some great Scheme, some fairy edifice she built out of the very stuff of her own life. Oh, how utterly he understood and knew her. The poison of intellectuality, thank heaven, was not in her, yet she created somehow; for all she touched, with word or thought or gesture, turned suddenly alive in a way he had never known before. The world turned beautiful and simple at her touch….

  Even the commonest things! It was miraculous, at least in its effect upon himself. Her simplicity escaped all signs of wumbling. She had no favourite and particular Scheme for doing good, but did merely what was next her at the moment to be done. She was good. In her little person glowed a great enthusiasm for life. She created neighbours. And, as the grandeur of her insignificance rose before him, his own great Scheme for Disabled Thingumabobs that once had filled the heavens, shrank down into the size of a mere mouse-trap that would go into his pocket. In its place loomed up another that held the beauty of the Stars. How little, when announcing it to Minks weeks and weeks ago, had he dreamed the form it was to take!

  And so, wrapped in this glory of the stars, he dreamed on in his corner, fashioning this marvellous interpretation of a woman he had never seen before, and never spoken with. It was all so different to ordinary falling in love at sight, that the phrase never once occurred to him. It was consummated in a moment — out there, beside the fountain when he saw her first, shadowy, with brilliant, peering eyes. It seemed perfect instantly, a recovery of something he had always known. And who shall challenge the accuracy of his vision, or call its sudden maturity impossible? For where one sees the surface only, another sees the potentialities below. To believe in these is to summon them into activity, just as to think the best of a person ever brings out that best. Are we not all potential splendours?

  Swiftly, in a second, he reviewed the shining sentences that revealed her to him: The ‘autumn flowers’ — she lived, then, in the Present, without that waste of energy which is regret! In ‘a little shell’ lay the pattern of all life, — she saw the universe in herself and lived, thus, in the Whole! To be ‘out’ meant forgetting self; and life’s climax is at every minute of the day — she understood, that is, the growth of the soul, due to acceptance of what every minute brings, however practical, dull, uninteresting. By recreating the commonest things, she found a star in each. And her world was made up of neighbours — for ‘every letter that one writes begins with dear!’

  The Pattern matured marvellously before his eyes; and its delicate embroideries, far out of sight, seemed the arabesques that yearnings, hitherto unfulfilled, had traced long long ago with the brush of tender thinking. Together, though at opposite ends of the world, these two had woven the great Net of sympathy, thought, and longing in which at last they both were prisoners … and with them all the earth.

  The figure of Jane Anne loomed before him like an ogress suddenly.

  ‘Cousinenry, will you answer or will you not? Daddy’s already asked you twenty times at least!’ Then, below her breath, as she bent over him, ‘The Little Countess will think you awf’ly rude if you go to sleep and snore like this.’

  He looked up. He felt a trifle dazed. For a moment he had forgotten where he was. How dark the room had grown! Only — he was sure he had not snored.

  ‘I beg your pardon,’ he stammered, ‘but I was only thinking — how wonderful you — how wonderful it all is, isn’t it? I was listening. I heard perfectly.’

  ‘You were dozing,’ whispered Monkey. ‘Daddy wants the Countess to tell you how she knew the story long ago, or something. Ecoute un peu, man vieux!’

  ‘I should love to hear it,’ he said, louder, sitting up so abruptly in his chair that Jimbo tilted at a dangerous angle, though still without waking. ‘Please, please go on.’

  And he listened then to the quiet, silvery language in which the little visitor described the scenery of her childhood, when, without brothers or sisters, she was forced to play alone, and had amused herself by imagining a Net of Constellations which she nailed by shooting stars to four enormous pine trees that grew across the torrent. She described the great mountains that enclosed her father’s estate, her loneliness in this giant garden, due to his morose severity of character, her yearnings to escape and see the big world beyond the ridges. All her thought and longing went to the fashioning of this Net, and every night she flung it far across the peaks and valleys to catch companions with whom she might play. The characters in her fairy books came out of the pages to help her, and sometimes when they drew it in, it was so heavy with the people entangled in its meshes that they could scarcely move it. But the moment all were out, the giant Net, relieved of their weight, flew back into the sky. The Pleiades were its centre, because she loved the Pleiades best of all, and Orion pursued its bright shape with passion, yet could never quite come up with it.

  ‘And these people whom you caught,’ whispered Rogers from his corner, listening to a tale he knew as well as she did, ‘you kept them prisoners?’

  ‘I first put into them all the things I longed to do myself in the big world, and then flung them back again into their homes and towns and villages—’

  ‘Excepting one,’ he murmured.

  ‘Who was so big and clumsy that he broke the meshes and so never got away.’ She laughed, while the children stared at their cousin, wondering how he knew as much as she did. ‘He stayed with me, and showed me how to make our prisoners useful afterwards by painting them all over with starlight which we collected in a cave. Then they went back and dazzled others everywhere by their strange, alluring brilliance. We made the whole world over in this way—’

  ‘Until you lost him.’

  ‘One cloudy night he disappeared, yes, and I never found him again. There was a big gap between the Pleiades and Orion where he had tumbled through. I named him Orion after that; and I would stand at night beneath the four great pine trees and call and call, but in vain. “You must come up to me! You must come up to me!” I called, but got no answer—’

  ‘Though you knew quite well where he had fallen to, and that he was only hiding—’

  ‘Excuse me, but how did she know?’ inquired Jinny abruptly.

  The Little Countess laughed. ‘I suppose — because the threads of the Net were so sensitive that they went on quivering long after he tumbled out, and so betrayed the direction—’

  ‘And afterwards, when you got older, Grafin,’ interrupted Daddy, who wished his cousin to hear the details of the extraordinary coincidence, ‘you elaborated your idea—’

  ‘Yes, that thought and yearning always fulfil themselves somewhere, somehow, sooner or later,’ she continued. ‘But I kept the imagery of my Star Net in which all the world lies caught, and I used starlight as the symbol of that sympathy which binds every heart to every other heart. At my father’s death, you see, I inherited his property. I escaped from the garden which had been so long my prison, and I tried to carry out in practical life what I had dreamed there as a child. I got people together, where I could, and formed Thinkers’ Guilds — people, that is, who agreed to think beauty, love, and tolerance at given hours in the day, until the habit, once formed, would run through all their lives, and they should go about as centres of light, sweetening the world. Few have riches, fewer still have talent, but all can think. At least, one would think so, wouldn’t one?’ — with a smile and a fling of her little hands.

  She paused a moment, and then went on to describe her failure. She told it to them with laughter between her sentences, but among her listeners was one at least who caught the undertone of sadness in the voice.

  ‘For, you see, that was where I made my mi
stake. People would do anything in the world rather than think. They would work, give money, build schools and hospitals, make all manner of sacrifices — only — they would not think; because, they said, there was no visible result.’ She burst out laughing, and the children all laughed too.

  ‘I should think not indeed,’ ventured Monkey, but so low that no one heard her.

  ‘And so you went on thinking it all alone,’ said Rogers in a low voice.

  ‘I tried to write it first as a story,’ she answered softly, ‘but found that was beyond me; so I went on thinking it all alone, as you say—’

  ‘Until the Pattern of your thought floated across the world to me,’ said Daddy proudly. ‘I imagined I was inspired; instead I was a common, unoriginal plagiarist!’

  ‘Like all the rest of us,’ she laughed.

  ‘Mummie, what is a plagiarist?’ asked Jinny instantly; and as Rogers, her husband, and even Minks came hurriedly to her aid, the spell of the strange recital was broken, and out of the turmoil of voices the only thing distinctly heard was Mother exclaiming with shocked surprise: —

  ‘Why, it’s ten o’clock! Jimbo, Monkey, please plagiarise off to bed at once!’ — in a tone that admitted of no rejoinder or excuses.

  ‘A most singular thing, isn’t it, Henry?’ remarked the author, coming across to his side when the lamp was lit and the children had said their good-nights.

  ‘I really think we ought to report it to the Psychical Society as a genuine case of thought-transference. You see, what people never properly realise is—’

  But Henry Rogers lost the remainder of the sentence even if he heard the beginning, for his world was in a state of indescribable turmoil, one emotion tumbling wildly upon the heels of another. He was elated to intoxication. The room spun round him. The next second his heart sank down into his boots. He only caught the end of the words she was saying to Mother across the room: —

  ‘… but I must positively go to-morrow, I’ve already stayed too long. So many things are waiting at home for me to do. I must send a telegram and….’

  His cousin’s wumbling drowned the rest. He was quite aware that Rogers was not listening to him.

  ‘… your great kindness in writing to him, and then coming yourself,’ Mother was saying. ‘It’s such an encouragement. I can’t tell you how much he — we—’

  ‘And you’ll let me write to you about the children,’ she interrupted, ‘the plans we discussed, you know….’

  Rogers broke away from his cousin with a leap. It felt at least like a leap. But he knew not where to go or what to say. He saw Minks standing with Jane Anne again by the fourneau, picking at his ear. By the open window with Mother stood the little visitor. She was leaving to-morrow. A torturing pain like twisting knives went through him. The universe was going out!… He saw the starry sky behind her. Daddy went up and joined them, and he was aware that the three of them talked all at once for what seemed an interminable time, though all he heard was his cousin’s voice repeating at intervals, ‘But you can’t send a telegram before eight o’clock to-morrow morning in any case; the post is closed….’

  And then, suddenly, the puzzle reeled and danced before his eyes. It dissolved into a new and startling shape that brought him to his senses with a shock. There had been a swift shuffling of the figures.

  Minks and his cousin were helping her into her cloak. She was going.

  One of them — he knew not which — was offering politely to escort her through the village.

  It sounded like his own sentence of exile, almost of death. Was he forty years of age, or only fifteen? He felt awkward, tongue-tied, terrified.

  They were already in the passage. Mother had opened the door into the yard.

  ‘But your way home lies down the hill,’ he heard the silver voice, ‘and to go with me you must come up. I can easily—’

  Above the leaves of the plane tree he saw the stars. He saw Orion and the Pleiades. The Fairy Net flung in and caught him. He found his voice.

  In a single stride he was beside her. Minks started at his sudden vehemence and stepped aside.

  ‘I will take you home, Countess, if I may,’ and his tone was so unnecessarily loud and commanding that Mother turned and stared. ‘Our direction lies together. I will come up — with you.’

  She did not even look at him. He saw that tiny smile that was like the flicker of a star — no more. But he heard her answer. It seemed to fill the sky.

  ‘Thank you. I might lose my way alone.’

  And, before he realised how she managed it, they had crossed the cobbled yard, Daddy was swinging away downhill towards the carpenter’s, and Minks behind them, at the top of the stone steps, was saying his last good-night to Mother. With the little visitor beside him, he passed the singing fountain and led her down the deserted village street beneath the autumn stars.

  Three minutes later they were out of sight… when Minks came down the steps and picked his way among the shadows after Daddy, who had the latch-key of the carpenter’s house. He ran to overtake him.

  And he ran upon his toes

  As softly as a saying does,

  For so the saying goes!

  His thoughts were very active, but as clear as day. He was thinking whether German was a difficult language to acquire, and wondering whether a best man at a wedding ought to wear white gloves or not. He decided to ask Albinia. He wrote the letter that very night before he went to sleep.

  And, while he slept, Orion pursued the Pleiades across the sky, and numerous shooting stars fastened the great Net of thought and sympathy close over little Bourcelles.

  THE END

  JULIUS LE VALLON

  This novel, subtitled “An Episode”, first appeared in 1916, although it had been written earlier in 1912. Julius Le Vallon deals with the theme of reincarnation, as the title character lives several lives over many centuries, all the while trying to rectify a mistake perpetrated in prehistoric times, when he released a destructive elemental spirit upon the world. In 1921, Blackwood published a sequel entitled The Bright Messenger.

  Cover of the first U.S. edition

  CONTENTS

  BOOK I. SCHOOLDAYS

  CHAPTER I

  CHAPTER II

  CHAPTER III

  CHAPTER IV

  CHAPTER V

  CHAPTER VI

  CHAPTER VII

  CHAPTER VIII

  BOOK II. EDINBURGH

  CHAPTER IX

  CHAPTER X

  CHAPTER XI

  CHAPTER XII

  CHAPTER XIII

  CHAPTER XIV

  BOOK III. THE CHALET IN THE JURA MOUNTAINS

  CHAPTER XV

  CHAPTER XVI

  CHAPTER XVII

  CHAPTER XVIII

  CHAPTER XIX

  CHAPTER XX

  CHAPTER XXI

  CHAPTER XXII

  CHAPTER XXIII

  CHAPTER XXIV

  BOOK IV. THE ATTEMPTED RESTITUTION

  CHAPTER XXV

  CHAPTER XXVI

  CHAPTER XXVII

  CHAPTER XXVIII

  CHAPTER XXIX

  CHAPTER XXX

  CHAPTER XXXI

  CHAPTER XXXII

  Title page of the first edition

  BOOK I. SCHOOLDAYS

  Dream faces bloom around your face

  Like flowers upon one stem;

  The heart of many a vanished race

  Sighs as I look on them.”

  A. E.

  CHAPTER I

  “Surely death acquires a new and deeper significance when we regard it no longer as a single and unexplained break in an unending life, but as part of the continually recurring rhythm of progress — as inevitable, as natural, and as benevolent as sleep.”—” Some Dogmas of Religion” (Prof. J. M’Taggart).

  IT was one autumn in the late ‘nineties that I found myself at Bale, awaiting letters. I was returning leisurely from the Dolomites, where a climbing holiday had combined pleasantly with an examin
ation of the geologically interesting Monzoni Valley. When the claims of the latter were exhausted, however, and I turned my eyes towards the peaks, it happened that bad weather held permanent possession of the great grey cliffs and towering pinnacles, and climbing was out of the question altogether. A world of savage desolation gloomed down upon me through impenetrable mists; the scouts of winter’s advance had established themselves upon all possible points of attack; and the whole tossed wilderness of precipice and scree lay safe, from my assaults at least, behind a frontier of furious autumn storms.

  Having ample time before my winter’s work in London, I turned my back upon the unconquered Marmolata and Cimon della Pala, and made my way slowly, via Bozen and Innsbruck, to Bale; and it was in the latter place, where my English correspondence was kind enough to overtake me, that I found one letter in particular that interested me more than all the others put together. It bore a Swiss stamp; and the hand-writing caused me a thrill of anticipatory excitement even before I had consciously recalled the name of the writer. It was addressed before and behind till there was scarcely room left for a postmark, and it had journeyed from my chambers to my club, from my club to the university, and thence, by way of various poste-restantes, from one hotel to another till, with good luck little short of marvellous, it discovered me in my room of the Trois Rois Hotel overlooking the Rhine.

  The signature, to which I turned at once before reading the body of the message, was Julius Le Vallon; and as my eye noted the firm and very individual writing, once of familiar and potent significance in my life, I was conscious that emotions of twenty years ago woke vigorously into being, releasing sensations and memories I had thought buried beyond all effective resurrection. I knew myself swept back to those hopes and fears that, all these years before, had been — me. The letter was brief; it ran as follows:

 

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