Collected Works of Algernon Blackwood

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Collected Works of Algernon Blackwood Page 139

by Algernon Blackwood


  In the daytime, when noisy students, callous and unimaginative, thronged the room, the horror of it retreated, modified by the vigorous vitality of these doctors of the future; but now at night, amid the ominous silence, with darkness over the town and the cold of outer space dropping down upon the world, as though linking forces with that other final cold within the solemn chamber, it seemed quite otherwise. I stood shivering and afraid upon the landing, angry that I could have lent myself to so preposterous and abominable a scheme, yet determined, so long as my will held firm, to go through with it to the end.

  He had asked me to wait for him — inside.

  Knowing that every minute of hesitation must weaken my powers of resolve, I moved at once towards the door, then paused again. The comforting roar of the traffic floated to my ears; I heard the distant tinkle of a tramcar bell, the boom of Edinburgh, a confused noise of feet and wheels and voices, far away, it is true, but distinctly reassuring.

  Outside, the life of humanity rolled upon its accustomed way, recking little of the trembling figure that stood on the top floor of this silent building, one hand on the door upon whose further side so many must one day come to final rest. For one hand already touched the freezing knob, and I was in the act of turning it when another sound, that was certainly not the murmur of the town, struck sharply through the stillness and brought all movement in me to a sudden halt.

  It came from within, I thought at first; and it was like a wave of sighs that rose and fell, sweeping against the glass door a moment, then passing away as abruptly as it came. Yet it was more like wind than sighs through human lips, and immediately, then, I understood that it was wind. I caught my breath again with keen relief. Wind was rising from the hills, and this was its first messenger running down among the roofs and chimney-pots. I heard its wailing echoes long after it had died away.

  But a moment later it returned, louder and stronger than before, and this time, hearing it so close, I know not what secret embassies of wonder touched me from the night outside, deposited their undecipherable messages, and were gone again. I can only say that the key of my emotions changed, changed, moreover, with a swelling rush as when the heavier stops are pulled out upon an organ-board. For, on entering the building, the sky had been serenely calm, and keen frost locked the currents of the air; whereas now that wind went wailing round the walls as though it sought an entrance, almost as though its crying voice veiled purpose. There seemed a note of menace, eager and peremptory, in its sudden rush and drop. It knocked upon the stones and upon the roof above my head with curious and repeated (buffets of sound that resembled the “clap” I had heard that October afternoon among the larches, only a hundred times repeated and a hundred-fold increased. The change in myself, moreover, was similar to the change then experienced — the flow and drive of bigger consciousness that helped to banish fear. I seemed to know about that wind, to feel its life and being, indeed, to share it. No longer was I merely John Mason, a student in Edinburgh, separate and distinct from all about me, but was — I realised it amazingly — a bit of life in the universe, not isolated even from the wind.

  The beauty of the sensation did not last; it passed through me, linked to that insistent roar; but the fact that I had felt it gave me courage. The stops were instantly pushed in again... and the same minute the swing-door closed behind me with a sullen thud.

  I stood within the chamber; Julius, I saw in a moment, was not there. I moved through the long, narrow room, keeping close beside the wall, taking up my position finally about halfway down, where I could command the six tall windows and the door. The moon was already too high to send her rays directly through the panes, but from the extensive sky-lights she shed a diffused, pale glow upon the scene, and my eyes, soon accustomed to the semi-darkness, saw everything quite as clearly as I cared about.

  In front of me stretched the silent, crowded room, patchy in the moonshine, but with shadows deeply gathered in the corners; and, row after row upon the white marble slabs, lay the tenantless forms in the grotesque, unnatural positions as the students had left them a few hours before. The picture does not invite detailed description, but I at once experienced the peculiar illusion that attacks new students even in the daytime. It seemed that the sightless eyes turned slowly round to stare at me, that the shrunken lips half opened as in soundless speech, and that the heads with one accord shifted to an angle whence they could observe and watch me better. There went a rustling through that valley of dry bones as though life returned for a moment to drive the broken machinery afresh.

  This sensible illusion was, of course, one I could easily dismiss. More difficult, however, was the subtler attack that came upon me from behind the sensory impressions. For, while I stood with my back against the wall, listening intently for Le Vallon’s step upon the stairs, I could not keep from my mind the terror of those huddled sheep upon the Pentland ridges; the whole weird force of his theories about “life” in Nature came beating against my mind, aided, moreover, by some sympathy in myself that could never wholly ridicule their possible truth.

  I gazed round me at the motionless, discarded forms, used for one brief “section,” then cast aside, and as I did so my mind naturally focused itself upon a point of dreadful and absorbing interest — which one was to be the subject of the experiment? So short a time ago had each been a nest of keenest activity and emotion, enabling its occupant to reap its harvest of past actions while sowing that which it must reap later again in its new body, already perhaps now a-forming. And of these discarded vehicles, one was to be the channel through which two elemental Powers, evoked in vanished ages, might return to their appointed place. I heard that clamouring wind against the outer walls; I felt within me the warmth of a strange enthusiasm rise and glow; and it seemed to me just then that the whole proposal was as true and simple and in the natural order of things as birth or death, or any normal phenomenon to the terror and glory of which mankind has grown accustomed through prolonged familiarity. To this point, apparently, had the change in my feelings brought me. The dreadful novelty had largely gone. Something would happen, nor would it be entirely unfamiliar.

  Then, on a marble slab beside the door, the body of a boy, fresh, white and sweet, and obviously brought in that very day, since it was as yet untouched by knife or scalpel, “drew” my attention of its own accord — and I knew at once that I had found it.

  Oddly enough, the discovery brought no increase of fearful thrill; it was as natural as though I had helped to place it there myself. And, again, for some reason, that delightful sense of power swept me; my diminutive modern self slipped off to hide; I remembered that a million suns surrounded me; that the earth was but an insignificant member of one of the lesser systems; that man’s vaunted Reason was as naught compared to the oceans of what might be known and possible; and that this body I wore and used, like that white, empty one upon the slab, was but a transient vehicle through which I, as a living part of the stupendous cosmos, acted out my little piece of development in the course of an eternal journey. This wind, this fire, that Julius spoke of, were equally the vehicles of other energies, alive as myself, only less tamed and cabined, yet similarly obedient, again, to the laws of their own beings. The extraordinary mood poured through me like a flood — and once more passed away. And the wind fled singing round the building with a shout.

  I looked steadily at the beautiful but vacated framework that the soul had used — used well or ill I knew not — lying there so quietly, so calmly, the smooth skin as yet untouched by knife, unmarred by needle, surrounded on all sides by the ugly and misshapen crew of older death; and as I looked, I thought of some fair shell the tide had left among the seaweed wrack, a flower of beauty shining ‘mid decay. In the moonlight I could plainly see the thin and wasted ribs, the fixed blue eyes still staring as in life, the lank and tangled hair, the listless fingers that a few hours before must have been active in the flush of health, and passionately loved by more than one assuredly. For, though I knew no
t the manner of the soul’s out-passing, this boy must have suddenly met death that very day. And I found it odd that he should now be lying here, since usually the students’ work is concerned to study the processes of illness and decay. It confirmed my certainty that here was the channel Le Vallon meant to use.

  Time for longer reflection, however, there was none, for just then another gust of this newly-risen wind fell against the building with a breaking roar, and at the same moment the swing door opened and Julius Le Vallon stood within the room.

  Whether windows had burst, or the great skylights overhead been left unfastened, I had no time, nor inclination either, to discover, but I remember that the wind tore past him down the entire length of the high-ceilinged chamber, tossing the hair uncannily upon a dozen heads in front of me and even stirring the dust about my feet. It was almost as though we stood upon an open plain and met the unobstructed tempest in our teeth.

  Yet the rush and vehemence with which he entered startled me, for I found myself glad of the support which a high student’s stool afforded. I leaned against it heavily, while Julius, after standing by the door a moment, turned immediately then to the left. He knew exactly where to look. Simultaneously, he saw me too.

  Our eyes, in that atmosphere of shadow and soft moonlight, met also across centuries. He spoke my name; but it was no name I answered to To-day.

  “Come, Silvatela,” he said, “lend me your will and sympathy. Feel now with Wind and Fire. For both are here, and the time is favourable. At last, I shall perhaps return what has been borrowed.” He beckoned me with a gesture of strange dignity. “It is not that time of balanced forces we most desire — the Equinox — but it is the winter solstice,” he went on, “when the sun is nearest. That, too, is favourable. We may transcend the appointed boundaries. Across the desert comes the leaping wind. Both heat and air are with us. Come!”

  And, having vaguely looked for some kind of elaborate preparation or parade, this sudden summons took me by surprise a little, though the language somehow did not startle me. I sprang up; the stool fell sideways, then clattered noisily upon the concrete floor. I made my way quickly between the peering faces. It seemed no longer strange, this abrupt disturbance of two familiar elements, nor did I remark with unusual curiosity that the wind went rushing and crying about the room, while the heat grew steadily within me so that my actual skin was drenched with perspiration. All came about, indeed, quickly, naturally, and without any pomp of dreadful ceremonial as I had expected. Julius had come with power in his hands; and preparation, if any, had already taken place elsewhere. He spoke no further word as I approached, but bent low over the thin, white form, his face pale, stern and beautiful as I had never seen it before. I thought of a star that entered the roof of those Temple Memories, falling beneficently upon the great concave mirrors where the incense rose in a column of blue smoke. His entire personality, when at length I stood beside him, radiated an atmosphere of force as though charged with some kind of elemental activity that was intense and inexhaustible. The wonder and beauty of it swept me from head to foot. The air grew marvellously heated. It rose in beating waves that accompanied the rushing wind, like a furnace driven by some powerful, artificial draught; in his immediate neighbourhood it whirled and roared. It drew me closer. I, too, found myself bending down above the motionless, stretched form, oblivious of the other crowded slabs about us.

  So familiar it all seemed suddenly. Some such scene I had witnessed surely many a time elsewhere. I knew it all before. Upon success hung issues of paramount importance to his soul, to mine, to the soul of another who, for some reason unexplained, was not present with us, and, somehow, also, to the entire universe of which we formed, with these two elements, a living, integral portion. A weight of solemn drama lay behind our little show. It seemed to me the universe looked on and waited. The issue was of cosmic meaning.

  Then, as I entered the sphere of Le Vallon’s personality, a touch of dizziness caught me for an instant, as though this running wind, this accumulating heat, emanated directly from his very being; and, before I quite recovered myself, the moonlight was extinguished like a lamp blown out. Across the sky, apparently, rushed clouds that changed the spreading skylights into thick curtains, while into the room of death came a blast of storm that I thought must tear the windows from their very sockets in the stone. And with the wind came also a yet further increase of heat that was like a touch of naked fire on some inner membrane.

  I dare not assert that I was wholly master of myself throughout the swift, dramatic scene that followed in darkness and in tumult, nor can I claim that what I witnessed in the gloom, shot with occasional gleams of moonlight here and there, was more than the intense visualisation of an over-wrought imagination. It well may be that what I expected to happen dramatised itself as though it actually did occur. I can merely state that, at the moment, it seemed real and natural, and that what I saw was the opening scene in a ceremony as familiar to me as the Litany in my father’s church.

  For, with the pouring through the room of these twin energies of wind and fire, I saw, sketched in the dim obscurity, one definite movement — as the body of the boy rose up into a sitting posture close before our faces. It instantly then sank back again, recumbent as before upon the marble slab. The upright movement was repeated the same second, and once more there came the sinking back. There were several successive efforts before the upright position was maintained; and each time it rose slowly, gradually, all of one piece and rigidly, until finally these tentative movements achieved their object — and the boy sat up as though about to stand. Erect before us, the head slightly hanging on one side, the shoulders squared, the chest expanded as with lung-drawn air, he rose steadily above his motionless companions all around.

  And Julius drew back a pace. He made certain gestures with his arms and hands that in some incalculable manner laid control upon the movements. I saw his face an instant as the moon fell on it, pale, glorious and stately, wearing a glow that was not moonlight, the lips compressed with effort, the eyes ablaze. He looked to me unearthly and magnificent. His stature seemed increased. There was an air of power, of majesty about him that made his presence beautiful beyond words; and yet, most strange of all, it was familiar to me, even this. I had seen it all before. I knew well what was about to happen.

  His gesture changed. No word was spoken. It was a Ceremony in which gesture was more significant than speech. There was evidence of intense internal struggle that yet did not include the ugliness of strain. He put forth all his power merely — and the body rose by jerks. Spasmodically, this time, as though pulled by wires, yet with a kind of terrible violence, it floated from that marble slab into the air. With a series of quick, curious movements, half plunge, half jerk, it touched the floor. It stood stiffly upright on its feet. It rose again, it turned, it twisted, moving arms and legs and head, passing me unsupported through the atmosphere some four feet from the ground. The wind rushed round it with a roar; the fire, though invisible, scorched my eyes. This way and that, now up, now down, the body of this boy danced to and fro before me, silent always, the blue eyes fixed, the lips half parted, more with the semblance of some awful marionette than with human movement, yet charged with a colossal potency that drove it hither and thither. Like some fair Ariel, laughing at death, it flitted above the yellow Calibans of horror that lay strewn below.

  Yet, from the very nature of these incompleted movements, I was aware that the experiment was unsuccessful, and that the power was insufficient. Instead of spasmodic, the movements should have been rhythmical and easy; there should have been purpose and intention in the performance of that driven body; there should have been commanding gestures, significant direction; there should have been spontaneous breathing and — a voice — the voice of Life.

  And instead — I witnessed an unmeaning pantomime, and heard the wailing of the dying wind....

  A voice, indeed, there was, but it was the voice of Julius Le Vallon that eventually came to me a
cross the length of the room. I saw him slowly approaching through the patches of unequal moonlight, carrying over his shoulder the frail, white burden that had collapsed against the further wall. And his words were very few, spoken more to himself apparently than to me. I heard them; they struck chill and ominous upon my heart: “The conditions were imperfect, the power insufficient. Alone we cannot do it. We must wait for her.... And the channel must be another’s — as before.” The strain of high excitement passed. I knew once again that small and pitiful sensation of returning to my normal consciousness. The exhilaration all was gone. There came a dwindling of the heart. I was “myself” again, John Mason, student at Edinburgh University. It produced a kind of shock, the abruptness of the alteration took my strength away. I experienced a climax of sensation, disappointment, distress, fear and revolt as well, that proved too much for me. I ran. I reeled. I heard the sound of my own falling.

  No recollection of what immediately followed remains with me... for when I opened my eyes much later, I found myself prone upon the landing several floors below, with Julius bending solicitously over me, helping me to rise. The moonlight fell in a flood through a window on the stairs. My recovery was speedy, though not complete. I accompanied him down the remaining flight, leaning upon his arm; and in the street my senses, though still dazed, took in that the night was calm and cloudless, that the moonlight veiled the stars by its serene brightness, and that the clock above the University buildings pointed to the hour of two in the morning.

  The cold was bitter. There was no wind!

  Julius came with me to my door in Frederick Street, but the entire distance of a mile neither of us spoke a word.

 

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