Collected Works of Algernon Blackwood

Home > Horror > Collected Works of Algernon Blackwood > Page 240
Collected Works of Algernon Blackwood Page 240

by Algernon Blackwood


  “The subconscious, remember, doesn’t explain everything,” came the words. “Not everything,” he added with emphasis. “As with heredity” — he looked keenly half humorously, half sympathetically at the doctor— “there are gaps and lapses. The recent upheaval has been more than an inter-tribal war. It was a planetary event. It has shaken our nature fundamentally, radically. The human mind has been shocked, broken, dislocated. The prevalent hysteria is not an ordinary hysteria, nor are the new powers — perhaps — quite ordinary either.”

  “Mental history repeats itself,” Fillery put in, now more master of himself again. “Unbalance has always followed upheaval. The removal of known, familiar foundations always lets in extravagance of wildest dissatisfaction, search and question.”

  “Upheaval of this kind,” rejoined the other gravely, “there has never been since human beings walked the earth. Our fabulous old world trembles in the balance.” And, as he said it, the dreamer shone in the light below the big, black eyebrows, noticed quickly by his companion. “Old ideals have been smashed beyond recovery. The gods men knew have been killed, like Tommy, in the trenches. The past is likewise dead, its dreams of progress buried with it by a Black Maria. The human mind and heart stand everywhere empty and bereft, while their hungry and unanswered questions search the stars for something new.”

  “Well, well,” said Fillery gently, half stirred, half amused by the odd language. “You may be right. But mental history has always shown a desire for something new after each separate collapse. Signs and wonders are a recurrent hunger, remember. In the days of Abraham, of Paul, of Moses it was the same.”

  “Questions to-day,” replied the other, “are based on an immense accumulated knowledge unknown to Moses or to Abraham’s time. The phenomenon, I grant you, is the same, but — the shock, the dislocation, the shattering upheaval comes in the twentieth century upon minds grounded in deep scientific wisdom. It was formerly a shock to the superstitious ignorance of intuitive feeling merely. To-day it is organized scientific knowledge that meets the earthquake.”

  “You mentioned gaps and lapses,” said Fillery, deeply interested, but still half professionally, perhaps, in spite of his preoccupations. “You think, perhaps, those gaps —— ?” One eye watched the inner studio. The unstable in him gained more and more the upper hand.

  “I mean,” replied Father Collins, now fairly launched upon his secret hobby, evidently his qualification for membership in the Society, “I mean, Edward Fillery, that the time is ripe, if ever, for a new revelation. If Man is the only type of being in the universe, well and good. We see his finish plainly, for the war has shown that progress is a myth. Man remains, in spite of all conceivable scientific knowledge, a savage, of low degree, irredeemable, and intellect, as a reconstructive force, but of small account.”

  “It seems so, I admit.”

  “But if” — Father Collins said it as calmly as though he spoke of some new food or hygienic treatment merely— “if mankind is not the only life in the universe, if, for instance, there exist — and why not? — other evolutionary systems besides our own somewhat trumpery type — other schemes and other beings — perhaps parallel, perhaps quite different — perhaps in more direct contact with the sources of life — a purer emanation, so to say — —”

  He hesitated, realizing perhaps that in speaking to a man of Edward Fillery’s standing he must choose his words, or at least present his case convincingly, while aware that his inability to do so made him only more extravagant and incoherent.

  “Yes, quite so,” Fillery helped him, noting all the time the suppressed intensity, the half-concealed conviction of an idée fixe behind the calmness, while the balance of his own attention remained concentrated on the group about LeVallon. “If, as you suggest, there are other types of life — —” He spoke encouragingly. He had noticed the slovenly streak spread and widen, breaking down, as it were, the structure of the face. He was aware also of the increasing insecurity in himself.

  “Now is the moment,” cried the other; “now is the time for their appearance.”

  He turned as though he had hit a target unexpectedly.

  “Now,” he repeated, “is the opportunity for their manifestation. The human mind lies open everywhere. It is blank, receptive, ready. On all sides it waits ready and inviting. The gaps are provided. If there is any other life, it should break through and come among us — now!”

  Fillery, startled, withdrew for the first time his attention from that inner room. With keen eyes he gazed at his companion. With an abrupt, unpleasant shock it occurred to him that all he heard was borrowed, filched, stolen out of his own mind. Before words came to him, the other spoke:

  “Your friend,” he mentioned quietly, but with intentional significance, “and patient.”

  “LeVallon!”

  But it was at this moment that Nayan Khilkoff, entering again without her hat and furs, had moved straight to the piano, seated herself, and began to sing.

  CHAPTER XV

  TO retail the following scene as Dr. Fillery saw it in detail is not necessary, the sequence of acts, of physical events being already known. The reactions of his heart and mind, however, have importance. What he felt, thought, hoped and feared, what he believed as well, his point of view in a word, remain essential.

  Edward Fillery, being what he was, witnessed it from his own individual angle; his mind, with his heredity, his soul, with its mysterious background, these held the glasses to his eyes, adjusting, as with a Zeiss instrument, each eye separately. In his case the analyst and thinker checked the unstable dreamer with acute exactitude. This was his special gift. He studied himself best while studying others. His sight, moreover, was exceptionally keen, his glasses of consummate workmanship. He saw, it seems, considerably beyond the normal range. He believed, at least, that he did so.

  He saw, for instance, that the girl, while her fingers ran over the keys before she sang, searched the room and found LeVallon in a second. Following her rapid glance, he took in the picture that she also saw — LeVallon, coffee cup in hand, before Lady Gleeson languishing on the divan, and Devonham just beside them. LeVallon was obviously unaware of Lady Gleeson’s presence; he had forgotten her existence. Devonham, a floor-walker with nothing particular to do at the moment, looked uncomfortable and ill at ease, scared a little, fearing a scene, a possible outbreak even. The meaning of the group was easily read. The girl herself, undoubtedly, read it clearly too.

  This flashed upon the cinema screen, and Fillery divined it without the help of tedious letterpress.

  The same instant he was aware that the girl and LeVallon looked for the first time straight into each other’s faces, and that both seemed simultaneously caught into the air as though a star had lifted them. Not even a question lay in their clear eyes. It was an instantaneous understanding, so complete and perfect that the expression of happy surprise was too convincing to be missed even by the slow-witted Lady Gleeson. Vanity usually delays intelligence, and her vanity was abnormal. But she saw the expression on the two faces, and interpreted it aright. Fillery noticed that she squirmed; she would presently, he felt positive, disappear. Before the singing ended he had seen her slink away.

  The song began. He had heard it before, “The Vagrant’s Epitaph,” sung by the same clear, sweet voice, had felt his heart stirred by the true simple feeling she put into it. He knew every word and every bar; the music was her own. He loved it. Both words and music awoke in him invariably a picture of his own lost valley, a physical desire to be over the hills and far away with the homeless liberty of winds and stars and waters, and at the same time, its spiritual equivalent — a yearning that the Race should discover the immense fair region of its greater hidden self and enjoy its new powers without restraint. All this was familiar to him. But now, as she sang, there came another, deeper meaning that sublimated the essential spirit of it, lifting it out of the known ditch of space and time. Never yet had he heard such yearning passion, such untold desire
in her voice. The physical vagrancy changed subtly, exquisitely, to a symbol of a vaster meaning — a spiritual vagrancy that suddenly captured him in bitter pain. “Love could not hold him, Duty forged no chain” — as he listened to the sweetness, struck him between the joints of armour he had not realized before was so insecurely bound about him. The anguish of lonely souls, alien among their kind, hungry for companionship they might not find, unclothed, uncared for, desired of none and understanding none — this rose tumultuously in his blood. “The wide seas and the mountains called him ...” the words and music pierced him like a flame. “Revel might hold him for a little space ...” — her voice made it sound like a description of man’s brief moment on the whirling planet, tasting adventure with men and women, playing a moment with love and hope and fear, till, “turning past the laughter and the lamps,” he heard that “other summons at the door.”

  This bigger version, this deeper meaning, caught at him with power as he heard the song in the sweet, familiar voice, and realized in a flash that what he felt faintly LeVallon felt terrifically. His own detachment was a pose, a shadow, at best a bodiless yearning; in LeVallon it was a reality of consuming fire. Also it was an explanation of the girl’s own singular aloofness from the world of admiring men. Both belonged, as Father Collins put it, “elsewhere.”

  He watched them. LeVallon’s eyes, he saw, remained fixed and motionless on the singer; her own did not leave the notes for a single moment; the words and music poured into the room like a shower of dancing silver. The personality of the girl flowed out with them to meet the newly-found companion they addressed. An extraordinary thing then happened: to Fillery it almost seemed that there formed then and there between them a new vehicle — as it were, a body — that gave expression to their own great secret. Something in each of them, unable to manifest through their minds, their brains, their earthly bodies, formed for itself an elastic subtle vehicle, using the sound, the words, the feeling for this purpose — and as literally as a human spirit uses the familiar physical body for its manifestation.

  The experience was amazing, but it was real. He watched it carefully. In the room about him, formed on the waves of this sweet singing, shaped by feeling that found normally no other expression, inspired by emotions, yearnings, desires alien to their normal kind, these two created between them a new vehicle or body that could and did express all this.

  They heard that “other summons at the door....” And they were off.

  Yet he, too, heard the summons, and in the depths of his being he answered to it. His essential weakness, wearing the guise of strength, rose naked....

  These thoughts and feelings lay unexpressed, perhaps — too deep actually, too remote from any experience he had yet known, to find actual words, even in his mind. What did find expression, in thought at any rate, was that, before his very eyes, he witnessed the transfiguring change come over Nayan. Like some flower that has been growing in the shade, then meets the flood of sunshine for the first time, she knew a fresh tide of life sweep over her entire being. She seemed to blossom, breaking almost into flower and fruit before his very eyes, as though sun and wind brought her into a sudden bloom of exquisite maturity. He was aware of rich, deep purple, the faint gold of fruits and flowers, the creamy softness of a rose, the amber of wild grapes bathed in sparkling dew. The luscious promise of the Spring matured about her whole presentment into full summer glory. And it was the sun and wind of LeVallon’s enigmatic, stimulating presence close to her that caused the miracle. The essential flower of her life poured forth to meet his own, as he had always felt it must. LeVallon’s was the mighty wind that lifted her, was the sun in whose heat she basked, expanded, soared. She experienced a strange increase of her natural vitality and being. Her consciousness knew an abrupt intensification.

  The signs, in that brief moment, were as clear to Fillery’s divining heart as though he read them in black printed letters on a page of whitest paper. He knew the cipher and the code. He watched the signals flash. They had not even spoken, yet the relationship was established beyond doubt. He witnessed the first exchange; the wireless message of joy and sympathy that flashed he intercepted.

  Through his extremely rapid mind, as he watched, poured memories, reflections, judgments in concentrated form, yet calmly, steadily, though against a background of deep and troubled emotion. There seemed actually a disruption of his personality. Father Collins, standing beside him, divined nothing, he believed, of his agitation, standing, mere figure of a man, listening to the music with attentive pleasure; at least, he gave no outward sign....

  The song drew to its close. Once Nayan raised her eyes, instantly finding those of LeVallon across the room, then shifting again for a fleeting second with a rapidly changing focus to his own. He met them without a quiver; he caught again her tender, searching question; he sent no answer back.

  In his own heart burned, however, a score of questions that beat against his soul for answers. What was it that each had found thus intuitively within the other? Was it her maternal instinct only that was reached as with all other men hitherto, was it at last the woman in her that leaped towards its own divine, creative sun, or was it that hidden, nameless aspect of her which had never yet found a vehicle for manifestation among her own kind and had therefore remained hitherto unexpressed — bodiless?

  The answer to this he found easily enough. No jealousy stirred; pain for himself had been long ago uprooted. Yet pain of a kind he felt. Would LeVallon injure, drag her down, bring suffering, perhaps of an atrocious sort, into her hitherto so innocent life? Was she yet qualified to withstand the fierce fire, the rushing wind, that the full force of his strange nature must bring to bear upon her?

  His questions went prophesying, flying like swift birds to such great distances that no audible answers could return. His pain, at any rate, chiefly was for her. He divined that she was frightened, yet exhilarated, before the unexpected apparition of an unusual presence. Accustomed to smaller jets of admiration from smaller men, this deep flood overwhelmed her. This motionless figure watching her among the shadows, listening to her singing, devouring her beauty with an innocence, power, worship she had never yet encountered — could she, Fillery asked himself, withstand its elemental flood and not be broken by its waves?

  For at the back of all his questions, haunting his prophecies, filling his hopes and fears with substance, stood one outstanding certainty:

  The motionless figure in the shadows was not LeVallon. It was “N. H.”

  The thing he had expected had now happened. Instinctively he turned to find his colleague.

  For what followed, Fillery, of course, was as unprepared as anyone. In some way, difficult to describe, the whole thing had a strangely natural, almost an inevitable touch. The exaggeration that others felt he was not conscious of. He never, for a single moment, lost his head. The wonder of the elemental violence appealed and stimulated without once touching the sense of fear, much less of panic, in him.

  Searching for Devonham’s familiar figure, he found it in the seat that Lady Gleeson had vacated shortly before, but the face turned away towards the inner room, so that it was not possible to catch his eye. It was an attentive, critical, almost anxious expression his chief surprised, and while a faint smile perhaps flitted across his own mouth, he became aware that Father Collins — he had again completely forgotten his proximity — was staring with a curious intentness at him. The same instant the song came to an end. Into the brief pause of a second before the applause burst forth, Father Collins’s voice was suddenly audible in his ear:

  “LeVallon’s gone,” Fillery was saying to himself, “‘N. H.’ is in control,” when his neighbour’s words broke in. The two sentences were simultaneously in his mind:

  “A man in his own place is the Ruler of his Fate!”

  And Fillery’s astonishment was only equalled by the fact that the grim face was soft with sympathy, and that in the eyes shone moisture that was close to tears. Before he could rep
ly, however, the applause burst forth, making an uproar against which no voice could possibly contend. The subsequent events, following so swiftly, made rejoinder equally out of the question, nor did he see Father Collins again that evening.

  These Fillery witnessed much as already described through Devonham’s eyes. The storm, the panic took place as told. Yet a detail here and there belong to Fillery’s version, for they were a part of his own being. He had, for instance, a warning that something was about to happen, although warning seems not quite the faithful word. He saw the Valley for one fleeting second, the three familiar figures, Nayan, “N. H.,” himself, flying through the bright sunshine before a wind that stirred a million flowers. In the farthest possible background of his mind it shone an instant. The shutter dropped again, it vanished.

  Yet enough to set him on the alert. Into the air about him, into his heart as well, fell an exhilarating and immense refreshment. It rose, as it were, from the most deeply submerged portion of his own hidden being, now stirred, even actually summoned, into activity.

  The shutter meanwhile rose and fell and rose again; the Valley reappeared and vanished, then reappeared again.

  For the truth came smashing against him — smashing his being open, and bursting the doors of his carefully instructed, carefully guarded nature. The doors flung from their hinges and a blinding light poured in and flooded the strangest possible hidden corners.

  He saw what followed with an accuracy of observation impossible to anyone else, with an intimate sympathy the others could not feel — because he himself took part in the entire scene. But the scene, for him, was not the Chelsea studio with its tobacco smoke and perfume, it was the Caucasian valley whence his own blood derived. Clean, fragrant winds swept past him across mighty space. The walls melted into distances of forest and mountain peaks, the ceiling was a dome of stainless blue, the floor ran deep in flowers. A drenching sunshine of crystal purity bathed the world. It was across bright emerald turf that he saw “N. H.” dance forward like a wind of power, cry with a joyful resonant voice to the radiant girl who stood laughing, half hiding, yet at the same time beckoning, that she should fly with him. He caught and lifted her, her hair, the whiteness of her skin flashing in the sun like some marvellous bird in the act of taking wing, for before he had touched her she leapt through the air to meet his outstretched arms. Yet one hand, one silvery arm, waved towards himself, towards Fillery; their fingers met and clasped; the three of them, three dancing, free and joyful figures, fled like the wind across the enormous mountains, but fled, he knew beyond all question — home.

 

‹ Prev