And the magic of old Egypt stalked beside him. The studies that had fascinated his mind in earlier youth returned with the power that had subdued his mind in boyhood. The cult of Osiris woke in his blood again; Horus and Nephthys stirred in their long-forgotten centres. There revived in him, too long buried, the awful glamour of those liturgal rites and vast body of observances, those spells and formulae of incantation of the oldest known recension that years ago had captured his imagination and belief — the Book of the Dead. Trumpet voices called to his heart again across the desert of some dim past. There were forms of life — impulses from the Creative Power which is the Universe — other than the soul of man. They could be known. A spiritual exaltation, roused by the words and presence of this singular woman, shouted to him as he went.
Then, as he closed his bedroom door, carefully locking it, there stood beside him — Vance. The forgotten figure of Vance came up close — the watching eyes, the simulated interest, the feigned belief, the detective mental attitude, these broke through the grandiose panorama, bringing darkness. Vance, strong personality that hid behind assumed nonentity for some purpose of his own, intruded with sudden violence, demanding an explanation of his presence.
And, with an equal suddenness, explanation offered itself then and there. It came unsought, its horror of certainty utterly unjustified; and it came in this unexpected fashion:
Behind the interest and acquiescence of the man ran — fear: but behind the vivid fear ran another thing that Henriot now perceived was vile. For the first time in his life, Henriot knew it at close quarters, actual, ready to operate. Though familiar enough in daily life to be of common occurrence, Henriot had never realised it as he did now, so close and terrible. In the same way he had never realised that he would die — vanish from the busy world of men and women, forgotten as though he had never existed, an eddy of wind-blown dust. And in the man named Richard Vance this thing was close upon blossom. Henriot could not name it to himself. Even in thought it appalled him.
He undressed hurriedly, almost with the child’s idea of finding safety between the sheets. His mind undressed itself as well. The business of the day laid itself automatically aside; the will sank down; desire grew inactive. Henriot was exhausted. But, in that stage towards slumber when thinking stops, and only fugitive pictures pass across the mind in shadowy dance, his brain ceased shouting its mechanical explanations, and his soul unveiled a peering eye. Great limbs of memory, smothered by the activities of the Present, stirred their stiffened lengths through the sands of long ago — sands this woman had begun to excavate from some far-off pre-existence they had surely known together. Vagueness and certainty ran hand in hand. Details were unrecoverable, but the emotions in which they were embedded moved.
He turned restlessly in his bed, striving to seize the amazing clues and follow them. But deliberate effort hid them instantly again; they retired instantly into the subconsciousness. With the brain of this body he now occupied they had nothing to do. The brain stored memories of each life only. This ancient script was graven in his soul. Subconsciousness alone could interpret and reveal. And it was his subconscious memory that Lady Statham had been so busily excavating.
Dimly it stirred and moved about the depths within him, never clearly seen, indefinite, felt as a yearning after unrecoverable knowledge. Against the darker background of Vance’s fear and sinister purpose — both of this present life, and recent — he saw the grandeur of this woman’s impossible dream, and knew, beyond argument or reason, that it was true. Judgment and will asleep, he left the impossibility aside, and took the grandeur. The Belief of Lady Statham was not credulity and superstition; it was Memory. Still to this day, over the sands of Egypt, hovered immense spiritual potencies, so vast that they could only know physical expression in a group — in many. Their sphere of bodily manifestation must be a host, each individual unit in that host a corpuscle in the whole.
The wind, rising from the Lybian wastes across the Nile, swept up against the exposed side of the hotel, and made his windows rattle — the old, sad winds of Egypt. Henriot got out of bed to fasten the outside shutters. He stood a moment and watched the moon floating down behind the Sakkara Pyramids. The Pleiades and Orion’s Belt hung brilliantly; the Great Bear was close to the horizon. In the sky above the Desert swung ten thousand stars. No sounds rose from the streets of Helouan. The tide of sand was coming slowly in.
And a flock of enormous thoughts swooped past him from fields of this unbelievable, lost memory. The Desert, pale in the moon, was coextensive with the night, too huge for comfort or understanding, yet charged to the brim with infinite peace. Behind its majesty of silence lay whispers of a vanished language that once could call with power upon mighty spiritual Agencies. Its skirts were folded now, but, slowly across the leagues of sand, they began to stir and rearrange themselves. He grew suddenly aware of this enveloping shroud of sand — as the raw material of bodily expression: Form.
The sand was in his imagination and his mind. Shaking loosely the folds of its gigantic skirts, it rose; it moved a little towards him. He saw the eternal countenance of the Desert watching him — immobile and unchanging behind these shifting veils the winds laid so carefully over it. Egypt, the ancient Egypt, turned in her vast sarcophagus of Desert, wakening from her sleep of ages at the Belief of approaching worshippers.
Only in this insignificant manner could he express a letter of the terrific language that crowded to seek expression through his soul.... He closed the shutters and carefully fastened them. He turned to go back to bed, curiously trembling. Then, as he did so, the whole singular delusion caught him with a shock that held him motionless. Up rose the stupendous apparition of the entire Desert and stood behind him on that balcony. Swift as thought, in silence, the Desert stood on end against his very face. It towered across the sky, hiding Orion and the moon; it dipped below the horizons. The whole grey sheet of it rose up before his eyes and stood. Through its unfolding skirts ran ten thousand eddies of swirling sand as the creases of its grave-clothes smoothed themselves out in moonlight. And a bleak, scarred countenance, huge as a planet, gazed down into his own....
Through his dreamless sleep that night two things lay active and awake ... in the subconscious part that knows no slumber. They were incongruous. One was evil, small and human; the other unearthly and sublime. For the memory of the fear that haunted Vance, and the sinister cause of it, pricked at him all night long. But behind, beyond this common, intelligible emotion, lay the crowding wonder that caught his soul with glory:
The Sand was stirring, the Desert was awake. Ready to mate with them in material form, brooded close the Ka of that colossal Entity that once expressed itself through the myriad life of ancient Egypt.
VI
Next day, and for several days following, Henriot kept out of the path of Lady Statham and her nephew. The acquaintanceship had grown too rapidly to be quite comfortable. It was easy to pretend that he took people at their face value, but it was a pose; one liked to know something of antecedents. It was otherwise difficult to “place” them. And Henriot, for the life of him, could not “place” these two. His Subconsciousness brought explanation when it came — but the Subconsciousness is only temporarily active. When it retired he floundered without a rudder, in confusion.
With the flood of morning sunshine the value of much she had said evaporated. Her presence alone had supplied the key to the cipher. But while the indigestible portions he rejected, there remained a good deal he had already assimilated. The discomfort remained; and with it the grave, unholy reality of it all. It was something more than theory. Results would follow — if he joined them. He would witness curious things.
The force with which it drew him brought hesitation. It operated in him like a shock that numbs at first by its abrupt arrival, and needs time to realise in the right proportions to the rest of life. These right proportions, however, did not come readily, and his emotions ranged between sceptical laughter and complete acceptanc
e. The one detail he felt certain of was this dreadful thing he had divined in Vance. Trying hard to disbelieve it, he found he could not. It was true. Though without a shred of real evidence to support it, the horror of it remained. He knew it in his very bones.
And this, perhaps, was what drove him to seek the comforting companionship of folk he understood and felt at home with. He told his host and hostess about the strangers, though omitting the actual conversation because they would merely smile in blank miscomprehension. But the moment he described the strong black eyes beneath the level eyelids, his hostess turned with a start, her interest deeply roused: “Why, it’s that awful Statham woman,” she exclaimed, “that must be Lady Statham, and the man she calls her nephew.”
“Sounds like it, certainly,” her husband added. “Felix, you’d better clear out. They’ll bewitch you too.”
And Henriot bridled, yet wondering why he did so. He drew into his shell a little, giving the merest sketch of what had happened. But he listened closely while these two practical old friends supplied him with information in the gossiping way that human nature loves. No doubt there was much embroidery, and more perversion, exaggeration too, but the account evidently rested upon some basis of solid foundation for all that. Smoke and fire go together always.
“He is her nephew right enough,” Mansfield corrected his wife, before proceeding to his own man’s form of elaboration; “no question about that, I believe. He’s her favourite nephew, and she’s as rich as a pig. He follows her out here every year, waiting for her empty shoes. But they are an unsavoury couple. I’ve met ’em in various parts, all over Egypt, but they always come back to Helouan in the end. And the stories about them are simply legion. You remember—” he turned hesitatingly to his wife— “some people, I heard,” he changed his sentence, “were made quite ill by her.”
“I’m sure Felix ought to know, yes,” his wife boldly took him up, “my niece, Fanny, had the most extraordinary experience.” She turned to Henriot. “Her room was next to Lady Statham in some hotel or other at Assouan or Edfu, and one night she woke and heard a kind of mysterious chanting or intoning next her. Hotel doors are so dreadfully thin. There was a funny smell too, like incense of something sickly, and a man’s voice kept chiming in. It went on for hours, while she lay terrified in bed—”
“Frightened, you say?” asked Henriot.
“Out of her skin, yes; she said it was so uncanny — made her feel icy. She wanted to ring the bell, but was afraid to leave her bed. The room was full of — of things, yet she could see nothing. She felt them, you see. And after a bit the sound of this sing-song voice so got on her nerves, it half dazed her — a kind of enchantment — she felt choked and suffocated. And then—” It was her turn to hesitate.
“Tell it all,” her husband said, quite gravely too.
“Well — something came in. At least, she describes it oddly, rather; she said it made the door bulge inwards from the next room, but not the door alone; the walls bulged or swayed as if a huge thing pressed against them from the other side. And at the same moment her windows — she had two big balconies, and the venetian shutters were fastened — both her windows darkened — though it was two in the morning and pitch dark outside. She said it was all one thing — trying to get in; just as water, you see, would rush in through every hole and opening it could find, and all at once. And in spite of her terror — that’s the odd part of it — she says she felt a kind of splendour in her — a sort of elation.”
“She saw nothing?”
“She says she doesn’t remember. Her senses left her, I believe — though she won’t admit it.”
“Fainted for a minute, probably,” said Mansfield.
“So there it is,” his wife concluded, after a silence. “And that’s true. It happened to my niece, didn’t it, John?”
Stories and legendary accounts of strange things that the presence of these two brought poured out then. They were obviously somewhat mixed, one account borrowing picturesque details from another, and all in disproportion, as when people tell stories in a language they are little familiar with. But, listening with avidity, yet also with uneasiness, somehow, Henriot put two and two together. Truth stood behind them somewhere. These two held traffic with the powers that ancient Egypt knew.
“Tell Felix, dear, about the time you met the nephew — horrid creature — in the Valley of the Kings,” he heard his wife say presently. And Mansfield told it plainly enough, evidently glad to get it done, though.
“It was some years ago now, and I didn’t know who he was then, or anything about him. I don’t know much more now — except that he’s a dangerous sort of charlatan-devil, I think. But I came across him one night up there by Thebes in the Valley of the Kings — you know, where they buried all their Johnnies with so much magnificence and processions and masses, and all the rest. It’s the most astounding, the most haunted place you ever saw, gloomy, silent, full of gorgeous lights and shadows that seem alive — terribly impressive; it makes you creep and shudder. You feel old Egypt watching you.”
“Get on, dear,” said his wife.
“Well, I was coming home late on a blasted lazy donkey, dog-tired into the bargain, when my donkey boy suddenly ran for his life and left me alone. It was after sunset. The sand was red and shining, and the big cliffs sort of fiery. And my donkey stuck its four feet in the ground and wouldn’t budge. Then, about fifty yards away, I saw a fellow — European apparently — doing something — Heaven knows what, for I can’t describe it — among the boulders that lie all over the ground there. Ceremony, I suppose you’d call it. I was so interested that at first I watched. Then I saw he wasn’t alone. There were a lot of moving things round him, towering big things, that came and went like shadows. That twilight is fearfully bewildering; perspective changes, and distance gets all confused. It’s fearfully hard to see properly. I only remember that I got off my donkey and went up closer, and when I was within a dozen yards of him — well, it sounds such rot, you know, but I swear the things suddenly rushed off and left him there alone. They went with a roaring noise like wind; shadowy but tremendously big, they were, and they vanished up against the fiery precipices as though they slipped bang into the stone itself. The only thing I can think of to describe ’em is — well, those sand-storms the Khamasin raises — the hot winds, you know.”
“They probably were sand,” his wife suggested, burning to tell another story of her own.
“Possibly, only there wasn’t a breath of wind, and it was hot as blazes — and — I had such extraordinary sensations — never felt anything like it before — wild and exhilarated — drunk, I tell you, drunk.”
“You saw them?” asked Henriot. “You made out their shape at all, or outline?”
“Sphinx,” he replied at once, “for all the world like sphinxes. You know the kind of face and head these limestone strata in the Desert take — great visages with square Egyptian head-dresses where the driven sand has eaten away the softer stuff beneath? You see it everywhere — enormous idols they seem, with faces and eyes and lips awfully like the sphinx — well, that’s the nearest I can get to it.” He puffed his pipe hard. But there was no sign of levity in him. He told the actual truth as far as in him lay, yet half ashamed of what he told. And a good deal he left out, too.
“She’s got a face of the same sort, that Statham horror,” his wife said with a shiver. “Reduce the size, and paint in awful black eyes, and you’ve got her exactly — a living idol.” And all three laughed, yet a laughter without merriment in it.
“And you spoke to the man?”
“I did,” the Englishman answered, “though I confess I’m a bit ashamed of the way I spoke. Fact is, I was excited, thunderingly excited, and felt a kind of anger. I wanted to kick the beggar for practising such bally rubbish, and in such a place too. Yet all the time — well, well, I believe it was sheer funk now,” he laughed; “for I felt uncommonly queer out there in the dusk, alone with — with that kind of business; and I
was angry with myself for feeling it. Anyhow, I went up — I’d lost my donkey boy as well, remember — and slated him like a dog. I can’t remember what I said exactly — only that he stood and stared at me in silence. That made it worse — seemed twice as real then. The beggar said no single word the whole time. He signed to me with one hand to clear out. And then, suddenly out of nothing — she — that woman — appeared and stood beside him. I never saw her come. She must have been behind some boulder or other, for she simply rose out of the ground. She stood there and stared at me too — bang in the face. She was turned towards the sunset — what was left of it in the west — and her black eyes shone like — ugh! I can’t describe it — it was shocking.”
“She spoke?”
“She said five words — and her voice — it’ll make you laugh — it was metallic like a gong: ‘You are in danger here.’ That’s all she said. I simply turned and cleared out as fast as ever I could. But I had to go on foot. My donkey had followed its boy long before. I tell you — smile as you may — my blood was all curdled for an hour afterwards.”
Then he explained that he felt some kind of explanation or apology was due, since the couple lodged in his own hotel, and how he approached the man in the smoking-room after dinner. A conversation resulted — the man was quite intelligent after all — of which only one sentence had remained in his mind.
Collected Works of Algernon Blackwood Page 444