‘God bless the whirlwind and the fire!’ he shouted, opening wide his arms.
But his voice was inaudible amid the uproar, and the forward movement of his body remained at first only in the brain. He turned to push the old man aside, even to strike him down if necessary. ‘Lukewarm yourself and a coward!’ rose in his throat, yet found no utterance, for in that moment a tall, slim figure, swift as a shadow, steady as a hawk, shot hard across the open space between the forest and the ridge. In the direction of the blazing platform it disappeared against a curtain of thick smoke, emerged for one second in a storm of light, then vanished finally behind a ruin of loose rocks. And Hendricks, his eyes wounded by heat and wind, his muscles paralysed, understood that the boy deliberately invited capture. The multitude that hid behind the smoke and fire, feeding the blazing heaps with eager hands, had become aware of him, and presently would appear to claim him. They would take him to themselves. Already answering flares ran east and west along the desolate ridge.
‘I’ll join you! I’m coming! Wait for me!’ he tried to cry. The uproar smothered it.
VIII
And this uproar, he now perceived, was composed entirely of wind and fire. Here, on the roof of the hills beneath a starry sky, these two great elements expressed their nature with unhampered freedom, for there was neither rain to modify the one, nor solid obstacle to check the other. Their voices merged in a single sound — the hollow boom of wind and the deep, resounding clap of flame. The splitting crackle of burning branches imitated the high, shrill whistle of the tearing gusts that, javelin-like, flew to and fro in darts of swifter sound. But one shout rose from the summit, no human cry distinguishable in it, nor amid the thousand lines of skeleton wood that pierced the golden background was any human outline visible. Fire and wind encouraged one another to madness, manifesting in prodigious splendour by themselves.
Then, suddenly, before a gigantic canter of the wind, the driving smoke rolled upwards like a curtain, and the flames, ceasing their wild flapping, soared steadily in gothic windows of living gold towards the stars. In towering rows between columns of black night they transformed the empty space between them into a colossal temple aisle. They tapered aloft symmetrically into vanishing crests. And Hendricks stood upright. Rising so that his shoulders topped the edge of the boulder, and utterly contemptuous of Leysin’s hand that sought with violence to drag him into shelter, he gazed as one who sees a vision. For at first he could only stand and stare, aware of sensation but not of thought. An enormous, overpowering conviction blew his whole being to white heat. Here was a supply of elemental power that human beings — empty, needy, starved, deficient human beings — could use. His love for the boy leaped headlong at the skirts of this terrific salvation. A majestic possibility stormed through him.
Yet it was no nightmare wonder that met his staring and half-shielded eyes, although some touch of awful dream seemed in it, set, moreover, to a scale that scantier minds might deem distortion. The heat from some thirty fires, placed at regular intervals, made midnight quiver with immense vibrations. Of varying, yet calculated size, these towering heaps emitted notes of measured and alternating depth, until the roar along the entire line produced a definite scale almost of melody, the near ones shrilly singing, those more distant booming with mountainous pedal notes. The consonance was monstrous, yet conformed to some magnificent diapason. This chord of fire-music paced the starlit sky, directed, but never overmastered, by the wind that measured it somehow into meaning. Repeated in quick succession, the notes now crashing in a mass, now singing alone in solitary beauty, the effect suggested an idea of ordered sequence, of gigantic rhythm. It seemed, indeed, as though some controlling agency, mastering excess, coerced both raging elements to express through this stupendous dance some definite idea. Here, as it were, was the alphabet of some natural, undifferentiated language, a language of sight and sound, predating speech, symbolical in the ultimate, deific sense. Some Lord of Fire and some Lord of Air were in command. Harnessed and regulated, these formless cohorts of energy that men call stupidly mere flame and wind, obeyed a higher power that had invoked them, yet a power that, by understanding their laws of being, held them most admirably in control.
This, at least, seems a hint of the explanation that flashed into Hendricks as he stared in amazed bewilderment from the shelter of the nearest boulder. He read a sentence in some natural, forgotten script. He watched a primitive ritual that once invoked the gods. He was aware of rhythm, and he was aware of system, though as yet he did not see the hand that wrote this marvellous sentence on the night. For still the human element remained invisible. He only realised — in dim, blundering fashion — that he witnessed a revelation of those two powers which, in large, lie at the foundations of the Universe, and, in little, are the basic essentials of human existence — the powers behind heat and air. Fragments of that talk with Leysin stammered back across his mind, like letters in some stupendous word he dared not reconstruct entire. He shuddered and grew wise. Realms of forgotten being opened their doors before his dazzled sight. Vision fluttered into far, piercing vistas of ancient wonder, haunting and half-remembered, then lost its way in blindness that was pain. For a moment, it seemed, he was aware of majestic Presences behind the turmoil, shadowy but mighty, charged with a vague potentiality as of immense algebraical formulae, symbolical and beyond full comprehension, yet willing and able to be used for practical results. He felt the elements as nerves of a living Universe.... Yet thinking was not really in him anywhere; feeling was all he knew. The world he moved in, as the script he read, belonged to conditions too utterly remote for reason to recover a single clue to their intelligible reconstruction. Glory, clean and strong as of primitive star-worship, passed between what he saw and all that he had ever known before. The curtain of conventional belief was rent in twain. The terrific thing was true....
For an unmeasured interval the tutor, oblivious of time and actual place, stood on the brink of this majestic pageant, staring with breathless awe, while the swaying of the entire scenery increased, like the sway of an ocean lifted to the sky by many winds. Then, suddenly, in one of those temporary lulls that passed between the beat of the great notes, his searching eyes discovered a new thing. The focus of his sight was altered, and he realised at last the source of the directing and the controlling power. Behind the fires and beyond the smoke he recognised the disc-like, shining ovals that upon this little earth stand in the image of the one, eternal Likeness. He saw the human faces, symbols of spiritual dominion over all lesser orders, each one possessed of belief, intelligence and will. Singly so feeble, together so invincible, this assemblage, unscorched by the fire and by the wind unmoved, seemed to him impressive beyond all possible words. And a further inkling of the truth flashed on him as he stared: that a group of humans, a crowd, combining upon a given object with concentrated purpose, possessed of that terrific power, certain faith, may know in themselves the energy to move great mountains, and therefore that lesser energy to guide the fluid forces of the elements. And a sense of cosmic exultation leaped into his being. For a moment he knew a touch of almost frenzy. Proud joy rose in him like a splendour of omnipotence. Humanity, it seemed to him, here came into a grand but long neglected corner of its kingdom as originally planned by Heaven. Into the hands of a weakling and deficient boy the guidance had been given.
Motionless beneath the stars, lit by the glare till they shone like idols of yellow stone, and magnified by the sheets of flying, intolerable light the wind chased to and fro, these rows of faces appeared at first as a single line of undifferentiated fire against the background of the night. The eyes were all cast down in prayer, each mind focused steadily upon one clear idea — the control and assimilation of two elemental powers. The crowd was one; feeling was one; desire, command and certain faith were one. The controlling power that resulted was irresistible.
Then came a remarkable, concerted movement. With one accord the eyes all opened, blazing with reflected fire. A h
undred human countenances rose in a single shining line. The men stood upright. Swarthy faces, tanned by sun and wind, heads uncovered, hair and beards tossing in the air, turned all one way. Mouths opened too. There came a roar that even the hurricane could not drown — a word of command, it seemed, that sprang into the pulses of the dancing elements and reduced their turmoil to a wave of steadier movement. And at the same moment a hundred bodies, naked above the waist, arms outstretched and hands with the palms held upwards, swayed forwards through the smoke and fire. They came towards the spot where, half concealed from view, the tutor crouched and watched.
And Hendricks, thinking himself discovered, first quailed, then rose to meet them. No power to resist was in him. It was, rather, willing response that he experienced. He stepped out from the shelter of the boulder and entered the brilliant glare. Hatless himself, shoulders squared, cloak, flying in the wind, he took three strides towards the advancing battalion — then, undecided, paused. For the line, he saw, disregarded him as though he were not there at all. It was not him the worshippers sought. The entire troop swept past to a point some fifty feet below where the end of the ridge broke out of the thinning trees. Beautiful as a curving wave of flame, the figures streamed across the narrow, open space with a drilled precision as of some battle line, and Hendricks, with a sense of wild, secret triumph, saw them pause at the brink of the platformed ridge, form up their serried ranks yet closer, then open two hundred arms to welcome some one whom the darkness should immediately deliver. Simultaneously, from the covering trees, the tall, slim shadow of Lord Ernie darted out into the light.
‘Magnificent!’ cried Hendricks, but his voice was smothered instantly in a mightier sound, and his movement forward seemed ineffective stumbling. The hundred voices thundered out a single note. Like a deer the boy leaped; like a tongue of flame he flew to join his own; and instantly was surrounded, borne shoulder-high upon those upturned palms, swept back in triumph towards the procession of enormous fires. Wrapped by smoke and sparks, lifted by wind, he became part of the monstrous rhythm that turned that mountain ridge alive. He stood upright upon the platform of interlacing arms; he swayed with their movements as a thing of wind and fire that flew. The shining faces vanished then, turned all towards the blazing piles so that the boy had the appearance of standing on a wall of living black. His outline was visible a moment against the sky, firelight between his wide-stretched legs, streaming from his hair and horizontal arms, issuing almost, as it seemed, from his very body. The next second he leaped to the ground, ran forward — appallingly close — between two heaped-up fires, flung both hands heavenwards, and — knelt.
And Hendricks, sympathetically following the boy’s performance as though his own mind and body took part in it, experienced then a singular result: it seemed the heart in him began to roar. This was no rustle of excited blood that the little cavern of his skull increased, but a deeper sound that proclaimed the kinship of his entire being with the ritual. His own nature had begun to answer. From that moment he perceived the spectacle, not with the senses of sight and hearing, separately, but with his entire body — synthetically. He became a part of this assembly that was itself one single instrument: a cosmic sounding-board for the rhythmical expression of impersonal Nature Powers. Leysin, he dimly realised, fixed in his churchy tenets, remained outside, apart, and compromising; Hendricks accepted and went with. All little customary feelings dipped utterly away, lost, false, denied, even as a unit in a crowd loses its normal characteristics in the greater mood that sways the whole. The fire no longer burned him, for he was the fire; nor did he stagger against the furious wind, because the wind was in his heart. He moved all over, alive in every point and corner. With his skin he breathed, his bones and tissue ran with glorious heat. He cried aloud. He praised. ‘I am the whirlwind and I am the fire! Fire that lights but does not burn, and wind that blows the heart to flame!’ His body sang it, or rather the elements sang it through his body; for the sound of his voice was not audible, and it was wind and fire that thundered forth his feeling in their crashing rhythm.
IX
And so it was that he no longer saw this thing pictorially, nor in the little detached reports the individual senses brought, but knew it in himself complete, as a man knows love and passion. Memory afterwards translated these vast central feelings into pictures, but the pictures touched reality without containing it. Like a vision it happened all at once, as a room or landscape happens, and what happens all at once, coming through a synthesis of the senses, is not properly describable later. To instantaneous knowledge mere sequence is a falsehood. The sequence first comes in with the telling afterwards. That kneeling form, he understood, was the empty vessel to which conventional life had hitherto denied the heat and air it craved. The breath of life now poured at full tide into it, the fire of deity lit its heart of touchwood, wind blew into desire; and later flame would burst forth in action, consuming opposition. He must let it fill to the brim. It was not salvation, but creation. Then thought went out, extinguished by a puff of something greater....
For beyond the smoke and sparks, beyond the space the men had occupied, a new and gentler movement, lyrical with bird-like beauty, ran suddenly along the ridge. What Hendricks had taken for branches heaped in rows for the burning, stirred marvellously throughout their whole collective mass, stirred sweetly, too, and with an exquisite loveliness. The entire line rose gracefully into the air with a whirr as of sweeping birds. There was a soft and undulating motion as though a draught of flowing wind turned faintly visible, yet with an increasing brilliance, like shining lilies of flame that now flocked forward in a troop, bending deliciously all one way. And in the same second these tall lilies of fire revealed themselves as figures, naked above the waist, hair streaming on the wind, eyes alight and bare arms waving. Above the men’s deep pedal bass their voices rose with clear, shrill sweetness on the storm. The band swept forwards swift as wind towards the kneeling boy. The long line curved about him foldingly. The women took him as the south wind takes a bird.
There may have been — indeed, there was — an interval, for Hendricks caught, again and again repeated, the boy’s great cry of passionate delight above the tumult. Ringing and virile it rose to heaven, clear as a fine-wrought bell. And instantaneously the knitted figures of flame disentangled themselves again, the mass unfolded like an opening flower, and, as by a military word of command, dissolved itself once more into a long thin line of running fire. The women advanced, and the waiting men flowed forward in a stream to meet them. This interweaving of the figures was as easily accomplished as the mingling of light and heavy threads upon some living loom. Hands joining hands, all singing, these naked worshippers of fire and wind passed in and out among the blazing piles with a headlong precision that was torrential and yet orderly. The speed increased; the faces flashed and vanished, then flashed and passed again; each woman between two men, each man between two women, and Lord Ernie, radiantly alive, between two girls of rich, o’erflowing beauty. Their movements were undulating, like the undulations of fire, yet with sudden, unexpected upward leaps as when fire is partnered abruptly by a cantering wind. For the women were fire, and the men were wind. The imitative dance was in full swing. The marvellous wind and fire ritual unrolled its old-world magic.
It was awe-inspiring certainly, but for Hendricks, as he watched, the terror of big conflagrations was wholly absent: rather, he felt the sense of deep security that rhythmic movement causes. Bathed in a sea of elemental power, he burned to share the pagan splendour and the rush of primitive delight. It seemed he had a cosmic body in which new centres stirred to life, linking him on to this source of natural forces. Through these centres he drew the chaotic energy into nerves and blood and muscle, into the very substance of his thought, indeed, transmuting them into the magic of the will. Abundant and inexhaustible vigour filled the air, pouring freely into whatever empty receptacle lay at hand. Sheets of flame, whole separate fragments of it, torn at the edges, raced, lo
udly, hungrily flapping on vehement gusts of wind; curved as they flew; leaped, twisted, flashed and vanished. And the figures closely copied them. The women tossed their bodies aloft, then dipped suddenly to the earth, invisible, till the rushing men urged them into view again with wild impetuous swing, so that the entire line stretched and contracted like an immense elastic band of life, now knotted, now dissolved.
Yet, while of raging and terrific beauty, there was never that mad abandon which is disorder; but rather a kind of sacred natural revel that prohibited mere licence. There was even a singular austerity in it that betrayed a definite ritual and not mere reckless pageantry. No walls could possibly have contained it. In cathedral, temple, or measured space, however grand, it could only have seemed exaggerated and apostate; here, beneath the open sky, it was beautiful and true. For overhead the stars burned clear and steady, the constellations watching it from their immovable towers — a representation of their own leisured and hierarchic dance in swifter miniature. And indeed this relationship it bore to a universal rhythm was the key, it seemed, to its deep significance; for the close imitation of natural movements seduced the colossal powers of fire and wind to swell human emotions till they became mould and vessel for this elemental manifestation in men and women. Golden yellow in the blaze, the limbs of the women flashed and passed; their hair flew dark a moment across gleaming breasts; and their waving arms tossed in ever-shifting patterns through the driving smoke. The fires boiled and roared, scattering torrents of showering sparks like stars; and amid it all the slim, white shoulders of the boy, his clothes torn from him, his eyes ablaze, and his lips opened to the singing as though he had known it always, drove to and fro on the crest of the ritual like some flying figure of wind and fire incarnate.
All of which, instantaneously yet in sequence, Hendricks witnessed, painted upon the wild night sky. A volcanic energy poured through him too. He knew a golden enthusiasm of immeasurable strength, of unconquerable hope, of irresistible delight. Wind set his feet to dancing, and fire swept across his face without a trace of burning.
Collected Works of Algernon Blackwood Page 486