XXXVI.
XXXVII.
XXXVIII.
XXXIX.
XL.
XLI.
XLII.
XLIII.
XLIV.
XLV.
XLVI.
XLVII.
XLVIII.
XLIX.
L.
LI.
LII.
LIII.
LIV.
LV.
LVI.
LVII.
LVIII.
LIX.
LX.
LXI.
LXII.
LXIII.
LXIV.
LXV.
LXVI.
LXVII.
LXVIII.
LXIX.
LXX.
LXXI.
LXXII.
LXXIII.
LXXIV.
LXXV.
LXXVI.
LXXVII.
LXXVIII.
LXXIX.
Canto quindicesimo
ARGOMENTO.
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
XV.
XVI.
XVII.
XVIII.
XIX.
XX.
XXI.
XXII.
XXIII.
XXIV.
XXV.
XXVI.
XXVII.
XXVIII.
XXIX.
XXX.
XXXI.
XXXII.
XXXIII.
XXXIV.
XXXV.
XXXVI.
XXXVII.
XXXVIII.
XXXIX.
XL.
XLI.
XLII.
XLIII.
XLIV.
XLV.
XLVI.
XLVII.
XLVIII.
XLIX.
L.
LI.
LII.
LIII.
LIV.
LV.
LVI.
LVII.
LVIII.
LIX.
LX.
LXI.
LXII.
LXIII.
LXIV.
LXV.
LXVI.
Canto sedicesimo
ARGOMENTO.
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
XV.
XVI.
XVII.
XVIII.
XIX.
XX.
XXI.
XXII.
XXIII.
XXIV.
XXV.
XXVI.
XXVII.
XXVIII.
XXIX.
XXX.
XXXI.
XXXII.
XXXIII.
XXXIV.
XXXV.
XXXVI.
XXXVII.
XXXVIII.
XXXIX.
XL.
XLI.
XLII.
XLIII.
XLIV.
XLV.
XLVI.
XLVII.
XLVIII.
XLIX.
L.
LI.
LII.
LIII.
LIV.
LV.
LVI.
LVII.
LVIII.
LIX.
LX.
LXI.
LXII.
LXIII.
LXIV.
LXV.
LXVI.
LXVII.
LXVIII.
LXIX.
LXX.
LXXI.
LXXII.
LXXIII.
LXXIV.
LXXV.
Canto diciasettesimo
ARGOMENTO.
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
XV.
XVI.
XVII.
XVIII.
XIX.
XX.
XXI.
XXII.
XXIII.
XXIV.
XXV.
XXVI.
XXVII.
XXVIII.
XXIX.
XXX.
XXXI.
XXXII.
XXXIII.
XXXIV.
XXXV.
XXXVI.
XXXVII.
XXXVIII.
XXXIX.
XL.
XLI.
XLII.
XLIII.
XLIV.
XLV.
XLVI.
XLVII.
XLVIII.
XLIX.
L.
LI.
LII.
LIII.
LIV.
LV.
LVI.
LVII.
LVIII.
LIX.
LX.
LXI.
LXII.
LXIII.
LXIV.
LXV.
LXVI.
LXVII.
LXVIII.
LXIX.
LXX.
LXXI.
LXXII.
LXXIII.
LXXIV.
LXXV.
LXXVI.
LXXVII.
LXXVIII.
LXXIX.
LXXX.
LXXXI.
LXXXII.
LXXXIII.
LXXXIV.
LXXXV.
LXXXVI.
LXXXVII.
LXXXVIII.
LXXXIX.
XC.
XCI.
XCII.
XCIII.
XCIV.
XCV.
XCVI.
XCVII.
Canto diciottesimo
ARGOMENTO.
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
XV.
XVI.
XVII.
XVIII.
XIX.
XX.
XXI.
XXII.
XXIII.
XXIV.
XXV.
XXVI.
XXVII.
XXVIII.
XXIX.
XXX.
XXXI.
XXXII.
XXXIII.
XXXIV.
XXXV.
XXXVI.
XXXVII.
XXXVIII.
XXXIX.
XL.
XLI.
XLII.
XLIII.
XLIV.
XLV.
XLVI.
XLVII.
XLVIII.
XLIX.
L.
LI.
LII.
LIII.
LIV.
LV.
LVI.
LVII.
LVIII.
LIX.
LX.
LXI.
LXII.
LXIII.
LXIV.
LXV.
LXVI.
LXVII.
LXVIII.
LXIX.
LX
X.
LXXI.
LXXII.
LXXIII.
LXXIV.
LXXV.
LXXVI.
LXXVII.
LXXVIII.
LXXIX.
LXXX.
LXXXI.
LXXXII.
LXXXIII.
LXXXIV.
LXXXV.
LXXXVI.
LXXXVII.
LXXXVIII.
LXXXIX.
XC.
XCI.
XCII.
XCIII.
XCIV.
XCV.
XCVI.
XCVII.
XCVIII.
XCIX.
C.
CI.
CII.
CIII.
CIV.
CV.
Canto diciannovesimo
ARGOMENTO.
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
XV.
XVI.
XVII.
XVIII.
XIX.
XX.
XXI.
XXII.
XXIII.
XXIV.
XXV.
XXVI.
XXVII.
XXVIII.
XXIX.
XXX.
XXXI.
XXXII.
XXXIII.
XXXIV.
XXXV.
XXXVI.
XXXVII.
XXXVIII.
XXXIX.
XL.
XLI.
XLII.
XLIII.
XLIV.
XLV.
XLVI.
XLVII.
XLVIII.
XLIX.
L.
LI.
LII.
LIII.
LIV.
LV.
LVI.
LVII.
LVIII.
LIX.
LX.
LXI.
LXII.
LXIII.
LXIV.
LXV.
LXVI.
LXVII.
LXVIII.
LXIX.
LXX.
LXXI.
LXXII.
LXXIII.
LXXIV.
LXXV.
LXXVI.
LXXVII.
LXXVIII.
LXXIX.
LXXX.
LXXXI.
LXXXII.
LXXXIII.
LXXXIV.
LXXXV.
LXXXVI.
LXXXVII.
LXXXVIII.
LXXXIX.
XC.
XCI.
XCII.
XCIII.
XCIV.
XCV.
XCVI.
XCVII.
XCVIII.
XCIX.
C.
CI.
CII.
CIII.
CIV.
CV.
CVI.
CVII.
CVIII.
CIX.
CX.
CXI.
CXII.
CXIII.
CXIV.
CXV.
CXVI.
CXVII.
CXVIII.
CXIX.
CXX.
CXXI.
CXXII.
CXXIII.
CXXIV.
CXXV.
CXXVI.
CXXVII.
CXXVIII.
CXXIX.
CXXX.
CXXXI.
Canto ventesimo
ARGOMENTO.
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
XV.
XVI.
XVII.
XVIII.
XIX.
XX.
XXI.
XXII.
XXIII.
XXIV.
XXV.
XXVI.
XXVII.
XXVIII.
XXIX.
XXX.
XXXI.
XXXII.
XXXIII.
XXXIV.
XXXV.
XXXVI.
XXXVII.
XXXVIII.
XXXIX.
XL.
XLI.
XLII.
XLIII.
XLIV.
XLV.
XLVI.
XLVII.
XLVIII.
XLIX.
L.
LI.
LII.
LIII.
LIV.
LV.
LVI.
LVII.
LVIII.
LIX.
LX.
LXI.
LXII.
LXIII.
LXIV.
LXV.
LXVI.
LXVII.
LXVIII.
LXIX.
LXX.
LXXI.
LXXII.
LXXIII.
LXXIV.
LXXV.
LXXVI.
LXXVII.
LXXVIII.
LXXIX.
LXXX.
LXXXI.
LXXXII.
LXXXIII.
LXXXIV.
LXXXV.
LXXXVI.
LXXXVII.
LXXXVIII.
LXXXIX.
XC.
XCI.
XCII.
XCIII.
XCIV.
XCV.
XCVI.
XCVII.
XCVIII.
XCIX.
C.
CI.
CII.
CIII.
CIV.
CV.
CVI.
CVII.
CVIII.
CIX.
CX.
CXI.
CXII.
CXIII.
CXIV.
CXV.
CXVI.
CXVII.
CXVIII.
CXIX.
CXX.
CXXI.
CXXII.
CXXIII.
CXXIV.
CXXV.
CXXVI.
CXXVII.
CXXVIII.
CXXIX.
CXXX.
CXXXI.
CXXXII.
CXXXIII.
CXXXIV.
CXXXV.
CXXXVI.
CXXXVII.
CXXXVIII.
CXXXIX.
CXL.
CXLI.
CXLII.
CXLIII.
CXLIV.
The Biography
The old Hospital of Saint Anna, Ferrara — Tasso spent the years 1579 to 1586 in the ‘madhouse’ of St Anna.
‘Tasso in the Hospital of St Anna at Ferrara’ by Eugène Delacroix.
TASSO’S LIFE AND GENIUS by Leigh Hunt
The romantic poetry of Italy having risen to its highest and apparently its most lawless pitch in the Orlando Furioso, a reaction took place in the next age in the Jerusalem Delivered.It did not hurt, however, the popularity of Ariosto. It only increased the number of poetic readers; and under the auspices, or rather the control, of a Luther-fearing Church, produced, if not as classical a work as it claimed to be, or one, in the true sense of the word, as catholic as its predecessor, yet certainly a far more Roman Catholic, and at the same time very delightful fiction. The circle of fabulous narrative was thus completed, and a link formed, though in a very gentle and qualified manner, both with Dante’s theocracy
and the obvious regularity of the Aeneid, the oldest romance of Italy.
The author of this epic of the Crusades was of a family so noble and so widely diffused, that, under the patronage of the emperors and the Italian princes, it flourished in a very remarkable manner, not only in its own country, but in Flanders, Germany, and Spain. There was a Tasso once in England, ambassador of Philip the Second; another, like Cervantes, distinguished himself at the battle of Lepanto; and a third gave rise to the sovereign German house of Tour and Taxis. Taxus is the Latin of Tasso. The Latin word, like the Italian, means both a badger and a yew-tree; and the family in general appear to have taken it in the former sense. The animal is in their coat of arms. But the poet, or his immediate relatives, preferred being more romantically shadowed forth by the yew-tree. The parent stock of the race was at Bergamo in Lombardy; and here was born the father of Tasso, himself a poet of celebrity, though his fame has been eclipsed by that of his son.
Bernardo Tasso, author of many elegant lyrics, of some volumes of letters, not uninteresting but too florid, and of the Amadigi, an epic romance now little read, was a man of small property, very honest and good-hearted, but restless, ambitious, and with a turn for expense beyond his means. He attached himself to various princes, with little ultimate advantage, particularly to the unfortunate Sanseverino, Prince of Salerno, whom he faithfully served for many years. The prince had a high sense of his worth, and would probably have settled him in the wealth and honours he was qualified to adorn, but for those Spanish oppressions in the history of Naples which ended in the ruin of both master and servant. Bernardo, however, had one happy interval of prosperity; and during this, at the age of forty-six, he married Porzia di Rossi, a young lady of a rich and noble family, with a claim to a handsome dowry. He spent some delightful years with her at Sorrento, a spot so charming as to have been considered the habitation of the Sirens; and here, in the midst of his orange-trees, his verses, and the breezes of an aromatic coast, he had three children, the eldest of whom was a daughter named Cornelia, and the youngest the author of the Jerusalem Delivered. the other child died young. The house distinguished by the poet’s birth was restored from a dilapidated condition by order of Joseph Bonaparte when King of Naples, and is now an hotel.
Torquato Tasso was born March the 11th, 1544, nine years after the death of Ariosto, who was intimate with his father. He was very devoutly brought up; and grew so tall, and became so premature a scholar, that at nine, he tells us, he might have been taken for a boy of twelve. At eleven, in consequence of the misfortunes of his father, who had been exiled with the Prince of Salerno, he was forced to part from his mother, who remained at home to look after a dowry which she never received. Her brothers deprived her of it; and in two years’ time she died, Bernardo thought by poison. Twenty-four years afterwards her illustrious son, in the midst of his own misfortunes, remembered with sighs the tears with which the kisses of his poor mother were bathed when she was forced to let him go.
The little Torquato following, as he says, like another Ascanius, the footsteps of his wandering father, joined Bernardo in Rome. After two years’ study in that city, partly under an old priest who lived with them, the vicissitudes of the father’s lot took away the son first to Bergamo, among his relations, and then to Pesaro, in the duchy of Urbino, where his education was associated for nearly two years with that of the young prince, afterwards Duke Francesco Maria the Second (della Rovere), who retained a regard for him through life. In 1559 the boy joined his father in Venice, where the latter had been appointed secretary to the Academy; but next year he was withdrawn from these pleasing varieties of scene by the parental delusion so common in the history of men of letters — the study of the law; which Bernardo intended him to pursue henceforth in the city of Padua. He accordingly arrived in Padua at the age of sixteen and a half, and fulfilled his legal destiny by writing the poem of Rinaldo, which was published in the course of less than two years at Venice. The goodnatured and poetic father, convinced by this specimen of jurisprudence how useless it was to thwart the hereditary passion, permitted him to devote himself wholly to literature, which he therefore went to study in the university of Bologna; and there, at the early age of nineteen, he began his Jerusalem Delivered; that is to say, he planned it, and wrote three cantos, several of the stanzas of which he retained when the poem was matured. He quitted Bologna, however, in a fit of indignation at being accused of the authorship of a satire; and after visiting some friends at Castelvetro and Correggio, returned to Padua on the invitation of his friend Scipio Gonzaga, afterwards cardinal, who wished him to become a member of an academy he had instituted, called the Eterei(Ethereals). Here he studied his favourite philosopher, Plato, and composed three Discourses on Heroic Poetry, dedicated to his friend. He now paid a visit to his father in Mantua, where the unsettled man had become secretary to the duke; and here, it is said, he fell in love with a young lady of a distinguished family, whose name was Laura Peperara; but this did not hinder him from returning to his Paduan studies, in which he spent nearly the whole of the following year. He was then informed that the Cardinal of Este, to whom he had dedicated his Rinaldo, and with whom interest had been made for the purpose, had appointed him one of his attendants, and that he was expected at Ferrara by the 1st of December. Returning to Mantua, in order to prepare for this appointment with his father, he was seized with a dangerous illness, which detained him there nearly a twelvemonth longer. On his recovery he hastened to Ferrara, and arrived in that city on the last day of October, 1565, the first of many years of glory and misery.
Jerusalem Delivered Page 301