Petis de la Croix, a well-known Orientalist and traveller of the time, published in the course of the same year (1710) the first volume of a collection of Oriental stories, similar in form and character to the 1001 Nights, but divided into “Days” instead of “Nights” and called “The Thousand and One Days, Persian Tales,” the preface to which (ascribed to Cazotte) alleges him to have translated the tales from a Persian work called Hezar [o] Yek Roz, i.e. “The Thousand and One Days,” the MS. of which had in 1675 been communicated to the translator by a friend of his, by name Mukhlis, (Cazotte styles him “the celebrated Dervish Mocles, chief of the Soufis of Ispahan”) during his sojourn in the Persian capital. The preface goes on to state that Mukhlis had, in his youth, translated into Persian certain Indian plays, which had been translated into all the Oriental languages and of which a Turkish version existed in the Bibliotheque Royale, under the title of Alfaraga Badal-Schidda (i.e. El Ferej bad esh Shiddeh), which signified “Joy after Affliction”; but that, wishing to give his work an original air, he converted the aforesaid plays into tales. Cazotte’s story of the Indian plays savours somewhat of the cock and the bull and it is probable that the Hezar o Yek Roz (which is not, to my knowledge, extant) was not derived from so recondite a source, but was itself either the original of the well-known Turkish collection or (perhaps) a translation of the latter. At all events, Zeyn Alasnam, Codadad and the Princess of Deryabar occur in a copy (cited by M. Zotenberg), belonging to the Bibliotheque Nationale, of El Ferej bad esh Shidded (of which they form the eighth, ninth and sixth stories respectively) and in a practically identical form, except that in Galland’s vol. viii. the two latter stories are fused into one. Sir William Ouseley is said to have brought from Persia a MS. copy of a portion of the Hezar o Yek Roz which he describes as agreeing with the French version, but, in the absence of documentary proof and in view of the fact that, notwithstanding the unauthorized incorporation of three of the tales of his original with Galland’s Vol. viii, the published version of the Thousand and One Days is apparently complete and shows no trace of the omission, I am inclined to suspect Petis de la Croix of having invented the division into Days, in order to imitate (and profit by the popularity of) his fellow savant’s version of the Thousand and One Nights. Galland’s publisher was doubtless also that of Petis de la Croix and in the latter capacity had in hand a portion of the MS. of the 1001 Days, from which, no doubt weary of waiting till Galland (who was now come to the end of his genuine Arabic MS. of the 1001 Nights and was accordingly at a standstill, till he met with Hanna,) should have procured fresh material to complete the copy for his eighth volume, of which Ganem only was then ready for publication, he seems to have selected (apparently on his own responsibility, but, it must be admitted, with considerable taste and judgment,) the three tales in question from the MS. of the 1001 Days, to fill up the lacune. It does not appear whether he found Codadad and the Princess of Deryabar arranged as one story ready to his hand or himself performed (or procured to be performed) the process of fusion, which, in any case, was executed by no unskilful hand. Be this as it may, Galland was naturally excessively annoyed at the publisher’s unceremonious proceeding, so much so indeed as for a time to contemplate renouncing the publication of the rest of the work, to spare himself (as he says in his Diary, under date of Dec. 12, 1709) similar annoyances (mortifications) to that which the printing of the eighth volume had caused him. Indeed, the effect of this incident was to induce him, not only to change his publisher, but to delay the publication of the next volume (which, as we learn from the Diary, was ready for the press at the end of November or the beginning of December, 1709) for a whole year, at the end of which time (Diary, November 21, 1710) he made arrangements with a new (and presumably more trustworthy) publisher, M. Florentin de Laune, for the printing of Vol. ix.
IV.
Notwithstanding the discovery, as above set out, of three of the doubtful tales, Zeyn Alasnam, Aladdin and The Sleeper Awakened, in two MSS. (one at least undoubtedly authentic) of the Thousand Nights and One Night, I am more than ever of opinion that none of the eleven “interpolated” stories properly belongs to the original work, that is to say, to the collection as first put into definite form somewhere about the fourteenth century. “The Sleeper Awakened” was identified by the late Mr. Lane as a historical anecdote given by the historian El Ishaki, who wrote in the first quarter of the seventeenth century, and the frequent mention of coffee in both MSS. of Aladdin justifies us in attributing the composition of the story to (at earliest) the sixteenth century, whilst the modern vulgarisms in which they abound point to a still later date. Zeyn Alasnam (in the Sebbagh MS. at least) is written in a much purer and more scholarly style than Aladdin, but its pre-existence in El Ferej bad esh Shiddeh (even if we treat as apocryphal Petis de la Croix’s account of the Hezar o Yek Roz) is sufficient, in the absence of contrary evidence, to justify us in refusing to consider it as belonging to the Thousand Nights and One Night proper. As shown by Galland’s own experience, complete copies of the genuine work were rarely to be met with, collections of “silly stories” (as the Oriental savant, who inclines to regard nothing in the way of literature save theology, grammar and poetry, would style them), being generally considered by the Arab bibliographer undeserving of record or preservation, and the fragmentary copies which existed were mostly in the hands of professional story-tellers, who were extremely unwilling to part with them, looking upon them as their stock in trade, and were in the habit of incorporating with the genuine text all kinds of stories and anecdotes from other sources, to fill the place of the missing portions of the original work. This process of addition and incorporation, which has been in progress ever since the first collection of the Nights into one distinct work and is doubtless still going on in Oriental countries, (especially such as are least in contact with European influence,) may account for the heterogeneous character of the various modern MSS. of the Nights and for the immense difference which exists between the several texts, as well in actual contents as in the details and diction of such stories as are common to all. The Tunis MS. of the 1001 Nights (which is preserved in the Breslau University Library and which formed the principal foundation of Habicht’s Edition of the Arabic text) affords a striking example of this process, which we are here enabled to see in mid-operation, the greater part of the tales of which it consists having not yet been adapted to the framework of the Nights. It is dated A.H. 1144 (A.D. 1732) and of the ten volumes of which it consists, i, ii (Nights I — CCL) and x (Nights DCCCLXXXV-MI) are alone divided into Nights, the division of the remaining seven volumes (i.e. iii — ix, containing, inter alia, the Story of the Sleeper Awakened) being the work of the German editor. It is my belief, therefore, that the three “interpolated” tales identified as forming part of the Baghdad MS. of 1703 are comparatively modern stories added to the genuine text by Rawis (story-tellers) or professional writers employed by them, and I see no reason to doubt that we shall yet discover the Arabic text of the remaining eight, either in Hanna’s version (as written down for Galland) or in some as yet unexamined MS. of the Nights or other work of like character.
V.
M. Zotenberg has, with great judgment, taken as his standard for publication the text of Aladdin given by the Sebbagh MS., inasmuch as the Shawish MS. (besides being, as appears from the extracts given. far inferior both in style and general correctness,) is shown by the editor to be full of modern European phrases and turns of speech and to present so many suspicious peculiarities that it would be difficult, having regard, moreover, to the doubtful character and reputation of the Syrian monkish adventurer who styled himself Dom Denis Chavis, to resist the conviction that his MS. was a forgery, i.e. professedly a copy of a genuine Arabic text, but in reality only a translation or paraphrase in that language of Galland’s version, — were it not that the Baghdad MS. (dated before the commencement, in 1704, of Galland’s publication and transcribed by a man — Mikhail Sebbagh — whose reputation, as a collaborator of Sil
vestre de Sacy and other distinguished Orientalists, is a sufficient voucher for the authenticity of the copy in the Bibliotheque Nationale,) contains a text essentially identical with that of Shawish. Moreover, it is evident, from a comparison with Galland’s rendering and making allowance for the latter’s system of translation, that the Arabic version of Aladdin given him by Hanna must either have been derived from the Baghdad text or from some other practically identical source, and it is therefore probable that Shawish, having apparently been employed to make up the missing portion of Galland’s Arabic text and not having the Hanna MS. at his command, had (with the execrable taste and want of literary morality which distinguished Cazotte’s monkish coadjutor) endeavoured to bring his available text up to what he considered the requisite standard by modernizing and Gallicizing its wording and (in particular) introducing numerous European phrases and turns of speech in imitation of the French translator. The whole question is, of course, as yet a matter of more or less probable hypothesis, and so it must remain until further discoveries and especially until the reappearance of Galland’s missing text, which I am convinced must exist in some shape or other and cannot much longer, in the face of the revived interest awakened in the matter and the systematic process of investigation now likely to be employed, elude research.
M. Zotenberg’s publication having been confined to the text of Aladdin, I have to thank my friend Sir R. F. Burton for the loan of his MS. copy of Zeyn Alasnam, (the Arabic text of which still remains unpublished) as transcribed by M. Houdas from the Sebbagh MS.
John Payne’s translation: detailed table of contents
ZEIN UL ASNAM AND THE KING OF THE JINN.
There was [once] in the city of Bassora a mighty Sultan and he was exceeding rich, but he had no child who should be his successor after him. For this he grieved sore and fell to bestowing alms galore upon the poor and the needy and upon the friends of God and the devout, seeking their intercession with God the Most High, so He to whom belong might and majesty should of His favour vouchsafe him a son. And God accepted his prayer, for his fostering of the poor, and answered his petition; so that one night of the nights he lay with the queen and she went from him with child. When the Sultan knew this, he rejoiced with an exceeding joy, and as the time of her child-bearing drew nigh, he assembled all the astrologers and those who smote the sand and said to them, “It is my will that ye enquire concerning the child that shall be born to me this month, whether it will be male or female, and tell me what will betide it of chances and what will proceed from it.” So the geomancers smote their [tables of] sand and the astrologers took their altitudes and observed the star of the babe [un]born and said to the Sultan, “O King of the age and lord of the time and the tide, the child that shall be born to thee of the queen is a male and it beseemeth that thou name him Zein ul Asnam.” And as for those who smote upon the sand, they said to him, “Know, O King, that this babe will become a renowned brave, but he shall happen in his time upon certain travail and tribulation; yet, an he endure with fortitude against that which shall befall him, he shall become the richest of the kings of the world.” And the King said to them, “Since the babe shall become valiant as ye avouch, the toil and travail which will befall him are nought, for that tribulations teach the sons of kings.”
Accordingly, after a few days, the queen gave birth to a male child,
extolled be the perfection of Him who created him surpassing in grace
and goodliness! His father named him Zein ul Asnam, and he was as say of
him certain of his praisers in verse:
He shows and “Now Allah be blessed!” men say: “Extol we his Maker
and Fashioner aye!
The king of the fair this is, sure, one and all; Ay, his thralls,
every one, and his liegemen are they.”
The boy grew and flourished till he came to the age of five years, when his father the Sultan assigned him a governor skilled and versed in all sciences and philosophies, and he proceeded to teach him till he excelled in all manner of knowledge and became a young man. Then the Sultan bade bring him before himself, and assembling all the grandees of his realm and the chiefs of his subjects, proceeded to admonish him before them, saying to him, “O my son Zein ul Asnam, behold, I am grown stricken in years and am presently sick; and belike this sickness will be the last of my life in this world and thou shalt sit in my stead; [wherefore I desire to admonish thee]. Beware, O my son, lest thou oppress any or turn a deaf ear to the complaining of the poor; but do thou justify the oppressed after the measure of thy might. And look thou believe not all that shall be said to thee by the great ones of the people, but trust thou still for the most part to the voice of the common folk; for the great will deceive thee, seeing they seek that which befitteth themselves, not that which befitteth the subject.” Then, after a few days, the Sultan’s sickness redoubled on him and he accomplished his term and died; and as for his son Zein ul Asnam, he arose and donning the raiment of woe, [mourned] for his father the space of six days. On the seventh day he arose and going forth to the Divan, sat down on the throne of the sultanate and held a court, wherein was a great assemblage of the folk, and the viziers came forward and the grandees of the realm and condoled with him for his father and called down blessings upon him and gave him joy of the kingship and the sultanate, beseeching God to grant him continuance of glory and prosperity without end.
When Zein ul Asnam saw himself in this great might and wealth, and he young in years, he inclined unto prodigality and to the converse of springalds like himself and fell to squandering vast sums upon his pleasures and left governance and concern for his subjects. The queen his mother proceeded to admonish him and to forbid him from his ill fashions, bidding him leave that manner of life and apply himself governance and administration and the ordinance of the realm, lest the folk reject him and rise up against him and expel hira; but he would hear not a word from her and abode in his ignorance and folly. At this the people murmured, for that the grandees of the realm put out their hands unto oppression, whenas they saw the king’s lack of concern for his subjects; so they rose up in rebellion against Zein ul Asnam and would have laid violent hands upon him, had not the queen his mother been a woman of wit and judgment and address, and the people loved her; so she appeased the folk and promised them good. Then she called her son Zein ul Asnam to her and said to him, “See, O my son; said I not to thee that thou wouldest lose thy kingship and eke thy life, an thou persistedst in this thine ignorance and folly, in that thou givest the ordinance of the sultanate into the hands of raw youths and eschewest the old and wastest thy substance and that of the realm, squandering it all upon lewdness and the lust of thy soul?”
Zein ul Asnam hearkened to his mother’s rede and going out forthright to the Divan, committed the manage of the realm into the hands of certain old men of understanding and experience; save that he did this only after Bassora had been ruined, inasmuch as he turned not from his folly till he had spent and squandered all the treasures of the sultanate and was become exceeding poor. Then he betook himself to repentance and to sorrowing over that which he had done, so that he lost the solace of sleep and eschewed meat and drink, till one night of the nights, — and indeed he had spent it in mourning and lamentation and melancholy thought until the last of the night, — his eyes closed for a little and there appeared to him in his sleep a venerable old man, who said to him, “O Zein ul Asnam, grieve not, for that nought followeth after grief save relief from stress, and an thou desire to be delivered from this thine affliction, arise and betake thee to Cairo, where thou wilt find treasuries of wealth which shall stand thee in stead of that thou hast squandered, ay, and twofold the sum thereof.” When he awoke from his sleep, he acquainted his mother with all that he had seen in his dream, and she fell to laughing at him; but he said to her, “Laugh not, for needs must I journey to Cairo.” “O my son,” answered she, “put not thy trust in dreams, for that they are all vain fancies and lying imaginations.” And he
said to her, “Nay, my dream was a true one and the man whom I saw is of the Friends of God and his speech is very sooth.”
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