O. Henry

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O. Henry Page 68

by O. Henry


  “Carry on yez mashin’ tricks right before me eyes, will yez?” shouted the cop. “I’ll teach yez to speak to ladies on me beat that ye’re not acquainted with. Come along.”

  Elsie turned away with a sigh as the ranchman was dragged away. She had liked the effect of his light blue eyes against his tanned complexion. She walked southward, thinking herself already in the district where her father used to work, and hoping to find some one who could direct her to the firm of Fox & Otter.

  But did she want to find Mr. Otter? She had inherited much of the old cutter’s independence. How much better it would be if she could find work and support herself without calling on him for aid!

  Elsie saw a sign “Employment Agency” and went in. Many girls were sitting against the wall in chairs. Several well-­dressed ladies were looking them over. One white-­haired, kind-­faced old lady in rustling black silk hurried up to Elsie.

  “My dear,” she said in a sweet, gentle voice, “are you looking for a position? I like your face and appearance so much. I want a young woman who will be half maid and half companion to me. You will have a good home and I will pay you $30 a month.”

  Before Elsie could stammer forth her gratified acceptance, a young woman with gold glasses on her bony nose and her hands in her jacket pockets seized her arm and drew her aside.

  “I am Miss Ticklebaum,” said she, “of the Association for the Prevention of Jobs Being Put Up on Working Girls Looking for Jobs. We prevented forty-­seven girls from securing positions last week. I am here to protect you. Beware of any one who offers you a job. How do you know that this woman does not want to make you work as a breaker-­boy in a coal mine or murder you to get your teeth? If you accept work of any kind without permission of our association you will be arrested by one of our agents.”

  “But what am I to do?” asked Elsie. “I have no home or money. I must do something. Why am I not allowed to accept this kind lady’s offer?”

  “I do not know,” said Miss Ticklebaum. “That is the affair of our Committee on the Abolishment of Employers. It is my duty simply to see that you do not get work. You will give me your name and address and report to our secretary every Thursday. We have 600 girls on the waiting list who will in time be allowed to accept positions as vacancies occur on our roll of Qualified Employers, which now comprises twenty-­seven names. There is prayer, music and lemonade in our chapel the third Sunday of every month.”

  Elsie hurried away after thanking Miss Ticklebaum for her timely warning and advice. After all, it seemed that she must try to find Mr. Otter.

  But after walking a few blocks she saw a sign, “Cashier wanted,” in the window of a confectionery store. In she went and applied for the place, after casting a quick glance over her shoulder to assure herself that the job-­preventer was not on her trail.

  The proprietor of the confectionery was a benevolent old man with a peppermint flavor, who decided, after questioning Elsie pretty closely, that she was the very girl he wanted. Her services were needed at once, so Elsie, with a thankful heart, drew off her tan coat and prepared to mount the cashier’s stool.

  But before she could do so a gaunt lady wearing steel spectacles and black mittens stood before her, with a long finger pointing, and exclaimed: “Young woman, hesitate!”

  Elsie hesitated.

  “Do you know,” said the black-­and-­steel lady, “that in accepting this position you may this day cause the loss of a hundred lives in agonizing physical torture and the sending as many souls to perdition?”

  “Why, no,” said Elsie, in frightened tones. “How could I do that?”

  “Rum,” said the lady—“the demon rum. Do you know why so many lives are lost when a theatre catches fire? Brandy balls. The demon rum lurking in brandy balls. Our society women while in theatres sit grossly intoxicated from eating these candies filled with brandy. When the fire fiend sweeps down upon them they are unable to escape. The candy stores are the devil’s distilleries. If you assist in the distribution of these insidious confections you assist in the destruction of the bodies and souls of your fellow-­beings, and in the filling of our jails, asylums and almshouses. Think, girl, ere you touch the money for which brandy balls are sold.

  “Dear me,” said Elsie, bewildered. “I didn’t know there was rum in brandy balls. But I must live by some means. What shall I do?”

  “Decline the position,” said the lady, “and come with me. I will tell you what to do.”

  After Elsie had told the confectioner that she had changed her mind about the cashiership she put on her coat and followed the lady to the sidewalk, where awaited an elegant victoria.

  “Seek some other work,” said the black-­and-­steel lady, “and assist in crushing the hydra-­headed demon rum.” And she got into the victoria and drove away.

  “I guess that puts it up to Mr. Otter again,” said Elsie, ruefully, turning down the street. “And I’m sorry, too, for I’d much rather make my way without help.”

  Near Fourteenth street Elsie saw a placard tacked on the side of a doorway that read: “Fifty girls, neat sewers, wanted immediately on theatrical costumes. Good pay.”

  She was about to enter, when a solemn man, dressed all in black, laid his hand on her arm.

  “My dear girl,” he said, “I entreat you not to enter that dressing-­room of the devil.”

  “Goodness me!” exclaimed Elsie, with some impatience. “The devil seems to have a cinch on all the business in New York. What’s wrong about the place?”

  “It is here,” said the solemn man, “that the regalia of Satan—in other words, the costumes worn on the stage—are manufactured. The stage is the road to ruin and destruction. Would you imperil your soul by lending the work of your hands to its support? Do you know, my dear girl, what the theatre leads to? Do you know where actors and actresses go after the curtain of the playhouse has fallen upon them for the last time?”

  “Sure,” said Elsie. “Into vaudeville. But do you think it would be wicked for me to make a little money to live on by sewing? I must get something to do pretty soon.”

  “The flesh-­pots of Egypt,” exclaimed the reverend gentleman, uplifting his hands. “I beseech you, my child, to turn away from this place of sin and iniquity.”

  “But what will I do for a living?” asked Elsie. “I don’t care to sew for this musical comedy, if it’s as rank as you say it is; but I’ve got to have a job.”

  “The Lord will provide,” said the solemn man. “There is a free Bible class every Sunday afternoon in the basement of the cigar store next to the church. Peace be with you. Amen. Farewell.”

  Elsie went on her way. She was soon in the downtown district where factories abound. On a large brick building was a gilt sign, “Posey & Trimmer, Artificial Flowers.” Below it was hung a newly stretched canvas bearing the words, “Five hundred girls wanted to learn trade. Good wages from the start. Apply one flight up.”

  Elsie started toward the door, near which were gathered in groups some twenty or thirty girls. One big girl with a black straw hat tipped down over her eyes stepped in front of her.

  “Say, you’se,” said the girl, “are you’se goin’ in there after a job?”

  “Yes,” said Elsie; “I must have work.”

  “Now, don’t do it,” said the girl. “I’m chairman of our Scab Committee. There’s 400 of us girls locked out just because we demanded 50 cents a week raise in wages, and ice water, and for the foreman to shave off his mustache. You’re too nice a looking girl to be a scab. Wouldn’t you please help us along by trying to find a job somewhere else, or would you’se rather have your face pushed in?”

  “I’ll try somewhere else,” said Elsie.

  She walked aimlessly eastward on Broadway, and there her heart leaped to see the sign, “Fox & Otter,” stretching entirely across the front of a tall building. It was as though an unseen guide had led her to i
t through the by-­ways of her fruitless search for work.

  She hurried into the store and sent in to Mr. Otter by a clerk her name and the letter he had written her father. She was shown directly into his private office.

  Mr. Otter arose from his desk as Elsie entered and took both hands with a hearty smile of welcome. He was a slightly corpulent man of nearly middle age, a little bald, gold spectacled, polite, well dressed, radiating.

  “Well, well, and so this is Beatty’s little daughter! Your father was one of our most efficient and valued employees. He left nothing? Well, well. I hope we have not forgotten his faithful services. I am sure there is a vacancy now among our models. Oh, it is easy work—nothing easier.”

  Mr. Otter struck a bell. A long-­nosed clerk thrust a portion of himself inside the door.

  “Send Miss Hawkins in,” said Mr. Otter. Miss Hawkins came.

  “Miss Hawkins,” said Mr. Otter, “bring for Miss Beatty to try on one of those Russian sable coats and—let’s see—one of those latest model black tulle hats with white tips.”

  Elsie stood before the full-­length mirror with pink cheeks and quick breath. Her eyes shone like faint stars. She was beautiful. Alas! she was beautiful.

  I wish I could stop this story here. Confound it! I will. No; it’s got to run it out. I didn’t make it up. I’m just repeating it.

  I’d like to throw bouquets at the wise cop, and the lady who rescues Girls from Jobs, and the prohibitionist who is trying to crush brandy balls, and the sky pilot who objects to costumes for stage people (there are others), and all the thousands of good people who are at work protecting young people from the pitfalls of a great city; and then wind up by pointing out how they were the means of Elsie reaching her father’s benefactor and her kind friend and rescuer from poverty. This would make a fine Elsie story of the old sort. I’d like to do this; but there’s just a word or two to follow.

  While Elsie was admiring herself in the mirror, Mr. Otter went to the telephone booth and called up some number. Don’t ask me what it was.

  “Oscar,” said he, “I want you to reserve the same table for me this evening. . . . What? Why, the one in the Moorish room to the left of the shrubbery. . . . Yes; two. . . . Yes, the usual brand; and the ’85 Johannisburger with the roast. If it isn’t the right temperature I’ll break your neck. . . . No; not her . . . No, indeed . . . A new one—a peacherino, Oscar, a peacherino!”

  Tired and tiresome reader, I will conclude, if you please, with a paraphrase of a few words that you will remember were written by him—by him of Gad’s Hill, before whom, if you doff not your hat, you shall stand with a covered pumpkin—aye, sir, a pumpkin.

  Lost, Your Excellency. Lost, Associations and Societies. Lost, Right Reverends and Wrong Reverends of every order. Lost, Reformers and Lawmakers, born with heavenly compassion in your hearts, but with the reverence of money in your souls. And lost thus around us every day.

  The Purple Dress

  * * *

  WE ARE to consider the shade known as purple. It is a color justly in repute among the sons and daughters of man. Emperors claim it for their especial dye. Good fellows everywhere seek to bring their noses to the genial hue that follows the commingling of the red and blue. We say of princes that they are born to the purple; and no doubt they are, for the colic tinges their faces with the royal tint equally with the snub-­nosed countenance of a woodchopper’s brat. All women love it—when it is the fashion.

  And now purple is being worn. You notice it on the streets. Of course other colors are quite stylish as well—in fact, I saw a lovely thing the other day in olive green albatross, with a triple-­lapped flounce skirt trimmed with insert squares of silk, and a draped fichu of lace opening over a shirred vest and double puff sleeves with a lace band holding two gathered frills—but you see lots of purple too. Oh, yes, you do; just take a walk down Twenty-­third street any afternoon.

  Therefore Maida—the girl with the big brown eyes and cinnamon-­colored hair in the Bee-­Hive Store—said to Grace—the girl with the rhinestone brooch and pepperment-­pepsin flavor to her speech—“I’m going to have a purple dress—a tailor-­made purple dress—for Thanksgiving.”

  “Oh, are you,” said Grace, putting away some 7½ gloves into the 6¾ box. “Well, it’s red for me. You see more red on Fifth avenue. And the men all seem to like it.”

  “I like purple best,” said Maida. “And old Schlegel has promised to make it for $8. It’s going to be lovely. I’m going to have a plaited skirt and a blouse coat trimmed with a band of galloon under a white cloth collar with two rows of—”

  “Sly boots!” said Grace with an educated wink.

  “—soutache braid over a surpliced white vest; and a plaited basque and—”

  “Sly boots—sly boots!” repeated Grace.

  “—plaited gigot sleeves with a drawn velvet ribbon over an inside cuff. What do you mean by saying that?”

  “You think Mr. Ramsay likes purple. I heard him say yesterday he thought some of the dark shades of red were stunning.”

  “I don’t care,” said Maida. “I prefer purple, and them that don’t like it can just take the other side of the street.”

  Which suggests the thought that after all, the followers of purple may be subject to slight delusions. Danger is near when a maiden thinks she can wear purple regardless of complexions and opinions; and when Emperors think their purple robes will wear forever.

  Maida had saved $18 after eight months of economy; and this had bought the goods for the purple dress and paid Schlegel $4 on the making of it. On the day before Thanksgiving she would have just enough to pay the remaining $4. And then for a holiday in a new dress—can earth offer anything more enchanting?

  Old Bachman, the proprietor of the Bee-­Hive Store, always gave a Thanksgiving dinner to his employees. On every one of the subsequent 364 days, excusing Sundays, he would remind them of the joys of the past banquet and the hopes of the coming ones, thus inciting them to increased enthusiasm in work. The dinner was given in the store on one of the long tables in the middle of the room. They tacked wrapping paper over the front windows; and the turkeys and other good things were brought in the back way from the restaurant on the corner. You will perceive that the Bee-­Hive was not a fashionable department store, with escalators and pompadours. It was almost small enough to be called an emporium; and you could actually go in there and get waited on and walk out again. And always at the Thanksgiving dinners Mr. Ramsay—

  Oh, bother! I should have mentioned Mr. Ramsay first of all. He is more important than purple or green, or even the red cranberry sauce.

  Mr. Ramsay was the head clerk; and as far as I am concerned I am for him. He never pinched the girls’ arms when he passed them in dark corners of the store; and when he told them stories when business was dull and the girls giggled and said: “Oh, pshaw!” it wasn’t G. Bernard they meant at all. Besides being a gentleman, Mr. Ramsay was queer and original in other ways. He was a health crank, and believed that people should never eat anything that was good for them. He was violently opposed to anybody being comfortable, and coming in out of snow storms, or wearing overshoes, or taking medicine, or coddling themselves in any way. Every one of the ten girls in the store had little pork-­chop-­and-­fried-­onion dreams every night of becoming Mrs. Ramsay. For, next year old Bachman was going to take him in for a partner. And each one of them knew that if she should catch him she would knock those cranky health notions of his sky high before the wedding cake indigestion was over.

  Mr. Ramsay was master of ceremonies at the dinners. Always they had two Italians in to play a violin and harp and had a little dance in the store.

  And here were two dresses being conceived to charm Ramsay—one purple and the other red. Of course, the other eight girls were going to have dresses too, but they didn’t count. Very likely they’d wear some shirt-­waist-­and-­black-­skirt-­affa
irs—nothing as resplendent as purple or red.

  Grace had saved her money, too. She was going to buy her dress ready-­made. “Oh, what’s the use of bothering with a tailor—when you’ve got a figger it’s easy to get a fit—the ready-­made are intended for a perfect figger—except I have to have ’em all taken in at the waist—the average figger is so large waisted.”

  The night before Thanksgiving came. Maida hurried home, keen and bright with the thoughts of the blessed morrow. Her thoughts were of purple, but they were white themselves—the joyous enthusiasm of the young for the pleasures that youth must have or wither. She knew purple would become her, and—for the thousandth time she tried to assure herself that it was purple Mr. Ramsay said he liked and not red. She was going home first to get the $4 wrapped in a piece of tissue paper in the bottom drawer of her dresser, and then she was going to pay Schlegel and take the dress home herself.

  Grace lived in the same house. She occupied the hall room above Maida’s.

  At home Maida found clamor and confusion. The landlady’s tongue clattering sourly in the halls like a churn dasher dabbling in buttermilk. And then Grace came down to her room crying with eyes as red as any dress.

  “She says I’ve got to get out,” said Grace. “The old beast. Because I owe her $4. She’s put my trunk in the hall and locked the door. I can’t go anywhere else. I haven’t got a cent of money.”

  “You had some yesterday,” said Maida.

  “I paid it on my dress,” said Grace. “I thought she’d wait till next week for the rent.”

  Sniffle, sniffle, sob, sniffle.

  Out came—out it had to come—Maida’s $4.

  “You blessed darling,” cried Grace, now a rainbow instead of sunset. “I’ll pay the mean old thing and then I’m going to try on my dress. I think it’s heavenly. Come up and look at it. I’ll pay the money back, a dollar a week—honest I will.”

  Thanksgiving.

  The dinner was to be at noon. At a quarter to twelve Grace switched into Maida’s room. Yes, she looked charming. Red was her color. Maida sat by the window in her old cheviot skirt and blue waist darning a st—. Oh, doing fancy work.

 

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