by Franz Kafka
Now I cannot imagine that such a sharp-witted woman as she is does not understand as well as I do both the hopelessness of her own course of action and the helplessness of mine, my inability, with the best will in the world, to conform to her requirements. Of course she understands it, but being a fighter by nature she forgets it in the lust of battle, and my unfortunate disposition, which I cannot help since it is mine by nature, conditions me to whisper gentle admonitions to anyone who flies into a violent passion. In this way, naturally, we shall never come to terms. I shall keep on leaving the house in the gay mood of early morning only to meet that countenance of hers, lowering at the sight of me, the contemptuous curl of her lips, the measuring glance, aware beforehand of what it is going to find, that sweeps over me and however fleeting misses nothing, the sarcastic smile furrowing her girlish cheek, the complaining lift of the eyes to Heaven, the planting of the hands on the hips, to fortify herself, and then the access of rage that brings pallor with it and trembling.
Not long ago I took occasion, for the very first time as I realized with some astonishment, to mention the matter to a very good friend of mine, just in passing, casually, in a word or two, reducing it to even less than its just proportions, trivial as it is in essence when looked at objectively. It was curious that my friend all the same did not ignore it, indeed of his own accord he even made more of it than I had done, would not be sidetracked, and insisted on discussing it. But it was still more curious that in one important particular he underestimated it, for he advised me seriously to go away for a short time. No advice could be less understandable; the matter was simple enough, anyone who looked closely at it could see right through it, yet it was not so simple that my mere departure would set all of it right, or even the greater part of it. On the contrary, such a departure is just what must avoid; if I am to follow a plan at all it must be that of keeping the affair within its present narrow limits which do not yet involve the outside world, that is to say, I must stay quietly where I am and not let it affect my behavior as far as can be seen, and that includes mentioning it to no one, but not at all because it is a kind of dangerous mystery, merely because it is a trivial, purely personal matter and as such to be taken lightly, and to be kept on that level. So my friend’s remarks were not profitless after all, they taught me nothing new yet they strengthened my original resolution.
And on closer reflection it appears that the developments which the affair seems to have undergone in the course of time are not developments in the affair itself, but only in my attitude to it, insofar as that has become more composed on the one hand, more manly, penetrating nearer the heart of the matter, while on the other hand, under the influence of the continued nervous strain which I cannot overcome, however slight, it has increased in irritability.
I am less upset by the affair now that I think I perceive how unlikely it is to come to any decisive crisis, imminent as that sometimes seems to be; one is easily disposed, especially when one is young, to exaggerate the speed with which decisive moments arrive; whenever my small critic, grown faint at the very sight of me, sank sideways into a chair, holding on to the back of it with one hand and plucking at her bodice strings with the other, while tears of rage and despair rolled down her cheeks, I used to think that now the moment had come and I was just on the point of being summoned to answer for myself. Yet there was no decisive moment, no summons, women faint easily, the world has no time to notice all their doings. And what has really happened in all these years? Nothing except that such occasions have repeated themselves, sometimes more and sometimes less violently, and that their sum total has increased accordingly. And that people are hanging around in the offing and would like to interfere if they could find some way of doing it; but they can find none, so up till now they have had to rely on what they could smell out, and although that by itself is fully qualified to keep the owners of the noses busy it can’t do anything more. Yet the situation was always like that, fundamentally, always provided with superfluous bystanders and nosy onlookers, who always justified their presence by some cunning excuse, for preference claiming to be relatives, always stretching their necks and sniffing trouble, but all they have achieved is to be still standing by. The only difference is that I have gradually come to recognize them and distinguish one face from another; once upon a time I believed that they had just gradually trickled in from outside, that the affair was having wider repercussions, which would themselves compel a crisis; today I think I know that these onlookers were always there from the beginning and have little or nothing to do with the imminence of a crisis. And the crisis itself, why should I dignify it by such a name? If it ever should happen – and certainly not tomorrow or the day after tomorrow, most likely never – that public opinion concerns itself with the affair, which, I must repeat, is beyond its competence, I certainly won’t escape unharmed, but on the other hand people are bound to take into account that I am not unknown to the public, that I have lived for long in the full light of publicity, trustingly and trustworthily, and that this distressed little woman, this latecomer in my life, who, let me remark in passing, another man might have brushed off like a burr and privately trodden underfoot without a sound, that this woman at the very worst could add only an ugly little flourish to the diploma in which public opinion long ago certified me to be a respectable member of society. That is how things stand today, little likely to cause me any uneasiness.
The fact that in the course of years I have all the same become somewhat uneasy has nothing to do with the real significance of this affair; a man simply cannot endure being a continual target for someone’s spite, even when he knows well enough that the spite is gratuitous; he grows uneasy, he begins, in a kind of physical way only, to expect final decisions, even when like a sensible man he does not much believe that they are forthcoming. Partly, too, it is a symptom of increasing age; youth sheds a bloom over everything; awkward characteristics are lost to sight in the endless upwelling of youthful energy; if as a youth a man has a somewhat wary eye it is not counted against him, it is not noticed at all, even by himself; but the things that survive in old age are residues, each is necessary, none is renewed, each is under scrutiny, and the wary eye of an aging man is clearly a wary eye and is not difficult to recognize. Only, as also in this case, it is not an actual degeneration of his condition.
So from whatever standpoint I consider this small affair, it appears, and this I will stick to, that if I keep my hand over it, even quite lightly, I shall quietly continue to live my own life for a long time to come, untroubled by the world, despite all the outbursts of the woman.
Translated by Willa and Edwin Muir
A Hunger Artist
DURING these last decades the interest in professional fasting has markedly diminished. It used to pay very well to stage such great performances under one’s own management, but today that is quite impossible. We live in a different world now. At one time the whole town took a lively interest in the hunger artist; from day to day of his fast the excitement mounted; everybody wanted to see him at least once a day; there were people who bought season tickets for the last few days and sat from morning till night in front of his small barred cage; even in the nighttime there were visiting hours, when the whole effect was heightened by torch flares; on fine days the cage was set out in the open air, and then it was the children’s special treat to see the hunger artist; for their elders he was often just a joke that happened to be in fashion, but the children stood openmouthed, holding each other’s hands for greater security, marveling at him as he sat there pallid in black tights, with his ribs sticking out so prominently, not even on a seat but down among straw on the ground, sometimes giving a courteous nod, answering questions with a constrained smile, or perhaps stretching an arm through the bars so that one might feel how thin it was, and then again withdrawing deep into himself, paying no attention to anyone or anything, not even to the all-important striking of the clock that was the only piece of furniture in his cage, but me
rely staring into vacancy with half-shut eyes, now and then taking a sip from a tiny glass of water to moisten his lips.
Besides casual onlookers there were also relays of permanent watchers selected by the public, usually butchers, strangely enough, and it was their task to watch the hunger artist day and night, three of them at a time, in case he should have some secret recourse to nourishment. This was nothing but a formality, instituted to reassure the masses, for the initiates knew well enough that during his fast the artist would never in any circumstances, not even under forcible compulsion, swallow the smallest morsel of food; the honor of his profession forbade it. Not every watcher, of course, was capable of understanding this, there were often groups of night watchers who were very lax in carrying out their duties and deliberately huddled together in a retired corner to play cards with great absorption, obviously intending to give the hunger artist the chance of a little refreshment, which they supposed he could draw from some private hoard. Nothing annoyed the artist more than such watchers; they made him miserable; they made his fast seem unendurable; sometimes he mastered his feebleness sufficiently to sing during their watch for as long as he could keep going, to show them how unjust their suspicions were. But that was of little use; they only wondered at his cleverness in being able to fill his mouth even while singing. Much more to his taste were the watchers who sat close up to the bars, who were not content with the dim night lighting of the hall but focused him in the full glare of the electric pocket torch given them by the impresario. The harsh light did not trouble him at all, in any case he could never sleep properly, and he could always drowse a little, whatever the light, at any hour, even when the hall was thronged with noisy onlookers. He was quite happy at the prospect of spending a sleepless night with such watchers; he was ready to exchange jokes with them, to tell them stories out of his nomadic life, anything at all to keep them awake and demonstrate to them again that he had no eatables in his cage and that he was fasting as not one of them could fast. But his happiest moment was when the morning came and an enormous breakfast was brought them, at his expense, on which they flung themselves with the keen appetite of healthy men after a weary night of wakefulness. Of course there were people who argued that this breakfast was an unfair attempt to bribe the watchers, but that was going rather too far, and when they were invited to take on a night’s vigil without a breakfast, merely for the sake of the cause, they made themselves scarce, although they stuck stubbornly to their suspicions.
Such suspicions, anyhow, were a necessary accompaniment to the profession of fasting. No one could possibly watch the hunger artist continuously, day and night, and so no one could produce first-hand evidence that the fast had really been rigorous and continuous; only the artist himself could know that, he was therefore bound to be the sole completely satisfied spectator of his own fast. Yet for other reasons he was never satisfied; it was not perhaps mere fasting that had brought him to such skeleton thinness that many people had regretfully to keep away from his exhibitions, because the sight of him was too much for them, perhaps it was dissatisfaction with himself that had worn him down. For he alone knew, what no other initiate knew, how easy it was to fast. It was the easiest thing in the world. He made no secret of this, yet people did not believe him, at the best they set him down as modest, most of them, however, thought he was out for publicity or else was some kind of cheat who found it easy to fast because he had discovered a way of making it easy, and then had the impudence to admit the fact, more or less. He had to put up with all that, and in the course of time had got used to it, but his inner dissatisfaction always rankled, and never yet, after any term of fasting – this must be granted to his credit – had he left the cage of his own free will. The longest period of fasting was fixed by his impresario at forty days, beyond that term he was not allowed to go, not even in great cities, and there was good reason for it, too. Experience had proved that for about forty days the interest of the public could be stimulated by a steadily increasing pressure of advertisement, but after that the town began to lose interest, sympathetic support began notably to fall off; there were of course local variations as between one town and another or one country and another, but as a general rule forty days marked the limit. So on the fortieth day the flower-bedecked cage was opened, enthusiastic spectators filled the hall, a military band played, two doctors entered the cage to measure the results of the fast, which were announced through a megaphone, and finally two young ladies appeared, blissful at having been selected for the honor, to help the hunger artist down the few steps leading to a small table on which was spread a carefully chosen invalid repast. And at this very moment the artist always turned stubborn. True, he would entrust his bony arms to the outstretched helping hands of the ladies bending over him, but stand up he would not. Why stop fasting at this particular moment, after forty days of it? He had held out for a long time, an illimitably long time; why stop now, when he was in his best fasting form, or rather, not yet quite in his best fasting form? Why should he be cheated of the fame he would get for fasting longer, for being not only the record hunger artist of all time, which presumably he was already, but for beating his own record by a performance beyond human imagination, since he felt that there were no limits to his capacity for fasting? His public pretended to admire him so much, why should it have so little patience with him; if he could endure fasting longer, why shouldn’t the public endure it? Besides, he was tired, he was comfortable sitting in the straw, and now he was supposed to lift himself to his full height and go down to a meal the very thought of which gave him a nausea that only the presence of the ladies kept him from betraying, and even that with an effort. And he looked up into the eyes of the ladies who were apparently so friendly and in reality so cruel, and shook his head, which felt too heavy on its strengthless neck. But then there happened yet again what always happened. The impresario came forward, without a word – for the band made speech impossible – lifted his arms in the air above the artist, as if inviting Heaven to look down upon its creature here in the straw, this suffering martyr, which indeed he was, although in quite another sense; grasped him around the emaciated waist, with exaggerated caution, so that the frail condition he was in might be appreciated; and committed him to the care of the blenching ladies, not without secretly giving him a shaking so that his legs and body tottered and swayed. The artist now submitted completely; his head lolled on his breast as if it had landed there by chance; his body was hollowed out; his legs in a spasm of self-preservation clung close to each other at the knees, yet scraped on the ground as if it were not really solid ground, as if they were only trying to find solid ground; and the whole weight of his body, a featherweight after all, relapsed onto one of the ladies, who, looking around for help and panting a little – this post of honor was not at all what she had expected it to be – first stretched her neck as far as she could to keep her face at least free from contact with the artist, then finding this impossible, and her more fortunate companion not coming to her aid but merely holding extended in her own trembling hand the little bunch of knucklebones that was the artist’s, to the great delight of the spectators burst into tears and had to be replaced by an attendant who had long been stationed in readiness. Then came the food, a little of which the impresario managed to get between the artist’s lips, while he sat in a kind of half-fainting trance, to the accompaniment of cheerful patter designed to distract the public’s attention from the artist’s condition; after that, a toast was drunk to the public, supposedly prompted by a whisper from the artist in the impresario’s ear; the band confirmed it with a mighty flourish, the spectators melted away, and no one had any cause to be dissatisfied with the proceedings, no one except the hunger artist himself, he only, as always.
So he lived for many years, with small regular intervals of recuperation, in visible glory, honored by the world, yet in spite of that troubled in spirit, and all the more troubled because no one would take his trouble seriously. What comfort could he poss
ibly need? What more could he possibly wish for? And if some good-natured person, feeling sorry for him, tried to console him by pointing out that his melancholy was probably caused by fasting, it could happen, especially when he had been fasting for some time, that he reacted with an outburst of fury and to the general alarm began to shake the bars of his cage like a wild animal. Yet the impresario had a way of punishing these outbreaks which he rather enjoyed putting into operation. He would apologize publicly for the artist’s behavior, which was only to be excused, he admitted, because of the irritability caused by fasting; a condition hardly to be understood by well-fed people; then by natural transition he went on to mention the artist’s equally incomprehensible boast that he could fast for much longer than he was doing; he praised the high ambition, the good will, the great self-denial undoubtedly implicit in such a statement; and then quite simply countered it by bringing out photographs, which were also on sale to the public, showing the artist on the fortieth day of a fast lying in bed almost dead from exhaustion. This perversion of the truth, familiar to the artist though it was, always unnerved him afresh and proved too much for him. What was a consequence of the premature ending of his fast was here presented as the cause of it! To fight against this lack of understanding, against a whole world of non-understanding, was impossible. Time and again in good faith he stood by the bars listening to the impresario, but as soon as the photographs appeared he always let go and sank with a groan back into his straw, and the reassured public could once more come close and gaze at him.