"Bissett," I said, striding across the room and glaring down at him, "if they's a ounce of manhood in you, this here girl's devotion oughta touch even your snakish soul. Why don't you try to redeem yourself a little, anyway? Kick in with that paper! A man which is loved by a woman like Glory O'Dale loves you, oughta be above holdin' a forged confession over a innocent girl's head."
Bissett's mouth fell open. "What's he talking about?" he demanded from the world at large.
"I don't know," said Glory uneasily, snuggling closer to him. "He talked that way out in the other room. I think he's punch-drunk."
"Dorgan," said Bissett, "you don't belong in this crowd. Are you suffering from some sort of an hallucination?"
"Don't hand me no such guff, you snake!" I roared. "You know why I brung you here--to get the confession you gypped outa Whithers' sister, and blackmailed him with--just like you made him throw my fight tonight."
Bissett just looked dizzy, but Glory leaped up and faced me.
"You mean you think Ace made Whithers turn in that rotten decision?" she jerked out.
"I don't think," I answered sullenly. "I know. Whithers said so."
She jumped like she was galvanized.
"Why, you idiot!" she hollered, "they've made a fool of you! Jed Whithers hasn't any sister! He lied! Ace had nothing to do with it! Whithers was hired to throw the fight to Leary! Look at him!" Her voice rose to a shriek of triumph, as she pointed a accusing finger at Jed Whithers. "Look at him! Look how pale he is! He's scared witless!"
"It's a lie!" gulped Whithers, sweating and tearing at his crumpled collar like it was choking him.
"It's not a lie!" Glory was nearly hysterical by this time. "He was paid to throw the fight! And there's the man who paid him!" And she dramatically pointed her finger at Diamond Joe Galt!
GALT WAS ON HIS feet, his small eyes glinting savagely, his jaws grinding his cigar to a pulp.
"What about it, Galt?" I demanded, all at sea and bewildered.
He dashed down his cigar with a oath. His face was dark and convulsed.
"What of it?" he snarled. "What you goin' to do about it? I've stood all the guff out of you I'm goin' to!"
His hand snaked inside his coat and out, and I was looking into the black muzzle of a wicked stumpy automatic.
"You can't slug this like you did Red, you dumb gorilla," he smirked viciously. "Sure, the dame's tellin' the truth. Whithers took you in like a sucklin' lamb.
"When you caught him in your dressin'-room, he told you the first lie that come to him, knowin' you for a soft sap where women's concerned. Then when you fell for it, and offered to help him, he thought fast and roped you into this deal. We been tryin' to get hold of Bissett for a long time. He's got somethin' we want. But he was too smart and too tough for us. Now, thanks to you, we got him, and the girl. Now we're goin' to sweat what we want out of him, and you're goin' to keep your trap shut, see?"
"You mean they ain't no Constance Whithers, and no confession?" I said slowly, trying to get things straight. A raucous roar of mirth greeted the remark.
"No, sucker," taunted Galt; "you just been took in, you sap."
A wave of red swept across my line of vision. With a maddened roar, I plunged recklessly at Galt, gun and all. Everything happened at once. Galt closed his finger on the trigger just as Spike, standing beside him all this time, closed his jaws on Galt's leg. Galt screamed and leaped convulsively; the gun exploded in the air, missing me so close the powder singed my hair, and my right mauler crunched into Galt's face, flattening his nose, knocking out all his front teeth, and fracturing his jaw-bone. As he hit the floor Spike was right on top of him.
The next instant Galt's thugs was on top of me. We rolled across the room in a wild tangle of arms and legs, casually shattering tables and chairs on the way. Spike, finding Galt was out cold, abandoned him and charged to my aid. I heered Red Partland howl as Spike's iron fangs locked in his britches. But I had my hands full. Fists and hobnails was glancing off my carcass, and a thumb was feeling for my eye. I set my teeth in this thumb and was rewarded by a squeal of anguish, but the action didn't slow up any.
It was while strangling Limey Teak beneath me, whilst the other three was trying to stomp my ribs in and kick my head off, that I realized that another element had entered into the fray. There was the impact of a chair-leg on a human skull, and Jed Whithers give up the ghost with a whistling sigh. Glory O'Dale was taking a hand.
Dutch Steinmann next gave a ear-piercing howl, and Bill Reynolds abandoned me to settle her. Feeling Limey go limp beneath me, I riz, shaking Steinmann offa my shoulders, just in time to see Reynolds duck Glory's chair-leg and smack her down. Bissett give a most awful yell of rage, but he wasn't no madder than me. I left the floor in a flying tackle that carried Reynolds off his feet with a violence which nearly busted his skull against the floor. Too crazy-mad for reason, I set to work to hammer him to death, and though he was already senseless, I would probably of continued indefinite, had not Dutch Steinmann distracted my attention by smashing a chair over my head.
I riz through the splinters and caught him with a left hook that tore his ear nearly off and stood him on his neck in a corner. I then looked for Red Partland and seen him crawling out a winder which he'd tore the shutters off of. He was a rooin; his clothes was nearly all tore offa him, and he was bleeding like a stuck hawg and bawling like one, and Spike didn't show no intentions of abandoning the fray. His jaws was locked in what was left of Red's britches, and he had his feet braced against the wall below the sill. As I looked, Red gave a desperate wrench and tumbled through the winder, and I heered his lamentations fading into the night.
SHAKING THE BLOOD and sweat outa my eyes, I glared about at the battlefield, strewn with the dead and dying--at least with the unconscious, some of which was groaning loudly, whilst others slumbered in silence.
Glory was just getting up, dizzy and wobbly. Spike was smelling each of the victims in turn, and Ace was begging somebody to let him loose. Glory wobbled over to where he'd rolled offa the bench, and I followed her, kinda stiffly. At least one of my ribs had been broke by a boot-heel. My scalp was cut open, and blood was trickling down my side, where Limey Teak had made a ill-advised effort to knife me. I also thought one of them rats had hit me from behind with a club, till I discovered that sometime in the fray I'd fell on something hard in my hip pocket. This, I found, was Ace Bissett's pistol, which I'd clean forgot all about. I throwed it aside with disgust; them things is a trap and a snare.
I blinked at Ace with my one good eye, whilst Glory worked his cords offa him.
"I see I misjudged you," I said, lending her a hand. "I apolergize, and if you want satisfaction, right here and now is good enough for me."
"Good Lord, man," he said, with his arms full of Glory. "I don't want to fight you. I still don't know just what it was all about, but I'm beginning to understand."
I set down somewhat groggily on a bench which wasn't clean busted.
"What I want to know is," I said, "what that paper was they was talkin' about."
"Well," he said, "about a year ago I befriended a half-cracked Russian scientist, and he tried in his crazy way to repay me. He told me, in Galt's presence, that he was going to give me a formula that would make me the richest man on earth. He got blown up in an explosion in his laboratory shortly afterward, and an envelope was found in his room addressed to me, and containing a formula. Galt found out about it, and he's been hounding me ever since, trying to get it. He thought it was all the Russian claimed. In reality it was merely the disconnected scribblings of a disordered mind--good Lord, it claimed to be a process for the manufacture of diamonds! Utter insanity--but Galt never would believe it."
"And he thought I was dumb," I cogitated. "But hey, Glory, how'd you know it was Galt hired Whithers to throw my fight to Leary?"
"I didn't," she admitted. "I just accused Galt of it to start you fellows fighting among yourselves."
"Well, I'll be derned," I sai
d, and just then one of the victims which had evidently come to while we was talking, riz stealthily to his all fours and started crawling towards the winder. It was Jed Whithers. I strode after him and hauled him to his feet.
"How much did Galt pay you for throwin' the bout to Leary?" I demanded.
"A thousand dollars," he stuttered.
"Gimme it," I ordered, and with shaking hands he hauled out a fold of bills. I fluttered 'em and saw they was intact.
"Turn around and look out the winder at the stars," I commanded.
"I don't see no stars," he muttered.
"You will," I promised, as I swung my foot and histed him clean over the sill.
As his wails faded up the alley, I turned to Ace and Glory, and said: "Galt must of cleaned up plenty on this deal, payin' so high for his dirty work. This here dough, though, is goin' to be put to a good cause. The Old Man lost all his money account of Whithers' crooked decision. This thousand bucks will save his ship. Now let's go. I wanta get hold of the promoter of the Sweet Dreams, and get another match tomorrer night with Kid Leary--this time with a honest referee."
THE END
* * *
Contents
APPARITION IN THE PRIZE RING
By Robert E. Howard
READERS OF THIS magazine will probably remember Ace Jessel, the big negro boxer whom I managed a few years ago. He was an ebony giant, four inches over six feet tall, with a fighting weight of 230 pounds. He moved with the smooth ease of a gigantic leopard and his pliant steel muscles rippled under his shiny skin. A clever boxer for so large a man, he carried the smashing jolt of a trip-hammer in each huge fist.
It was my belief that he was the equal of any man in the ring at that time--except for one fatal defect. He lacked the killer instinct. He had courage in plenty, as he proved on more than one occasion--but he was content to box mostly, outpointing his opponents and piling up just enough lead to keep from losing.
Every so often the crowds booed him, but their taunts only broadened his good-natured grin. However, his fights continued to draw a big gate, because, on the rare occasions when he was stung out of a defensive role or when he was matched with a clever man whom he had to knock out in order to win, the fans saw a real fight that thrilled their blood. Even so, time and again he stepped away from a sagging foe, giving the beaten man time to recover and return to the attack--while the crowd raved and I tore my hair.
The one abiding loyalty in Ace's happy-go-lucky life was a fanatical worship of Tom Molyneaux, first champion of America and a sturdy fighting man of color; according to some authorities, the greatest black ringman that ever lived.
Tom Molyneaux died in Ireland a hundred years ago but the memory of his valiant deeds in American and Europe was Ace Jessel's direct incentive to action. As a boy, toiling on the wharves, he had heard an account of Tom's life and battles and the story had started him on the fistic trail.
ACE'S MOST HIGHLY prized possession was a painted portrait of the old battler. He had discovered this--a rare find indeed, since even woodcuts of Molyneaux are rare--among the collection of a London sportsman, and had prevailed on the owner to sell it. Paying for it had taken every cent that Ace made in four fights but he counted it cheap at the price. He removed the original frame and replaced it with a frame of solid silver, which, considering the portrait was full length and life size, was more than extravagant.
But no honor was too great for "Mistah Tom" and Ace merely increased the number of his bouts to meet the cost.
Finally my brains and Ace's mallet fists had cleared us a road to the top of the game. Ace loomed up as a heavyweight menace and the champion's manager was ready to sign with us--when an unexpected obstacle blocked our path.
A form hove into view on the fistic horizon that dwarfed and overshadowed all other contenders, including my man. This was "Mankiller Gomez," and he was all that his name implies. Gomez was his ring name, given him by the Spaniard who discovered him and brought him to America. He was a full-blooded Senegalese from the West Coast of Africa.
ONCE IN A century, rings fans see a man like Gomez in action--a born killer who crashes through the general ruck of fighters as a buffalo crashes through a thicket of dead wood. He was a savage, a tiger. What he lacked in actual skill, he made up by ferocity of attack, by ruggedness of body and smashing power of arm. From the time he landed in New York, with a long list of European victories behind him, it was inevitable that he should batter down all opposition--and at last the white champion looked to see the black savage looming above the broken forms of his victims. The champion saw the writing on the wall, but the public was clamoring for a match and whatever his faults, the title-holder was a fighting champion.
Ace Jessel, who alone of all the foremost challengers had not met Gomez, was shoved into discard, and as early summer dawned on New York, a title was lost and won, and Mankiller Gomez, son of the black jungle, rose up as king of all fighting men.
The sporting world and the public at large hated and feared the new champion. Boxing fans like savagery in the ring, but Gomez did not confine his ferocity to the ring. His soul was abysmal. He was ape-like, primordial--the very spirit of that morass of barbarism from which mankind has so tortuously climbed, and toward which men look with so much suspicion.
There went forth a search for a White Hope, but the result was always the same. Challenger after challenger went down before the terrible onslaught of the Mankiller and at last only one man remained who had not crossed gloves with Gomez--Ace Jessel.
I hesitated to throw my man in with a battler like Gomez, for my fondness for the great good-natured negro was more than the friendship of manager for fighter. Ace was something more than a meal-ticket to me, for I knew the real nobility underlying Ace's black skin, and I hated to see him battered into a senseless ruin by a man I know in my heart to be more than Jessel's match. I wanted to wait a while, to let Gomez wear himself out with his terrific battles and the dissipations that were sure to follow the savage's success. These super-sluggers never last long, any more than a jungle native can withstand the temptations of civilization.
But the slump that follows a really great title-holder's gaining the belt was on, and matches were scarce. The public was clamoring for a title fight, sports writers were raising Cain and accusing Ace of cowardice, promoters were offering alluring purses, and at last I signed for a fifteen-round go between Mankiller Gomez and Ace Jessel.
At the training quarters I turned to Ace.
"Ace, do you think you can whip him?"
"Mistah John," Ace answered, meeting my eye with a straight gaze, "I'll do mah best, but I's mighty afeard I caint do it. Dat man ain't human."
This was bad; a man is more than half whipped when he goes into the fight in that frame of mind.
Later I went to Ace's room for something and halted in the doorway in amazement. I had heard the battler talking in a low voice as I came up, but had supposed one of the handlers or sparring partners was in the room with him. Now I saw that he was alone. He was standing before his idol--the portrait of Tom Molyneaux.
"Mistah Tom," he was saying humbly, "I ain't neveh met no man yet what could even knock me off mah feet, but I recon dat niggah can. I's gwine to need help mighty bad, Mistah Tom."
I felt almost as if I had interrupted a religious rite. It was uncanny; had it not been for Ace's evident deep sincerity, I would have felt it to be unholy. But to Ace, Tom Molyneaux was something more than a saint.
I stood in the doorway in silence, watching the strange tableaux. The unknown artist had painted the picture of Molyneaux with remarkable skill. The short black figure stood out boldly from the faded canvas. The breath of by-gone days, he seemed, clad in the long tights of that other day, the powerful legs braced far apart, the knotted arms held stiff and high--just as Molyneaux had appeared when he fought Tom Cribb of England over a hundred years ago.
Ace Jessel stood before the painted figure, his head sunk upon his mighty chest as if listening to som
e dim whisper inside his soul. And as I watched, a curious and fantastic idea came to me--the memory of a age-old superstition.
You know it had been said by students of the occult that statues and portraits have power to draw departed souls back from the void of eternity. I wondered if Ace had heard of this superstition and hoped to conjure his idol's spirit out of the realms of the dead, for advice and aid. I shrugged my shoulders at this ridiculous idea and turned away. As I did, I glanced again at the picture before which Ace still stood like a great image of black basalt, and was aware of a peculiar illusion; the canvas seemed to ripple slightly, like the surface of a lake across which a faint breeze is blowing....
When the day of the fight arrived, I watched Ace nervously. I was more afraid than ever that I had made a mistake in permitting circumstances to force my man into the ring with Gomez. However, I was backing Ace to the limit--and I was ready to do anything under heaven to help him win that fight.
The great crowd cheered Ace to the echo as he climbed into the ring; cheered again, but not so heartily, as Gomez appeared. They afforded a strange contrast, those two negroes, alike in color but so different in all other respects!
Ace was tall, clean-limbed and rangy, long and smooth of muscle, clear of eye and broad of forehead.
Gomez seemed stocky by comparison, though he stood a good six feet two. Where Jessel's sinews were long and smooth like great cables, his were knotty and bulging. His calves, thighs, arms and shoulders stood out in great bunches of muscles. His small bullet head was set squarely between gigantic shoulders, and his forehead was so low that his kinky wool seemed to grow just above his small, bloodshot eyes. On his chest was a thick grizzle of matted black hair.
He grinned insolently, thumped his breast and flexed his mighty arms with the assurance of the savage. Ace, in his corner, grinned at the crowd, but an ashy tint was on his dusky face and his knees were trembling.
The Robert E. Howard Omnibus: 97 Collected Stories Page 119