Now she whirled to a floating stop, and when she halted, poised on her toes, she faced toward the spot where I lay hidden, and I knew that she could see me as plainly as if I stood in the open; knew, too, somehow, that only she knew of my presence. I felt myself toppling on the edge of the abyss. She raised her head and I saw the flame of her eyes, even at that distance. Her face was lit with awful triumph. Slowly she raised her hand, and I felt my limbs begin to jerk in response to that terrible magnetism. She opened her mouth-
But from that open mouth sounded only a choking gurgle, and suddenly her lips were dyed crimson. And suddenly, without warning, her knees gave way and she pitched headlong into the sands.
And as she fell, so I too fell, sinking into the mire.
Something burst in my brain with a shower of flame. And then I was crouching among the trees, weak and trembling, but with such a sense of freedom and lightness of limb as I never dreamed a man could experience. The black spell that gripped me was broken; the foul incubus lifted from my soul. It was as if light had burst upon a night blacker than African midnight.
At the fall of the girl a wild cry rose from the blacks, and they sprang up, trembling on the verge of panic. I saw their rolling white eyeballs, their bared teeth glistening in the firelight. Saul Stark had worked their primitive natures up to a pitch of madness, meaning to turn this frenzy, at the proper time, into a fury of battle. It could as easily turn into an hysteria of terror. Stark shouted sharply at them.
But just then the girl in a last convulsion, rolled over on the wet sand, and the firelight shone on a round hole between her breasts, which still oozed crimson. Jim Braxton's bullet had found its mark.
From the first I had felt that she was not wholly human; some black jungle spirit sired her, lending her the abysmal subhuman vitality that made her what she was. She had said that neither death nor hell could keep her from the Dance of the Skull. And, shot through the heart and dying, she had come through the swamp from the creek where she had received her death-wound to the House of Damballah. And the Dance of the Skull had been her death dance.
Dazed as a condemned man just granted a reprieve, at first I hardly grasped the meaning of the scene that now unfolded before me.
The blacks were in a frenzy. In the sudden, and to them inexplicable, death of the sorceress they saw a fearsome portent. They had no way of knowing that she was dying when she entered the glade. To them, their prophetess and priestess had been struck down under their very eyes, by an invisible death. This was magic blacker than Saul Stark's wizardry-and obviously hostile to them.
Like fear-maddened cattle they stampeded. Howling, screaming, tearing at one another they blundered through the trees, heading for the neck of land and the shore beyond. Saul Stark stood transfixed, heedless of them as he stared down at the brown girl, dead at last. And suddenly I came to myself, and with my awakened manhood came cold fury and the lust to kill. I drew a gun, and aiming in the uncertain firelight, pulled the trigger. Only a click answered me. The powder in the cap-and-ball pistols was wet.
Saul Stark lifted his head and licked his lips. The sounds of flight faded in the distance, and he stood alone in the glade. His eyes rolled whitely toward the black woods around him. He bent, grasped the man-like object that lay on the sand, and dragged it into the hut. The instant he vanished I started toward the island, wading through the narrow channels at the lower end. I had almost reached the shore when a mass of driftwood gave way with me and I slid into a deep hole.
Instantly the water swirled about me, and a head rose beside me; a dim face was close to mine-the face of a Negrothe face of Tunk Bixby. But now it was inhuman; as expressionless and soulless as that of a catfish; the face of a being no longer human, and no longer mindful of its human origin.
Slimy, misshapen fingers gripped my throat, and I drove my knife into the sagging mouth. The features vanished in a wave of blood; mutely the thing sank out of sight, and I hauled myself up the bank, under the thick bushes.
Stark had run from his hut, a pistol in his hand. He was staring wildly about, alarmed by the noise he had heard, but I knew he could not see me. His ashy skin glistened with perspiration. He who had ruled by fear was now ruled by fear. He feared the unknown hand that had slain his mistress; feared the Negroes who had fled him; feared the abysmal swamp which had sheltered him, and the monstrosities he had created. He lifted a weird call that quavered with panic. He called again as only four heads broke the water, but he called in vain.
But the four heads began to move toward the shore and the man who stood there. He shot them one after another. They made no effort to avoid the bullets. They came straight on, sinking one by one. He had fired six shots before the last head vanished. The shots drowned the sounds of my approach. I was close behind him when he turned at last.
I know he knew me; recognition flooded his face and fear went with it, at the knowledge that he had a human being to deal with. With a scream he hurled his empty pistol at me and rushed after it with a lifted knife.
I ducked, parried his lunge and countered with a thrust that bit deep into his ribs. He caught my wrist and I gripped his, and there we strained, breast to breast. His eyes were like a mad dog's in the starlight, his muscles like steel cords.
I ground my heel down on his bare foot, crushing the instep. He howled and lost balance, and I tore my knife hand free and stabbed him in the belly. Blood spurted and he dragged me down with him. I jerked loose and rose, just as he pulled himself up on his elbow and hurled his knife. It sang past my ear, and I stamped on his breast. His ribs caved in under my heel. In a red killing-haze I knelt, jerked back his head and cut his throat from ear to ear.
There was a pouch of dry powder in his belt. Before I moved further I reloaded my pistols. Then I went into the but with a torch. And there I understood the doom the brown witch had meant for me. Tope Sorley lay moaning on a bunk. The transmutation that was to make him a mindless, soulless semi-human dweller in the water was not complete, but his mind was gone. Some of the physical changes had been made-by what godless sorcery out of Africa's black abyss I have no wish to know. His body was rounded and elongated, his legs dwarfed; his feet were flattened and broadened, his fingers horribly long, and webbed. His neck was inches longer than it should be. His features were not altered, but the expression was no more human than that of a great fish. And there, but for the loyalty of Jim Braxton, lay Kirby Buckner. I placed my pistol muzzle against Tope's head in grim mercy and pulled the trigger.
And so the nightmare closed, and I would not drag out the grisly narration. The white people of Canaan never found anything on the island except the bodies of Saul Stark and the brown woman. They think to this day that a swamp negro killed Jim Braxton, after he had killed the brown woman, and that I broke up the threatened uprising by killing Saul Stark. I let them think it. They will never know the shapes the black water of Tularoosa hides. That is a secret I share with the cowed and terror-haunted black people of Goshen and of it neither they nor I have ever spoken.
THE END
* * *
Contents
MOON OF ZAMBEBWEI
By Robert E. Howard
Chapter 1. The Horror in the Pines
The silence of the pine woods lay like a brooding cloak about the soul of Bristol McGrath. The black shadows seemed fixed, immovable as the weight of superstition that overhung this forgotten back-country. Vague ancestral dreads stirred at the back of McGrath's mind; for he was born in the pine woods, and sixteen years of roaming about the world had not erased their shadows. The fearsome tales at which he had shuddered as a child whispered again in his consciousness; tales of black shapes stalking the midnight glades . . . .
Cursing these childish memories, McGrath quickened his pace. The dim trail wound tortuously between dense walls of giant trees. No wonder he had been unable to hire anyone in the distant river village to drive him to the Ballville estate. The road was impassable for a vehicle, choked with rotting stumps and new grow
th. Ahead of him it bent sharply.
McGrath halted short, frozen to immobility. The silence had been broken at last, in such a way as to bring a chill tingling to the backs of his hands. For the sound had been the unmistakable groan of a human being in agony. Only for an instant was McGrath motionless. Then he was gliding about the bend of the trail with the noiseless slouch of a hunting panther.
A blue snub-nosed revolver had appeared as if by magic in his right hand. His left involuntarily clenched in his pocket on the bit of paper that was responsible for his presence in that grim forest. That paper was a frantic and mysterious appeal for aid; it was signed by McGrath's worst enemy, and contained the name of a woman long dead.
McGrath rounded the bend in the trail, every nerve tense and alert, expecting anything--except what he actually saw. His startled eyes hung on the grisly object for an instant, and then swept the forest walls. Nothing stirred there. A dozen feet back from the trail visibility vanished in a ghoulish twilight, where anything might lurk unseen. McGrath dropped to his knee beside the figure that lay in the trail before him.
It was a man, spread-eagled, hands and feet bound to four pegs driven deeply in the hard-packed earth; a blackbearded, hook-nosed, swarthy man. "Ahmed!", muttered McGrath. "Ballville's Arab Servant! God!"
For it was not the binding cords that brought the glaze to the Arab's eyes. A weaker man than McGrath might have sickened at the mutilations which keen knives had wrought on the man's body. McGrath recognized the work of an expert in the art of torture. Yet a spark of life still throbbed in the tough frame of the Arab. McGrath's gray eyes grew bleaker as he noted the position of the victim's body, and his-mind flew back to another, grimmer jungle, and a halfflayed black man pegged out on a path as a warning to the white man who dared invade a forbidden land.
He cut the cords, shifted the dying man to a more comfortable position. It was all he could do. He saw the delirium ebb momentarily in the bloodshot eyes, saw recognition glimmer there. Clots of bloody foam splashed the matted beard. The lips writhed soundlessly, and McGrath glimpsed the bloody stump of a severed tongue.
The black-nailed fingers began scrabbling in the dust. They shook, clawing erratically, but with purpose. McGrath bent close, tense with interest, and saw crooked lines grow under the quivering fingers. With the last effort of an iron will, the Arab was tracing a message in the characters of his own language. McGrath recognized the name: "Richard Ballville"; it was followed by "danger," and the hand waved weakly up the trail; then--and McGrath stiffened convulsively--"Constance." One final effort of the dragging finger traced "John De Al--".
Suddenly the bloody frame was convulsed by one last sharp agony; the lean, sinewy hand knotted spasmodically and then fell limp. Ahmed ibn Suleyman was beyond vengeance or mercy.
McGrath rose, dusting his hands, aware of the tense stillness of the grim woods around him; aware of a faint rustling in their depths that was not caused by any breeze. He looked down at the mangled figure with involuntary pity, though he knew well the foulness of the Arab's heart, a black evil that had matched that of Ahmed's master, Richard Ballville. Well, it seemed that master and man had at last met their match in human fiendishness. But who, or what? For a hundred years the Ballvilles had ruled supreme over this back-country, first over their wide plantations and hundreds of slaves, and later over the submissive descendants of those slaves. Richard, the last of the Ballvilles, had exercised as much authority over the pinelands as any of his autocratic ancestors. Yet from this country where men had bowed to the Ballvilles for a century, had come that frenzied cry of fear, a telegram that McGrath clenched in his coat pocket.
Stillness succeeded the rustling, more sinister than any sound. McGrath knew he was watched; knew that the spot where Ahmed's body lay was the iovisible deadline that had been drawn for him. He believed that he would be allowed to turn and retrace his steps unmolested to the distant village. He knew that if he continued on his way, death would strike him suddenly and unseen. Turning, he strode back the way he had come.
He made the turn and kept straight on until he had passed another crook in the trail. Then he halted, listened. All was silent. Quickly he drew the paper from his pocket, smoothed out the wrinkles and read, again, in the cramped scrawl of the man he hated most on earth:
Bristol:
If you still love Constance Brand, for God's sake forget your hate and come to Ballville Manor as quickly as the devil can drive you.
RICHARD BALLVILLE.
That was all. It reached him by telegraph in that Far Western city where McGrath had resided since his return from Africa. He would have ignored it, but for the mention of Constance Brand. That name had sent a choking, agonizing pulse of amazement through his soul, had sent him racing toward the land of his birth by train and plane, as if, indeed, the devil were on his heels. It was the name of one he thought dead for three years; the name of the only woman Bristol McGrath had ever loved.
Replacing the telegram, he left the trail and headed westward, pushing his powerful frame between the thickset trees. His feet made little sound on the matted pine needles. His progress was all but noiseless. Not for nothing had he spent his boyhood in the country of the big pines.
Three hundred yards from the old road he came upon that which he sought-an ancient trail paralleling the road. Choked with young growth, it was little more than a trace through the thick pines. He knew that it ran to the back of the Ballville mansion; did not believe the secret watchers would be guarding it. For how could they know he remembered it?
He hurried south along it, his ears whetted for any sound. Sight alone could not be trusted in that forest. The mansion, he knew, was not far away, now. He was passing through what had once been fields, in the days of Richard's grandfather, running almost up to the spacious lawns that girdled the Manor. But for half a century they had been abandoned to the advance of the forest.
But now he glimpsed the Manor, a hint of solid bulk among the pine tops ahead of him. And almost simultaneously his heart shot into his throat as a scream of human anguish knifed the stillness. He could not tell whether it was a man or a woman who screamed, and his thought that it might be a woman winged his feet in his reckless dash toward the building that loomed starkly up just beyond the straggling fringe of trees.
The young pines had even invaded the once generous lawns. The whole place wore an aspect of decay. Behind the Manor, the barns, and outhouses which once housed slave families, were crumbling in ruin. The mansion itself seemed to totter above the litter, a creaky giant, ratgnawed and rotting, ready to collapse at any untoward event. With the stealthy tread of a tiger Bristol McGrath approached a window on the side of the house. From that window sounds were issuing that were an affront to the tree-filtered sunlight and a crawling horror to the brain.
Nerving himself for what he might see, he peered within.
Chapter 2. Black Torture
He was looking into a great dusty chamber which might have served as a ballroom in ante-bellum days; its lofty ceiling was hung with cobwebs, its rich oak panels showed dark and stained. But there was a fire in the great fireplace-a small fire, just large enough to heat to a white glow the slender steel rods thrust into it.
But it was only later that Bristol McGrath saw the fire and the things that glowed on the hearth. His eyes were gripped like a spell on the master of the Manor; and once again he looked on a dying man.
A heavy beam had been nailed to the paneled wall, and from it jutted a rude cross-piece. From this cross-piece Richard Ballville hung by cords about his wrists. His toes barely touched the floor, tantalizingly, inviting him to stretch his frame continually in an effort to relieve the agonizing strain on his arms. The cords had cut deeply into his wrists; blood trickled down his arms; his hands were black and swollen almost to bursting. He was naked except for his trousers, and McGrath saw that already the white-hot irons had been horribly employed. There was reason enough for the deathly pallor of the man, the cold beads of agony upon hi
s skin. Only his fierce vitality had allowed him thus long to survive the ghastly burns on his limbs and body.
On his breast had been burned a curious symbol-a cold hand laid itself on McGrath's spine. For he recognized that symbol, and once again his memory raced away across the world and the years to a black, grim, hideous jungle where drums bellowed in fire-shot darkness and naked priests of an abhorred cult traced a frightful symbol in quivering human flesh.
Between the fireplace and the dying man squatted a thick-set black man, clad only in ragged, muddy trousers.
His back was toward the window, presenting an impressive pair of shoulders. His bullet-head was set squarely between those gigantic shoulders, like that of a frog, and he appeared to be avidly watching the face of the man on the cross-piece.
Richard Ballville's bloodshot eyes were like those of a tortured animal, but they were fully sane and conscious: they blazed with desperate vitality. He lifted his head painfully and his gaze swept the room. Outside the window McGrath instinctively shrank back. He did not know whether Ballville saw him or not. The man showed no sign to betray the presence of the watcher to the bestial black who scrutinized him. Then the brute turned his head toward the fire, reaching a long ape-like arm toward a glowing iron-and Ballville's eyes blazed with a fierce and urgent meaning the watcher could not mistake. McGrath did not need the agonized motion of the tortured head that accompanied the look. With a tigerish bound he was over the window-sill and in the room, even as the startled black shot erect, whirling with apish agility.
McGrath had not drawn his gun. He dared not risk a shot that might bring other foes upon him. There was a butcher-knife in the belt that held up the ragged, muddy trousers. It seemed to leap like a living thing into the hand of the black as he turned. But in McGrath's hand gleamed a curved Afghan dagger that had served him well in many a bygone battle.
Knowing the advantage of instant and relentless attack, he did not pause. His feet scarcely touched the floor inside before they were hurling him at the astounded black man.
The Robert E. Howard Omnibus: 97 Collected Stories Page 215