Claire had everyone’s attention, and when the introductions were concluded she began a condensed lecture on the purpose of an autopsy: to discover the cause and manner of death.
“You’ll see that the victim will be wearing what she had on when she was recovered from the scene. She’ll have bags on her hands to preserve any DNA she may have scraped from a possible attacker. She will have a complete external exam, including total body X-rays, before we ever do an internal exam. And then, I’m going to do that.
“If Ms. Farmer’s death is determined to be a homicide—not saying it was a homicide, but if she was killed and the evidence leads to an indictment, the defense may try to prove that our evidence was contaminated. That we’re a bunch of fumble-fingered idiots. Remember O.J. Protecting the integrity of this postmortem is critical to catching and holding a bad guy. Because of lousy forensics, there are innocent people in jail for crimes they never committed and murderers walking the streets free.
“To the dead, we owe respect. To the living, we owe the truth. Nothing less, nothing more, no matter where the evidence leads us.
“House rules. Keep your prophylactic outerwear in place. Masks must be worn in the surgery and kept on. Understand? If you forgot to turn off your cell phone, do it now. Save your questions until I ask for them. When I’m done, I’ll memorialize my findings for the record. Everything you see or hear from now on is highly confidential and leaks will not be tolerated.
“Are there any questions now?
“All right then. If we’re all clear on the house rules . . .” Claire turned to her assistant, the fetching Bunny Ellis, her hair done up like mouse ears, reverent eyes turned toward her boss.
“Bunny, will you please wheel Ms. Farmer into the autopsy suite? Everyone else, follow me.”
Claire hip-butted the swinging door and entered the autopsy suite. The cops and the junior-grade assistants behind her were excited, speaking in whispers that seemed to cut loose, rise in volume, loop around her, and then die down to a hush again.
Conklin had the summer intern under his wing. Mackie Morales seemed bright and eager and maybe a little bit too much into Richie. The way she looked at him, the way he was a little puffed up, explaining things to her. Cindy would not be happy if she saw this.
And not too much escaped Cindy.
Claire laughed quietly, but she didn’t say anything to Conklin, just went to the far corner of the room and pushed the button that turned on the video camera. The light on the camera didn’t go on. She punched it a couple of times, and still the little red eye was dark.
That was weird. The camera had been fine yesterday.
She pressed the intercom button, said, “Ryan, check the video setup, please.”
“Yes, ma’am. It was unplugged. It’s on, now.”
“Why was it unplugged?”
“I don’t know. I just found it this way.”
Bunny entered the room from the door leading to the morgue. She signaled to Claire, like, I need to talk to you.
“What’s the holdup, Bunny?”
“I need to see you for a second, doctor.”
Claire sighed again, crossed the room, and followed Bunny to the morgue, a refrigerated room lined with stacks of stainless-steel drawers, each designed to hold a body. Some of Claire’s patients had recently checked in. Some had been waiting for months for someone to ID them before they were buried as J. Does.
“What is it, Bunny?”
The girl’s blue eyes were shifting and her lips were trembling. Claire didn’t get it. What the hell?
“I can’t find her,” Bunny said.
“What are you talking about?”
“Faye Farmer,” Bunny said. “She’s gone.”
“What’s her drawer number?” Claire asked, exasperated. She went to the whiteboard, ran her finger down the list.
“Twelve,” said Bunny Ellis.
Claire turned away from the whiteboard, crossed to the wall of drawers, and pulled the handle of number twelve. The drawer slid out smoothly, bringing the corpse into view, tag tied to the big toe. Claire saw instantly that there had been a screwup. Faye Farmer was not and had never been a seventy-year-old black man.
She said, “Who mixed up the bodies? What drawer is this man supposed to be in?”
“Seventeen,” said Bunny. “Dr. Washburn, I already checked.”
Claire reached down, opened the drawer marked seventeen. It was empty. She started pulling out drawers, slamming them closed, each body in its assigned box except for the black John Doe in Faye Farmer’s drawer.
Bunny was crying now. She was a competent young woman and liked to do a good job.
“Stop that,” Claire snapped. “Think. Did you see Ms. Farmer’s body after she was checked in yesterday?”
“Not after I logged her in. She’s supposed to be in twelve.”
“Who moved John Doe one thirty-two out of box seventeen?”
Bunny shrugged miserably. “Not me.”
The body couldn’t have left the premises.
That was impossible.
About the Author
JAMES PATTERSON has created more enduring fictional characters than any other novelist writing today. He is the author of the Alex Cross novels, the most popular detective series of the past twenty-five years, including Kiss the Girls and Along Came a Spider. Mr. Patterson also writes the bestselling Women’s Murder Club novels, set in San Francisco, and the top-selling New York detective series of all time, featuring Detective Michael Bennett. James Patterson has had more New York Times bestsellers than any other writer, ever, according to Guinness World Records. Since his first novel won the Edgar Award in 1977, James Patterson’s books have sold more than 275 million copies.
He has also written numerous #1 bestsellers for young readers, including the Maximum Ride, Witch & Wizard, and Middle School series. In total, these books have spent more than 220 weeks on national bestseller lists. In 2010, James Patterson was named Author of the Year at the Children’s Choice Book Awards.
His lifelong passion for books and reading led James Patterson to create the innovative website ReadKiddoRead.com, giving adults an invaluable tool to find the books that get kids reading for life. He writes full-time and lives in Florida with his family.
jamespatterson.com
Follow James Patterson on Facebook.
Download the FREE James Patterson app.
Books by James Patterson
Featuring Alex Cross
Merry Christmas, Alex Cross
Kill Alex Cross
Cross Fire
I, Alex Cross
Alex Cross’s Trial (with Richard DiLallo)
Cross Country
Double Cross
Cross (also published as Alex Cross)
Mary, Mary
London Bridges
The Big Bad Wolf
Four Blind Mice
Violets Are Blue
Roses Are Red
Pop Goes the Weasel
Cat & Mouse
Jack & Jill
Kiss the Girls
Along Came a Spider
The Women’s Murder Club
12th of Never (with Maxine Paetro)
11th Hour (with Maxine Paetro)
10th Anniversary (with Maxine Paetro)
The 9th Judgment (with Maxine Paetro)
The 8th Confession (with Maxine Paetro)
7th Heaven (with Maxine Paetro)
The 6th Target (with Maxine Paetro)
The 5th Horseman (with Maxine Paetro)
4th of July (with Maxine Paetro)
3rd Degree (with Andrew Gross)
2nd Chance (with Andrew Gross)
1st to Die
Featuring Michael Bennett
I, Michael Bennett (with Michael Ledwidge)
Tick Tock (with Michael Ledwidge)
Worst Case (with Michael Ledwidge)
Run for Your Life (with Michael Ledwidge)
Step on a Crack (with Michael Ledwidge)
Private Berlin (with Mark Sullivan)
Private London (with Mark Pearson)
Private Games (with Mark Sullivan)
Private: #1 Suspect (with Maxine Paetro)
Private (with Maxine Paetro)
Stand-alone Books
NYPD Red (with Marshall Karp)
Zoo (with Michael Ledwidge)
Guilty Wives (with David Ellis)
The Christmas Wedding (with Richard DiLallo)
Kill Me If You Can (with Marshall Karp)
Now You See Her (with Michael Ledwidge)
Toys (with Neil McMahon)
Don’t Blink (with Howard Roughan)
The Postcard Killers (with Liza Marklund)
The Murder of King Tut (with Martin Dugard)
Swimsuit (with Maxine Paetro)
Against Medical Advice (with Hal Friedman)
Sail (with Howard Roughan)
Sundays at Tiffany’s (with Gabrielle Charbonnet)
You’ve Been Warned (with Howard Roughan)
The Quickie (with Michael Ledwidge)
Judge & Jury (with Andrew Gross)
Beach Road (with Peter de Jonge)
Lifeguard (with Andrew Gross)
Honeymoon (with Howard Roughan)
Sam’s Letters to Jennifer
The Lake House
The Jester (with Andrew Gross)
The Beach House (with Peter de Jonge)
Suzanne’s Diary for Nicholas
Cradle and All
When the Wind Blows
Miracle on the 17th Green (with Peter de Jonge)
Hide & Seek
The Midnight Club
Black Friday (originally published as Black Market)
See How They Run
Season of the Machete
The Thomas Berryman Number
For Readers of All Ages
Maximum Ride
Nevermore: The Final Maximum Ride Adventure
ANGEL: A Maximum Ride Novel
FANG: A Maximum Ride Novel
MAX: A Maximum Ride Novel
The Final Warning: A Maximum Ride Novel
Saving the World and Other Extreme Sports: A Maximum Ride Novel
School’s Out—Forever: A Maximum Ride Novel
The Angel Experiment: A Maximum Ride Novel
Daniel X
Daniel X: Armageddon (with Chris Grabenstein)
Daniel X: Game Over (with Ned Rust)
Daniel X: Demons and Druids (with Adam Sadler)
Daniel X: Watch the Skies (with Ned Rust)
The Dangerous Days of Daniel X (with Michael Ledwidge)
Witch and Wizard
Witch & Wizard: The Kiss (with Jill Dembowski)
Witch & Wizard: The Fire (with Jill Dembowski)
Witch & Wizard: The Gift (with Ned Rust)
Witch & Wizard (with Gabrielle Charbonnet)
Middle School
Middle School: Get Me Out of Here (with Chris Tebbetts, illustrated by Laura Park)
Middle School: The Worst Years of My Life (with Chris Tebbetts, illustrated by Laura Park)
Other Books for Readers of All Ages
I Funny: A Middle School Story (with Chris Grabenstein, illustrated by Laura Park)
Confessions of a Murder Suspect (with Maxine Paetro)
santaKid (illustrated by Michael Garland)
Thank you for buying this e-book, published by Hachette Digital.
To receive special offers, bonus content, and news about our latest e-books and apps, sign up for our newsletters.
Sign Up
Or visit us at hachettebookgroup.com/newsletters
Contents
Welcome
Prologue: Die Young and Leave a Beautiful Corpse
One
Two
Three
Four
Part One: Win, Lose, or Draw
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Part Two: Tipping Point
Chapter 39
Chapter 40
Chapter 41
Chapter 42
Chapter 43
Chapter 44
Chapter 45
Chapter 46
Chapter 47
Chapter 48
Chapter 49
Chapter 50
Chapter 51
Chapter 52
Chapter 53
Chapter 54
Chapter 55
Chapter 56
Chapter 57
Chapter 58
Chapter 59
Chapter 60
Chapter 61
Chapter 62
Chapter 63
Chapter 64
Chapter 65
Chapter 66
Part Three: Drop Dead, Gorgeous
Chapter 67
Chapter 68
Chapter 69
Chapter 70
Chapter 71
Chapter 72
Chapter 73
Chapter 74
Chapter 75
Chapter 76
Chapter 77
Chapter 78
Chapter 79
Chapter 80
Chapter 81
Chapter 82
Chapter 83
Chapter 84
Chapter 85
Chapter 86
Chapter 87
Chapter 88
Chapter 89
Part Four: All Fall Down
Chapter 90
Chapter 91
Chapter 92
Chapter 93
Chapter 94
Chapter 95
Chapter 96
Chapter 97
Chapter 98
Chapter 99
Chapter 100
Chapter 101
Chapter 102
Chapter 103
Chapter 104
Chapter 105
Chapter 106
Chapter 107
Chapter 108
Epilogue: Circle of Life
Chapter 109
Chapter 110
A Preview of “12th of Never”
About the Author
Also by James Patterson
Newsletters
Copyright
The characters and events in this book are fictitious. Any similarity to real persons, living or dead, is coincidental and not intended by the author.
Copyright © 2013 by James Patterson
Excerpt from 12th of Never copyright © 2013 by James Patterson
Cover design by Kapo Ng
Cover art © Peter Dazeley/Getty Images
Author photograph by Deborah Feingold
Copyright © 2013 Hachette Book Group, Inc.
All rights reserved. In accordance with the U.S. Copyright Act of 1976, the scanning, uploading, and electronic sharing of any part of this book without the permission of the publisher constitute unlawful piracy and theft of the author’s intellectual property. If you would like to use material from the book (other than for review purposes), prior written permission must be obtained by contact
ing the publisher at [email protected]. Thank you for your support of the author’s rights.
Little, Brown and Company
Hachette Book Group
237 Park Avenue, New York, NY 10017
littlebrown.com
twitter.com/littlebrown
First e-book edition: February 2013
The publisher is not responsible for websites (or their content) that are not owned by the publisher.
The Hachette Speakers Bureau provides a wide range of authors for speaking events. To find out more, go to hachettespeakersbureau.com or call (866) 376-6591.
ISBN 978-0-316-09752-9
Alex Cross, Run Page 25