Probably it had left her a little oversensitive on the subject of professional women. The woman in the street was obviously no strumpet. She was just a nice woman in a wet T-shirt. She seemed to be in shock. “It was ladies’ night,” she told Harris, over and over and over again.
Salt and gravel stuck to her face and the front of her shirt. Harris pulled out a handkerchief and cleaned her face. He heard twanging sounds inside, like a guitar being smashed. He put away his handkerchief and went back to his case. “I have to go in there,” he said.
She didn’t try to dissuade him. She didn’t even stay. Apparently she had hurt his knee when she landed on him. He hadn’t noticed at first, but now it was starting to throb. The agent in the car, part of his backup, showed the woman a badge and offered to take her out for coffee and a statement.
Harris watched the taillights until the car disappeared. He poured himself another whiskey and had sharp thoughts on the subject of heroines. It was easy for his wife to tell him women were hungry for heroines. She didn’t work undercover among the drug lords in Latin America. Teaching women’s literature didn’t require exceptional courage, at least not on the junior college level where she taught. And when a woman did find herself in a tight spot as this one had just done—well, what happened then? Women didn’t want heroines. Women wanted heroes, wanted heroes to be such an ordinary feature of their daily lives that they didn’t even feel compelled to stay and watch their own rescue. Wanted heroes who came home and did the dishes at night.
Harris rubbed his knee and cautiously straightened it. He took the black toad from his case and slipped it into a pocket. He took a tranquilizer gun and, against all orders, a mayonnaise jar containing the doctored Shirley Temple. The ginger ale was laced with bufotenine rather than bufotoxin. Bufotoxin had proved difficult to obtain on short notice, even for a DEA agent who knew his way around the store, but bufotenine was readily available in South Carolina and Georgia, where the cane toad secreted it, and anyone willing to lick a toad the size of a soccer ball could have some. Perfectly legal, too, in some forms, although the two state legislatures had introduced bills to outlaw toad-licking.
“Touch not, taste not, handle not!” The voice was suddenly amplified and accompanied by feedback; perhaps the rap singer had left his mike on. The last time Harris had heard Voudon singing he had been in Haiti, sleeping in the house of a Haitian colonel the DEA suspected of trafficking. He had gotten up and crept into the colonel’s study, and the voices came in the window with the moonlight.
Eh! Eh! Bomba! Heu! Heu! Canga, bafio te! Canga, moune de le! Canga, do ki la! Canga, li!
The song had frightened him back to his room. In the morning, he asked the cook about the voices. “A slave song,” she said. “For children.” She taught it to him, somewhat amused, he thought, at his rendition. Later he sang it to a friend, who translated. “‘We swear to destroy the whites and all they possess; let us die rather than fail to keep this vow.’” The cook had served him eggs.
Harris felt no compulsion at this particular moment to be fair, but in his heart he knew that, had his wife been there, she would never have let him go into that bar alone.
The bar was dark; the overheads had all been smashed, and the only light came from something that lay in front of Harris. This something blocked the door so that he could open it just halfway, and he could identify the blockage as Super Mario Bros. 2 by the incessant little tune it was playing. It was tipped onto its side and still glowed ever so slightly. Situated as it was, its little light made things inside even harder to see.
Deep in the bar, there was an occasional spark, like a firefly. Harris squinted in that direction. He could just make out the vacant bandstand. A single chair for a soloist lay on its back under a keyboard that had been snapped in half. The keyboard was still plugged in, and this was what was throwing off sparks. Harris’s eyes began to adjust. Above the keyboard, on the wall, about spark-high, was a nest of color-coded wires. The wall phone had been ripped out and stuffed into one of the speakers. Behind the speakers were rounded shapes he imagined to be cowering customers. The floor of the bar was shiny with liquor.
On the other side of the bar were the video games. Street Fighter, Cyberball, and Punch-Out!! all bore the marks of the hatchet. Over the tune of the video, Harris could hear someone sniffling. The mike picked it up. Otherwise the bar was quiet. Harris squeezed inside, climbing over Super Mario Bros. 2. His knee hurt. He bent and straightened it experimentally. Super Mario Bros. 2 played its music: Dee, dee, dee, dee, dee.
The loa charged, shrieking, from the corner. “Peace on Earth,” she howled, as her hatchet cleaved the air by Harris’s head, shattering the mayonnaise jar in his hand. The loa’s stroke carried her past him.
A piece of broken glass had sliced across his palm. Harris was bleeding. But worse than that, ginger ale laced with bufotenine was soaking into the cut and into the skin around the cut and way down his wrist. He had dosed the Shirley Temple to fell a linebacker with a couple of sips.
Harris dropped the tranquilizer gun and groped blindly to his right until he located a wet T-shirt. He rubbed his hand with it, all in a panic. Someone slapped him. There was a scream. The hatchet sliced through the air above him and lodged itself into the bar’s wood paneling. The tune from Super Mario Bros. 2 played on. The other singing started, in cacophonous counterpoint.
“An awful foe is in our land, drive him out, oh, drive him out! Donkey-faced bedmate of Satan,” the loa shrieked. She struggled to remove the hatchet head from the wood. She was an enormous woman, a woman built to compete in the shotput event. She would have the hatchet loose in no time. Harris looked about frenziedly. His heart was already responding, either to bufotenine or to the threat of hatchetation. The tranquilizer gun was on top of Super Mario Bros. 2 and under the loa’s very feet, but farther into the bar, at a safer distance, Harris saw his maraschino cherry on the floor. He dropped, ignoring the alarmed flash of pain from the injured knee, and groped with his uninjured hand. Something squished under his palm and stuck to him. He peeled it off to examine it.
It was a flattened cherry, a different cherry. Now Harris could see that the floor of the Gateway Bar was littered with maraschino cherries. One of them was injected with tetrodotoxin. There was no way to tell which just by looking.
Near him, under a table, a woman in a wet T-shirt sat with her hands over her ears and stared at him. NEVADA BOB’S, the T-shirt read. It struck Harris as funny. The word BOB. Suddenly Harris saw that BOB was a very funny word, especially stuck there like that between two large breasts whose nipples were as obvious as maraschino cherries. He started to say something, but a sudden movement to one side made him turn to look that way instead. He wondered what he had been going to say.
The loa brandished her hatchet. Harris retreated into the bar on his knees. The hatchet went wide again, smashed an enormous Crock-Pot that sat on the bar. Chili oozed out of the cracks.
“I shall pray for you,” the loa said, carried by the momentum of her stroke into the video games. “I shall pray for all of you whose American appetites have been tempted with foreign dishes.” She put her arms around the casing for Ghouls ’n Ghosts, lifted the entire thing from the floor, and piled it onto Super Mario Bros. 2. The music hiccoughed for a moment and then resumed.
There was now absolutely no exit from the bar through that door. Harris’s backup was still out there, peering into manholes and washing windows, and the street was two video games away. Harris’s amusement vanished. He wasn’t likely to be at his best, alone, weaponless, with a hurt knee, and bufotenine pulsing through his body. Only one of these things could be rectified.
The bar was starting to metamorphose around him. The puddles of liquor on the floor sprouted into fountains, green liquid trees of crème de menthe, red trees of wine, gold trees of beer. The smell of liquor intensified as the trees bloomed. They grew flowers and dropped leaves in the liqu
id permanence of fountains, an infinite, unchanging season that was all seasons at once. A jungle lay between Harris and the loa. His tranquilizer gun was sandwiched between Super Mario Bros. 2 and Ghouls ’n Ghosts. The barrel protruded. Harris wrenched it free. It took three tries and the awesome properties of the lever to move the uppermost video game. Harris tried not to remember how the loa had picked it up off the floor with her hands. He retrieved his gun and went hunting.
She was coy now, ducking away from him, so that he only caught glimpses of her through the watery branches of liquor. A sound here and there indicated that she had stopped to smash a wooden keg or pound the cash register. Harris himself was stealthy, timing each footfall to coincide with the tones of Super Mario Bros. 2.
The fountains were endlessly mobile. They rose and diminished unpredictably so that at one moment they could be between him and the loa, screening her from him, and the next moment, without his taking a step, he and the loa could be face-to-face. This gave the hunt a sort of funhouse quality. The loa was likewise changeable now—a big and ugly woman one moment, a lovely young one in a wet T-shirt the next—and this, too, added to the fun. Harris much preferred hunting young women without bras to hunting old ones with hatchets. Harris approved the change until it suddenly occurred to him just what the loa’s strategy was. She was fiendishly clever. The same way a maraschino cherry laced with tetrodotoxin could be hidden among other, innocent, maraschino cherries, a loa, assuming the shape of a young woman in a wet T-shirt, could hide among other young women in wet T-shirts. Harris would have to think of some way to identify her. Failing that, he would simply have to shoot everything in a wet T-shirt with the tranquilizer gun. This would probably require more tranquilizer darts than he had on him.
He would have to entice the loa out of hiding. He would have to make himself into bait.
Several overturned ashtrays were on the floor. It was the work of a moment to locate a cigarette butt, a matchbook with the Gateway Bar logo on it. The matches were damp and sticky. Harris put the butt in his mouth and tried to light one of the matches with his left, bloody hand, his right clenched on the trigger of the tranquilizer gun. He bent several matches before giving up. He switched the match to his right hand, still holding the gun, but not in a ready position, not with a finger on the trigger. He bent several matches before one flamed.
The loa charged immediately. “Filthy poison! Breath of hell!” she screamed. She was old and huge, and her hatchet wavered over her head. There was no time to shoot. Harris rolled.
Harris rolled through the many-colored puddles and fountains of drink and immediately to his feet, shaky on his hurt knee. Before she could transform, before she could regroup herself for another charge, Harris shot her.
She was in the middle of a scream. She stopped, looked down to her right hip where the tranquilizer dart had hit her. Super Mario Bros. 2 celebrated with a little riff: Dee, dee, dee, dee, dee. A fountain of red grenadine sprang up. The loa raised the hatchet, took a step into the fountain. The petals of red flowers exploded around her and fell onto her like rain. She threw the hatchet. Her aim was off; it clattered harmlessly a few feet behind him. She took a second step and then fell in his direction. One moment she was an enormous shadow and the grenadine fountain rose behind her like the distant fireworks of the Fourth of July and the smell of cherries was everywhere; the next she lay in a black heap on the floor, and the fountain had trickled to nothing. But in the tiny, invisible space between those moments, the loa left the body.
Her z’etoile rose from the black heap and spun above it. Harris could see it, like a star in the room. It came toward him slowly, backing him up until his heel touched the hatchet. Then it came faster, fast as falling, blazing larger and unbearably hot. His left hand found the black toad in his pocket so that, at the last possible moment, the moment before contact, when he threw up his hands to protect his face from the searing heat, the toad was in them. The z’etoile swerved and entered the toad instead of him.
Harris dropped the toad to the floor, grabbed the hatchet, and smashed with the blunt end. The toad skittered, and he followed it over the sticky floor among the maraschino cherries, smashing again and again, until the toad cracked in one long rent down the middle and went to pieces. The z’etoile tried to leap away, but it was in pieces too now, like the toad. It shot in many directions and entered video games and broken keyboards and customers and lounge rap singers and ashtrays, but only in subdued, confused sparkles. It was the best Harris could do. He lay down on the floor and imagined there were shoes, open-toed and pointy with nail polish on the toes, canvas and round-toed, leather and bootlike, all about him.
“Come on,” someone said. It sounded like his mother, only she was speaking through a microphone. He must be late for school. The song from Super Mario Bros. 2 was playing in the background, but when wasn’t it? Harris tried to open his eyes. He had no way of knowing if he’d succeeded or not. He didn’t see his mother. He saw or imagined DEA agents attempting to lift the body of the huge woman from the floor. It took three of them. “Come on,” someone said again, nudging him with a toe.
“I’m coming,” said Harris, who refused to move.
• • •
MEANWHILE, in an abandoned inner-city warehouse . . .
The background is test tubes and microscopes and a bit of graffiti, visual, not verbal. A bald-headed man stands over a camp stove. He holds an eyedropper above a pot with green liquid inside. Steam rises from the pot. Three more drops, he thinks. He has a snake tattooed on his arm.
Knock, knock! “I said no interruptions,” the man snarls. The liquid in the pot turns white.
The door opens. A shabby man enters, his clothes torn, his hair matted. “Give me some,” the shabby man says.
The bald man laughs at him. “You can’t afford this.”
“I’ll do anything,” says the shabby man.
“This is special. This isn’t for the likes of you.”
“The likes of me?” The shabby man remembers a different life. There is a white house, a wife, two children, a boy and a girl. He is in a business suit, clean, carrying a briefcase. He comes home from work, and his children run to meet him. “Who made me into the likes of me?” the shabby man asks. There is a tear in the corner of one eye.
He lunges for the pot, takes a drink before the bald man can stop him. “Wha—?” the bald man says.
The shabby man clutches at his throat. “Arghh!” He falls to the ground.
The bald man tells him to get up. He kicks him. He takes his pulse. “Hmm. Dead,” he says. He is thinking, I must have made it a little strong. Lucky I didn’t try it myself. He goes back to his cooking. “Two drops,” he says. He thinks, I’m going to need someone new to test it on.
Later that day . . .
The bald man is dressed in a winter coat. His tattoo is covered; he wears a hat. He enters a city park. A grandmotherly type drinks from the water fountain. She leans on a cane. Such a cold winter, she is thinking. A group of kids skateboard. “My turn!” one of them says.
The bald man in the hat approaches one of the kids. This kid is a little small, a little tentative. “Hey, kid,” the bald man says. “Want to try something really great?”
The grandmother thinks, Oh, dear. She hobbles on her cane to a large tree, hides behind it.
“My mom says not to take anything from strangers,” the kid says.
“Just a couple drops,” the bald man wheedles. “It’s as good as peppermint ice cream.” He takes a little bottle from his pocket and uncorks it. He holds it out.
I shouldn’t, the kid thinks, but he has already taken the bottle.
“Eeeagh!” Carry Nation emerges from behind the tree. Her cane has become a hatchet; her costume is a black dress with special pockets. “Son of Satan!” she screams, hurtling toward the bald man, hatchet up. Whooosh! The hatchet takes off the bald man’s hat. Kaboom! Car
ry strikes him with her fist. Kapow!
• • •
COLORS HAPPENED ON the inside of Harris’s eyelids. Harsh, unnatural, vivid colors. Colors that sang and danced in chorus like Disney cartoons, dark colors for the bass voices, bright neons for the high notes. Harris was long past enjoying these colors. Someone had put Harris to bed, but it was so long ago Harris couldn’t quite remember who. It might have been his mother. Someone had bandaged his hand and cleaned him up, although his hair was still sticky with liquor. Someone had apparently thought Harris might be able to sleep, someone who had clearly never dosed themselves with bufotenine. Never licked a toad in their life. Someone brought Harris soup. He stared at it, abandoned on the nightstand, thinking what a silly word soup was. He closed his eyes, and the colors sang it for him with full parts. A full choral treatment. Soup. Soup. Souped up. In the soup. Soupçon.
The phone rang, and the colors splashed away from the sound in an unharmonious babble of confusion. They recovered as quickly as the ringing stopped, re-formed themselves like water after a stone. Only one ring. Harris suddenly noticed other noises. The television in his room was on. There were visitors in the living room. His wife was sitting on the bed beside him.
“That was your superior,” she said. Harris laughed. Souperior. “He said to tell you, ‘Package delivered.’ He said you’d be anxious.”
He wishes he worked for the CIA, the colors sang to Harris. Package delivered.
“Patrick.” Harris’s wife was touching his arm. She shook it a little. “Patrick? He’s worried about you. He thinks you may have a drinking problem.”
Black Glass Page 5