He’d be working at it today, only his folks have invited him and Dorrie and the baby over for the birthday festivities. Sunday dinner, opening his presents from the family, blowing out the candles, the usual. It’s 1980; he’s about to enter the decade of decadence, only he doesn’t know that yet, no one does; he only knows he feels the good hum of almost continuous anticipation in his chest, even though Dorrie griped all the way over to his folks’ place about how they were probably going to have a hot dinner, gravy and everything, when here it was, the bitch end of a sizzling day. Her own idea of hot weather fare is a big bowl of ice-cream and a glass of iced tea.
A brutal bored silence had fallen between them these last weeks.
A mere three years ago he was a young buck walking down a Winnipeg street in his shirt-sleeves. He remembers how that felt, no wife, no kid, no house, no yard. Now the whole picture’s changed, but that’s okay, especially his kid, Ryan. Another thing: he’s supposed to be sunk in gloom at the thought of turning thirty, but he isn’t. He’s unique and mortal, he knows that, and he’s got this sweet little babe of a house, and a yard that’s slowly taking shape, all its corners filling up with transplanted shrubs from the wholesaler down in Carmen. There’re some flowers too, and a few sweet peppers, but it’s mainly the shrubs he loves. Dorrie keeps calling them bushes, and he keeps having to correct her. “You’ve got shrub mania,” she says, but her lips smile when she’s saying it. “You want to be the shrub king of the universe.”
Maybe it’s true. Maybe he wants to make his yard a real shrub showplace. Somewhere Larry’s heard that almost everyone in the world is allowed one minute of fame in their lives, or maybe that’s one hour.
Stu Weller, Larry’s dad, got written up once in the weekend section of the Winnipeg Tribune on the subject of his corkscrew and bottle-opener collection, which included 600 items at the time of the interview, and has almost doubled since. Larry’s older sister, Midge, won a thousand dollars last year in the art gallery raffle - enough for a trip to Hawaii with a girlfriend — and she actually appeared on Channel 13 talking about how surprised she was, and how she didn’t usually waste money on raffle tickets unless it was for a good cause like expanding the gallery’s exhibition space or something.
Larry’s own moment of fame is still some years in the future, and that’s fine with him. He’s got enough on his mind these days, his young family - Dorrie, little Ryan - and his job at Flowerfolks, and his current preoccupation with transforming his yard. As for his mother, Dot, she’s had enough celebrity for a lifetime. Don’t even talk to her about being famous, especially not the kind of fame that comes boiling out of ignorance, and haunts you for the rest of your life. Dumb Dot. Careless Dot. Dot the murderer. Of course, that was a long time ago.
When Larry was a little kid his mother warned him about the dangers of public drinking fountains. “No one ever, ever puts their mouth right on the spout,” she said, “because they can pickup other people’s germs, and who knows what kind of disease you’ll get.”
This was bad news for Larry. At that age he liked to stand on tiptoe and press his lips directly on the cool silvery water spout, rather than trying to catch the spray in his mouth as it looped unpredictably upward. Besides, his mother’s caution didn’t make sense, since if no one ever touched the spout, how could there be any germs? He recalls — he must have been six or seven at the time — that he presented this piece of logic to his mother, but she only shook her headful of squashed curls and said sadly, wisely, “There will always be people in this world who don’t know any better.”
He pictured these people - the people who didn’t know any better - as a race of clumsy unfortunates, and according to his mother there were plenty of them living right here on Ella Street in Winnipeg’s West End: those people who mowed their lawns but failed to rake up the clippings, for instance. People who didn’t know any better stored cake flour and other staples in their original paper bags so that their cupboards swarmed with ants and beetles. They never got around to replacing the crumbling rubber-backed placemats from the Lake of the Woods with “The Story of Wood Pulp” stamped in the middle. That was the problem with people who didn’t know any better: they never threw things away, not even their stained tea-towels, not even their oven mitts with holes burnt right through the fingers.
People who didn’t know any better actually ate the coleslaw that came with their hamburgers, poking it out of those miniature pleated paper cups with their stabbing forks. Someone, their well-meaning mothers probably, told them they should eat any and all green vegetables that were put in front of them, not that there’s anything very green about coleslaw, especially when it’s been sitting in a puddle of wet salad dressing and improperly refrigerated for heaven only knows how many days. These people have never heard of the word salmonella, or if they have, they probably can’t pronounce it.
Whereas Dot (Dorothy) Woolsey Weller, wife of Stu Weller, mother of Larry and Midge, grandmother of Ryan, knows about food poisoning intimately, tragically. She was, early in her life, an ignorant and careless person, one of those very people who didn’t know any better and who will never be allowed, now, to forget her lack of knowledge. She’s obliged to remember every day, either for a fleeting moment - her good days - or for long suffering afternoons of gloom. “Your mother’s got a nip of the blues today,” Stu Weller used to tell his kids while they were growing up in the Ella Street house, and they knew what that meant. There sat their mother at the kitchen table, again, still in her chenille robe, again, when they got home from school, her hands rubbing back and forth across her face, and her eyes blank and glassy, reliving her single terrifying act of infamy.
Even today, August 17th, her son’s thirtieth birthday, she’s remembering. Larry knows the signs. It’s five-thirty on a Sunday afternoon, and there she is, high-rumped and perspiring in her creased cotton sundress, busying herself in the kitchen, setting the dinner plates on top of the stove to warm, as if they weren’t already hot from being in a hot kitchen. She’s peering into the oven at the bubbling casserole, and she’s floating back and forth, fridge to counter, counter to sink. Her large airy gestures seem to have sprung not from her life as wife and mother, but from a sunny, creamy, abundant girlhood, which Larry doubts she ever had. She smiles and she chats and she even flirts a little with her thirty-year-old son, who looks on, a bottle of cold beer in his hand, but he knows the old warnings. Her jittery detachment gives her away. She picks up a jar of pickles and bangs it hard on the breadboard to loosen the lid. She’s thinking and fretting and knowing and feeling sick with the poison of memory.
This my mother, Larry thinks, my sad soft mother. Most of her life has involved the absorbing of her grievous history, of trying to go forward when all this heaviness lies inside. One ancient mistake, one hour gone wrong, and now she pays and pays.
She’s a housewife, Larry’s mother, a maker of custard sauce, a knitter of scarves, a fervent keeper of baby pictures and family scrapbooks, but this is her real work: sorrowing, remembering. The loose shuttle of her pain flies back and forth so that sometimes she seems just fine, just like anyone else’s mother. Today she’s made Larry a lemon meringue pie for his birthday instead of a cake; she could have made it yesterday and kept it on the top shelf of the fridge just under the freezer section, but with her history she wouldn’t dream of taking a chance like that, and who could blame her? Her anxieties about food are built into the Weller family chronicle - as is Larry’s passion for lemon meringue pie. Dot makes her son a big one every year on his birthday, with a circle of birthday candles poking up through the golden-tipped meringue. A sight to behold.
There’ll be Lancashire hotpot too, that’s what’s bubbling away in the oven right now. It’s a simple oldtime recipe that Dot’s mother used to make on Saturday nights back in England: chunks of stewing lamb arranged across the bottom of a Pyrex casserole, then a layer of sliced potatoes, another of carrots, then more lamb, and all this topped with a handful of finely dic
ed onions. Next you add plenty of salt, pepper, and parsley flakes, and a cup of Oxo, and bake covered for an hour and a half. Larry’s crazy about Lancashire hotpot, or at least he pretends he is, for the sake of his sad and perpetually grieving and remembering mother. Mum, he calls her; he always has. Americans say Mom or Ma. People in movies and books say Mother.
She’s set the dropleaf table in the living room for six, her best damask cloth and the good cutlery and china. There’ll be just the family, her loved ones, as she likes to call them, as though they were characters out of an obituary - her husband Stu, Larry, Dorrie, and little Ryan in his booster seat. Her daughter Midge is coming too, but here it is, almost time to sit down at the table, and she hasn’t turned up yet. Three years ago Midge kicked her husband out after receiving an anonymous note saying that Paul frequented a certain gay bar, and now she swears she’s never going to get married again. She says, with her eyes rolling upward, that she knew something was funny-bunny about him from day one.
Larry worries about his mum. She’s not getting out enough lately, hardly at all in fact, unless you call a trip to Sears’ mattress sale “getting out.” It also worries Larry that his mother frets so much about other people. She worries about Midge, that at the age of thirty-two she’s starting to get bitter, always sounding off like a regular women’s libber, and going on marches and so forth. She also worries about Larry and Dorrie, the way they’re half the time bickering, and Dorrie working full-time for Manitoba Motors instead of staying home with Ryan, who’s still in diapers at twenty-three months, and she worries about her husband who right this minute is in the bedroom putting on a clean sports shirt because she nagged him into it, and is in a bad mood. As a matter of fact, he’s done nothing but grumble all day, the heat, the mosquitoes, his lower back pain, not enough sugar in his afternoon coffee, the mess in the backyard because of the compost pile Larry’s talked him into, and now having to eat at the dropleaf table in the living room instead of the kitchen nook. So far he hasn’t even said happy birthday to Larry, to his own son.
She checks the oven, looks at the clock, glances out the kitchen window to see if Midge’s car is coming down the back lane. Where is that girl? Next she pours boiling water over the silver pie server in case of lurking germs, then sets it on a paper towel to dry. Immaculate. So’s the speckled linoleum. So is Dot’s cutlery drawer. In this house you would never see a tea-bag tossed wet and leaking into the sink, or a pile of coffee grounds. People who let a skin of mold accumulate on the hem of their shower curtain are not her kind of people. This is a woman who carries her meat home from the butcher’s and washes it at the sink. Larry is watching her rinse her hands under the tap, and at the same time he’s kicking his foot against the table leg the way he used to do when he was little. The upholstered breakfast nook where he sits has the wiped hygienic smell of on old marriage. He’s blowing a little tune into his empty beer bottle.
Is there room in the tilting, rotating world for a thirty-year-old man who sits blowing into a bottle? He thinks this, and so does his mother, who reaches over and takes it from him, not so much with an air of rebuke as with resolution, and places it under the counter. What deprivation, her expression asks, what injury has stalled her son at the age of thirty? Something’s been subtracted too soon, but what? And is it her fault?
Of course it’s her fault.
Worry, worry, a circle of worry. And these are her loved ones, these five. Her grumbling husband, her errant daughter, her baffling son, and in the living room her daughter-in-law Dorrie, whose neatness of body, whose sharpness of eye and chin and shoulder, is bent over the weekend paper, scouting the ads and cutting out dollars-off coupons, while little Ryan sits on the floor and plays with the paper scraps, tearing them into tiny flakes. This small and insufficient family. This is all Larry’s mother’s got to cushion her against the damage of her own life.
The history of Dot Weller, and how she killed her mother-in-law, came to Larry in small pieces, by installments as it were. He can’t remember a time when he didn’t know at least part of the story, and he’s not sure, in fact, if he’s ever been presented with a full account, start to finish, all at once.
In one of his mother’s albums there’s an old photograph of Larry himself taken at nine months. Little Larry wearing a white smocked nightgown is wedged into an old-fashioned wooden highchair which for some reason has been carried out of doors. Blurred trees and a suggestion of lawn fill in a background lit with a glare of ominous light that falls across the infant’s fine frizz of hair and on to the glossy wood of the chair. Can a head think when it’s that size? Can a baby’s face be this wise and unfoolable? His hands, which look like nothing so much as a pair of crimped shells, grip the edge of the highchair’s tray, and his expression is pulled into a knit of absorbed anguish. He can’t possibly know at this age, or can he, that a calamity has occurred in his mother’s life? And yet, the comprehending orbits of his soft eyes, the small roundness of his mouth, already hold a full level of bruising knowledge. He has a mother who cries in her sleep. A mother who’s missing the kind of cold, saving curiosity that would hold her steady after a tragic event and whose contagion of grief has spread to him. Through her milk, through her skin and fingertips.
Or it may have been, in the beginning, no more than a series of silences that accrued around certain topics, which in the life of his mother could not be approached openly. Looking back, Larry seems almost certain that the story, when it came, was presented through the agency of intense whispering toneless voices - but whose? his father’s? his sister’s? - and that behind the recital of events lay a sense of driving urgency: this was information that he was going to need in order to live in the Weller family, in order to walk around in the world. The calamity that occurred in the autumn of 1949, one year before he was born, was inescapable, housed as it was in the walls like a layer of formaldehyde insulation, an always present, tightly lashed narrative embracing everyone who lived under the family roof. And so Larry knows his mother’s suffering. He’s always known it, filling in around the known bits with his imagination. He would like to put his arms around her, and she would like this too. But he doesn’t know where to begin, doesn’t know if she knows that he knows or how much he knows or what weight he attaches to it. So he’s silent and she’s silent. He sits fiddling with his beer bottle, until it’s firmly taken from him, and she checks the clock for the umpteenth time, as if each ticking minute places an extra weight on her sadness.
Dot Weller was twenty-five years old at the time of the accident and married to young Stu Weller who worked as an upholsterer for British Railways in the northern town of Bolton. Their infant daughter Midge, short for Marjorie, had just taken her first steps, a happy little kid tottering from chair to chair, and chortling in tune with her acrobatic daring. The most contented baby in the world, everyone said. A perfect sweetie.
The family lived in a newish council house, four airy rooms and a tiny garden where in the summer Dot grew lettuce, radishes, carrots, blackcurrants, and a wavy row of runner beans. She would have preferred a patch of fine lawn and a bed of flowers - she was partial to lupines - but an anxious, learned frugality kept her concentration on what she and Stu and baby Midge could consume. The blackcurrants she made into a rather sour jam, since sugar was still rationed and hard to come by, and the runner beans she stewed up and preserved in sealed jars. This made her happy, gazing at her row of bottled fruit and vegetables, twelve pints in all, the beans blue-green in colour, gleaming from the pantry shelf.
Stu was down at the Works six days a week, but on Sundays he stayed at home and made morning tea for his pretty young wife and himself. The least he could do, he liked to say. He tossed little Midge in the air, read the Sunday Mirror straight through, and cleaned out the grates, and just before noon went up the road to the pub for a quick gin and tonic, which he fancied in those days to be a gentleman’s drink. After that he and Dot and their little dumpling of a daughter boarded a bus and crossed town
to where his mother and dad lived in their two-up, two-down, and where a Sunday joint awaited them. These were happy days. Each of them felt the privilege of it. “But they ought to come to us for Sunday dinner the odd time,” Dot said. “It isn’t right, your mother doing all the work.”
She prevailed on them, and at last they agreed. The Sunday journey was reversed, Mum and Dad Weller crossing town one late October morning on the number 16 bus and arriving at the door drenched from cold rain, but cheerful, and ready for a hot meal. There was roast beef and mash and gravy, and a choice of Brussels sprouts or runner beans. There was horseradish sauce served in a little sweet-dish, a wedding gift. And for pudding a homemade sponge topped with Golden Syrup.
It was a blessing, people said afterward, that they didn’t all choose beans over sprouts. Only Mum Weller helped herself, and rather generously, to the beans. “And Dot here’s the one who bottled them,” said Stu, the proud young husband. “Have a little more, Mum, you haven’t made but half a dent.”
An hour later, drinking a cup of tea, the old woman complained of double vision, of having trouble swallowing. Nevertheless, Stu and his father bundled a sleepy Midge into her pram and wandered off to the stretch of waste ground by the railway yards, leaving Dot alone with her distressed mother-in-law. Dot offered more tea, but it was waved away. She produced a hot-water bottle and a blanket to fold over her mother-in-law’s trunky knees. Mum Weller rocked back and forth a few times, then groaned suddenly, and fell forward with a crash on to the hearth rug, her head missing by an inch the metal fender. Dot ran to her side, kneeling on the rug. Mother Weller’s head was twisted grotesquely to one side, and her face held a look of throttled purple. Dot remembers crying out, but doesn’t know what she said. (Probably help, help, but who was there to help?) And then she passed her hand back and forth before the dead woman’s eyes.
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