Off the Record

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by Craig Sherborne


  I undid my middle button and re-buttoned it.

  ‘Last chance. Final offer. Absolute last chance…Fine. Your loss. You can’t help some people. Goodbye.’

  I stopped outside the office door to give him one more chance. He was bluffing. He was bullying me. He’d say Wait, Words and back in I’d go.

  I did the same at the bottom of the stairs. And at the top of the stairs. He did not do it. I sat in my chair, my best friend through all my wordsmithing years. I waited and he did not do it.

  I wrote a letter of resignation as if I’d left on my terms. I told Safo to pass it on to GG—I could not bear to look at the man. I refused to communicate further with Ex-Pockets. They both arrived in the news room to make announcements to staff. Businesses are like nature, said GG: some are born without blemishes, others die off deformed.

  Only Mai Tran cried. But that’s Mai Tran for you. No stomach, no cast-iron pride.

  37

  Ryan Scullen, on the other hand, was focused on finding a job. He was young and he came cheap. You’ll piss a job in, I assured him. He carried my chair to my car boot. My vintage files. Family photos. I agreed to be his referee. Help in any way I could. Call me anytime. You’re a gun journo. After all, soon enough I might work for him. I did not say that but it was bound to be true. I was once him and he would soon be me. Him on the up. Me on the down slide.

  Poor Mr Oxford, trudging behind us—‘Please stop and speak.’

  ‘Sorry,’ I said, impatient. ‘Can’t help you. Don’t pester us.’

  ‘What is happening, Mr Smith?’

  ‘What is happening is it’s over—pry and for the meantime me. Ryan and his colleagues will go and get shitfaced at Intercourse. I will go home and get shitfaced in private. Shitfaced in public is for the younger generation.’

  I shook Ryan’s hand and wished him good luck.

  ‘I’m in the same boat as you, Mr Oxford. Farewell and keep your chin up. And stop trotting behind me like a lost dog.’

  He did stop. I looked over my shoulder and I’d never seen such despondency manifest. I quickened stride to escape in case despondency was catching. I eased my maimed body into my vehicle but it was too late, it had got me. Despondency. An unmanly impulse to curl up and die. I rested my head on the steering wheel.

  Wanting to die is ineffective, it does not bring death on. You close your eyes but your eyes still reopen and you have to make plans for the next few seconds, the next hour, next day, next week. On and on. It’s interminable. Please, God, let there be no afterlife. Sweet nothingness of the grave, a black void the true heaven.

  Up came my head. Off the steering wheel, eyes open and operating. Windscreen dusty with sun and Mr Oxford over the road sitting on a tram-stop bench the way defeated deros do, wringing their hands and letting the trams pass without getting on.

  My first plan was to lie about my age from that moment. Not forty-eight anymore. Forty sounded employable. I’d dye my hair to brown the grey out. Get my tooth in, of course, but also my teeth bleached. I still wore my wedding ring but not from now on: I’d sell it. Gold was four hundred an ounce when I married Emma. It’s a thousand five hundred now—the price of a new suit.

  I started the car, eased out into traffic, and beeped Mr Oxford and pulled over. I opened the passenger window and reached across.

  ‘Oi! How much did you tell Ryan?’

  Mr Oxford looked at me, eyes baggy from his blubbering.

  ‘Did you tell him all the details or just skim the surface?’

  His flaccid jowls dragged his chin into folds.

  ‘I like that Kokoda yarn. Did you give Ryan the details? You know, dates, names?’

  He shook his head, which shook his jowls.

  ‘And the rigged-exams story?’

  He shook his head again.

  ‘I’d have them exclusive, then. Beautiful.’

  I opened the passenger door.

  ‘Push those files out of the way and hop in. Might even get you your job back. Come on, we can’t waste time. I want all your records, all the particulars. The minutiae, that’s what people like. I’ll write them freelance and shop around for the best price. Get in, Mr Oxford. Come on. Get in. I won’t bite. That’s the way. We’re both men of language. We’re going to get along fine.’

  Craig Sherborne was a journalist for many years. His first novel, The Amateur Science of Love, won the Melbourne Prize for Literature’s Best Writing Award and his second, Tree Palace, was shortlisted for the Miles Franklin Literary Award. He is also the author of the acclaimed memoirs Hoi Polloi and Muck, two volumes of poetry, and a verse drama. He lives near Melbourne.

  Praise for Craig Sherborne’s previous novels

  ‘With the crystallisation and compression of poetry, Sherborne…produces a novel as beautiful in its conjunctions as the chandelier swinging over its landscapes.’ AUSTRALIAN

  ‘Moving, terrifying and wonderfully well observed… A triumph.’ SYDNEY MORNING HERALD

  ‘Insight, empathy and supple, observant prose.’ ADVERTISER

  ‘All women with lingering illusions about the way men think should read this fast-moving, sharply focused, fantasy-shattering little thunderclap of a book.’ HELEN GAR NER

  ‘Fascinating, funny and unputdownable.’ HERALD SUN

  ‘An engulfing, heart-stopping book—a performance that dazzles the eyes and leaves the reader gasping for air.’ AGE

  Praise for Craig Sherborne’s memoirs

  ‘Gruesomely honest and very, very funny.’ HILARY MANTEL

  ‘Mordantly true to life…One of the most interesting autobiographical projects on the go.’ J. M. COETZEE

  ‘The prose is so taut as to be hieratic at times: one senses that the horror of what he has to tell is so great that, were he to relinquish his grip for even a moment, it would flare up and incinerate him.’ TIMES LITERARY SUPPLEMENT

  ‘Riveting…Moral courage has propelled this book to the page. Its execution is sublime.’ SCOTSMAN

  textpublishing.com.au

  The Text Publishing Company

  Swann House

  22 William Street

  Melbourne Victoria 3000

  Australia

  Copyright © Craig Sherborne, 2018

  The moral right of Craig Sherborne to be identified as the author of this work has been asserted.

  All rights reserved. Without limiting the rights under copyright above, no part of this publication shall be reproduced, stored in or introduced into a retrieval system, or transmitted in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior permission of both the copyright owner and the publisher of this book.

  Published by The Text Publishing Company, 2018

  Cover design by W. H. Chong

  Page design by Jessica Horrocks

  Typeset by J&M Typesetting

  ISBN: 9781925603248 (paperback)

  ISBN: 9781925626292 (ebook)

  A catalogue record for this book is available from the National Library of Australia

 

 

 


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