So now I knew everything, and everything brings with it an exacting discretion, I went back to school to stay, hadn’t I been told it was a good idea? and though it was ordeal enough to quash the most resolute heart, I sat there in those classrooms alone with my education and for good measure worked prominently in a fish store after school for five dollars a week, and wore a white apron ornamented with normal daily splashings of blood, and managed to bide my time simply by assuming that all of it was being watched.
Within a year of Mr. Schultz’s death the man with bad skin was himself indicted and tried by Thomas E. Dewey and sent away to prison. I knew enough of gang rule that as it accommodated itself to change, priorities shifted, problems were redefined, and there arose new issues of criminally urgent importance. So it would have been possible right then to go upcountry in safety. But I was in no rush. Only I knew what I knew. And something like a revelation had come to me through my school lessons: I was living in even greater circles of gangsterdom than I had dreamed, latitudes and longitudes of gangsterdom. The truth of this was to be borne out in a few years when the Second World War began, but in the meantime I was inspired to excel at my studies as I had at marksmanship and betrayal, and so made the leap to Townsend Harris High School in Manhattan for exceptional students, whose number I was scornfully unastonished to be among, and then the even higher leap to an Ivy League college I would be wise not to name, where I paid my own tuition in reasonably meted-out cash installments and from which I was eventually graduated with honors and an officers’ training commission as a second lieutenant in the United States Army.
In 1942, the man with bad skin was pardoned by Governor Thomas E. Dewey, who as district attorney had sent him up, and deported to Italy in thanks for the assistance he was thought to have provided in making the New York City waterfront secure against Nazi saboteurs. But by then I was myself patriotically employed overseas, and so, what with one thing and another, I was not able to claim the treasure until I got home from the war in 1945. That is almost all I will say of this matter although the larcenous reader will be able figure things out for himself, for herself, in fact anyone can put two and two together, it’s all right with me, because of course I did go and collect it, it was just where I knew it would be, Mr. Schultz’s whole missing fortune which to this day and until now people have believed was never recovered. It was in the form of bundled Treasury certificates and crisp bills in the noble denominations of Mr. Hines’s love and it was stuffed in a safe, packed in mail sacks. My veteran’s self was moved by the prewar quaintness of it, it was like pirate swag, monument to an ancient lust, and I had the same feelings looking at it that I get from old portraits or the recordings of dead though still fervent singers. But none of these feelings discouraged me from taking it.
And here I realize I have come almost to the end of this story of a boy’s adventures. Who I am in my majority and what I do, and whether I am in the criminal trades or not, and where and how I live must remain my secret because I have a certain renown. I will confess that I have many times since my investiture sought to toss all the numbers up in the air and let them fall back into letters, so that a new book would emerge, in a new language of being. It was what Mr. Berman said might someday come to pass, the perverse proposition of a numbers man, to throw them away and all their imagery, the cuneiform, the hieroglyphic, the calculus, and the speed of light, the whole numbers and fractions, the rational and irrational numbers, the numbers for the infinite and the numbers of nothing. But I have done it and done it and always it falls into the same Billy Bathgate I made of myself and must seemingly always be, and I am losing the faith it is a trick that can be done.
I find some consolation, however, in having told here the truth about everything of my life with Dutch Schultz, although in some respects my account differs from what you will read if you look up the old newspaper files. I have told the truth of what I have told in the words and the truth of what I have not told which resides in the words.
And I have now just one more thing to tell, and I have saved it for last because it is the fount of all my memory, the event that doesn’t exonerate the boy I was but may delay for a moment reading him out of heaven. I drop to my knees in reverence to think of it, I thank God for the life He has given me and the joy of my consciousness, I praise Him and give all reverent thanks for my life of crime and the terror of my existence. In the spring following Mr. Schultz’s death my mother and I were living in a top-floor five-room apartment with a southern exposure overlooking the beautiful trees and paths and lawns and playgrounds of Claremont Park. And one Saturday morning in May there was a knock on the door and a man in a chauffeur’s uniform of light gray stood there holding a straw basket by the handles, and I didn’t know what I thought it was, laundry or something, but my mother came past me and took the basket as if she had been expecting it, she had great authority and confidence now, so that the chauffeur was very relieved, he’d had on his face an expression of the utmost anxiety, she was dressed in a real black dress that was appropriate to her figure and in fashionable shoes that fit her, and hose, and her hair was cut and combed in a comely manner to frame her serene lovely face, and she just took the baby, because that’s of course who it was, my son with Drew, I knew the minute I looked at him, and she brought him into our apartment of morning sun and laid him in the holey brown wicker carriage that she had brought with her from the old apartment. At that moment I felt a small correction in the just universe and my life as a boy was over.
There was some confusion after that, of course, we had to go out and buy bottles and diapers, he didn’t come with any instructions, and my mother was a little slow remembering some of the things that had to be done when he cried and waved his arms about, but we adjusted to him soon enough and what I think of now is how we used to like to go back to the East Bronx with him and walk him in his carriage on a sunny day along Bathgate Avenue, with all the peddlers calling out their prices and the stalls stacked with pyramids of oranges and grapes and peaches and melons, and the fresh bread in the windows of the bakeries with the electric fans in their transoms sending hot bread smells into the air, and the dairy with its tubs of butter and wood packs of farmer’s cheese, and the butcher wearing his thick sweater under his apron walking out of his ice room with a stack of chops on oiled paper, and the florist on the corner wetting down the vases of clustered cut flowers, and the children running past, and the gabbling old women carrying their shopping bags of greens and chickens, and the teenage girls holding white dresses on hangers to their shoulders, and the truckmen in their undershirts unloading their produce, and the horns honking and all the life of the city turning out to greet us just as in the old days of our happiness, before my father fled, when the family used to go walking in this market, this bazaar of life, Bathgate, in the age of Dutch Schultz.
E. L. DOCTOROW’S novels include The March, City of God, The Waterworks, Welcome to Hard Times, The Book of Daniel, Ragtime, Loon Lake, Lives of the Poets, World’s Fair, and Billy Bathgate. His work has been published in thirty-two languages. Among his honors are the National Book Award, three National Book Critics Circle awards, two PEN/Faulkner Awards, the Edith Wharton Citation for Fiction, the William Dean Howells Medal of the American Academy of Arts and Letters, and the presidentially conferred National Humanities Medal. E. L. Doctorow lives in New York.
This is a work of fiction. Names, characters, places, and incidents either are the products of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.
2010 Random House Trade Paperback Edition
Copyright © 1989 by E. L. Doctorow
All rights reserved
Published in the United States by Random House Trade Paperbacks, an imprint of The Random House Publishing Group, a division of Random House, Inc., New York.
RANDOM HOUSE TRADE PAPERBACKS and colophon are trademarks of Random House, Inc.
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Originally published in hardcover in the United States by Random House, an imprint of The Random House Publishing Group, a division of Random House, Inc., in 1989.
Grateful acknowledgment is made to the following for permission to reprint previously published material:
Fred Ahlert Music Corporation and Henderson Music Company: Excerpts from the lyrics to “Bye Bye Blackbird,” lyrics by Mort Dixon, music by Ray Henderson. Copyright 1926. Copyright renewed 1953. All rights for the extended term administered by Fred Ahlert Music Corporation for Olde Clover Leaf Music and Henderson Music Company, c/o William Krasilovsky, Feinman and Krasilovsky. Used by permission. All rights reserved.
Bourne Co./New York Music Publishers: Excerpt from the lyrics to “Me and My Shadow,” words by Billy Rose, music by Al Jolson and Dave Dreyer. Copyright 1927 Borune Co. Copyright renewed, International Copyright secured. All rights reserved. Used by permission.
The Songwriters Guild of America and CPP Belwin, Inc.: Excerpt from the lyrics to “The One I Love Belongs to Somebody Else,” by Gus Kahn and Isham Jones. Copyright 1924. U.S. rights renewed 1980 Gilbert Keyes Music and Bantam Music.
Warner/Chappell Music, Inc.: Excerpt from the lyrics to “Limehouse Blues,” by Philip Braham and Douglas Furber. Copyright 1922 Warner Bros.
Inc. (Renewed). All rights reserved. Used by permission.
Library of Congress Cataloging-in-Publication Data
Doctorow, E. L.
Billy Bathgate: a novel / E. L. Doctorow
p. cm.
eISBN: 978-0-307-76738-7
1. Schultz, Dutch, 1900 or 1-1935–Fiction. 2. Criminals–New York (State)–
New York–Fiction. I. Title
PS3554.O3B55 1998
813′.54–dc21 98–19318
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