‘My Lord, did I?’ she grinned. ‘That was worthy of Granny Morwen, I’ll bet.’
The church bells were still ringing out far and wide, filling the air with their sweetness, and heralding the peace that was yet to feel like a reality, but was already descending blissfully over the bedroom at New World.
‘So now we really do have to think of a name, don’t we?’ Philip said, prosaic as ever.
Skye spoke softly. ‘I’ve already thought. The moment I knew it was a girl, the name was in my head, and please don’t mock, Philip, but I think maybe someone was putting it there. I want to call her Celia. Do you approve?’
Tenderly, he gathered his family close in his arms, his brave and beautiful wife, and his beautiful child.
‘I think she would definitely approve,’ he said, without elaborating. And from the reaction in Skye’s bright, brimming eyes, he knew she understood perfectly.
Next in The Cornish Clay Sagas:
White Rivers
The sixth installment of the Cornish Clay series, Rowena Summers’ White Rivers is a beautiful portrayal of forbidden love and family values, perfect for fans of Katie Flynn, Rosie Goodwin and Lesley Pearse
Find out more
First published in the USA in 1995 by Severn House Publishers Inc
This edition published in the United Kingdom in 2019 by
Canelo Digital Publishing Limited
57 Shepherds Lane
Beaconsfield, Bucks HP9 2DU
United Kingdom
Copyright © Rowena Summers, 1995
The moral right of Rowena Summers to be identified as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act, 1988.
All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without permission in writing from the publisher.
A CIP catalogue record for this book is available from the British Library.
ISBN 9781788634717
This book is a work of fiction. Names, characters, businesses, organizations, places and events are either the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events or locales is entirely coincidental.
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