That group of horsemen is our commander, his staff and escort. He is facing the distant crest, holding his field-glass against his eyes with both hands, his elbows needlessly elevated. It is a fashion; it seems to dignify the act; we are all addicted to it. Suddenly he lowers the glass and says a few words to those about him. Two or three aides detach themselves from the group and canter away into the woods, along the lines in each direction. We did not hear his words, but we know them: “Tell General X. to send forward the skirmish line.” Those of us who have been out of place resume our positions; the men resting at ease straighten themselves and the ranks are reformed without a command. Some of us staff officers dismount and look at our saddle girths; those already on the ground remount.
Galloping rapidly along in the edge of the open ground comes a young officer on a snow-white horse. His saddle blanket is scarlet. What a fool! No one who has ever been in action but remembers how naturally every rifle turns toward the man on a white horse; no one but has observed how a bit of red enrages the bull of battle. That such colors are fashionable in military life must be accepted as the most astonishing of all the phenomena of human vanity. They would seem to have been devised to increase the death-rate.
This young officer is in full uniform, as if on parade. He is all agleam with bullion—a blue-and-gold edition of the Poetry of War. A wave of derisive laughter runs abreast of him all along the line. But how handsome he is!—with what careless grace he sits his horse!
He reins up within a respectful distance of the corps commander and salutes. The old soldier nods familiarly; he evidently knows him. A brief colloquy between them is going on; the young man seems to be preferring some request which the elder one is indisposed to grant. Let us ride a little nearer. Ah! too late—it is ended. The young officer salutes again, wheels his horse, and rides straight toward the crest of the hill!
A thin line of skirmishers, the men deployed at six paces or so apart, now pushes from the wood into the open. The commander speaks to his bugler, who claps his instrument to his lips. Tra-la-la! Tra-la-la! The skirmishers halt in their tracks.
Meantime the young horseman has advanced a hundred yards. He is riding at a walk, straight up the long slope, with never a turn of the head. How glorious! Gods! what would we not give to be in his place—with his soul! He does not draw a sabre; his right hand hangs easily at his side. The breeze catches the plume in his hat and flutters it smartly. The sunshine rests upon his shoulder-straps, lovingly, like a visible benediction. Straight on he rides. Ten thousand pairs of eyes are fixed upon him with an intensity that he can hardly fail to feel; ten thousand hearts keep quick time to the inaudible hoof-beats of his snowy steed. He is not alone—he draws all souls after him. But we remember that we laughed! On and on, straight for the hedge-lined wall, he rides. Not a look backward. O, if he would but turn—if he could but see the love, the adoration, the atonement!
Not a word is spoken; the populous depths of the forest still murmur with their unseen and unseeing swarm, but all along the fringe is silence. The burly commander is an equestrian statue of himself. The mounted staff officers, their field glasses up, are motionless all. The line of battle in the edge of the wood stands at a new kind of “attention,” each man in the attitude in which he was caught by the consciousness of what is going on. All these hardened and impenitent man-killers, to whom death in its awfulest forms is a fact familiar to their every-day observation; who sleep on hills trembling with the thunder of great guns, dine in the midst of streaming missiles, and play cards among the dead faces of their dearest friends—all are watching with suspended breath and beating hearts the outcome of an act involving the life of one man. Such is the magnetism of courage and devotion.
If now you should turn your head you would see a simultaneous movement among the spectators—a start, as if they had received an electric shock—and looking forward again to the now distant horseman you would see that he has in that instant altered his direction and is riding at an angle to his former course. The spectators suppose the sudden deflection to be caused by a shot, perhaps a wound; but take this field-glass and you will observe that he is riding toward a break in the wall and hedge. He means, if not killed, to ride through and overlook the country beyond.
You are not to forget the nature of this man’s act; it is not permitted to you to think of it as an instance of bravado, nor, on the other hand, a needless sacrifice of self. If the enemy has not retreated he is in force on that ridge. The investigator will encounter nothing less than a line-of-battle; there is no need of pickets, videttes, skirmishers, to give warning of our approach; our attacking lines will be visible, conspicuous, exposed to an artillery fire that will shave the ground the moment they break from cover, and for half the distance to a sheet of rifle bullets in which nothing can live. In short, if the enemy is there, it would be madness to attack him in front; he must be manœuvred out by the immemorial plan of threatening his line of communication, as necessary to his existence as to the diver at the bottom of the sea his air tube. But how ascertain if the enemy is there? There is but one way,—somebody must go and see. The natural and customary thing to do is to send forward a line of skirmishers. But in this case they will answer in the affirmative with all their lives; the enemy, crouching in double ranks behind the stone wall and in cover of the hedge, will wait until it is possible to count each assailant’s teeth. At the first volley a half of the questioning line will fall, the other half before it can accomplish the predestined retreat. What a price to pay for gratified curiosity! At what a dear rate an army must sometimes purchase knowledge! “Let me pay all,” says this gallant man—this military Christ!
There is no hope except the hope against hope that the crest is clear. True, he might prefer capture to death. So long as he advances, the lines will not fire—why should it? He can safely ride into the hostile ranks and become a prisoner of war. But this would defeat his object. It would not answer our question; it is necessary either that he return unharmed or be shot to death before our eyes. Only so shall we know how to act. If captured—why, that might have been done by a half-dozen stragglers.
Now begins an extraordinary contest of intellect between a man and an army. Our horseman, now within a quarter of a mile of the crest, suddenly wheels to the left and gallops in a direction parallel to it. He has caught sight of his antagonist; he knows all. Some slight advantage of ground has enabled him to overlook a part of the line. If he were here he could tell us in words. But that is now hopeless; he must make the best use of the few minutes of life remaining to him, by compelling the enemy himself to tell us as much and as plainly as possible—which, naturally, that discreet power is reluctant to do. Not a rifleman in those crouching ranks, not a cannoneer at those masked and shotted guns, but knows the needs of the situation, the imperative duty for forbearance. Besides, there has been time enough to forbid them all to fire. True, a single rifle-shot might drop him and be no great disclosure. But firing is infectious—and see how rapidly he moves, with never a pause except as he whirls his horse about to take a new direction, never directly backward toward us, never directly forward toward his executioners. All this is visible through the glass; it seems occurring within pistol-shot; we see all but the enemy, whose presence, whose thoughts, whose motives we infer. To the unaided eye there is nothing but a black figure on a white horse, tracing slow zigzags against the slope of a distant hill—so slowly they seem almost to creep.
Now—the glass again—he has tired of his failure, or sees his error, or has gone mad; he is dashing directly forward at the wall, as if to take it at a leap, hedge and all! One moment only and he wheels right about and is speeding like the wind straight down the slope—toward his friends, toward his death! Instantly the wall is topped with a fierce roll of smoke for a distance of hundreds of yards to right and left. This is as instantly dissipated by the wind, and before the rattle of the rifles reaches us he is down. No, he recovers his seat; he has but pulled his horse upon its haunches.
They are up and away! A tremendous cheer bursts from our ranks, relieving the insupportable tension of our feelings. And the horse and its rider? Yes, they are up and away. Away, indeed—they are making directly to our left, parallel to the now steadily blazing and smoking wall. The rattle of the musketry is continuous, and every bullet’s target is that courageous heart.
Suddenly a great bank of white smoke pushes upward from behind the wall. Another and another—a dozen roll up before the thunder of the explosions and the humming of the missiles reach our ears and the missiles themselves come bounding through clouds of dust into our covert, knocking over here and there a man and causing a temporary distraction, a passing thought of self.
The dust drifts away. Incredible!—that enchanted horse and rider have passed a ravine and are climbing another slope to unveil another conspiracy of silence, to thwart the will of another armed host. Another moment and that crest too is in eruption. The horse rears and strikes the air with its forefeet. They are down at last. But look again—the man has detached himself from the dead animal. He stands erect, motionless, holding his sabre in his right hand straight above his head. His face is toward us. Now he lowers his hand to a level with his face and moves it outward, the blade of the sabre describing a downward curve. It is a sign to us, to the world, to posterity. It is a hero’s salute to death and history.
Again the spell is broken; our men attempt to cheer; they are choking with emotion; they utter hoarse, discordant cries; they clutch their weapons and press tumultuously forward into the open. The skirmishers, without orders, against orders, are going forward at a keen run, like hounds unleashed. Our cannon speak and the enemy’s now open in full chorus; to right and left as far as we can see, the distant crest, seeming now so near, erects its towers of cloud and the great shot pitch roaring down among our moving masses. Flag after flag of ours emerges from the wood, line after line sweeps forth, catching the sunlight on its burnished arms. The rear battalions alone are in obedience; they preserve their proper distance from the insurgent front.
The commander has not moved. He now removes his field-glass glass from his eyes and glances to the right and left. He sees the human current flowing on either side of him and his huddled escort, like tide waves parted by a rock. Not a sign of feeling in his face; he is thinking. Again he directs his eyes forward; they slowly traverse that malign and awful crest. He addresses a calm word to his bugler. Tra-la-la! Tra-la-la! The injunction has an imperiousness which enforces it. It is repeated by all the bugles of all the subordinate commanders; the sharp metallic notes assert themselves above the hum of the advance and penetrate the sound of the cannon. To halt is to withdraw. The colors move slowly back; the lines face about and sullenly follow, bearing their wounded; the skirmishers return, gathering up the dead.
Ah, those many, many needless dead! That great soul whose beautiful body is lying over yonder, so conspicuous against the sere hillside—could it not have been spared the bitter consciousness of a vain devotion? Would one exception have marred too much the pitiless perfection of the divine, eternal plan?
One of the Missing
JEROME SEARING, a private soldier of General Sherman’s army, then confronting the enemy at and about Kennesaw Mountain, Georgia, turned his back upon a small group of officers with whom he had been talking in low tones, stepped across a light line of earthworks, and disappeared in a forest. None of the men in line behind the work had said a word to him, nor had he so much as nodded to them in passing, but all who saw understood that this brave man had been intrusted with some perilous duty. Jerome Searing, though a private, did not serve in the ranks; he was detailed for service at division headquarters, being borne upon the rolls as an orderly. “Orderly” is a word covering a multitude of duties. An orderly may be a messenger, a clerk, an officer’s servant—anything. He may perform services for which no provision is made in orders and army regulations. Their nature may depend upon his aptitude, upon favor, upon accident. Private Searing, an incomparable marksman, young, hardy, intelligent and insensible to fear, was a scout. The general commanding his division was not content to obey orders blindly without knowing what was in his front, even when his command was not on detached service, but formed a fraction of the line of the army; nor was he satisfied to receive his knowledge of his vis-à-vis through the customary channels; he wanted to know more than he was apprised of by the corps commander and the collisions of pickets and skirmishers. Hence Jerome Searing, with his extraordinary daring, his woodcraft, his sharp eyes, and truthful tongue. On this occasion his instructions were simple: to get as near the enemy’s lines as possible and learn all that he could.
In a few moments he had arrived at the picket-line, the men on duty there lying in groups of two and four behind little banks of earth scooped out of the slight depression in which they lay, their rifles protruding from the green boughs with which they had masked their small defenses. The forest extended without a break toward the front, so solemn and silent that only by an effort of the imagination could it be conceived as populous with armed men, alert and vigilant—a forest formidable with possibilities of battle. Pausing a moment in one of these rifle-pits to apprise the men of his intention Searing crept stealthily forward on his hands and knees and was soon lost to view in a dense thicket of underbrush.
“That is the last of him,” said one of the men; “I wish I had his rifle; those fellows will hurt some of us with it.”
Searing crept on, taking advantage of every accident of ground and growth to give himself better cover. His eyes penetrated everywhere, his ears took note of every sound. He stilled his breathing, and at the cracking of a twig beneath his knee stopped his progress and hugged the earth. It was slow work, but not tedious; the danger made it exciting, but by no physical signs was the excitement manifest. His pulse was as regular, his nerves were as steady as if he were trying to trap a sparrow.
“It seems a long time,” he thought, “but I cannot have come very far; I am still alive.”
He smiled at his own method of estimating distance, and crept forward. A moment later he suddenly flattened himself upon the earth and lay motionless, minute after minute. Through a narrow opening in the bushes he had caught sight of a small mound of yellow clay—one of the enemy’s rifle-pits. After some little time he cautiously raised his head, inch by inch, then his body upon his hands, spread out on each side of him, all the while intently regarding the hillock of clay. In another moment he was upon his feet, rifle in hand, striding rapidly forward with little attempt at concealment. He had rightly interpreted the signs, whatever they were; the enemy was gone.
To assure himself beyond a doubt before going back to report upon so important a matter, Searing pushed forward across the line of abandoned pits, running from cover to cover in the more open forest, his eyes vigilant to discover possible stragglers. He came to the edge of a plantation—one of those forlorn, deserted homesteads of the last years of the war, up-grown with brambles, ugly with broken fences and desolate with vacant buildings having blank apertures in place of doors and windows. After a keen reconnaissance from the safe seclusion of a clump of young pines Searing ran lightly across a field and through an orchard to a small structure which stood apart from the other farm buildings, on a slight elevation. This he thought would enable him to overlook a large scope of country in the direction that he supposed the enemy to have taken in withdrawing. This building, which had originally consisted of a single room elevated upon four posts about ten feet high, was now little more than a roof; the floor had fallen away, the joists and planks loosely piled on the ground below or resting on end at various angles, not wholly torn from their fastenings above. The supporting posts were themselves no longer vertical. It looked as if the whole edifice would go down at the touch of a finger.
Concealing himself in the débris of joists and flooring Searing looked across the open ground between his point of view and a spur of Kennesaw Mountain, a half-mile away. A road leading up and across this spur was cro
wded with troops—the rear-guard of the retiring enemy, their gun-barrels gleaming in the morning sunlight.
Searing had now learned all that he could hope to know. It was his duty to return to his own command with all possible speed and report his discovery. But the gray column of Confederates toiling up the mountain road was singularly tempting. His rifle—an ordinary “Springfield,” but fitted with a globe sight and hair-trigger—would easily send its ounce and a quarter of lead hissing into their midst. That would probably not affect the duration and result of the war, but it is the business of a soldier to kill. It is also his habit if he is a good soldier. Searing cocked his rifle and “set” the trigger.
But it was decreed from the beginning of time that Private Searing was not to murder anybody that bright summer morning, nor was the Confederate retreat to be announced by him. For countless ages events had been so matching themselves together in that wondrous mosaic to some parts of which, dimly discernible, we give the name of history, that the acts which he had in will would have marred the harmony of the pattern. Some twenty-five years previously the Power charged with the execution of the work according to the design had provided against that mischance by causing the birth of a certain male child in a little village at the foot of the Carpathian Mountains, had carefully reared it, supervised its education, directed its desires into a military channel, and in due time made it an officer of artillery. By the concurrence of an infinite number of favoring influences and their preponderance over an infinite number of opposing ones, this officer of artillery had been made to commit a breach of discipline and flee from his native country to avoid punishment. He had been directed to New Orleans (instead of New York), where a recruiting officer awaited him on the wharf. He was enlisted and promoted, and things were so ordered that he now commanded a Confederate battery some two miles along the line from where Jerome Searing, the Federal scout, stood cocking his rifle. Nothing had been neglected—at every step in the progress of both these men’s lives, and in the lives of their contemporaries and ancestors, and in the lives of the contemporaries of their ancestors, the right thing had been done to bring about the desired result. Had anything in all this vast concatenation been overlooked Private Searing might have fired on the retreating Confederates that morning, and would perhaps have missed. As it fell out, a Confederate captain of artillery, having nothing better to do while awaiting his turn to pull out and be off, amused himself by sighting a field-piece obliquely to his right at what he mistook for some Federal officers on the crest of a hill, and discharged it. The shot flew high of its mark.
The Devil's Dictionary, Tales, and Memoirs: The Devil's Dictionary, Tales, and Memoirs Page 4