Again she listened with a sinking heart, and heard nothing but the farewell twitter and whistle of the birds in the bushes around. How many stories had she listened to by the winter hearth, of children stolen by the fairies, at nightfall, in lonely places! With this fear she knew her mother was haunted.
No one in the country round gathered her little flock about her so early as this frightened widow, and no door “in the seven parishes” was barred so early.
Sufficiently fearful, as all young people in that part of the world are of such dreaded and subtle agents, Nell was even more than usually afraid of them, for her terrors were infected and redoubled by her mother’s. She was looking towards Lisnavoura in a trance of fear, and crossed herself again and again, and whispered prayer after prayer. She was interrupted by her mother’s voice on the road calling her loudly. She answered, and ran round to the front of the cabin, where she found her standing.
“And where in the world’s the craythurs — did ye see sight o’ them anywhere?” cried Mrs. Ryan, as the girl came over the stile.
“Arrah! mother, ’tis only what they’re run down the road a bit. We’ll see them this minute coming back. It’s like goats they are, climbin’ here and runnin’ there; an’ if I had them here, in my hand, maybe I wouldn’t give them a hiding all round.”
“May the Lord forgive you, Nell! the childhers gone. They’re took, and not a soul near us, and Father Tom three miles away! And what’ll I do, or who’s to help us this night? Oh, wirristhru, wirristhru! The craythurs is gone!”
“Whisht, mother, be aisy: don’t ye see them comin’ up?”
And then she shouted in menacing accents, waving her arm, and beckoning the children, who were seen approaching on the road, which some little way off made a slight dip, which had concealed them. They were approaching from the westward, and from the direction of the dreaded hill of Lisnavoura.
But there were only two of the children, and one of them, the little girl, was crying. Their mother and sister hurried forward to meet them, more alarmed than ever.
“Where is Billy — where is he?” cried the mother, nearly breathless, so soon as she was within hearing.
“He’s gone — they took him away; but they said he’ll come back again,” answered little Con, with the dark brown hair.
“He’s gone away with the grand ladies,” blubbered the little girl.
“What ladies — where? Oh, Leum, asthora! My darlin’, are you gone away at last? Where is he? Who took him? What ladies are you talkin’ about? What way did he go?” she cried in distraction.
“I couldn’t see where he went, mother; ’twas like as if he was going to Lisnavoura.”
With a wild exclamation the distracted woman ran on towards the hill alone, clapping her hands, and crying aloud the name of her lost child.
Scared and horrified, Nell, not daring to follow, gazed after her, and burst into tears; and the other children raised high their lamentations in shrill rivalry.
Twilight was deepening. It was long past the time when they were usually barred securely within their habitation. Nell led the younger children into the cabin, and made them sit down by the turf fire, while she stood in the open door, watching in great fear for the return of her mother.
After a long while they did see their mother return. She came in and sat down by the fire, and cried as if her heart would break.
“Will I bar the doore, mother?” asked Nell.
“Ay, do — didn’t I lose enough, this night, without lavin’ the doore open, for more o’ yez to go; but first take an’ sprinkle a dust o’ the holy waters over ye, acuishla, and bring it here till I throw a taste iv it over myself and the craythurs; an’ I wondher, Nell, you’d forget to do the like yourself, lettin’ the craythurs out so near nightfall. Come here and sit on my knees, asthora, come to me, mavourneen, and hould me fast, in the name o’ God, and I’ll hould you fast that none can take yez from me, and tell me all about it, and what it was — the Lord between us and harm — an’ how it happened, and who was in it.”
And the door being barred, the two children, sometimes speaking together, often interrupting one another, often interrupted by their mother, managed to tell this strange story, which I had better relate connectedly and in my own language.
The Widow Ryan’s three children were playing, as I have said, upon the narrow old road in front of her door. Little Bill or Leum, about five years old, with golden hair and large blue eyes, was a very pretty boy, with all the clear tints of healthy childhood, and that gaze of earnest simplicity which belongs not to town children of the same age. His little sister Peg, about a year older, and his brother Con, a little more than a year elder than she, made up the little group.
Under the great old ash-trees, whose last leaves were falling at their feet, in the light of an October sunset, they were playing with the hilarity and eagerness of rustic children, clamouring together, and their faces were turned toward the west and storied hill of Lisnavoura.
Suddenly a startling voice with a screech called to them from behind, ordering them to get out of the way, and turning, they saw a sight, such as they never beheld before. It was a carriage drawn by four horses that were pawing and snorting, in impatience, as it just pulled up. The children were almost under their feet, and scrambled to the side of the road next their own door.
This carriage and all its appointments were oldfashioned and gorgeous, and presented to the children, who had never seen anything finer than a turf car, and once, an old chaise that passed that way from Killaloe, a spectacle perfectly dazzling.
Here was antique splendour. The harness and trappings were scarlet, and blazing with gold. The horses were huge, and snow white, with great manes, that as they tossed and shook them in the air, seemed to stream and float sometimes longer and sometimes shorter, like so much smoke — their tails were long, and tied up in bows of broad scarlet and gold ribbon. The coach itself was glowing with colours, gilded and emblazoned. There were footmen in gay liveries, and three-cocked hats, like the coachman’s; but he had a great wig, like a judge’s, and their hair was frizzed out and powdered, and a long thick “pigtail,” with a bow to it, hung down the back of each.
All these servants were diminutive, and ludicrously out of proportion with the enormous horses of the equipage, and had sharp, sallow features, and small, restless fiery eyes, and faces of cunning and malice that chilled the children. The little coachman was scowling and showing his white fangs under his cocked hat, and his little blazing beads of eyes were quivering with fury in their sockets as he whirled his whip round and round over their heads, till the lash of it looked like a streak of fire in the evening sun, and sounded like the cry of a legion of “fillapoueeks” in the air.
“Stop the princess on the highway!” cried the coachman, in a piercing treble.
“Stop the princess on the highway!” piped each footman in turn, scowling over his shoulder down on the children, and grinding his keen teeth.
The children were so frightened they could only gape and turn white in their panic. But a very sweet voice from the open window of the carriage reassured them, and arrested the attack of the lackeys.
A beautiful and “very grand-looking” lady was smiling from it on them, and they all felt pleased in the strange light of that smile.
“The boy with the golden hair, I think,” said the lady, bending her large and wonderfully clear eyes on little Leum.
The upper sides of the carriage were chiefly of glass, so that the children could see another woman inside, whom they did not like so well.
This was a black woman, with a wonderfully long neck, hung round with many strings of large variously-coloured beads, and on her head was a sort of turban of silk striped with all the colours of the rainbow, and fixed in it was a golden star.
This black woman had a face as thin almost as a death’s-head, with high cheekbones, and great goggle eyes, the whites of which, as well as her wide range of teeth, showed in brilliant contrast with her
skin, as she looked over the beautiful lady’s shoulder, and whispered something in her ear.
“Yes; the boy with the golden hair, I think,” repeated the lady.
And her voice sounded sweet as a silver bell in the children’s ears, and her smile beguiled them like the light of an enchanted lamp, as she leaned from the window with a look of ineffable fondness on the golden-haired boy, with the large blue eyes; insomuch that little Billy, looking up, smiled in return with a wondering fondness, and when she stooped down, and stretched her jewelled arms towards him, he stretched his little hands up, and how they touched the other children did not know; but, saying, “Come and give me a kiss, my darling,” she raised him, and he seemed to ascend in her small fingers as lightly as a feather, and she held him in her lap and covered him with kisses.
Nothing daunted, the other children would have been only too happy to change places with their favoured little brother. There was only one thing that was unpleasant, and a little frightened them, and that was the black woman, who stood and stretched forward, in the carriage as before. She gathered a rich silk and gold handkerchief that was in her fingers up to her lips, and seemed to thrust ever so much of it, fold after fold, into her capacious mouth, as they thought to smother her laughter, with which she seemed convulsed, for she was shaking and quivering, as it seemed, with suppressed merriment; but her eyes, which remained uncovered, looked angrier than they had ever seen eyes look before.
But the lady was so beautiful they looked on her instead, and she continued to caress and kiss the little boy on her knee; and smiling at the other children she held up a large russet apple in her fingers, and the carriage began to move slowly on, and with a nod inviting them to take the fruit, she dropped it on the road from the window; it rolled some way beside the wheels, they following, and then she dropped another, and then another, and so on. And the same thing happened to all; for just as either of the children who ran beside had caught the rolling apple, somehow it slipt into a hole or ran into a ditch, and looking up they saw the lady drop another from the window, and so the chase was taken up and continued till they got, hardly knowing how far they had gone, to the old cross-road that leads to Owney. It seemed that there the horses’ hoofs and carriage wheels rolled up a wonderful dust, which being caught in one of those eddies that whirl the dust up into a column, on the calmest day, enveloped the children for a moment, and passed whirling on towards Lisnavoura, the carriage, as they fancied, driving in the centre of it; but suddenly it subsided, the straws and leaves floated to the ground, the dust dissipated itself, but the white horses and the lackeys, the gilded carriage, the lady and their little golden-haired brother were gone.
At the same moment suddenly the upper rim of the clear setting sun disappeared behind the hill of Knockdoula, and it was twilight. Each child felt the transition like a shock — and the sight of the rounded summit of Lisnavoura, now closely overhanging them, struck them with a new fear.
They screamed their brother’s name after him, but their cries were lost in the vacant air. At the same time they thought they heard a hollow voice say, close to them, “Go home.”
Looking round and seeing no one, they were scared, and hand in hand — the little girl crying wildly, and the boy white as ashes, from fear, they trotted homeward, at their best speed, to tell, as we have seen, their strange story.
Molly Ryan never more saw her darling. But something of the lost little boy was seen by his former playmates.
Sometimes when their mother was away earning a trifle at haymaking, and Nelly washing the potatoes for their dinner, or “beatling” clothes in the little stream that flows in the hollow close by, they saw the pretty face of little Billy peeping in archly at the door, and smiling silently at them, and as they ran to embrace him, with cries of delight, he drew back, still smiling archly, and when they got out into the open day, he was gone, and they could see no trace of him anywhere.
This happened often, with slight variations in the circumstances of the visit. Sometimes he would peep for a longer time, sometimes for a shorter time, sometimes his little hand would come in, and, with bended finger, beckon them to follow; but always he was smiling with the same arch look and wary silence — and always he was gone when they reached the door. Gradually these visits grew less and less frequent, and in about eight months they ceased altogether, and little Billy, irretrievably lost, took rank in their memories with the dead.
One wintry morning, nearly a year and a half after his disappearance, their mother having set out for Limerick soon after cockcrow, to sell some fowls at the market, the little girl, lying by the side of her elder sister, who was fast asleep, just at the grey of the morning heard the latch lifted softly, and saw little Billy enter and close the door gently after him. There was light enough to see that he was barefoot and ragged, and looked pale and famished. He went straight to the fire, and cowered over the turf embers, and rubbed his hands slowly, and seemed to shiver as he gathered the smouldering turf together.
The little girl clutched her sister in terror and whispered, “Waken, Nelly, waken; here’s Billy come back!”
Nelly slept soundly on, but the little boy, whose hands were extended close over the coals, turned and looked toward the bed, it seemed to her, in fear, and she saw the glare of the embers reflected on his thin cheek as he turned toward her. He rose and went, on tiptoe, quickly to the door, in silence, and let himself out as softly as he had come in.
After that, the little boy was never seen any more by any one of his kindred.
“Fairy doctors,” as the dealers in the preternatural, who in such cases were called in, are termed, did all that in them lay — but in vain. Father Tom came down, and tried what holier rites could do, but equally without result. So little Billy was dead to mother, brother, and sisters; but no grave received him. Others whom affection cherished, lay in holy ground, in the old churchyard of Abington, with headstone to mark the spot over which the survivor might kneel and say a kind prayer for the peace of the departed soul. But there was no landmark to show where little Billy was hidden from their loving eyes, unless it was in the old hill of Lisnavoura, that cast its long shadow at sunset before the cabin-door; or that, white and filmy in the moonlight, in later years, would occupy his brother’s gaze as he returned from fair or market, and draw from him a sigh and a prayer for the little brother he had lost so long ago, and was never to see again.
STORIES OF LOUGH GUIR
CONTENTS
The Magician Earl
Moll Rial’s Adventure
The Banshee
The Governess’s Dream
The Earl’s Hall
When the present writer was a boy of twelve or thirteen, he first made the acquaintance of Miss Anne Baily, of Lough Guir, in the county of Limerick. She and her sister were the last representatives at that place, of an extremely good old name in the county. They were both what is termed “old maids,” and at that time past sixty. But never were old ladies more hospitable, lively, and kind, especially to young people. They were both remarkably agreeable and clever. Like all old county ladies of their time, they were great genealogists, and could recount the origin, generations, and intermarriages, of every county family of note.
These ladies were visited at their house at Lough Guir by Mr. Crofton Croker; and are, I think, mentioned, by name, in the second series of his fairy legends; the series in which (probably communicated by Miss Anne Baily), he recounts some of the picturesque traditions of those beautiful lakes — lakes, I should no longer say, for the smaller and prettier has since been drained, and gave up from its depths some long lost and very interesting relics.
In their drawingroom stood a curious relic of another sort: old enough, too, though belonging to a much more modern period. It was the ancient stirrup cup of the hospitable house of Lough Guir. Crofton Croker has preserved a sketch of this curious glass. I have often had it in my hand. It had a short stem; and the cup part, having the bottom rounded, rose cylindrically, and, being o
f a capacity to contain a whole bottle of claret, and almost as narrow as an oldfashioned ale glass, was tall to a degree that filled me with wonder. As it obliged the rider to extend his arm as he raised the glass, it must have tried a tipsy man, sitting in the saddle, pretty severely. The wonder was that the marvellous tall glass had come down to our times without a crack.
There was another glass worthy of remark in the same drawingroom. It was gigantic, and shaped conically, like one of those oldfashioned jelly glasses which used to be seen upon the shelves of confectioners. It was engraved round the rim with the words, “The glorious, pious, and immortal memory”; and on grand occasions, was filled to the brim, and after the manner of a loving cup, made the circuit of the Whig guests, who owed all to the hero whose memory its legend invoked.
It was now but the transparent phantom of those solemn convivialities of a generation, who lived, as it were, within hearing of the cannon and shoutings of those stirring times. When I saw it, this glass had long retired from politics and carousals, and stood peacefully on a little table in the drawingroom, where ladies’ hands replenished it with fair water, and crowned it daily with flowers from the garden.
Miss Anne Baily’s conversation ran oftener than her sister’s upon the legendary and supernatural; she told her stories with the sympathy, the colour, and the mysterious air which contribute so powerfully to effect, and never wearied of answering questions about the old castle, and amusing her young audience with fascinating little glimpses of old adventure and bygone days. My memory retains the picture of my early friend very distinctly. A slim straight figure, above the middle height; a general likeness to the full-length portrait of that delightful Countess d’Aulnois, to whom we all owe our earliest and most brilliant glimpses of fairyland; something of her gravely-pleasant countenance, plain, but refined and ladylike, with that kindly mystery in her sidelong glance and uplifted finger, which indicated the approaching climax of a tale of wonder.
Delphi Complete Works of Sheridan Le Fanu Page 734