The First Willa Cather Megapack

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The First Willa Cather Megapack Page 44

by Willa Cather


  At last the singer came out, accompanied by the conductor who helped her into her carriage and closed the door with a cordial auf wiedersehen, which set Paul to wondering whether she were not an old sweetheart of his. Paul followed the carriage over to the hotel, walking so rapidly as not to be far from the entrance when the singer alighted and disappeared behind the swinging glass doors that were opened by a negro in a tall hat and a long coat. In the moment that the door was ajar, it seemed to Paul that he too entered. He seemed to feel himself go after her up the steps, into the warm, lighted building, into an exotic, a tropical world of shiny, glistening surfaces and basking ease. He reflected upon the mysterious dishes that were brought into the dining-room, the green bottles in buckets of ice, as he had seen them in the supper-party pictures of the Sunday World supplement. A quick gust of wind brought the rain down with sudden vehemence, and Paul was startled to find that he was still outside in the slush of the gravel driveway; that his boots were letting in the water, and his scanty overcoat was clinging wet about him; that the lights in front of the concert hall were out, and that the rain was driving in sheets between him and the orange glow of the windows above him. There it was, what he wanted—tangibly before him, like the fairy world of a Christmas pantomime, but mocking spirits stood guard at the doors, and, as the rain beat in his face, Paul wondered whether he were destined always to shiver in the black night outside, looking up at it.

  He turned and walked reluctantly toward the car tracks. The end had to come sometime; his father in his nightclothes at the top of the stairs, explanations that did not explain, hastily improvised fictions that were forever tripping him up, his upstairs room and its horrible yellow wallpaper, the creaking bureau with the greasy plush collar box and over his painted wooden bed the pictures of George Washington and John Calvin, and the framed motto, “Feed my Lambs,” which had been worked in red worsted by his mother.

  Half an hour later, Paul alighted from his car and went slowly down one of the side streets off the main thoroughfare. It was a highly respectable street, where all the houses were exactly alike, and where business men of moderate means begot and reared large families of children, all of whom went to Sabbath-school and learned the shorter catechism, and were interested in arithmetic; all of whom were as exactly alike as their homes, and of a piece with the monotony in which they lived. Paul never went up Cordelia Street without a shudder of loathing. His home was next to the house of the Cumberland minister. He approached it tonight with the nerveless sense of defeat, the hopeless feeling of sinking back forever into ugliness and commonness that he always had when he came home. The moment he turned into Cordelia Street he felt the waters close above his head. After each of these orgies of living, he experienced all the physical depression which follows a debauch; the loathing of respectable beds, of common food, of a house penetrated by kitchen odors; a shuddering repulsion for the flavorless, colorless mass of everyday existence; a morbid desire for cool things and soft lights and fresh flowers.

  The nearer he approached the house, the more absolutely unequal Paul felt to the sight of it all; his ugly sleeping chamber, the cold bathroom, with the grimy zinc tub, the cracked mirror, the dripping spigots, his father at the top of the stairs, his hairy legs sticking out from his night-shirt, his feet thrust into carpet slippers. He was so much later than usual that there would certainly be inquiries and reproaches. Paul stopped short before the door. He felt that he could not be accosted by his father tonight, that he could not toss again on that miserable bed. He would not go in. He would tell his father that he had no car fare, and it was raining so hard he had gone home with one of the boys and stayed all night.

  Meanwhile, he was wet and cold. He went around to the back of the house and tried one of the basement windows, found it open, raised it cautiously, and scrambled down the cellar wall to the floor. There he stood, holding his breath, terrified by the noise he had made, but the floor above him was silent, and there was no creak on the stairs. He found a soap box, and carried it over to the soft ring of light that streamed from the furnace door, and sat down. He was horribly afraid of rats, so he did not try to sleep, but sat looking distrustfully at the dark, still terrified least he might have awakened his father. In such reactions, after one of the experiences which made days and nights out of the dreary blanks of the calendar, when his senses were deadened, Paul’s head was always singularly clear. Suppose his father had heard him getting in at the window, and come down and shot him for a burglar? Then, again, suppose his father had come down, pistol in hand, and he had cried out in time to save himself, and his father had been horrified to think how nearly he had killed him? Then, again, suppose a day should come when his father would remember that night, and wish there had been no warning cry to stay his hand? With this last supposition Paul entertained himself until daybreak.

  The following Sunday was fine; the sodden November chill was broken by the last flash of autumnal summer. In the morning Paul had to go to church and Sabbath-school, as always. On seasonable Sunday afternoons the burghers of Cordelia Street always sat out on their front “stoops,” and talked to their neighbors on the next stoop, or called to those across the street in neighborly fashion. The men usually sat on gay cushions placed upon the steps that led down to the sidewalk, while the women, in their Sunday “waists,” sat in rockers on the cramped porches, pretending to be greatly at their ease. The children played in the streets; there were so many of them that the place resembled the recreation grounds of a kindergarten. The men on the steps—all in their shirt sleeves, their vests unbuttoned—sat with their legs well apart, their stomachs comfortably protruding, and talked of the prices of things, or told anecdotes of the sagacity of their various chiefs and overlords. They occasionally looked over the multitude of squabbling children, listened affectionately to their high-pitched, nasal voices, smiling to see their own proclivities reproduced in their offspring, and interspersed their legends of the iron kings with remarks about their sons’ progress at school, their grades in arithmetic, and the amounts they had saved in their toy banks.

  On this last Sunday of November, Paul sat all the afternoon on the lowest step of his “stoop,” staring into the street, while his sisters, in their rockers, were talking to the minister’s daughters next door about how many shirt-waists they had made in the last week, and how many waffles some one had eaten at the last church supper. When the weather was warm, and his father was in a particularly jovial frame of mind, the girls made lemonade, which was always brought out in a red glass pitcher, ornamented with forget-me-nots in blue enamel. This the girls thought very fine, and the neighbors always joked about the suspicious color of the pitcher.

  Today Paul’s father sat on the top step, talking to a young man who shifted a restless baby from knee to knee. He happened to be the young man who was daily held up to Paul as a model, and after whom it was his father’s dearest hope that he would pattern. This young man was of a ruddy complexion, with a compressed, red mouth, and faded, nearsighted eyes, over which he wore thick spectacles, with gold bows that curved about his ears. He was clerk to one of the magnates of a great steel corporation, and was looked upon in Cordelia Street as a young man with a future. There was a story that, some five years ago—he was now barely twenty-six—he had been a trifle dissipated, but in order to curb his appetites and save the loss of time and strength that a sowing of wild oats might have entailed, he had taken his chief’s advice, oft reiterated to his employees, and at twenty-one, had married the first woman whom he could persuade to share his fortunes. She happened to be an angular schoolmistress, much older than he, who also wore thick glasses, and who had now borne him four children, all nearsighted, like herself.

  The young man was relating how his chief, now cruising in the Mediterranean, kept in touch with all the details of the business, arranging his office hours on his yacht just as though he were at home, and “knocking off work enough to keep two stenographer
s busy.” His father told, in turn, the plan his corporation was considering, of putting in an electric railway plant at Cairo. Paul snapped his teeth; he had an awful apprehension that they might spoil it all before he got there. Yet he rather liked to hear these legends of the iron kings, that were told and retold on Sundays and holidays; these stories of palaces in Venice, yachts on the Mediterranean, and high play at Monte Carlo appealed to his fancy, and he was interested in the triumphs of these cash-boys who had become famous, though he had no mind for the cash-boy stage.

  After supper was over, and he had helped to dry the dishes, Paul nervously asked his father whether he could go to George’s to get some help in his geometry, and still more nervously asked for car fare. This latter request he had to repeat, as his father, on principle, did not like to hear requests for money, whether much or little. He asked Paul whether he could not go to some boy who lived nearer, and told him that he ought not to leave his school work until Sunday; but he gave him the dime. He was not a poor man, but he had a worthy ambition to come up in the world. His only reason for allowing Paul to usher was, that he thought a boy ought to be earning a little.

  Paul bounded upstairs, scrubbed the greasy odor of the dishwater from his hands with the ill-smelling soap he hated, and then shook over his fingers a few drops of violet water from the bottle he kept hidden in his drawer. He left the house with his geometry conspicuously under his arm, and the moment he got out of Cordelia Street and boarded a downtown car, he shook off the lethargy of two deadening days, and began to live again.

  The leading juvenile of the permanent stock company which played at one of the downtown theatres was an acquaintance of Paul’s, and the boy had been invited to drop in at the Sunday-night rehearsals whenever he could. For more than a year Paul had spent every available moment loitering about Charley Edwards’s dressing-room. He had won a place among Edwards’s following, not only because the young actor, who could not afford to employ a dresser, often found the boy very useful, but because he recognized in Paul something akin to what Churchmen term ‘vocation.’

  It was at the theatre and at Carnegie Hall that Paul really lived; the rest was but a sleep and a forgetting. This was Paul’s fairy tale, and it had for him all the allurement of a secret love. The moment he inhaled the gassy, painty, dusty odor behind the scenes, he breathed like a prisoner set free, and felt within him the possibility of doing or saying splendid, brilliant, poetic things. The moment the cracked orchestra beat out the overture from “Martha”, or jerked at the serenade from “Rigoletto,” all stupid and ugly things slid from him, and his senses were deliciously, yet delicately fired.

  Perhaps it was because, in Paul’s world, the natural nearly always wore the guise of ugliness, that a certain element of artificiality seemed to him necessary in beauty. Perhaps it was because his experience of life elsewhere was so full of Sabbath-school picnics, petty economies, wholesome advice as to how to succeed in life, and the unescapable odors of cooking, that he found this existence so alluring, these smartly clad men and women so attractive, that he was so moved by these starry apple orchards that bloomed perennially under the limelight.

  It would be difficult to put it strongly enough how convincingly the stage entrance of that theatre was for Paul the actual portal of Romance. Certainly none of the company ever suspected it, least of all Charley Edwards. It was very like the old stories that used to float about London of fabulously rich Jews, who had subterranean halls there; with palms, and fountains, and soft lamps, and richly appareled women who never saw the disenchanting light of London day. So, in the midst of that smoke-palled city, enamored of figures and grimy toil, Paul had his secret temple, his wishing carpet, his bit of blue-and-white Mediterranean shore bathed in perpetual sunshine.

  Several of Paul’s teachers had a theory that his imagination had been perverted by garish fiction, but the truth was that he scarcely ever read at all. The books at home were not such as would either tempt or corrupt a youthful mind, and as for reading the novels that some of his friends urged upon him—well, he got what he wanted much more quickly from music; any sort of music, from an orchestra to a barrel-organ. He needed only the spark, the indescribable thrill that made his imagination master of his senses, and he could make plots and pictures enough of his own. It was equally true that he was not stagestruck—not, at any rate, in the usual acceptation of that expression. He had no desire to become an actor, any more than he had to become a musician. He felt no necessity to do any of these things; what he wanted was to see, to be in the atmosphere, float on the wave of it, to be carried out, blue league after blue league, away from everything.

  After a night behind the scenes, Paul found the schoolroom more than ever repulsive: the bare floors and naked walls, the prosy men who never wore frock-coats, or violets in their buttonholes; the women with their dull gowns, shrill voices, and pitiful seriousness about prepositions that govern the dative. He could not bear to have the other pupils think, for a moment, that he took these people seriously; he must convey to them that he considered it all trivial, and was there only by way of a jest, anyway. He had autograph pictures of all the members of the stock company, which he showed his classmates, telling them the most incredible stories of his familiarity with these people, of his acquaintance with the soloists who came to Carnegie Hall, his suppers with them and the flowers he sent them. When these stories lost their effect, and his audience grew listless, he became desperate and would bid all the boys good-night, announcing that he was going to travel for a while, going to Naples, to Venice, to Egypt. Then, next Monday, he would slip back, conscious, and nervously smiling; his sister was ill, and he should have to defer his voyage until spring.

  Matters went steadily worse with Paul at school. In the itch to let his instructors know how heartily he despised them and their homilies, and how thoroughly he was appreciated elsewhere, he mentioned once or twice that he had no time to fool with theorems; adding, with a twitch of the eyebrows and a touch of that nervous bravado which so perplexed them, that he was helping the people down at the stock company; they were old friends of his.

  The upshot of the matter was, that the principal went to Paul’s father, and Paul was taken out of school and put to work. The manager at Carnegie Hall was told to get another usher in his stead, the doorkeeper at the theatre was warned not to admit him to the house, and Charley Edwards remorsefully promised the boy’s father not to see him again.

  The members of the stock company were vastly amused when some of Paul’s stories reached them—especially the women. They were hardworking women, most of them supporting indigent husbands or brothers, and they laughed rather bitterly at having stirred the boy to such fervid and florid inventions. They agreed with the faculty and with his father that Paul’s was a bad case.

  II

  The eastbound train was plowing through a January snowstorm; the dull dawn was beginning to show gray, when the engine whistled a mile out of Newark. Paul started up from the seat where he had lain curled in uneasy slumber, rubbed the breath-misted window-glass with his hand, and peered out. The snow was whirling in curling eddies above the white bottom-lands, and the drifts lay already deep in the fields and along the fences, while here and there the long dead grass and dried weed stalks protruded black above it. Lights shone from the scattered houses, and a gang of laborers who stood beside the track waved their lanterns.

  Paul had slept very little, and he felt grimy and uncomfortable. He had made the all-night journey in a day coach, partly because he was ashamed, dressed as he was, to go into a Pullman, and partly because he was afraid of being seen there by some Pittsburg business man, who might have noticed him in Denny & Carson’s office. When the whistle awoke him, he clutched quickly at his breast pocket, glancing about him with an uncertain smile. But the little, clay-bespattered Italians were still sleeping, the slatternly women across the aisle were in openmouthed oblivion, and even the crumb
y, crying babies were for the nonce stilled. Paul settled back to struggle with his impatience as best he could.

  When he arrived at the Jersey City station, Paul hurried through his breakfast, manifestly ill at ease and keeping a sharp eye about him. After he reached the Twenty-third Street station, he consulted a cabman, and had himself driven to a men’s furnishing establishment that was just opening for the day. He spent upward of two hours there, buying with endless reconsidering and great care. His new street suit he put on in the fitting-room; the frock-coat and dress-clothes he had bundled into the cab with his linen. Then he drove to a hatter’s and a shoe house. His next errand was at Tiffany’s, where he selected his silver and a new scarf-pin. He would not wait to have his silver marked, he said. Lastly, he stopped at a trunk shop on Broadway, and had his purchases packed into various traveling bags.

  It was a little after one o’clock when he drove up to the Waldorf, and after settling with the cabman, went into the office. He registered from Washington; said his mother and father had been abroad, and that he had come down to await the arrival of their steamer. He told his story plausibly and had no trouble, since he volunteered to pay for them in advance, in engaging his rooms, a sleeping-room, sitting-room and bath.

  Not once, but a hundred times, Paul had planned this entry into New York. He had gone over every detail of it with Charley Edwards, and in his scrapbook at home there were pages of description about New York hotels, cut from the Sunday papers. When he was shown to his sitting-room on the eighth floor, he saw at a glance that everything was as it should be; there was but one detail in his mental picture that the place did not realize, so he rang for the bellboy and sent him down for flowers. He moved about nervously until the boy returned, putting away his new linen and fingering it delightedly as he did so. When the flowers came, he put them hastily into water, and then tumbled into a hot bath. Presently he came out of his white bathroom, resplendent in his new silk underwear, and playing with the tassels of his red robe. The snow was whirling so fiercely outside his windows that he could scarcely see across the street but within the air was deliciously soft and fragrant. He put the violets and jonquils on the taboret beside the couch, and threw himself down, with a long sigh, covering himself with a Roman blanket. He was thoroughly tired; he had been in such haste, had stood up to such a strain, covered so much ground in the last twenty-four hours, that he wanted to think how it had all come about. Lulled by the sound of the wind, the warm air, and the cool fragrance of the flowers, he sank into deep, drowsy retrospection.

 

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