The Penguin Book of English Verse

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The Penguin Book of English Verse Page 107

by Paul Keegan


  For lost liberty again;

  If I promised, I believe

  I should fret to break the chain.

  Let us be the friends we were,

  Nothing more but nothing less:

  Many thrive on frugal fare

  Who would perish of excess.

  ERNEST DOWSON Vitae summa brevis spem nos vetat incohare longam

  They are not long, the weeping and the laughter,

  Love and desire and hate:

  I think they have no portion in us after

  We pass the gate.

  They are not long, the days of wine and roses:

  Out of a misty dream

  Our path emerges for a while, then closes

  Within a dream.

  A. E. HOUSMAN from A Shropshire Lad

  XII

  When I watch the living meet,

  And the moving pageant file

  Warm and breathing through the street

  Where I lodge a little while,

  If the heats of hate and lust

  In the house of flesh are strong,

  Let me mind the house of dust

  Where my sojourn shall be long.

  In the nation that is not

  Nothing stands that stood before;

  There revenges are forgot,

  And the hater hates no more;

  Lovers lying two and two

  Ask not whom they sleep beside,

  And the bridegroom all night through

  Never turns him to the bride.

  XL

  Into my heart an air that kills

  From yon far country blows:

  What are those blue remembered hills,

  What spires, what farms are those?’

  That is the land of lost content,

  I see it shining plain,

  The happy highways where I went

  And cannot come again.

  LII

  Far in a western brookland

  That bred me long ago

  The poplars stand and tremble

  By pools I used to know.

  There, in the windless night-time,

  The wanderer, marvelling why,

  Halts on the bridge to hearken

  How soft the poplars sigh.

  He hears: no more remembered

  In fields where I was known,

  Here I lie down in London

  And turn to rest alone.

  There, by the starlit fences,

  The wanderer halts and hears

  My soul that lingers sighing

  About the glimmering weirs.

  JOHN DAVIDSON A Northern Suburb

  Nature selects the longest way,

  And winds about in tortuous grooves;

  A thousand years the oaks decay;

  The wrinkled glacier hardly moves.

  But here the whetted fangs of change

  Daily devour the old demesne –

  The busy farm, the quiet grange,

  The wayside inn, the village green.

  In gaudy yellow brick and red,

  With rooting pipes, like creepers rank,

  The shoddy terraces o’erspread

  Meadow, and garth, and daisied bank.

  With shelves for rooms the houses crowd,

  Like draughty cupboards in a row –

  Ice-chests when wintry winds are loud,

  Ovens when summer breezes blow.

  Roused by the fee’d policeman’s knock,

  And sad that day should come again,

  Under the stars the workmen flock

  In haste to reach the workmen’s train.

  For here dwell those who must fulfil

  Dull tasks in uncongenial spheres,

  Who toil through dread of coming ill,

  And not with hope of happier years –

  The lowly folk who scarcely dare

  Conceive themselves perhaps misplaced,

  Whose prize for unremitting care

  Is only not to be disgraced.

  1897ARTHUR SYMONS White Heliotrope

  The feverish room and that white bed,

  The tumbled skirts upon a chair,

  The novel flung half-open, where

  Hat, hair-pins, puffs, and paints, are spread;

  The mirror that has sucked your face

  Into its secret deep of deeps;

  And there mysteriously keeps

  Forgotten memories of grace;

  And you, half dressed and half awake,

  Your slant eyes strangely watching me,

  And I, who watch you drowsily,

  With eyes that, having slept not, ache;

  This (need one dread? nay, dare one hope?)

  Will rise, a ghost of memory, if

  Ever again my handkerchief

  Is scented with White Heliotrope.

  RUDYARD KIPLING Recessional

  1897

  God of our fathers, known of old,

  Lord of our far-flung battle-line,

  Beneath whose awful Hand we hold

  Dominion over palm and pine –

  Lord God of Hosts, be with us yet,

  Lest we forget – lest we forget!

  The tumult and the shouting dies;

  The Captains and the Kings depart:

  Still stands Thine ancient sacrifice,

  An humble and a contrite heart.

  Lord God of Hosts, be with us yet,

  Lest we forget – lest we forget!

  Far-called, our navies melt away;

  On dune and headland sinks the fire:

  Lo, all our pomp of yesterday

  Is one with Nineveh and Tyre!

  Judge of the Nations, spare us yet,

  Lest we forget – lest we forget!

  If, drunk with sight of power, we loose

  Wild tongues that have not Thee in awe,

  Such boastings as the Gentiles use,

  Or lesser breeds without the Law –

  Lord God of Hosts, be with us yet,

  Lest we forget – lest we forget!

  For heathen heart that puts her trust

  In reeking tube and iron shard,

  All valiant dust that builds on dust,

  And guarding, calls not Thee to guard,

  For frantic boast and foolish word –

  Thy mercy on Thy People, Lord!

  OSCAR WILDE from The Ballad of Reading Gaol 1898

  In Memoriam C. T. W. sometime Trooper of the Royal Horse Guards Obiit H. M. Prison, Reading, Berkshire July 7, 1896

  I

  He did not wear his scarlet coat,

  For blood and wine are red,

  And blood and wine were on his hands

  When they found him with the dead,

  The poor dead woman whom he loved,

  And murdered in her bed.

  He walked amongst the Trial Men

  In a suit of shabby gray;

  A cricket cap was on his head,

  And his step seemed light and gay;

  But I never saw a man who looked

  So wistfully at the day.

  I never saw a man who looked

  With such a wistful eye

  Upon that little tent of blue

  Which prisoners call the sky,

  And at every drifting cloud that went

  With sails of silver by.

  I walked, with other souls in pain,

  Within another ring,

  And was wondering if the man had done

  A great or little thing,

  When a voice behind me whispered low,

  ‘That fellow’s got to swing.’

  Dear Christ! the very prison walls

  Suddenly seemed to reel,

  And the sky above my head became

  Like a casque of scorching steel;

  And, though I was a soul in pain,

  My pain I could not feel.

  I only knew what hunted thought

  Quickened his step, and why

  He looked upon the garish day

 
With such a wistful eye;

  The man had killed the thing he loved,

  And so he had to die.

  *

  Yet each man kills the thing he loves,

  By each let this be heard,

  Some do it with a bitter look,

  Some with a flattering word,

  The coward does it with a kiss,

  The brave man with a sword!

  Some kill their love when they are young,

  And some when they are old;

  Some strangle with the hands of Lust,

  Some with the hands of Gold:

  The kindest use a knife, because

  The dead so soon grow cold.

  Some love too little, some too long,

  Some sell, and others buy;

  Some do the deed with many tears,

  And some without a sigh:

  For each man kills the thing he loves.

  Yet each man does not die.

  He does not die a death of shame

  On a day of dark disgrace,

  Nor have a noose about his neck,

  Nor a cloth upon his face,

  Nor drop feet foremost through the floor

  Into an empty space.

  *

  He does not sit with silent men

  Who watch him night and day;

  Who watch him when he tries to weep,

  And when he tries to pray;

  Who watch him lest himself should rob

  The prison of its prey.

  He does not wake at dawn to see

  Dread figures throng his room,

  The shivering Chaplain robed in white,

  The Sheriff stern with gloom,

  And the Governor all in shiny black,

  With the yellow face of Doom.

  He does not rise in piteous haste

  To put on convict-clothes,

  While some coarse-mouthed Doctor gloats, and notes

  Each new and nerve-twitched pose,

  Fingering a watch whose little ticks

  Are like horrible hammer-blows.

  He does not know that sickening thirst

  That sands one’s throat, before

  The hangman with his gardener’s gloves

  Slips through the padded door,

  And binds one with three leathern thongs,

  That the throat may thirst no more.

  He does not bend his head to hear

  The Burial Office read,

  Nor, while the terror of his soul

  Tells him he is not dead,

  Cross his own coffin, as he moves

  Into the hideous shed.

  He does not stare upon the air

  Through a little roof of glass:

  He does not pray with lips of clay

  For his agony to pass;

  Nor feel upon his shuddering cheek

  The kiss of Caiaphas.

  W. E. HENLEY To W. R.

  Madam Life’s a piece in bloom

  Death goes dogging everywhere:

  She’s the tenant of the room,

  He’s the ruffian on the stair.

  You shall see her as a friend,

  You shall bilk him once and twice;

  But he’ll trap you in the end,

  And he’ll stick you for her price.

  With his kneebones at your chest,

  And his knuckles in your throat,

  You would reason – plead – protest!

  Clutching at her petticoat;

  But she’s heard it all before,

  Well she knows you’ve had your fun,

  Gingerly she gains the door,

  And your little job is done.

  (written 1877)

  THOMAS HARDY Neutral Tones

  We stood by a pond that winter day,

  And the sun was white, as though chidden of God,

  And a few leaves lay on the starving sod;

  – They had fallen from an ash, and were gray.

  Your eyes on me were as eyes that rove

  Over tedious riddles of years ago;

  And some words played between us to and fro

  On which lost the more by our love.

  The smile on your mouth was the deadest thing

  Alive enough to have strength to die;

  And a grin of bitterness swept thereby

  Like an ominous bird a-wing….

  Since then, keen lessons that love deceives,

  And wrings with wrong, have shaped to me

  Your face, and the God-curst sun, and a tree,

  And a pond edged with grayish leaves.

  (written 1867)

  THOMAS HARDY Thoughts of Phena

  At News of Her Death

  Not a line of her writing have I,

  Not a thread of her hair,

  No mark of her late time as dame in her dwelling, whereby

  I may picture her there;

  And in vain do I urge my unsight

  To conceive my lost prize

  At her close, whom I knew when her dreams were upbrimming with light,

  And with laughter her eyes.

  What scenes spread around her last days,

  Sad, shining, or dim?

  Did her gifts and compassions enray and enarch her sweet ways

  With an aureate nimb?

  Or did life-light decline from her years,

  And mischances control

  Her full day-star; unease, or regret, or forebodings, or fears

  Disennoble her soul?

  Thus I do but the phantom retain

  Of the maiden of yore

  As my relic; yet haply the best of her – fined in my brain

  It may be the more

  That no line of her writing have I,

 

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