Sarah Christensen Fu keeps my website spiffy and my newsletter on schedule.
Out in Hollywood, I’m grateful for the help of Michelle Weiner (no relation) and to my brothers, Jake and Joe Weiner (relations). And, on a very practical level, I’m grateful to everyone at the UPS Store on Fourth and Bainbridge, who acted as a miniature warehouse/shipping center/office during the pandemic and were unfailingly helpful, whether they were printing manuscripts or shipping books or towels or Girl Scout cookies. Thanks to Scott Vradelis and to Dennis Jardel, Ben Quach, Victor Rivera, Alix Fequiere, and Henry Vradelis.
I am grateful to all of the librarians and the booksellers who have hosted me for events, who’ve recommended my books to readers and recommended other people’s books to me. Thank you for loving stories and for treating readers and writers with such generosity and kindness.
Of all the characters I’ve written, Beatrice Shoemaker is one of my favorites, and she’s very much inspired by my own girls. I’m grateful to my daughter Phoebe, who is sweet and caring, who asks me “How was your day?” and actually cares about the answer, and especially to my daughter Lucy, who is funny and opinionated, for her help in explaining teen culture and social media, for occasionally letting me look at her Finsta, and for not being as difficult IRL as Beatrice was in fiction. It’s true what they say: the hours can feel long, but the years go by fast. Lucy’s gone from being a baby to a little girl to an almost-adult playwright/director/stage manager in training, on her way to college, and it has been such a privilege to be her mom. The world is imperfect and there’s still a lot of work to be done, but my daughters and their friends give me faith that the kids are going to save us all.
I am grateful to Bill Syken, husband and first reader, for his love and support, for being calm when I’m not, for his wonderful cooking and for laughing at (most of) my jokes. There’s no one I’d rather quarantine with. And, of course, my dog, Moochie, is a loyal muse and a faithful companion.
My mom, Fran Weiner, and her partner, Clair Kaplan, probably love and appreciate Cape Cod more than anyone. I am grateful to my mother for introducing me to the Cape, and to Clair for teaching me and my daughters how to clam. And, of course, I am grateful to you, my readers, for your willingness to come sit beside me and let me tell you a story.
Finally, Carolyn Reidy, who died unexpectedly in 2020, was a force in the world of publishing. She was the president and CEO of Simon & Schuster and one of the very first people to believe in me as a writer. She published my first book, and every book since then, and was a tremendous advocate and a brilliant editor. When I was stuck, her suggestions would be pithy and direct, and pretty much always right. When I was done, she’d read an early version and send me a long, beautifully written letter about specific scenes she liked or lines of dialogue she appreciated. I was always grateful for her contributions to my books and for her advocacy of me and of women in publishing. Carolyn was one of the smartest and best-read people I’ve ever met. She understood how fiction worked, and, maybe more important, she understood how writers work. She was a pioneer who opened doors for the generations of women who came behind her. I was lucky to have worked with her and proud to have been one of her authors.
That Summer
Jennifer Weiner
This reading group guide for That Summer includes an introduction, discussion questions, and ideas for enhancing your book club. The suggested questions are intended to help your reading group find new and interesting angles and topics for your discussion. We hope that these ideas will enrich your conversation and increase your enjoyment of the book.
Introduction
From the #1 New York Times bestselling author of Big Summer comes another timely and deliciously twisty novel of intrigue, secrets, and the transformative power of female friendship.
Topics & Questions for Discussion
1. Daisy and Diana are originally framed as opposites—Daisy as the timid housewife and Diana as the woman about town. However, the two end up having more in common than they could have ever imagined. Compare and contrast these characters and what they learn from each other.
2. From That Summer’s onset, Weiner draws a connection between appearance, status, and perception; Diana even calls her executive get-up “drag” (p. 96). What are some other ways that characters signal their status? Across the book, do you think clothes are used more as a form of personal expression or as performance? In particular, you might think about Beatrice’s style and how it differs from her mom’s or Diana’s.
3. Our two main characters first meet as the result of a name mix-up. What is the importance of other names in this novel? In what ways do they serve as protective shields, or possibly burdens?
4. Various characters struggle with society’s suffocatingly narrow definition of success. In high school, Beatrice observes that “all the kids bragged about how little sleep they’d gotten and how much coffee they’d consumed” (p. 44). Daisy creates her own dichotomy of better/worse life outcomes (“Instead of a college graduate, she’d become a mom” [p. 32]). Does this novel argue that success should be equated with happiness? Which character is ultimately presented as the most “successful”?
5. Diana still thinks about what her life would have been like if she’d never been raped; “sometimes, the sorrow of the road not taken would overwhelm her” (p. 240). How are other characters haunted by the past, and how do they struggle to retain control of their lives and decisions? Does the novel ultimately offer hope for how to move forward?
6. How is social class portrayed in this novel? What is the effect of having characters in relationships with people of different backgrounds? What is meant to be our takeaway about the concept of an “institution”?
7. Age is a major theme in That Summer: Diana was robbed of her youthful innocence, while Daisy was slotted into a maternal role usually inhabited by older women. Hal’s horrific actions are mostly dismissed under the guise of his “manly needs” (p. 28), and Beatrice’s actions are rejected due to teen stereotypes (“‘Teenage girls. They get emotional. As I’m sure you know’” [p. 41]). How do gender and age intersect here? What is Beatrice’s role in the novel, given that she is almost the same age that Diana was when she was raped?
8. Why do you think the author chose to set the novel on Cape Cod? What are some other important locations that inform or reflect these characters? Consider their homes, as well. How does Weiner evoke the power of both nostalgia and trauma in her descriptions? Is there a home you would want to live in?
9. Diana has had decades to imagine what she will do upon seeing her attacker. After she meets Brad she concludes, “‘I think that this is what I needed. Just to see him, and have him see me’” (p. 301). What exactly does this mean? Did your feelings about Diana’s quest change after Brad’s death?
10. Diana describes a “world where being born female meant spending years of your life at risk, and the rest of it invisible, existing as prey or barely existing at all” (p. 375). Do you think that Beatrice’s short-lived flirtation with Cade is proof that this principle still holds true, or is this a more generational concept? How do the women in the novel defy this idea? How does Michael fit into this viewpoint?
11. What is the effect of the novel’s different points of view? What do we learn about Beatrice and Daisy in being able to see the two from each other’s perspectives? How about Daisy and Diana? What did you think about Hal’s final section, and did it change your opinion of him?
12. That Summer asks complex questions about who needs to be held responsible for assaults, and what it means to be a bystander. According to the book, what actions are considered irredeemable, and how has the Internet affected the answer to this question? Do you agree with Katrina, Teddy’s high school girlfriend, when she says, “‘I guess anyone’s capable of anything, right?’” (p. 289) How does this idea play into your idea of how severely actions should be punished, or whether they should be forgiven? Does the novel offer a definitive conclusion about
who should be punished? How do the characters of Brad, Danny, and Daisy further complicate this question?
Enhance Your Book Club
1. That Summer is filled with mouthwatering food descriptions. Visit www.jenniferweiner.com/bookclubs to download Daisy’s Summer Cookbook and cook your favorite meal yourself!
2. If your group hasn’t already read Jennifer Weiner’s novel Big Summer, consider reading it together and comparing its themes of complicated and enduring friendship with those of That Summer. What similarities do you notice between the women in these two novels? What ideas and feelings does Jennifer Weiner explore in both?
3. Consider donating to or volunteering with RAINN, the Rape, Abuse & Incest National Network, the nation’s largest anti–sexual violence organization.
4. Beatrice loves making her beloved mouse crafts; Diana decoupages shells. Together with your book club, create a craft featured in the novel, garnering inspiration from creations on Etsy and Pinterest.
More from the Author
Big Summer
Mrs. Everything
Hungry Heart
Who Do You Love
All Fall Down
The Next Best Thing
About the Author
Jennifer Weiner is the #1 New York Times bestselling author of eighteen books, including Big Summer, Mrs. Everything, Good in Bed, and an essay collection, Hungry Heart: Adventures in Life, Love, and Writing. A graduate of Princeton University and contributor to the New York Times Opinion section, Jennifer lives with her family in Philadelphia. Visit her online at JenniferWeiner.com.
SimonandSchuster.com
www.SimonandSchuster.com/Authors/Jennifer-Weiner
@AtriaBooks @AtriaBooks @AtriaBooks
BOOKS BY JENNIFER WEINER
FICTION
Good in Bed
In Her Shoes
Little Earthquakes
Goodnight Nobody
The Guy Not Taken
Certain Girls
Best Friends Forever
Fly Away Home
Then Came You
The Next Best Thing
All Fall Down
Who Do You Love
Mrs. Everything
Big Summer
NONFICTION
Hungry Heart
FOR YOUNG READERS
The Littlest Bigfoot
Little Bigfoot, Big City
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This book is a work of fiction. Any references to historical events, real people, or real places are used fictitiously. Other names, characters, places, and events are products of the author’s imagination, and any resemblance to actual events or places or persons, living or dead, is entirely coincidental.
Copyright © 2021 by Jennifer Weiner, Inc.
From DREAM WORK copyright © 1986 by Mary Oliver. Used by permission of Grove/Atlantic, Inc. Any third party use of this material, outside of this publication, is prohibited.
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Library of Congress Control Number: 2021932216
ISBN 978-1-5011-3354-1
ISBN 978-1-5011-3356-5 (ebook)
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