Orestes- Blood and Light

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Orestes- Blood and Light Page 5

by Helen Edmundson


  Shared Experience also staged her original adaptation of War and Peace at the National Theatre in 1996, and toured her adaptations of Mary Webb’s Gone to Earth in 2004, Euripides’ Orestes in 2006, the new two-part version of War and Peace in 2008, and the original play Mary Shelley in 2012.

  Her original play The Clearing was first staged at the Bush Theatre in 1993, winning the John Whiting and Time Out Awards, Mother Teresa is Dead was premiered at the Royal Court Theatre in 2002 and The Heresy of Love was premiered by the Royal Shakespeare Company in the Swan Theatre in 2012.

  Her adaptation of Jamila Gavin’s Coram Boy premiered at the National Theatre to critical acclaim in 2005, receiving a Time Out Award. It was subsequently revived in 2006, and produced on Broadway in 2007. She adapted Calderón’s Life is a Dream for the Donmar Warehouse in 2009, and Arthur Ransome’s Swallows and Amazons for the Bristol Old Vic in 2010, which subsequently transferred to the West End before embarking on a national tour in 2012.

  Her adaptation of Émile Zola’s Thérèse Raquin was premiered by the Theatre Royal, Bath, in 2014.

  A Nick Hern Book

  This adaptation of Orestes first published in Great Britain as a paperback original in 2006 by Nick Hern Books Limited, The Glasshouse, 49a Goldhawk Road, London W12 8QP

  This ebook first published in 2014

  Orestes copyright © 2005 Helen Edmundson

  Helen Edmundson has asserted her right to be identified as the adapter of this work

  Cover image design: Eureka Designs for Shared Experience

  Cover design by Ned Hoste, 2H

  Typeset by Country Setting, Kingsdown, Kent CT14 8ES

  A CIP catalogue record for this book is available from the British Library

  ISBN 978 1 85459 956 8 (print edition)

  ISBN 978 1 78001 519 4 (ebook edition)

  CAUTION This ebook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorised distribution or use of this text may be a direct infringement of the author’s and publisher’s rights, and those responsible may be liable in law accordingly.

  Amateur Performing Rights Applications for performance by amateurs, including readings and excerpts, should be addressed to the Performing Rights Manager, Nick Hern Books, 49a Goldhawk Road, London W12 8QP, tel +44 (0)20 8749 4953, e-mail [email protected], except as follows:

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  Professional Performing Rights Applications for performance by professionals in any medium and in any language throughout the world (and amateur and stock performances in the United States of America and Canada) should be addressed to The Agency (London) Ltd, 24 Pottery Lane, Holland Park, London W11 4LZ, tel +44 (0)20 7727 1346,

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  No performance of any kind may be given unless a licence has been obtained. Applications should be made before rehearsals begin. Publication of this play does not necessarily indicate its availability for amateur performance.

 

 

 


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