Delphi Complete Works of Demosthenes

Home > Other > Delphi Complete Works of Demosthenes > Page 607
Delphi Complete Works of Demosthenes Page 607

by Demosthenes


  * * * * *

  No account of Greek literature would be complete without a mention of the influence which has revolutionised human thought. It is a strange coincidence that Aristotle was born and died in the same years as Demosthenes. His native town was Stagira; he trained Alexander the Great, presided over the very famous Peripatetic School at Athens for thirteen years and found time to investigate practically every subject of which an ancient Greek could be expected to have any knowledge.

  His method was the slow and very patient observation of individual facts. He is the complement of Plato, who tended to neglect the fact for the “idea” or general law or type behind it and logically prior to it. Deductive reasoning was Plato’s method — that of the poet or great artist, who worships not what he sees but the unseen perfect form behind; inductive reasoning was Aristotle’s method — that of the ordinary man, who respects what he sees that he may by patience find out what is the unseen class to which it belongs. This latter has been the foundation-stone of all modern science; in the main the resemblance between Aristotle’s system of procedure and that of the greatest liberators of the human mind, Bacon and Descartes, are more valuable than the differences.

  It would be difficult to mention any really great subject on which Aristotle has not left some work which is not to be lightly disregarded. His works are in the form of disjointed notes, taken down at his lectures by his disciples. As a rule they are dry and precise, though here and there rays of glory appear which prove that the master was capable of poetic expression even in prose. A rather fine hymn has been ascribed to him. As we might expect, he is weakest in scientific research, mainly because he could not command the use of instruments familiar to us. That a human being who possessed no microscope should have left such a detailed account of the most minute marks on the bodies of fish and animals is an absolute marvel; so perfect is his description that it cannot be bettered to-day. Cuvier and Linnaeus are great names in Botany; Darwin said that they were mere schoolboys compared with Aristotle — in other words, botanical research had progressed thewrong way.

  Many works have appeared on Ethics and Philosophy; few of them are likely to survive as long as Aristotle’s Ethics and Metaphysics Sometimes our modern philosophers seem to forget their obligation to resemble human beings in their writings. We hear so much of mist and transcendentalism, problems, theories, essays, critiques that a book of Aristotle’s dry but exact definition seems like the words of soberness after some nightmare. The man is not assaulting the air; his feet are on firm ground. This is how he proceeds. “Virtue is a mean between excess and defect.” In fact, his object appears to have been to teach something, not to mystify everybody and to cover the honourable name of philosophy with ridicule.

  It is the same story everywhere. Do we want the best book on Rhetoric or Politics? Aristotle may supply it, mainly because he took the trouble to classify his instances and show the reason why things not only are of such a kind, but must inevitably be so. A course of Aristotelian study might profitably be prescribed to every person who thinks of talking in public; he would at least learn how to respect himself and his audience, however ignorant and powerful it may be; he would tend to use words in an exact sense instead of indulging in the wild vagueness of speech which is so common and so dangerous. This dry-as-dust philosopher who cut up animals and plants and wrote about public speeches and constitutions found time to give the world a book on Poetry. Modern scientists sometimes deny their belief in the existence of such a thing as poetry, or scoff at its value; no poetic treatise has yet appeared from them, for it seems difficult for modern science to keep alive in its devotees the weakest glimmerings of a sense of beauty. Herein their great founder and father shows himself to be more humane than his so-called progressive children. His Poetics was the foundation of literary criticism and shows no sign of being superseded.

  Turning his eyes upwards, he gave the world a series of notes on what he saw there. Not possessing a telescope, he could but do his best with the methods available. Let us not jeer at his results; rather let us remember that this same astronomer found time to observe the heavens in addition to revolutionising thought in the brief compass of sixty-two years.

  For the miracle of miracles is this man’s universality of outlook. It makes us ashamed of our own pretentiousness and swollen-headed pride when we reflect what this great architectonic genius has performed. Just as our bodies have decreased in size with the progress of history, so our intelligences seem to have narrowed themselves since Aristotle’s day. Great as our modern scientists are, there is not one of them who would be capable of writing an acknowledged masterpiece on Ethics, Politics, Rhetoric, Poetry, Metaphysics as well as on his own subject.

  Nor have we yet mentioned this stupendous thinker’s full claim to absolute predominance in intellectual effort. His works on Medicine were known to and appreciated by the Arabs, who translated them and brought them to Spain and Sicily when they conquered those countries. Averroes commented on them and added notes of his own which contributed not a little to the development of the healing art. More than this, and greatest of all, during the later Middle Ages Aristotle’s system alone was recognised as possessing universal value; it was taken as the foundation on which the most famous and important Schoolmen erected their philosophies — Chaucer mentions a clerk who possessed twenty books, a treasure indeed in those days; it provided a European Church with a Theology and the cosmopolitan European Universities with a curriculum. Greater honour than this no man ever had or ever can have. Thus, although the Greek city-state seemed to perish in mockery with Demosthenes, yet the Greek spirit of free discussion which died in the great orator was set free in another form in that same year; leaving Aristotle’s body, it ranged through the world conquering and civilising. If in our ignorance and bigotry we try to kill Greek literature, we shall find that, like the hero of the Bacchae, we are turning our blows against our own selves, to the delight of all who relish exhibitions of perfect folly.

  The Delphi Classics Catalogue

  We are proud to present a listing of our complete catalogue of English titles, with new titles being added every month. Buying direct from our website means you can make great savings and take advantage of our instant Updates service. You can even purchase an entire series (Super Set) at a special discounted price.

  Only from our website can readers purchase the special Parts Edition of our Complete Works titles. When you buy a Parts Edition, you will receive a folder of your chosen author’s works, with each novel, play, poetry collection, non-fiction book and more divided into its own special volume. This allows you to read individual novels etc. and to know precisely where you are in an eBook. For more information, please visit our Parts Edition page.

  Series One

  Anton Chekhov

  Charles Dickens

  D.H. Lawrence

  Dickensiana Volume I

  Edgar Allan Poe

  Elizabeth Gaskell

  Fyodor Dostoyevsky

  George Eliot

  H. G. Wells

  Henry James

  Ivan Turgenev

  Jack London

  James Joyce

  Jane Austen

  Joseph Conrad

  Leo Tolstoy

  Louisa May Alcott

  Mark Twain

  Oscar Wilde

  Robert Louis Stevenson

  Sir Arthur Conan Doyle

  Sir Walter Scott

  The Brontës

  Thomas Hardy

  Virginia Woolf

  Wilkie Collins

  William Makepeace Thackeray

  Series Two

  Alexander Pushkin

  Alexandre Dumas (English)

  Andrew Lang

  Anthony Trollope

  Bram Stoker

  Christopher Marlowe

  Daniel Defoe

  Edith Wharton

  F. Scott Fitzgerald

  G. K. Chesterton

  Gustave Flaubert (English)

>   H. Rider Haggard

  Herman Melville

  Honoré de Balzac (English)

  J. W. von Goethe (English)

  Jules Verne

  L. Frank Baum

  Lewis Carroll

  Marcel Proust (English)

  Nathaniel Hawthorne

  Nikolai Gogol

  O. Henry

  Rudyard Kipling

  Tobias Smollett

  Victor Hugo

  William Shakespeare

  Series Three

  Ambrose Bierce

  Ann Radcliffe

  Ben Jonson

  Charles Lever

  Émile Zola

  Ford Madox Ford

  Geoffrey Chaucer

  George Gissing

  George Orwell

  Guy de Maupassant

  H. P. Lovecraft

  Henrik Ibsen

  Henry David Thoreau

  Henry Fielding

  J. M. Barrie

  James Fenimore Cooper

  John Buchan

  John Galsworthy

  Jonathan Swift

  Kate Chopin

  Katherine Mansfield

  L. M. Montgomery

  Laurence Sterne

  Mary Shelley

  Sheridan Le Fanu

  Washington Irving

  Series Four

  Arnold Bennett

  Arthur Machen

  Beatrix Potter

  Bret Harte

  Captain Frederick Marryat

  Charles Kingsley

  Charles Reade

  G. A. Henty

  Edgar Rice Burroughs

  Edgar Wallace

  E. M. Forster

  E. Nesbit

  George Meredith

  Harriet Beecher Stowe

  Jerome K. Jerome

  John Ruskin

  Maria Edgeworth

  M. E. Braddon

  Miguel de Cervantes

  M. R. James

  R. M. Ballantyne

  Robert E. Howard

  Samuel Johnson

  Stendhal

  Stephen Crane

  Zane Grey

  Series Five

  Algernon Blackwood

  Anatole France

  Beaumont and Fletcher

  Charles Darwin

  Edward Bulwer-Lytton

  Edward Gibbon

  E. F. Benson

  Frances Hodgson Burnett

  Friedrich Nietzsche

  George Bernard Shaw

  George MacDonald

  Hilaire Belloc

  John Bunyan

  John Webster

  Margaret Oliphant

  Maxim Gorky

  Oliver Goldsmith

  Radclyffe Hall

  Robert W. Chambers

  Samuel Butler

  Samuel Richardson

  Sir Thomas Malory

  Thomas Carlyle

  William Harrison Ainsworth

  William Dean Howells

  William Morris

  Series Six

  Anthony Hope

  Aphra Behn

  Arthur Morrison

  Baroness Emma Orczy

  Captain Mayne Reid

  Charlotte M. Yonge

  Charlotte Perkins Gilman

  E. W. Hornung

  Ellen Wood

  Frances Burney

  Frank Norris

  Frank R. Stockton

  Hall Caine

  Horace Walpole

  One Thousand and One Nights

  R. Austin Freeman

  Rafael Sabatini

  Saki

  Samuel Pepys

  Sir Issac Newton

  Stanley J. Weyman

  Thomas De Quincey

  Thomas Middleton

  Voltaire

  William Hazlitt

  William Hope Hodgson

  Ancient Classics

  Aeschylus

  Ammianus Marcellinus

  Apuleius

  Apollonius of Rhodes

  Aristophanes

  Aristotle

  Arrian

  Bede

  Cassius Dio

  Catullus

  Cicero

  Demosthenes

  Diodorus Siculus

  Diogenes Laërtius

  Euripides

  Frontius

  Herodotus

  Hesiod

  Hippocrates

  Homer

  Horace

  Josephus

  Julius Caesar

  Juvenal

  Livy

  Longus

  Lucan

  Lucian

  Lucretius

  Marcus Aurelius

  Martial

  Nonnus

  Ovid

  Pausanias

  Petronius

  Pindar

  Plato

  Pliny the Elder

  Pliny the Younger

  Plotinus

  Plutarch

  Polybius

  Propertius

  Quintus Smyrnaeus

  Sallust

  Sappho

  Seneca the Younger

  Sophocles

  Statius

  Strabo

  Suetonius

  Tacitus

  Terence

  Theocritus

  Thucydides

  Tibullus

  Virgil

  Xenophon

  Delphi Poets Series

  A. E. Housman

  Alexander Pope

  Alfred, Lord Tennyson

  Algernon Charles Swinburne

  Andrew Marvell

  Beowulf

  Charlotte Smith

  Christina Rossetti

  D. H Lawrence (poetry)

  Dante Alighieri (English)

  Dante Gabriel Rossetti

  Delphi Poetry Anthology

  Edgar Allan Poe (poetry)

  Edmund Spenser

  Edward Lear

  Edward Thomas

  Edwin Arlington Robinson

  Elizabeth Barrett Browning

  Emily Dickinson

  Ezra Pound

  Friedrich Schiller (English)

  George Herbert

  Gerard Manley Hopkins

  Henry Howard, Earl of Surrey

  Henry Wadsworth Longfellow

  Isaac Rosenberg

  Johan Ludvig Runeberg

  John Clare

  John Donne

  John Dryden

  John Keats

  John Milton

  John Wilmot, Earl of Rochester

  Lord Byron

  Ludovico Ariosto

  Luís de Camões

  Matthew Arnold

  Michael Drayton

  Percy Bysshe Shelley

  Ralph Waldo Emerson

  Robert Browning

  Robert Burns

  Robert Frost

  Robert Southey

  Rumi

  Rupert Brooke

  Samuel Taylor Coleridge

  Sir Philip Sidney

  Sir Thomas Wyatt

  Sir Walter Raleigh

  Thomas Chatterton

  Thomas Gray

  Thomas Hardy (poetry)

  Thomas Hood

  T. S. Eliot

  W. B. Yeats

  Walt Whitman

  Wilfred Owen

  William Blake

  William Cowper

  William Wordsworth

  Masters of Art

  Caravaggio

  Claude Monet

  Dante Gabriel Rossetti

  Diego Velázquez

  Eugène Delacroix

  Gustav Klimt

  J. M. W. Turner

  Johannes Vermeer

  John Constable

  Leonardo da Vinci

  Michelangelo

  Paul Cézanne

  Paul Klee

  Peter Paul Rubens

  Pierre-Auguste Renoir

  Sandro Botticelli

  Raphael

  Rembrandt van Rijn

  Titian

  Vincent van Goghr />
  Wassily Kandinsky

  www.delphiclassics.com

  Is there an author or artist you would like to see in a series? Contact us at [email protected] (or via the social network links below) and let us know!

  Be the first to learn of new releases and special offers:

  Like us on Facebook: https://www.facebook.com/delphiebooks

  Follow our Tweets: https://twitter.com/delphiclassics

  Explore our exciting boards at Pinterest: https://www.pinterest.com/delphiclassics/

  ‘The Death of Demosthenes’ by Alfred-Henri Bramtot, 1879

  The site of the temple of Poseidon, Kalaureia, an island close to the coast of Troezen in the Peloponnesus of mainland Greece — where Demosthenes committed suicide, following Antipater’s decree that the Athenians should turn him over.

 

 

 


‹ Prev