He has a chart of the area, which he keeps up to date by Admiralty Notices to Mariners, issued weekly.
He has leading marks and the international system of buoys and beacons which mark the channel which he will have to follow and which he has to look out for as he approaches.
In most ships he usually has an echo sounder to indicate to him the depth of water and a radar set to supplement his eyes if visibility is poor because of fog or rain or falling snow.
What you can see
Imagine you are standing on the navigating bridge of a ship approaching the estuary of the River Line and Port Liberty.
The Landfall buoy marking the entrance to the channel is right ahead of you and close by you can see the pilot launch displaying its distinguishing code flag waiting to put a pilot on board. Steaming out through the main channel is a 12,000 ton cargo vessel and astern of her a coaster is about to pass through the secondary channel used by smaller craft.
There is a fishing boat heading out to sea off Plushers Point and at the inner end of Crusher’s Bank a dredger is working.
Port Liberty can just be seen around the bend in the river and the buoys marking the main and secondary channels into the River Line and up to the quay are clearly visible.
Model made to the requirements of the Department of Navigation by Thorp Modelmakers Ltd.
So clear and sharp, Port Liberty. So precise and real. Realer than anything else I know. Of course it doesn’t exist. There’s no such place. There is no River Line, no Crusher’s Bank, no Plushers Point, no Port Liberty. The chart and the soundings, the channel markers and the buoys have no counterparts in the full-size world. Port Liberty is a fiction invented by the Admiralty as Fig. 67 in the Admiralty Manual of Navigation Volume I, and the National Maritime Museum commissioned a model of it.
There’s more to the model than meets the eye. I once got in touch with Thorp Modelmakers Ltd and was astonished to find that the tiny fixed and flashing lights are not actually on the tiny vessels, the lighthouse, the buoys. I couldn’t believe it. The scale was too small for that, I was told. The lights are underneath the model and there is a system of mirrors derived from an old theatrical illusion called ‘Pepper’s Ghost’. The night window is a mirror and the lights fixed and flashing so perfectly, each in its proper place, are not in fact where one sees them. I think about it often.
10
Neaera H.
I think there is less merit in Gerard Manley Hopkins’s poem ‘The Windhover’ than there would have been in not writing it. I think that Basho’s frog that jumped into the old pond has more falcon in it than Hopkins’s bird, simply because it has more of things-as-they-are, which includes falcons and everything else. ‘The Windhover’ seems to me a wet poem and twittish. But my judgement has become so subjective that there are many things I must avoid. For some time I’ve been avoiding poetry when possible but in an unthinking moment I opened The Faber Book of Modern Verse and there was Hopkins. Windhover is the old name for the bird that is now called a kestrel. I’ve seen them hovering over hedgerows, they don’t want mannered words but only the simplest and fewest, certainly nothing longer than haiku and preferably no words at all. I’m less reasonable than I was when young.
There was a kestrel a long time ago, perhaps that’s why I was so annoyed by the poem. We were lying in a field, we looked up and opened our mouths and said nothing.
The range of human types and actions is not terribly wide. I have seen the same face on a titled lady and a barmaid. And there seem to be only a few things to do with life, in various combinations. I could not have accepted the idea of myself as a stereotype when I was young but I can now. I’m a more or less arty-intellectual-looking lady of forty-three who is unmarried, dresses more for style than for fashion, looks the sort of spinster who doesn’t keep cats and is not a vegetarian. Looks, I think, like a man’s woman and hasn’t got a man. When I was a child grown-ups often told me to smile, which I found presumptuous of them. People still tell me that sometimes, mostly idiots at parties.
Sometimes I wonder if I ought to give up the push-chair that I use instead of a shopping basket on wheels. It has red and white stripes like the little tents one sees over holes in the street. It may well be that the same company makes both, I’d like it if they did. It was lent me by a friend whose children have outgrown it on the occasion of her giving me an orange tree and I’ve never returned it. One sees a certain kind of poor old person wheeling battered prams loaded with rubbish or shabby push-chairs full of scavengings. My push-chair is still smart however and I am not yet poor and old.
Somehow I keep up with my work, always in arrears, often uncertain whether I’m sleeping or waking. My files decline gently from order to chaos, all kinds of things are accumulating dust in the spare room. I can’t always find what I’m looking for. Easy is the slope of Hell. I sit at the typewriter, I sit at the drawing-table, proof copies appear from time to time, then bound copies, so I seem to go on doing what I do. Royalty cheques twice a year.’ Gillian Vole’s Jumble Sale was absolutely the hit of the sales conference,’ writes my editor, ‘and we expect it to do even better than Gillian Vole’s Christmas. Whatever Gillian is up to now, we and all of her other fans look forward to her next appearance.’
Well, Gillian Vole may jolly well have packed it in. I couldn’t think of another Gillian Vole story right now to save my life. I’ve become quite fond of Madame Beetle but simply as a flatmate. Suddenly I don’t know, haven’t the faintest idea how people make up stories about anything. Anything is whatever it happens to be, why on earth make up stories.
At three o’clock in the morning I sat in the dark looking out of the window down at the square where the fountain is not and I thought about the turtles. The essence of it is that they can find something and they are not being allowed to do it. What more can you do to a creature, short of killing it, than prevent it from finding what it can find? How must they feel? Is there a sense in them of green ocean, white surf and hot sand? Probably not. But there is a drive in them to find it as they swoop in their golden-green light with their flippers clicking against the glass as they turn. Is there anything to be done about it? My mind is not an organizational one.
What is there to find? Thomas Bewick diligently followed the patterns of light from feather to feather, John Clare looked carefully at hedgerows, Emily Dickinson cauterized her lopped-off words with dashes. Ella Wheeler Wilcox implacably persisted. Shackleton came back against all odds, Scott didn’t. There was a round-the-world singlehanded sailing race in which one of the yachtsmen stopped in one part of the ocean and broadcast false positions.
There is no place for me to find. No beach, no breeding grounds. Do I owe the turtles more or less because of that? Is everyone obliged to help those who have it in them to find something? I bought a second-hand mathematical book, I don’t know why, on self-replicating automata. Not robots but mathematical models. The book said that random search could not account for evolution. Something evidently wants there to be finding. Time’s arrow points one way only. Even the moment just past cannot be returned to.
I went into the kitchen, had some tea and toast, came back and sat in my reading chair with my eyes closed. When I opened them it was time for lunch. I had some cheese and apples, went out. I had no intention of going to the Zoo but I went there. The penguins were yawping and honking in a way that had unmistakably to do with procreation. An Australian crane was performing a remarkable dance for his mate. It was as if place and time were internalized in them and not in their surroundings, like Englishmen who dress for dinner on plantations in Borneo. The lions and tigers have no such faculty, must pace madly or lie still and doze.
I stood in the darkness by the turtle tank for some time, not so much looking at the turtles as just being near them and waiting. A man in shirt-sleeves came out of a door marked PRIVATE and stood in front of one of the fish tanks as if checking something. He was obviously one of the keepers and he had an air of decency about him, as
if he paid attention to the things that really need attention paid to them.
I rehearsed the question several times in my mind, then spoke to him. ‘Were any of the turtles full-grown when they were brought here?’ I said.
‘No,’ he said. ‘They were only little when they came here, no more than a pound or two. The big ones have been here twenty or thirty years.’
‘Full-grown turtles,’ I said, ‘how are they transported?’
11
William G.
A lady came into the shop one afternoon, arty-intellectual type about my age or a little younger. She was wearing a long orange Indian-print skirt, an old purple velvet jacket, a denim shirt and expensive boots. Not at all bad-looking. Rather troubled face, circles under her eyes. All at once I felt a strong urge to talk to her for hours and hours about everything. And at the same time I felt an urge not to talk to her at all.
She drifted about the Natural History shelves for a time in a sleepwalking sort of way, picking up books and turning the pages without always looking at them. Then she picked up a book on sea turtles by Robert Bustard and read about a quarter of it where she stood. Eerie, the way she read, as if she’d simply forgotten to put the book down. And eerie that she was reading about sea turtles. Obviously I can’t be the only one thinking about them but I had the shocking feeling that here was another one of me locked up alone in a brain with the same thoughts. Me, what’s that after all? An arbitrary limitation of being bounded by the people before and after and on either side. Where they leave off I begin, and vice versa. I once saw a cartoon sequence of a painter painting a very long landscape. When he’d finished he cut it up into four landscapes of the usual proportions. Mostly one doesn’t meet others from the same picture. When it happens it can be unsettling.
Had we anything new on sea turtles other than the Bustard, she asked. Her voice was as I expected, low and husky. She spoke as if she’d come a long way from wherever she’d been in her mind and couldn’t stop long.
No, I said. Nothing else new. Had she read Carr?
Yes, she had. She looked directly at me when I mentioned Carr as if registering the fact that I knew of him. Then it seemed her mind went elsewhere, she thanked me and left the shop.
Pity, in a way. If she’d been young and pretty would I have tried to extend the conversation? Maybe. Maybe not. I don’t really want to talk to a woman who’s accumulated the sort of things in her head that I have in mine. And I haven’t had much interest in women at all for a while, not in a realistic way. Fantasies, yes. But not actualities, not practicalities. For a time after the break-up I went to bed with as many girls as I could but nothing lasted and I didn’t want it to. They wanted attention paid to them, attention paid to a present they were part of and a future that belonged to them, and my mind was elsewhere.
I used to want to find someone to listen to Chopin with. Now I don’t even like to hear Chopin. Nor Scarlatti. Nor the Haydn, Mozart and Beethoven quartets. Not even Bach. I haven’t listened to the B Minor Mass for more than a year. The idea of music has seemed totally foreign to me for some time now. I can’t think any more why anyone would want to bother with sounds in that way. I can stand on the platform in the Underground and listen to the wincing of the rails as the train comes in, listen to the rumble as it goes. I can listen abstractly to the football players on the common, trains going by, aeroplanes overhead. Raw sound I don’t mind but music has nothing to do with me any more. And it’s not as if I can meditate or anything like that. It’s just that plain sounds and silence are all I want to hear.
On my Friday half-day I went to the Zoo again. One of the keepers in the Aquarium came out of a PRIVATE door and I asked him about the turtles. The big ones have been there twenty or thirty years, he said. I asked him if it was possible to look at the tank from the other side. Yes, he said, and took me into PRIVATE.
One had to go up a few steps and climb through a hole in the wall, then there were planks across the back of the tank. It was brightly lit, had a backstage feeling. The turtles looked different seen from above.
‘That’s not the colour they’d be in natural light,’ the keeper said. ‘Their colour fades here.’
‘Would it be a big job moving them out of here?’ I said.
‘We do it sometimes when we clean the tank,’ he said. ‘Put them in the filters. Bit awkward getting them through the hole, you have to mind their jaws. But it’s not too difficult.’
‘Suppose,’ I said, ‘some sort of turtle freak decided to steal the turtles and put them back in the ocean. What would he need for the job?’
‘You’re talking about me,’ he said. ‘That’s what I’ve wanted to do. I’ve told them we ought to let the big ones go, replace them with little ones. We go fishing off Southampton for specimens two or three times a year, and I’ve said why don’t we take the big turtles along and put them into the Channel. Apart from wanting them to go free I’m tired of cleaning up after them. But they don’t want to know, they’re not interested in the turtles here.’
‘Wouldn’t transport be a problem?’ I said. ‘Don’t they have to be kept from drying out? And isn’t the Channel too cold for them?’
‘Funny,’ he said. ‘You’re the second this week that’s asked me about turtle transport. A lady was chatting to me about the turtles the other day. Sometimes no one asks about them for six months at a stretch. Drying out’s no problem on a trip as short as from here to Southampton. Put them on wet sacks, they’d even be all right without anything for that distance. I don’t think the water’d bother them. Cold water makes them a little sluggish but I think they’d backtrack up the North Atlantic Current till they hit the Canary Current or the Gulf Stream. I bet they’d be in home waters in three months.’
‘The lady,’ I said, ‘was she rather arty-intellectual looking? Husky voice?’
‘That’s the one,’ he said. ‘Friend of yours?’
‘No,’ I said. ‘Then there isn’t all that much to it, is there? Just a matter of hiring a van and taking along a trolley or something. But the place must be guarded at night?’ I wondered when he’d start looking at me hard and ask me about the questions I was asking.
‘Securicor,’ he said. ‘But they make their rounds on a regular schedule. That’s no problem.’
Was he inviting me to have a go at it? I liked the look of him, he seemed a right sort of man. Suddenly it all seemed hugely possible, I began to go trembly. ‘It’s been nice talking to you,’ I said, and got his name and telephone number. George Fairbairn. He’s the Head Keeper. It seemed almost too much to think about at the moment, almost as if it were thrusting itself upon me. And what had she in mind for the turtles? Probably the same sort of lark or at least the same sort of fantasy. Funny, two minds full of turtle thoughts.
12
Neaera H.
Children in the sunlight and the green shade of the square. They seem shaped of light, of silver air or green shade, changing substance as they move from one to the other. Their little shouts and cries are like coloured dots that make a picture of noise but looked at closely the dots are coloured silence. High-legged and quick the children wade in twos and threes through light and shade like shore birds.
What I do is not as good as what an oyster-catcher does. Writing and illustrating books for children is not as good as walking orange-eyed, orange-billed in the distance on the river, on the beaches of the ocean, finding shellfish. And of course they fly as well which must be worth a good deal. Oyster-catchers fit into the world, their time fits. I don’t know how long they live. Herring gulls can live as long as twenty-eight years. The eyes of herring gulls are utterly pitiless, have no pity even for the bird they’re part of. They seem not to be bird eyes but ocean eyes, yellow eyes of the ocean looking out of the bodies of birds.
The man in the bookshop who knew about Carr, his eyes too seemed other than of himself, seemed not to be seeing things on his behalf. It was as if he found himself always in strange houses looking out of the windows of
rooms in which nothing was his. A tall hopeless-looking man with an attentive face and an air of fragile precision like a folding rule made of ivory. There was something in my memory: The Man in the Zoo, the David Garnett novella about the man who had himself locked up in a cage and exhibitedt as Homo sapiens. Not that he seems part of such a story but the idea of him has something of hapless patience in it.
George Fairbairn, the Head Keeper at the Aquarium, seemed quite willing to tell me anything I wanted to know about the turtles. I have the feeling that if I told him what’s in my mind he might even help me do it and of course that frightens me.
I can’t possibly do it alone. I’d need someone to handle the turtles and drive the van, I can’t do any part of it really except pay the expenses. There’d be the long drive to Cornwall, it would be night-time. I’d put them into the ocean at Polperro. The mystery of the turtles and their secret navigation is a magical reality, juice of life in a world gone dry. When I think of the turtles going into the ocean I think of it happening in that place that so badly needs new reality.
The ends of things are always present in their beginnings. T. S. Eliot has of course noted that. But it seems to me that the ends are actually visible in the faces of the people with whom one begins something. There is always an early face that will be forgotten and will be seen again. Sometimes one simply sees the death that will come too soon, as I did with Geoffrey long before the afternoon with the kestrel. But there’s something else, some aspect of the person that is always seen early and will inevitably be seen again no matter how the seeing changes in between. The man who looks a rotter at first and then is seen to be charming will look a rotter again, that can be depended on. The scared person will look scared again, the lost one lost. That man at the bookshop has been seen as hopeless-looking long ago by someone, by himself as well, and his face has returned to that look. My face does not look back at me now when I look into the mirror. That too is a return.
Turtle Diary Page 4