Mirrorshades: The Cyberpunk Anthology

Home > Other > Mirrorshades: The Cyberpunk Anthology > Page 27
Mirrorshades: The Cyberpunk Anthology Page 27

by Bruce Sterling


  “Hey!” Consternation. “I don’t even know your name.”

  “June. June Tannhauser.”

  June. Stone. June and Stone and lilies of the valley. June in June with Stone in the valley with the lilies. It’s like a song that won’t cease in his head.

  “Where are we going?” he asks over the silent song in his head.

  “To a doctor,” says June.

  “I thought that was all taken care of.”

  “This man’s a specialist. An eyespecialist.”

  This is the final jolt, atop so many, knocking even the happy song out of Stone’s head. He sits tense for the rest of the ride, unthinking.

  “This is a lifesized model of what we’re going to implant in you,” the doctor says, putting a cool ball in Stone’s hand.

  Stone squeezes it in disbelief

  “The heart of this eye system is CCD’s—charge-coupled devices. Every bit of light—each photon—that hits them triggers one or more electrons. These electrons are collected as a continuous signal, which is fed through an interpreter chip to your optic nerves. The result: perfect sight.”

  Stone grips the model so hard his palm bruises.

  “Cosmetically, they’re a bit shocking. In a young man like yourself, I’d recommend organic implants. However, I have orders from the person footing the bill that these are what you get. And of course, there are several advantages to them.”

  When Stone does not ask what they are, the doctor continues anyway.

  “By thinking mnemonic keywords that the chip is programmed for, you can perform several functions.

  “One: You can store digitalized copies of a particular sight in the chip’s RAM, for later display. When you reinvoke it with the keyword, it will seem as if you are seeing the sight again directly, no matter what you are actually looking at. Resumption of realtime vision is another keyword.

  “Two: By stepping down the ratio of photons to electrons, you can do such things as stare directly at the sun or at a welder’s flame without damage.

  “Three: By upping the ratio, you can achieve a fair degree of normal sight in conditions such as a starry, moonless night.

  “Four: For enhancement purposes, you can generate false-color images. Black becomes white to your brain, the old rose-colored glasses, whatever.

  “And I think that about covers it.”

  “What’s the time frame on this, Doctor?” June asks.

  The doctor assumes an academic tone, obviously eager to show professional acumen. “A day for the actual operation, two days, accelerated recovery, a week of training and further healing—say, two weeks, max.”

  ‘Very good,” June says.

  Stone feels her rise from the couch beside him, but remains seated.

  “Stone,” she says, a hand on his shoulder, “time to go.”

  But Stone can’t get up, because the tears won’t stop.

  The steel and glass canyons of New York—that proud and flourishing union of Free Enterprise Zones—are a dozen shades of cool blue, stretching away to the north. The streets that run with geometric precision like distant rivers on the canyon floors are an arterial red. To the west and east, snatches of the Hudson River and the East River are visible as lime-green flows. Central Park is a wall of sunflower-yellow halfway up the island. To the northeast of the park, the Bungle is a black wasteland.

  Stone savors the view. Vision of any kind, even the foggiest blurs, was an unthinkable treasure only days ago. And what he has actually been gifted with—this marvelous ability to turn the everyday world into a jeweled wonderland—is almost too much to believe. Momentarily sated, Stone wills his gaze back to normal. The city instantly reverts to its traditional color of steel-gray, sky-blue, tree-green. The view is still magnificent.

  Stone stands at a bank of windows on the 150th floor of the Citrine Tower, in the Wall Street FEZ. For the past two weeks, this has been his home, from which he has not stirred. His only visitors have been a nurse, a cybertherapist, and June. The isolation and relative lack of human contact do not bother him. After the Bungle, such quiet is bliss. And then, of course, he has been enmeshed in the sensuous web of sight.

  The first thing he saw upon waking after the operation set the glorious tone of his visual explorations. The smiling face of a woman hovered above him. Her skin was a pcllucid olive, her eyes a radiant brown, her hair a raven cascade framing her face.

  “How are you feeling?” June asked.

  “Good,” Stone said. Then he uttered a phrase he never had a use for before. “Thank you.”

  June waved a slim hand negligently. “Don’t thank me. I didn’t pay for it.”

  And that was when Stone learned that June was not his employer, that she worked for someone else. And although she wouldn’t tell him then to whom he was indebted, he soon learned when they moved him from the hospital to the building that bore her name.

  Alice Citrine. Even Stone knew of her.

  Turning from the windows, Stone stalks across the thick cream-colored rug of his quarters. (How strange to move so confidently, without halting and probing!) He has spent the past fifteen days or so zealously practicing with his new eyes. Everything the doctor promised him is true. The miracle of sight pushed into new dimensions. It’s all been thrilling. And the luxury of his situation is undeniable. Any kind of food he wants. (Although he would have been satisfied with frack—processed krill. ) Music, holovision, and most prized, the company of June. But all of a sudden today, he is feeling a little irritable. Where and what is this job they hired him for? Why has he not met his employer face to face yet? He begins to wonder if this is all some sort of ultra-elaborate sluff.

  Stone stops before a full-length mirror mounted on a closet door. Mirrors still have the power to fascinate him utterly. That totally obedient duplicate imitating one’s every move, will-less except for his will. And the secondary world in the background, unattainable and silent. During the years in the Bungle when he still retained his eyes, Stone never saw his reflection in anything but puddles or shards of windows. Now he confronts the immaculate stranger in the mirror, seeking clues in his features to the essential personality beneath.

  Stone is short and skinny, traces of malnourishment plain in his stature. But his limbs are straight, his lean muscles hard. His skin where it shows from beneath the sleeveless black one-piece is weather-roughened and scarred. Plyoskin slippers—tough, yet almost as good as barefoot—cover his feet.

  His face. All intersecting planes, like that strange picture in his bedroom. (Did June say “Picasso”?) Sharp jaw, thin nose, blond stubble on his skull. And his eyes: faceted dull-black hemispheres: inhuman. But don’t take them back, please; I’ll do whatever you want.

  Behind him the exit door to his suite opens. It’s June. Without conscious thought, Stone’s impatience spills out in words, which pile one for one atop June’s simultaneous sentence, merging completely at the end.

  “I want to see—”

  “We’re going to visit—”

  “—Alice Citrine.”

  Fifty floors above Stone’s suite, the view of the city is even more spectacular. Stone has learned from June that the Citrine Tower stands on land that did not even exist a century ago. Pressure to expand motivated a vast landfill in the East River, south of the Brooklyn Bridge. On part of this artificial real estate, the Citrine Tower was built in the Oughts, during the boom period following the Second Constitutional Convention.

  Stone boosts the photon-electron ratio of his eyes, and the East River becomes a sheet of white fire. A momentary diversion to ease his nerves.

  “Stand here with me,” June says, indicating a disk just beyond thc elevator door, a few meters from another entrance.

  Stone complies. He imagines he can feel the scanning rays on him, although it is probably just the nearness of June, whose elbow touches his. Her scent fills his nostrils, and he fcrvently hopes that having eyes won’t dull his other senses.
<
br />   Silently the door opens for them.

  June guides him through.

  Alice Citrine waits inside.

  The woman sits in a powered chair behind a horseshoe-shaped bank of screens. Her short hair is corn-yellow, her skin unlined, yet Stone intuits a vast age clinging to her, the same way he used to be able to sense emotions when blind. He studies her aquiline profile, familiar somehow as a face once dreamed is familiar.

  She swivels, presenting her full features. June has led them to within a meter of the burnished console.

  “Good to see you, Mr Stone,” says Citrine. “I take it you are comfortable, no complaints.”

  “Yes,” Stone says. He tries to summon up the thanks he meant to give, but can’t find them anywhere, so disconcerted is he. Instead, he says tentatively, “My job—”

  “Naturally you’re curious,” Citrine says. “It must be something underhanded or loathsome or deadly. Why else would I need to recruit someone from the Bungle? Well, let me at last satisfy you. Your job, Mr. Stone, is to study.”

  Stone is dumbfounded. “Study?”

  “Yes, study. You know the meaning of the word, don’t you? Or have I made a mistake? Study, learn, investigate, and whenever you feel you understand something, draft me a report.”

  Stone’s bafflement had passed through amazement to incredulity. “I can’t even read or write,” he says. “And what the frack am I supposed to study?”

  “Your field of study, Mr. Stone, is this contemporary world of ours. I have had a large part, as you may know, in making this world what it is today. And as I reach the limits of my life, I grow more interested in whether what I have built is bad or good. I have plenty of reports from experts, both positive and negative. But what I want now is a fresh view from one of the underdwellers. All I ask is honesty and accuracy.

  “As for reading and writing—those outmoded skills of my youth—June will assist you in learning those if you wish. But you have machines to read to you and transcribe your speech. You may start at once.”

  Stone tries to assimilate this mad request. It seems capricious, a cover for deeper, darker deeds. But what can he do except say yes?

  He agrees.

  A tiny smile plucks at the woman’s lips. “Fine. Then our talk is over. Ch. one last thing. If you need to conduct on-site research, June must accompany you. And you will mention my sponsorship of you to no one. I don’t want sycophants.”

  The conditions are easy—especially having June always close—and Stone nods his acceptance.

  Citrine turns her back to them then. Stone is startled by what he sees, almost believing his eyes defective.

  Perched on the broad back of her chair is a small animal resembling a lemur or tarsier. Its big, luminous eyes gaze soulfully at them, its long tail arcs in a spiral above its back.

  “Her pet,” whispers June, and hurries Stone away.

  The task is too huge, too complex. Stone considers himself a fool for ever having accepted.

  But what else could he have done, if he wanted to keep his eyes?

  Stone’s cramped and circumscribed life in the Bungle has not prepared him well to fathom the multiplex, extravagant, pulsating world he has been transported to. (At least this is what he initially feels.) Literally and figuratively kept in the dark for so long, he finds the world outside the Citrine Tower a mystifying place.

  There are hundreds, thousands of things he has never heard of before. People, cities, objects, events. There are areas of expertise whose names he can hardly pronounce. Areology, chaoticism, fractal modeling, paraneurology. And don’t forget history, that bottomless well atop which the present moment is but a scrim of bubbles. Stone is, perhaps, most shocked by his discovery of history. He cannot recall ever having considered life as extending backward in time beyond his birth. The revelation of decades, centuries. millennia nearly pushes him into a mental abyss. How can one hope to comprehend the present without knowing all that has gone before?

  Hopeless, insane, suicidal to persist.

  Yet Stone persists.

  He closets himself with his magic window on the world, a terminal that interfaces with the central computer in the Citrine Tower—itself a vast, unintelligible hive of activity—and through that machine to almost every other in the world. For hours on end, images and words flash by him, like knives thrown by a circus performer—knives that he, the loyal but dumb assistant, must catch to survive.

  Stone’s memory is excellent, trained in a cruel school, and he assimilates much. But each path he follows has a branch every few steps, and each branch splits at frequent points, and those tertiary branches also sprout new ones, no less rich than the primaries....

  Once Stone nearly drowned, when a gang left him unconscious in a gutter and it began to rain. He recalls the sensation now.

  June brings him three meals faithfully each day. Her presence still thrills him. Each night, as he lies abed, he replays stored images of her to lull him asleep. June bending, sitting, laughing, her Asian eyes aglow. The subtle curves of her breasts and hips. But the knowledge-fever is stronger, and he tends to ignore her as the days go by.

  One afternoon Stone notices a pill on his lunch tray. He asks June its nature.

  “Its a mnemotropin—promotes the encoding of long-term memories,” she replies. “I thought it might help you.”

  Stone swallows it greedily, and returns to the droning screen.

  Each day he finds a pill at lunch. His brain seems to expand to a larger volume soon after he takes them. The effect is potent, allowing him to imagine he can ingest the world. But still, each night when he finally forces himself to stop, he feels he has not done enough.

  Weeks pass. He has not prepared a single sentence for Alice Citrine. What does he understand? Nothing. How can he pass judgment on the world? It’s hubris, folly. How long will she wait before she kicks his ass out onto the cold street?

  Stone drops his head in his hands. The mocking machine before him torments him with a steady diarrhea of useless facts.

  A hand falls lightly on his quivering shoulder. Stone imbibes June’s sweet scent.

  Stone smashes the terminal’s power stud with the base of his palm so fiercely it hurts. Blessed silenee. He looks up at June.

  “I’m no damn good at this. Why’d she pick me? I don’t even know where to start.”

  June sits on a cushion beside him. “Stone, I haven’t said anything, because I was ordered not to direct you. But I don’t think sharing a little of my experience will count as interference. You’ve got to limit your topic, Stone. The world’s too big. Alice doesn’t expect you to comprehend it all, distill it into a masterpiece of concision and sense.

  “The world doesn’t lend itself to such summations, anyway. I think you unconsciously know what she wants. She gave you a clue when you talked to her.”

  Stone summons up that day, plays back a view he filed of the stern old woman. Her features occult June’s. The visual cue drags along a phrase.

  “—whether what I have built is bad or good.”

  It is as if Stone’s eyes have overloaded. Insight floods him with relief. Of course, the vain and powerful woman sees her life as the dominant theme of the modern era, a radiant thread passing through time, with critical nodes of action strung on it like beads. How much easier to understand a single human life than that of the whole world. (Or so he believes at the moment.) That much he thinks he can do. Chart Citrine’s personal history, the ramifications of her long career, the ripples spreading from her throne. Who knows? It might indeed prove archetypal.

  Stone wraps his arms around June in exultation, gives a wordless shout. She doesn’t resist his embrace, and they fall back upon the couch.

  Her lips are warm and complaisant under his. Her nipples seem to burn through her shirt and into his chest. His left leg is trapped between her thighs.

  Suddenly he pulls back. He has seen himself too vividly: scrawny castoff from the sewer
of the city, with eyes not even human.

  “No,” he says bitterly. “You can’t want me.”

  “Quiet,” she says, “quiet.” Her hands are on his face; she kisses his neck; his spine melts; and he falls atop her again, too hungry to stop.

  “You’re so foolish for someone so smart,” she murmurs to him afterwards. “Just like Alice.”

  He does not consider her meaning.

  The roof of the Citrine Tower is a landing facility for phaetons, the suborbital vehicles of companies and their executives. He feels he has learned all he can of Alice Citrine’s life, while cooped up in the tower. Now he wants the heft and feel of actual places and people to judge her by.

  But before they may leave, June tells Stone, they must speak to Jerrold Scarfe.

  In a small departure lounge, all soft white corrugated walls and molded chairs, the three meet.

  Scarfe is head of security for Citrine Technologies. A compact, wiry man, exhibiting a minimum of facial expressions, he strikes Stone as eminently competent, from the top of his permanently depilated and tattooed skull to his booted feet. On his chest he wears the CT emblem: a red spiral with an arrowhead on its outer terminus, pointing up.

  June greets Scarfe with some familiarity, and asks, “Are we cleared?”

  Scarfe waggles a sheet of flimsy in the air. “Your flight plan is quite extensive. Is it really necessary, for instance, to visit a place like Mexico City, with Mr. Stone aboard?”

  Stone wonders at Scarfe’s solicitude for him, an unimportant stranger. June interprets Stone’s puzzled look and explains. “Jerrold is one of the few people that know you represent Miz Citrine. Naturally, he’s worried that if we run into trouble of some kind, the fallout will descend on Citrine Technologies.”

  “I’m not looking for trouble, Mr. Scarfe. I just want to do my job.”

  Scarfe scans Stone as intentlv as the devices outside Alice Citrine’s sanctum. The favorable result is eventually expressed as a mild grunt, and the announcement, “Your pilot’s waiting. Go ahead.”

 

‹ Prev