When blame becomes the order of the day in the Young household for their failing marriage—blaming each other, blaming themselves—Charles and Faith each search for answers why the flame of love no longer burns brightly. In their efforts, one takes comfort from another a step too far. One chooses not to get mad, but to get even.
Dying love is a slow burn. Is it too late for Charles and Faith to fan the embers and make love rise once again from the ashes of their broken marriage? Can they find their first love again—for each other, and for God?
In a single moment, a dream dies, and hope is lost.
Lovers of the ocean, Hope and Tyler Peterson long for the day they can dip their little one’s feet into its clear blue waters and pass on their passion for the sea.
Despite dedicating her life to the rescue and rehabilitation of God’s sea creatures, when their dream dies, Hope can’t muster the strength to do the same for herself. Give her a dark hole to hide away from the world and she’d be happy…if happiness were ever again within her reach.
While Tyler is able to design technology that probes the mysteries of the deep, he’s at a loss to find a way to help Hope surface from the darkness that has dragged her into its abyss. He struggles to plan for their future when his wife can barely cope with the here and now.
If they can’t recover hope, their marriage won’t survive.
Some artworks appear chaotic, but it all depends on the eye of the beholder.
Brody and Madison Peterson have the picture-perfect marriage. Or so it seems. But their teenage daughter Charity knows only too well that that’s not the case. Frequent emotive arguments—the bane of artistic temperaments—have Charity pouring out her heartache and fears in her prayer journal.
When Madison makes a career choice that doesn’t fit in with her husband’s plans for their lives or their art gallery, disaster looms. The end of their marriage and a bitter battle over Charity threatens.
What will it take for the Master Artist to heal old wounds and transform their broken marriage into a magnificent masterpiece? Could Charity’s journal be enough to make Brody and Madison realize their folly and reclaim their love?
For thirty years, Brian and Elizabeth Dunham have served on the mission field. Unable to have children of their own, they've been a father and mother to countless orphans in six African countries. When an unexpected beach-house inheritance and a lung disease diagnosis coincide, they realize that perhaps God is telling them it’s time to retire.
At sixty, Elizabeth is past child-bearing age. She’d long ago given up wondering whether this would be the month she would conceive. But when her best friend and neighbor jokes that Elizabeth’s sudden fatigue and nausea are symptoms of pregnancy, Elizabeth finds herself walking that familiar and unwanted road again, wondering if God is pulling an Abraham and Sarah on her and Brian.
The mere notion has questions flooding Elizabeth’s mind. If she were miraculously pregnant, would they have the stamina to raise a child in their golden years? Especially with Brian’s health issues. And the child? Would it be healthy, or would it go through life struggling with some kind of disability? What of her own health? Could she survive giving birth?
Will what Brian and Elizabeth have dreamed of their entire married life be an old-age blessing or a curse?
Everyday life for Dr. Melanie Kerr had consisted of happy deliveries and bundles of joy…until her worst nightmare became reality. The first deaths in her OR during an emergency C-section. Both mother and child, one month before Christmas. About to perform her first Caesarean since the tragedy, Melanie loses her nerve and flees the OR. She packs her bags and catches a flight to Budapest. Perhaps time spent in the city her lost patient hailed from, can help her find the healing and peace she desperately needs to be a good doctor again.
Since the filming of Jordan’s Journeys’ hit TV serial “Life Begins at Sixty” ended earlier in the year, journalist and TV host Jordan Stanson has gone from one assignment to the next. But before he can take a break, he has a final episode to film—“Zac’s First Christmas”. Not only is he looking forward to relaxing at his parents’ seaside home, he can’t wait to see his godchild, Zac, the baby born to the aging Dunhams. His boss, however, has squeezed in another documentary for him to complete before Christmas—uncovering the tragedy surrounding the doctor the country came to love on his show, the beautiful Dr. Kerr.
In order to chronicle her journey through grief and failure, Jordan has no choice but to get close to this woman. Something he has both tried and failed at in the past. He hopes through this assignment, he’ll be able to help her realize the tragedy wasn’t her fault. But even in a city so far away from home, work once again becomes the major catalyst to hinder romance between Jordan and Melanie.
That, and a thing called honesty.
Not every woman is fortunate enough to find her soulmate. Fewer find him twice.
JoAnn Stanson has loved and lost. Widowed merely eighteen months ago, JoAnn is less than thrilled when her son arranges a luxury cruise around the British Isles as an early birthday gift. She’s not ready to move on and “meet new people.”
Caleb Blume has faced death and won. Had it not been for an unexpected Christmas present, he would surely have been pushing up daisies. Not that the silver-haired landscape architect was averse to those little flowers—he just wasn’t ready to become fertilizer himself.
To celebrate his sixty-fourth birthday and the nearing two year anniversary since he’d cheated death, Caleb books a cruise and flies to London. He is instantly drawn in a way that’s never happened before to a woman he sees boarding the ship. But this woman who steals Caleb’s heart is far more guarded with her own.
For JoAnn, so many little things about Caleb remind her of her late husband. It’s like loving the same man twice. Yet different.
Or is it?
When Rafaele and Jayne meet again two years after dancing the night away together in Tuscany, is it a matter of fate or of faith?
After deciding to take a six-month sabbatical, Italian lawyer Rafaele Rossi moves from Florence back to Villa Rossi in the middle of Tuscany, resigned to managing the family farm for his aging nonna after his father’s passing. Convinced a family get-together is what Nonna needs to lift her spirits, he plans an eightieth birthday party for her, making sure his siblings and cousins attend.
The Keswick jewelry store where Jayne Austin has worked for seven years closes its doors. Jayne takes her generous severance pay and heads off to Italy—Tuscany to be precise. Choosing to leave her fate in God’s hands, she prays she’ll miraculously bump into the handsome best man she’d danced the night away with at a friend’s Tuscan wedding two years ago. She hasn’t been able to forget those smoldering brown eyes and that rich Italian accent.
Jayne’s prayers are answered swiftly and in the most unexpected way. Before she knows what’s happening, she’s a guest not only at Isabella Rossi’s birthday party, but at Villa Rossi too.
When Rafaele receives what appears to be a valuable painting from an unknown benefactor, he’s reminded that he doesn’t want to lose Jayne again. After what he’s done to drive her from the villa, though, what kind of a commitment will it take for her to stay?
She never wants to get married. He does. To her.
The day Alessandra Rossi was born, her mammà died, and a loveless life with the father who blamed the newborn for her mother’s death followed. With the help of her oldest brother, Rafaele, Alessa moved away from home the moment she finished school—just like her other siblings had. Now sporting a degree in architectural history and archaeology, Alessa loves her job as a tour guide in the city of Rome—a place where she never fails to draw the attention of men. Not that Alessa cares. Fearing that the man she weds would be anything like her recently deceased father has Alessa vowing to remain single.
American missionary Michael Young has moved to Rome on a two-year mission trip. His temporary future in the country doesn’t stop him from spontaneously joining A
lessa’s tour after spotting her outside the Colosseum. And being bold enough to tell her afterward that one day she’d be his wife. God had told him. And he believed Him. But Alessa shows no sign of interest in Michael.
Can anything sway the beautiful and headstrong Italian to fall in love? Can anyone convince her to put her faith and hope in the Heavenly Father, despite being raised by an earthly one who never loved her? Will her sister’s prompting, or a mysterious painting, or Michael himself change Alessa’s mind? About love. And about God.
Womanizer. Adulterer. Divorced. That is Lord Davis Rathbone’s history. His future? He vows to never marry or fall in love again—repeating his past mistakes, not worth the risk. Then he meets Magnolia Blume, and filling his days penning poetry no longer seems an alternative to channel his pent-up feelings. With God’s help, surely he can keep this rare treasure and make it work this time?
Magnolia Blume’s life is perfect, except for one thing—Davis Rathbone is everything she’s not looking for in a man. He doesn’t strike her as one prone to the sentiments of family, or religion, but her judgments could be premature.
Magnolia must look beyond the gossip, Davis’s past, and their differences to find her perfect match, because, although flawed, Davis has one redeeming quality—he is a man after God’s own heart.
Rose Blume has a secret, and she’s kept it for six long years. It’s the reason she’s convinced herself she’ll have to find her joy making wedding dresses, and not wearing one.
Fashion design icon Joseph Digiavoni crosses paths with Rose for the first time since their summer romance in Florence years before, and all the old feelings for her come rushing back. Not that they ever really left. He’s lived with her image since she returned to England.
Joseph and Rose are plunged into working together on the wedding outfits for the upcoming Rathbone/Blume wedding. His top client is marrying Rose’s sister. But will this task prove too difficult, especially when Joseph is anxious for Rose to admit why she broke up with him in Italy and what she’d done in the months that followed?
One person holds the key to happiness for them all, if only Rose and Joseph trusted that the truth would set them free. When they finally do bare their secrets, who has the most to forgive?
Paxton Rathbone is desperate to make his way home. His inheritance long spent, he stows away on a fishing trawler bound from Norway to England only to be discovered, beaten and discarded at Scarborough’s port. On home soil at last, all it would take is one phone call. But even if his mother and father are forgiving, he doubts his older brother will be.
Needing a respite from child welfare social work, Heather Blume is excited about a short-term opportunity to work at a busy North Yorkshire day center for the homeless. When one of the men she’s been helping saves her from a vicious attack, she’s so grateful she violates one of the most important rules in her profession—she takes him home to tend his wounds. But there’s more to her actions than merely being the Good Samaritan. The man’s upper-crust speech has Heather intrigued. She has no doubt he’s a gentleman fallen far from grace and is determined to reunite the enigmatic young man with his family, if only he would open up about his life.
Paxton has grown too accustomed to the disdain of mankind, which perhaps is why Heather’s kindness penetrates his reserves and gives him reason to hope. Reason to love? Perhaps reason to stay. But there’s a fine line between love and gratitude, for both Paxton and Heather.
Holly Blume loves decorating people’s homes, but that doesn’t mean she’s ready to play house.
Believing a house is not a home without a woman’s touch, there’s nothing more Reverend Christopher Stewart would like than to find a wife. What woman would consider him marriage material, though, with an aging widowed father to look after, especially one who suffers from Alzheimer’s?
When Christopher arrives at his new parish, he discovers the church ladies have arranged a welcome surprise—an office makeover by congregant and interior designer Holly Blume. Impressed with Miss Blume’s work, Christopher decides to contract the talented lady to turn the rectory into a home. When they begin to clash more than their taste in color, will the revamp come to the same abrupt end as his only romantic relationship?
Despite their differences, Holly resolves to finish the job of redesigning the Stewart home, while Christopher determines to re-form Holly’s heart.
Top London chef Clover Blume has one chance to become better acquainted with Jonathan Spalding away from the mayhem of her busy restaurant where he frequently dines—usually with a gorgeous woman at his side. When the groomsman who is supposed to escort her at her sister’s New Year’s Eve wedding is delayed because of business, Clover begins to wonder whether she really wants to waste time with a player whose main focus in life is making money rather than keeping promises.
Jonathan lives the good life. There’s one thing, however, the London Investment Banker’s money hasn’t managed to buy: a woman to love—one worthy of his mother’s approval. Is it possible though, that the auburn-haired beauty who is to partner with him at his best friend’s wedding—a wedding he stands to miss thanks to a glitch in a deal worth millions—is finding a way into his heart?
But what will it cost Jonathan to realize it profits him nothing to gain the world, yet lose his soul?
And the girl.
Who am I? The question has Taylor Cassidy journeying from one side of America to the other seeking an answer. Almost five years brings her no closer to the truth. Now an award-winning photojournalist for Wines & Vines, Taylor is sent on assignment to South Africa to discover the inspiration behind Aimee Amour, the DeBois estate’s flagship wine. Mystery has enshrouded the story of the woman for whom the wine is named.
South African winegrower Armand DeBois’s world is shattered when a car accident leaves him in a coma for three weeks, and his young wife dead. The road of recovery and mourning is dark, and Armand teeters between falling away from God and falling into His comforting arms.
When Armand and Taylor meet, questions arise for them both. While the country and the winegrower hold a strange attraction for Taylor, Armand struggles with the uncertainty of whether he’s falling in love with his past or his future.
When his wife dies in childbirth, conservationist Simon Hartley pours his life into raising his daughter and his orphan elephants. He has no time, or desire, to fall in love again. Or so he thinks.
Wanting to escape English society and postpone an arranged marriage, Lady Abigail Chadwick heads to Africa for a year to teach the children of the Good Shepherd Orphanage. Upon her arrival she is left stranded at Livingstone airport…until a reluctant Simon comes to her rescue.
Now only fears born of his loss, and secrets of the life she’s tried to leave behind, can stonewall their romance, budding in the heart of Africa.
Escaping his dangerous past, former British rock star Justin “The Phoenix” Taylor flees as far away from home as possible to Australia. A marked man with nothing left but his guitar and his talent, Justin is desperate to start over yet still live off the grid. Loneliness and the need to feel a connection to the London pastor who’d saved his life draw Justin to Ella’s Barista Art Coffee Shop—the famous and trendy Melbourne establishment belonging to Pastor Jim Anderson’s niece.
Intrigued by the bearded stranger who looks vaguely familiar, Ella Anderson wearies of serving him his regular flat white espresso every morning with no more than a greeting for conversation. Ella decides to discover his secrets, even if it requires coaxing him with her elaborate latte art creations. And muffins.
Justin gradually begins to open up to Ella but fears his past will collide with their future. When it does, Ella must decide whether they have a future at all.
1972. Every day in Belfast, Northern Ireland, holds risk, especially for the mayor’s daughter. But Dr. Olivia O'Hare has a heart for people and chooses to work on the wrong side of a city where colors constantly clash. The orange and green of the Republicans pitted aga
inst the red and blue of those loyal to Britain. While they might share the common hue of white, it brings no peace.
Caught between the Republicans and Loyalists’ conflict, blue-collar worker Ryann Doyle has to wonder if there’s life before death. The answer seems to be a resounding, ‘No’. His mother is dead, his father’s a drunk, and his younger brother, Declan, is steeped in the Provisional IRA. Then he crosses paths with Olivia O’Hare.
After working four days straight, mopping up PIRA’s latest act of terror, Olivia is exhausted. All she wants is to go home and rest. But when she drives away from Royal Victoria Hospital, rest is the last thing Olivia gets.
When Declan kidnaps the Lord Mayor of Belfast’s daughter, Ryann has to find a way to rescue the dark-haired beauty, though it means he must turn his back on his own flesh and blood for someone he just met.
While Ginger Murphy completes her music studies, childhood sweetheart and neighbor, Brad O’Sullivan betrays her with the new girl next door. Heartbroken, Ginger escapes as far away as she can go—to Australia—for five long years. During this time, Brad’s shotgun marriage fails. Besides his little boy, Jamie, one other thing in his life has turned out sweet and successful—his pastry business.
When her mother’s diagnosed with heart failure, Ginger has no choice but to return to the green grass of Ireland. As a sought-after wedding flautist, she quickly establishes herself on home soil. Although she loves her profession, she fears she’ll never be more than the entertainment at these joyous occasions. And that she’s doomed to bump into the wedding cake chef she tries to avoid. Brad broke her heart once. She won’t give him a chance to do it again.
A gingerbread house contest at church to raise funds for the homeless has Ginger competing with Brad. Both are determined to win—Ginger the contest, Brad her heart. But when a dear old saint challenges that the Good Book says the first shall be last, and the last first, Ginger has to decide whether to back down from contending with Brad and embrace the true meaning of Christmas—peace on earth, good will to all men. Even the Irishman she’d love to hate.
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