Knowing as this may sound, I have not yet set foot in the streets, and am deplorably ignorant. I must wait till I am less of the country cousin and have brought my dress and deportment into keeping with the society I am about to enter, the whirl of which amazes me even here, where only distant murmurs reach my ear. So far I have not gone beyond the garden; but the Italian opera opens in a few days, and my mother has a box there. I am crazy with delight at the thought of hearing Italian music and seeing French acting.
Already I begin to drop convent habits for those of society. I spend the evening writing to you till the moment for going to bed arrives. This has been postponed to ten o’clock, the hour at which my mother goes out, if she is not at the theatre. There are twelve theatres in Paris.
I am grossly ignorant and I read a lot, but quite indiscriminately, one book leading to another. I find the names of fresh books on the cover of the one I am reading; but as I have no one to direct me, I light on some which are fearfully dull. What modern literature I have read all turns upon love, the subject which used to bulk so largely in our thoughts, because it seemed that our fate was determined by man and for man. But how inferior are these authors to two little girls, known as Sweetheart and Darling — otherwise Renee and Louise. Ah! my love, what wretched plots, what ridiculous situations, and what poverty of sentiment! Two books, however, have given me wonderful pleasure — Corinne and Adolphe. Apropos of this, I asked my father one day whether it would be possible for me to see Mme. de Stael. My father, mother, and Alphonse all burst out laughing, and Alphonse said:
“Where in the world has she sprung from?”
To which my father replied:
“What fools we are! She springs from the Carmelites.”
“My child, Mme. de Stael is dead,” said my mother gently.
When I finished Adolphe, I asked Miss Griffith how a woman could be betrayed.
“Why, of course, when she loves,” was her reply.
Renee, tell me, do you think we could be betrayed by a man?
Miss Griffith has at last discerned that I am not an utter ignoramus, that I have somewhere a hidden vein of knowledge, the knowledge we learned from each other in our random arguments. She sees that it is only superficial facts of which I am ignorant. The poor thing has opened her heart to me. Her curt reply to my question, when I compare it with all the sorrows I can imagine, makes me feel quite creepy. Once more she urged me not to be dazzled by the glitter of society, to be always on my guard, especially against what most attracted me. This is the sum-total of her wisdom, and I can get nothing more out of her. Her lectures, therefore, become a trifle monotonous, and she might be compared in this respect to the bird which has only one cry.
III. THE SAME TO THE SAME December.
My Darling, — Here I am ready to make my bow to the world. By way of preparation I have been trying to commit all the follies I could think of before sobering down for my entry. This morning, I have seen myself, after many rehearsals, well and duly equipped — stays, shoes, curls, dress, ornaments, — all in order. Following the example of duelists before a meeting, I tried my arms in the privacy of my chamber. I wanted to see how I would look, and had no difficulty in discovering a certain air of victory and triumph, bound to carry all before it. I mustered all my forces, in accordance with that splendid maxim of antiquity, “Know thyself!” and boundless was my delight in thus making my own acquaintance. Griffith was the sole spectator of this doll’s play, in which I was at once doll and child. You think you know me? You are hugely mistaken.
Here is a portrait, then, Renee, of your sister, formerly disguised as a Carmelite, now brought to life again as a frivolous society girl. She is one of the greatest beauties in France — Provence, of course, excepted. I don’t see that I can give a more accurate summary of this interesting topic.
True, I have my weak points; but were I a man, I should adore them. They arise from what is most promising in me. When you have spent a fortnight admiring the exquisite curves of your mother’s arms, and that mother the Duchesse de Chaulieu, it is impossible, my dear, not to deplore your own angular elbows. Yet there is consolation in observing the fineness of the wrist, and a certain grace of line in those hollows, which will yet fill out and show plump, round, and well modeled, under the satiny skin. The somewhat crude outline of the arms is seen again in the shoulders. Strictly speaking, indeed, I have no shoulders, but only two bony blades, standing out in harsh relief. My figure also lacks pliancy; there is a stiffness about the side lines.
Poof! There’s the worst out. But then the contours are bold and delicate, the bright, pure flame of health bites into the vigorous lines, a flood of life and of blue blood pulses under the transparent skin, and the fairest daughter of Eve would seem a Negress beside me! I have the foot of a gazelle! My joints are finely turned, my features of a Greek correctness. It is true, madame, that the flesh tints do not melt into each other; but, at least, they stand out clear and bright. In short, I am a very pretty green fruit, with all the charm of unripeness. I see a great likeness to the face in my aunt’s old missal, which rises out of a violet lily.
There is no silly weakness in the blue of my insolent eyes; the white is pure mother-of-pearl, prettily marked with tiny veins, and the thick, long lashes fall like a silken fringe. My forehead sparkles, and the hair grows deliciously; it ripples into waves of pale gold, growing browner towards the centre, whence escape little rebel locks, which alone would tell that my fairness is not of the insipid and hysterical type. I am a tropical blonde, with plenty of blood in my veins, a blonde more apt to strike than to turn the cheek. What do you think the hairdresser proposed? He wanted, if you please, to smooth my hair into two bands, and place over my forehead a pearl, kept in place by a gold chain! He said it would recall the Middle Ages.
I told him I was not aged enough to have reached the middle, or to need an ornament to freshen me up!
The nose is slender, and the well-cut nostrils are separated by a sweet little pink partition — an imperious, mocking nose, with a tip too sensitive ever to grow fat or red. Sweetheart, if this won’t find a husband for a dowerless maiden, I’m a donkey. The ears are daintily curled, a pearl hanging from either lobe would show yellow. The neck is long, and has an undulating motion full of dignity. In the shade the white ripens to a golden tinge. Perhaps the mouth is a little large. But how expressive! what a color on the lips! how prettily the teeth laugh!
Then, dear, there is a harmony running through all. What a gait! what a voice! We have not forgotten how our grandmother’s skirts fell into place without a touch. In a word, I am lovely and charming. When the mood comes, I can laugh one of our good old laughs, and no one will think the less of me; the dimples, impressed by Comedy’s light fingers on my fair cheeks, will command respect. Or I can let my eyes fall and my heart freeze under my snowy brows. I can pose as a Madonna with melancholy, swan-like neck, and the painters’ virgins will be nowhere; my place in heaven would be far above them. A man would be forced to chant when he spoke to me.
So, you see, my panoply is complete, and I can run the whole gamut of coquetry from deepest bass to shrillest treble. It is a huge advantage not to be all of one piece. Now, my mother is neither playful nor virginal. Her only attitude is an imposing one; when she ceases to be majestic, she is ferocious. It is difficult for her to heal the wounds she makes, whereas I can wound and heal together. We are absolutely unlike, and therefore there could not possibly be rivalry between us, unless indeed we quarreled over the greater or less perfection of our extremities, which are similar. I take after my father, who is shrewd and subtle. I have the manner of my grandmother and her charming voice, which becomes falsetto when forced, but is a sweet-toned chest voice at the ordinary pitch of a quiet talk.
I feel as if I had left the convent to-day for the first time. For society I do not yet exist; I am unknown to it. What a ravishing moment! I still belong only to myself, like a flower just blown, unseen yet of mortal eye.
In s
pite of this, my sweet, as I paced the drawing-room during my self-inspection, and saw the poor cast-off school-clothes, a queer feeling came over me. Regret for the past, anxiety about the future, fear of society, a long farewell to the pale daisies which we used to pick and strip of their petals in light-hearted innocence, there was something of all that; but strange, fantastic visions also rose, which I crushed back into the inner depths, whence they had sprung, and whither I dared not follow them.
My Renee, I have a regular trousseau! It is all beautifully laid away and perfumed in the cedar-wood drawers with lacquered front of my charming dressing-table. There are ribbons, shoes, gloves, all in lavish abundance. My father has kindly presented me with the pretty gewgaws a girl loves — a dressing-case, toilet service, scent-box, fan, sunshade, prayer-book, gold chain, cashmere shawl. He has also promised to give me riding lessons. And I can dance! To-morrow, yes, to-morrow evening, I come out!
My dress is white muslin, and on my head I wear a garland of white roses in Greek style. I shall put on my Madonna face; I mean to play the simpleton, and have all the women on my side. My mother is miles away from any idea of what I write to you. She believes me quite destitute of mind, and would be dumfounded if she read my letter. My brother honors me with a profound contempt, and is uniformly and politely indifferent.
He is a handsome young fellow, but melancholy, and given to moods. I have divined his secret, though neither the Duke nor Duchess has an inkling of it. In spite of his youth and his title, he is jealous of his father. He has no position in the State, no post at Court, he never has to say, “I am going to the Chamber.” I alone in the house have sixteen hours for meditation. My father is absorbed in public business and his own amusements; my mother, too, is never at leisure; no member of the household practises self-examination, they are constantly in company, and have hardly time to live.
I should immensely like to know what is the potent charm wielded by society to keep people prisoner from nine every evening till two or three in the morning, and force them to be so lavish alike of strength and money. When I longed for it, I had no idea of the separations it brought about, or its overmastering spell. But, then, I forget, it is Paris which does it all.
It is possible, it seems, for members of one family to live side by side and know absolutely nothing of each other. A half-fledged nun arrives, and in a couple of weeks has grasped domestic details, of which the master diplomatist at the head of the house is quite ignorant. Or perhaps he does see, and shuts his eyes deliberately, as part of the father’s role. There is a mystery here which I must plumb.
IV. THE SAME TO THE SAME December 15th.
Yesterday, at two o’clock, I went to drive in the Champs-Elysees and the Bois de Boulogne. It was one of those autumn days which we used to find so beautiful on the banks of the Loire. So I have seen Paris at last! The Place Louis XV. is certainly very fine, but the beauty is that of man’s handiwork.
I was dressed to perfection, pensive, with set face (though inwardly much tempted to laugh), under a lovely hat, my arms crossed. Would you believe it? Not a single smile was thrown at me, not one poor youth was struck motionless as I passed, not a soul turned to look again; and yet the carriage proceeded with a deliberation worthy of my pose.
No, I am wrong, there was one — a duke, and a charming man — who suddenly reined in as we went by. The individual who thus saved appearances for me was my father, and he proclaimed himself highly gratified by what he saw. I met my mother also, who sent me a butterfly kiss from the tips of her fingers. The worthy Griffith, who fears no man, cast her glances hither and thither without discrimination. In my judgment, a young woman should always know exactly what her eye is resting on.
I was mad with rage. One man actually inspected my carriage without noticing me. This flattering homage probably came from a carriage-maker. I have been quite out in the reckoning of my forces. Plainly, beauty, that rare gift which comes from heaven, is commoner in Paris than I thought. I saw hats doffed with deference to simpering fools; a purple face called forth murmurs of, “It is she!” My mother received an immense amount of admiration. There is an answer to this problem, and I mean to find it.
The men, my dear, seemed to me generally very ugly. The very few exceptions are bad copies of us. Heaven knows what evil genius has inspired their costume; it is amazingly inelegant compared with those of former generations. It has no distinction, no beauty of color or romance; it appeals neither to the senses, nor the mind, nor the eye, and it must be very uncomfortable. It is meagre and stunted. The hat, above all, struck me; it is a sort of truncated column, and does not adapt itself in the least to the shape of the head; but I am told it is easier to bring about a revolution than to invent a graceful hat. Courage in Paris recoils before the thought of appearing in a round felt; and for lack of one day’s daring, men stick all their lives to this ridiculous headpiece. And yet Frenchmen are said to be fickle!
The men are hideous anyway, whatever they put on their heads. I have seen nothing but worn, hard faces, with no calm nor peace in the expression; the harsh lines and furrows speak of foiled ambition and smarting vanity. A fine forehead is rarely seen.
“And these are the product of Paris!” I said to Miss Griffith.
“Most cultivated and pleasant men,” she replied.
I was silent. The heart of a spinster of thirty-six is a well of tolerance.
In the evening I went to the ball, where I kept close to my mother’s side. She gave me her arm with a devotion which did not miss its reward. All the honors were for her; I was made the pretext for charming compliments. She was clever enough to find me fools for my partners, who one and all expatiated on the heat and the beauty of the ball, till you might suppose I was freezing and blind. Not one failed to enlarge on the strange, unheard-of, extraordinary, odd, remarkable fact — that he saw me for the first time.
My dress, which dazzled me as I paraded alone in my white-and-gold drawing-room, was barely noticeable amidst the gorgeous finery of most of the married women. Each had her band of faithful followers, and they all watched each other askance. A few were radiant in triumphant beauty, and amongst these was my mother. A girl at a ball is a mere dancing-machine — a thing of no consequence whatever.
The men, with rare exceptions, did not impress me more favorably here than at the Champs-Elysees. They have a used-up look; their features are meaningless, or rather they have all the same meaning. The proud, stalwart bearing which we find in the portraits of our ancestors — men who joined moral to physical vigor — has disappeared. Yet in this gathering there was one man of remarkable ability, who stood out from the rest by the beauty of his face. But even he did not rouse in me the feeling which I should have expected. I do not know his works, and he is a man of no family. Whatever the genius and the merits of a plebeian or a commoner, he could never stir my blood. Besides, this man was obviously so much more taken up with himself than with anybody else, that I could not but think these great brain-workers must look on us as things rather than persons. When men of intellectual power love, they ought to give up writing, otherwise their love is not the real thing. The lady of their heart does not come first in all their thoughts. I seemed to read all this in the bearing of the man I speak of. I am told he is a professor, orator, and author, whose ambition makes him the slave of every bigwig.
My mind was made up on the spot. It was unworthy of me, I determined, to quarrel with society for not being impressed by my merits, and I gave myself up to the simple pleasure of dancing, which I thoroughly enjoyed. I heard a great deal of inept gossip about people of whom I know nothing; but perhaps it is my ignorance on many subjects which prevents me from appreciating it, as I saw that most men and women took a lively pleasure in certain remarks, whether falling from their own lips or those of others. Society bristles with enigmas which look hard to solve. It is a perfect maze of intrigue. Yet I am fairly quick of sight and hearing, and as to my wits, Mlle. de Maucombe does not need to be told!
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p; I returned home tired with a pleasant sort of tiredness, and in all innocence began describing my sensations to my mother, who was with me. She checked me with the warning that I must never say such things to any one but her.
“My dear child,” she added, “it needs as much tact to know when to be silent as when to speak.”
This advice brought home to me the nature of the sensations which ought to be concealed from every one, not excepting perhaps even a mother. At a glance I measured the vast field of feminine duplicity. I can assure you, sweetheart, that we, in our unabashed simplicity, would pass for two very wide-awake little scandal-mongers. What lessons may be conveyed in a finger on the lips, in a word, a look! All in a moment I was seized with excessive shyness. What! may I never again speak of the natural pleasure I feel in the exercise of dancing? “How then,” I said to myself, “about the deeper feelings?”
I went to bed sorrowful, and I still suffer from the shock produced by this first collision of my frank, joyous nature with the harsh laws of society. Already the highway hedges are flecked with my white wool! Farewell, beloved.
V. RENEE DE MAUCOMBE TO LOUISE DE CHAULIEU October.
How deeply your letter moved me; above all, when I compare our widely different destinies! How brilliant is the world you are entering, how peaceful the retreat where I shall end my modest career!
In the Castle of Maucombe, which is so well known to you by description that I shall say no more of it, I found my room almost exactly as I left it; only now I can enjoy the splendid view it gives of the Gemenos valley, which my childish eyes used to see without comprehending. A fortnight after my arrival, my father and mother took me, along with my two brothers, to dine with one of our neighbors, M. de l’Estorade, an old gentleman of good family, who has made himself rich, after the provincial fashion, by scraping and paring.
Works of Honore De Balzac Page 18