This loan from du Tillet was already made when Florine returned with fifty thousand francs. Instead of creating a savings fund with that sum, Raoul, certain of success (simply because he felt it was necessary), and already humiliated at having accepted the actress’s money, deceived Florine as to his actual position, and persuaded her to employ the money in refurnishing her house. The actress, who did not need persuasion, not only spent the sum in hand, but she burdened herself with a debt of thirty thousand francs, with which she obtained a charming little house all to herself in the rue Pigale, whither her old society resorted. Raoul had reserved the production of his great piece, in which was a part especially suited to Florine, until her return. This comedy-vaudeville was to be Raoul’s farewell to the stage. The newspapers, with that good nature which costs nothing, prepared the way for such an ovation to Florine that even the Theatre-Francais talked of engaging her. The feuilletons proclaimed her the heiress of Mars.
This triumph was sufficiently dazzling to prevent Florine from carefully studying the ground on which Nathan was advancing; she lived, for the time being, in a round of festivities and glory. According to those about her, he was now a great political character; he was justified in his enterprise; he would certainly be a deputy, probably a minister in course of time, like so many others. As for Nathan himself, he firmly believed that in the next session of the Chamber he should find himself in government with two other journalists, one of whom, already a minister, was anxious to associate some of his own craft with himself, and so consolidate his power. After a separation of six months, Nathan met Florine again with pleasure, and returned easily to his old way of life. All his comforts came from the actress, but he embroidered the heavy tissue of his life with the flowers of ideal passion; his letters to Marie were masterpieces of grace and style. Nathan made her the light of his life; he undertook nothing without consulting his “guardian angel.” In despair at being on the popular side, he talked of going over to that of the aristocracy; but, in spite of his habitual agility, even he saw the absolute impossibility of such a jump; it was easier to become a minister. Marie’s precious replies were deposited in one of those portfolios with patent locks made by Huret or Fichet, two mechanics who were then waging war in advertisements and posters all over Paris, as to which could make the safest and most impenetrable locks.
This portfolio was left about in Florine’s new boudoir, where Nathan did much of his work. No one is easier to deceive than a woman to whom a man is in the habit of telling everything; she has no suspicions; she thinks she sees and hears and knows all. Besides, since her return, Nathan had led the most regular of lives under her very nose. Never did she imagine that that portfolio, which she hardly glanced at as it lay there unconcealed, contained the letters of a rival, treasures of admiring love which the countess addressed, at Raoul’s request, to the office of his newspaper.
Nathan’s situation was, therefore, to all appearance, extremely brilliant. He had many friends. The two plays lately produced had succeeded well, and their proceeds supplied his personal wants and relieved him of all care for the future. His debt to du Tillet, “his friend,” did not make him in the least uneasy.
“Why distrust a friend?” he said to Blondet, who from time to time would cast a doubt on his position, led to do so by his general habit of analyzing.
“But we don’t need to distrust our enemies,” remarked Florine.
Nathan defended du Tillet; he was the best, the most upright of men.
This existence, which was really that of a dancer on the tight rope without his balance-pole, would have alarmed any one, even the most indifferent, had it been seen as it really was. Du Tillet watched it with the cool eye and the cynicism of a parvenu. Through the friendly good humor of his intercourse with Raoul there flashed now and then a malignant jeer. One day, after pressing his hand in Florine’s boudoir and watching him as he got into his carriage, du Tillet remarked to Lousteau (envier par excellence): —
“That fellow is off to the Bois in fine style to-day, but he is just as likely, six months hence, to be in a debtor’s prison.”
“He? never!” cried Lousteau. “He has Florine.”
“How do you know that he’ll keep her? As for you, who are worth a dozen of him, I predict that you will be our editor-in-chief within six months.”
In October Nathan’s notes to du Tillet fell due, and the banker graciously renewed them, but for two months only, with the discount added and a fresh loan. Sure of victory, Raoul was not afraid of continuing to put his hand in the bag. Madame Felix de Vandenesse was to return in a few days, a month earlier than usual, brought back, of course, by her unconquerable desire to see Nathan, who felt that he could not be short of money at a time when he renewed that assiduous life.
Correspondence, in which the pen is always bolder than speech, and thought, wreathing itself with flowers, allows itself to be seen without disguise, and brought the countess to the highest pitch of enthusiasm. She believed she saw in Raoul one of the noblest spirits of the epoch, a delicate but misjudged heart without a stain and worthy of adoration; she saw him advancing with a brave hand to grasp the sceptre of power. Soon that speech so beautiful in love would echo from the tribune. Marie now lived only in this life of a world outside her own. Her taste was lost for the tranquil joys of home, and she gave herself up to the agitations of this whirlwind life communicated by a clever and adoring pen. She kissed Raoul’s letters, written in the midst of the ceaseless battles of the press, with time taken from necessary studies; she felt their value; she was certain of being loved, and loved only, with no rival but the fame and ambition he adored. She found enough in her country solitude to fill her soul and employ her faculties, — happy, indeed, to have been so chosen by such a man, who to her was an angel.
During the last days of autumn Marie and Raoul again met and renewed their walks in the Bois, where alone they could see each other until the salons reopened. But when the winter fairly began, Raoul appeared in social life at his apogee. He was almost a personage. Rastignac, now out of power with the ministry, which went to pieces on the death of de Marsay, leaned upon Nathan, and gave him in return the warmest praise. Madame de Vandenesse, feeling this change in public opinion, was desirous of knowing if her husband’s judgment had altered also. She questioned him again; perhaps with the hope of obtaining one of those brilliant revenges which please all women, even the noblest and least worldly, — for may we not believe that even the angels retain some portion of their self-love as they gather in serried ranks before the Holy of Holies?
“Nothing was wanting to Raoul Nathan but to be the dupe he now is to a parcel of intriguing sharpers,” replied the count.
Felix, whose knowledge of the world and politics enabled him to judge clearly, had seen Nathan’s true position. He explained to his wife that Fieschi’s attempt had resulted in attaching to the interests threatened by this attack on Louis-Philippe a large body of hitherto lukewarm persons. The newspapers which were non-committal, and did not show their colors, would lose subscribers; for journalism, like politics, was about to be simplified by falling into regular lines. If Nathan had put his whole fortune into that newspaper he would lose it. This judgment, so apparently just and clear-cut, though brief and given by a man who fathomed a matter in which he had no interest, alarmed Madame de Vandenesse.
“Do you take an interest in him?” asked her husband.
“Only as a man whose mind interests me and whose conversation I like.”
This reply was made so naturally that the count suspected nothing.
The next day at four o’clock, Marie and Raoul had a long conversation together, in a low voice, in Madame d’Espard’s salon. The countess expressed fears which Raoul dissipated, only too happy to destroy by epigrams the conjugal judgment. Nathan had a revenge to take. He characterized the count as narrow-minded, behind the age, a man who judged the revolution of July with the eyes of the Restoration, who would never be willing to admit the triumph of t
he middle-classes — the new force of all societies, whether temporary or lasting, but a real force. Instead of turning his mind to the study of an opinion given impartially and incidentally by a man well-versed in politics, Raoul mounted his stilts and stalked about in the purple of his own glory. Where is the woman who would not have believed his glowing talk sooner than the cold logic of her husband? Madame de Vandenesse, completely reassured, returned to her life of little enjoyments, clandestine pressures of the hand, occasional quarrels, — in short, to her nourishment of the year before, harmless in itself, but likely to drag a woman over the border if the man she favors is resolute and impatient of obstacles. Happily for her, Nathan was not dangerous. Besides, he was too full of his immediate self-interests to think at this time of profiting by his love.
But toward the end of December, when the second notes fell due, du Tillet demanded payment. The rich banker, who said he was embarrassed, advised Raoul to borrow the money for a short time from a usurer, from Gigonnet, the providence of all young men who were pressed for money. In January, he remarked, the renewal of subscriptions to the paper would be coming in, there would be plenty of money in hand, and they could then see what had best be done. Besides, couldn’t Nathan write a play? As a matter of pride Raoul determined to pay off the notes at once. Du Tillet gave Raoul a letter to Gigonnet, who counted out the money on a note of Nathan’s at twenty days’ sight. Instead of asking himself the reason of such unusual facility, Raoul felt vexed at his folly in not having asked for more. That is how men who are truly remarkable for the power of thought are apt to behave in practical business; they seem to reserve the power of their mind for their writings, and are fearful of lessening it by putting it to use in the daily affairs of life.
Raoul related his morning to Florine and Blondet. He gave them an inimitable sketch of Gigonnet, his fireplace without fire, his shabby wall-paper, his stairway, his asthmatic bell, his aged straw mattress, his den without warmth, like his eye. He made them laugh about this new uncle; they neither troubled themselves about du Tillet and his pretended want of money, nor about an old usurer so ready to disburse. What was there to worry about in that?
“He has only asked you fifteen per cent,” said Blondet; “you ought to be grateful to him. At twenty-five per cent you don’t bow to those old fellows. This is money-lending; usury doesn’t begin till fifty per cent; and then you despise the usurer.”
“Despise him!” cried Florine; “if any of your friends lent you money at that price they’d pose as your benefactors.”
“She is right; and I am glad I don’t owe anything now to du Tillet,” said Raoul.
Why this lack of penetration as to their personal affairs in men whose business it is to penetrate all things? Perhaps the mind cannot be complete at all points; perhaps artists of every kind live too much in the present moment to study the future; perhaps they are too observant of the ridiculous to notice snares, or they may believe that none would dare to lay a snare for such as they. However this may be, the future arrived in due time. Twenty days later Raoul’s notes were protested, but Florine obtained from the Court of commerce an extension of twenty-five days in which to meet them. Thus pressed, Raoul looked into his affairs and asked for the accounts, and it then appeared that the receipts of the newspaper covered only two-thirds of the expenses, while the subscriptions were rapidly dwindling. The great man now grew anxious and gloomy, but to Florine only, in whom he confided. She advised him to borrow money on unwritten plays, and write than at once, giving a lien on his work. Nathan followed this advice and obtained thereby twenty thousand francs, which reduced his debt to forty thousand.
On the 10th of February the twenty-five days expired. Du Tillet, who did not want Nathan as a rival before the electoral college, where he meant to appear himself, instigated Gigonnet to sue Nathan without compromise. A man locked up for debt could not present himself as a candidate for election. Florine was herself in communication with the sheriff on the subject of her personal debts, and no resource was left to her but the “I” of Medea, for her new furniture and belongings were now attached. The ambitious Raoul heard the cracking in all directions of his prosperous edifice, built, alas! without foundations. His nerve failed him; too weak already to sustain so vast an enterprise, he felt himself incapable of attempting to build it up again; he was fated to perish in its ashes. Love for the countess gave him still a few thrills of life; his mask brightened for a moment, but behind it hope was dead. He did not suspect the hand of du Tillet, and laid the blame of his misfortune on the usurer. Rastignac, Blondet, Lousteau, Vernou, Finot, and Massol took care not to enlighten him. Rastignac, who wanted to return to power, made common cause with Nucingen and du Tillet. The others felt a satisfaction in the catastrophe of an equal who had attempted to make himself their master. None of them, however, would have said a word to Florine; on the contrary, they praised Raoul to her.
“Nathan,” they said, “has the shoulders of an Atlas; he’ll pull himself through; all will come right.”
“There were two new subscribers yesterday,” said Blondet, gravely. “Raoul will certainly be elected deputy. As soon as the budget is voted the dissolution is sure to take place.”
But Nathan, sued, could no longer obtain even usury; Florine, with all her personal property attached, could count on nothing but inspiring a passion in some fool who might not appear at the right moment. Nathan’s friends were all men without money and without credit. An arrest for debt would destroy his hopes of a political career; and besides all this, he had bound himself to do an immense amount of dramatic work for which he had already received payment. He could see no bottom to the gulf of misery that lay before him, into which he was about to roll. In presence of such threatened evil his boldness deserted him. Would the Comtesse de Vandenesse stand by him? Would she fly with him? Women are never led into a gulf of that kind except by an absolute love, and the love of Raoul and Marie had not bound them together by the mysterious and inalienable ties of happiness. But supposing that the countess did follow him to some foreign country; she would come without fortune, despoiled of everything, and then, alas! she would merely be one more embarrassment to him. A mind of a second order, and a proud mind like that of Nathan, would be likely to see, under these circumstances, and did see, in suicide the sword to cut the Gordian knots. The idea of failure in the face of the world and that society he had so lately entered and meant to rule, of leaving the chariot of the countess and becoming once more a muddied pedestrian, was more than he could bear. Madness began to dance and whirl and shake her bells at the gates of the fantastic palace in which the poet had been dreaming. In this extremity, Nathan waited for some lucky accident, determined not to kill himself until the final moment.
During the last days employed by the legal formalities required before proceeding to arrest for debt, Raoul went about, in spite of himself, with that coldly sullen and morose expression of face which may be noticed in persons who are either fated to commit suicide or are meditating it. The funereal ideas they are turning over in their minds appear upon their foreheads in gray and cloudy tints, their smile has something fatalistic in it, their motions are solemn. These unhappy beings seem to want to suck the last juices of the life they mean to leave; their eyes see things invisible, their ears are listening to a death-knell, they pay no attention to the minor things about them. These alarming symptoms Marie perceived one evening at Lady Dudley’s. Raoul was sitting apart on a sofa in the boudoir, while the rest of the company were conversing in the salon. The countess went to the door, but he did not raise his head; he heard neither Marie’s breathing nor the rustle of her silk dress; he was gazing at a flower in the carpet, with fixed eyes, stupid with grief; he felt he had rather die than abdicate. All the world can’t have the rock of Saint Helena for a pedestal. Moreover, suicide was then the fashion in Paris. Is it not, in fact, the last resource of all atheistical societies? Raoul, as he sat there, had decided that the moment had come to die. Despair is in proportion
to our hopes; that of Raoul had no other issue than the grave.
“What is the matter?” cried Marie, flying to him.
“Nothing,” he answered.
There is one way of saying that word “nothing” between lovers which signifies its exact contrary. Marie shrugged her shoulders.
“You are a child,” she said. “Some misfortune has happened to you.”
“No, not to me,” he replied. “But you will know all soon enough, Marie,” he added, affectionately.
“What were you thinking of when I came in?” she asked, in a tone of authority.
“Do you want to know the truth?” She nodded. “I was thinking of you; I was saying to myself that most men in my place would have wanted to be loved without reserve. I am loved, am I not?”
“Yes,” she answered.
“And yet,” he said, taking her round the waist and kissing her forehead at the risk of being seen, “I leave you pure and without remorse. I could have dragged you into an abyss, but you remain in all your glory on its brink without a stain. Yet one thought troubles me — ”
“What is it?” she asked.
“You will despise me.” She smiled superbly. “Yes, you will never believe that I have sacredly loved you; I shall be disgraced, I know that. Women never imagine that from the depths of our mire we raise our eyes to heaven and truly adore a Marie. They assail that sacred love with miserable doubts; they cannot believe that men of intellect and poesy can so detach their soul from earthly enjoyment as to lay it pure upon some cherished altar. And yet, Marie, the worship of the ideal is more fervent in men then in women; we find it in women, who do not even look for it in us.”
“Why are you making me that article?” she said, jestingly.
“I am leaving France; and you will hear to-morrow, how and why, from a letter my valet will bring you. Adieu, Marie.”
Works of Honore De Balzac Page 141