Grandet gazed at the door lined with sheet-iron which he lately put to his sanctum, and said to himself, —
“What a crazy idea of my brother to bequeath his son to me! A fine legacy! I have not fifty francs to give him. What are fifty francs to a dandy who looked at my barometer as if he meant to make firewood of it!”
In thinking over the consequences of that legacy of anguish Grandet was perhaps more agitated than his brother had been at the moment of writing it.
“I shall have that golden robe,” thought Nanon, who went to sleep tricked out in her altar-cloth, dreaming for the first time in her life of flowers, embroidery, and damask, just as Eugenie was dreaming of love.
In the pure and monotonous life of young girls there comes a delicious hour when the sun sheds its rays into their soul, when the flowers express their thoughts, when the throbbings of the heart send upward to the brain their fertilizing warmth and melt all thoughts into a vague desire, — day of innocent melancholy and of dulcet joys! When babes begin to see, they smile; when a young girl first perceives the sentiment of nature, she smiles as she smiled when an infant. If light is the first love of life, is not love a light to the heart? The moment to see within the veil of earthly things had come for Eugenie.
An early riser, like all provincial girls, she was up betimes and said her prayers, and then began the business of dressing, — a business which henceforth was to have a meaning. First she brushed and smoothed her chestnut hair and twisted its heavy masses to the top of her head with the utmost care, preventing the loose tresses from straying, and giving to her head a symmetry which heightened the timid candor of her face; for the simplicity of these accessories accorded well with the innocent sincerity of its lines. As she washed her hands again and again in the cold water which hardened and reddened the skin, she looked at her handsome round arms and asked herself what her cousin did to make his hands so softly white, his nails so delicately curved. She put on new stockings and her prettiest shoes. She laced her corset straight, without skipping a single eyelet. And then, wishing for the first time in her life to appear to advantage, she felt the joy of having a new gown, well made, which rendered her attractive.
As she finished her toilet the clock of the parish church struck the hour; to her astonishment, it was only seven. The desire of having plenty of time for dressing carefully had led her to get up too early. Ignorant of the art of retouching every curl and studying every effect, Eugenie simply crossed her arms, sat down by the window, and looked at the court-yard, the narrow garden, and the high terraced walls that over-topped it: a dismal, hedged-in prospect, yet not wholly devoid of those mysterious beauties which belong to solitary or uncultivated nature. Near the kitchen was a well surrounded by a curb, with a pulley fastened to a bent iron rod clasped by a vine whose leaves were withered, reddened, and shrivelled by the season. From thence the tortuous shoots straggled to the wall, clutched it, and ran the whole length of the house, ending near the wood-pile, where the logs were ranged with as much precision as the books in a library. The pavement of the court-yard showed the black stains produced in time by lichens, herbage, and the absence of all movement or friction. The thick walls wore a coating of green moss streaked with waving brown lines, and the eight stone steps at the bottom of the court-yard which led up to the gate of the garden were disjointed and hidden beneath tall plants, like the tomb of a knight buried by his widow in the days of the Crusades. Above a foundation of moss-grown, crumbling stones was a trellis of rotten wood, half fallen from decay; over them clambered and intertwined at will a mass of clustering creepers. On each side of the latticed gate stretched the crooked arms of two stunted apple-trees. Three parallel walks, gravelled and separated from each other by square beds, where the earth was held in by box-borders, made the garden, which terminated, beneath a terrace of the old walls, in a group of lindens. At the farther end were raspberry-bushes; at the other, near the house, an immense walnut-tree drooped its branches almost into the window of the miser’s sanctum.
A clear day and the beautiful autumnal sun common to the banks of the Loire was beginning to melt the hoar-frost which the night had laid on these picturesque objects, on the walls, and on the plants which swathed the court-yard. Eugenie found a novel charm in the aspect of things lately so insignificant to her. A thousand confused thoughts came to birth in her mind and grew there, as the sunbeams grew without along the wall. She felt that impulse of delight, vague, inexplicable, which wraps the moral being as a cloud wraps the physical body. Her thoughts were all in keeping with the details of this strange landscape, and the harmonies of her heart blended with the harmonies of nature. When the sun reached an angle of the wall where the “Venus-hair” of southern climes drooped its thick leaves, lit with the changing colors of a pigeon’s breast, celestial rays of hope illumined the future to her eyes, and thenceforth she loved to gaze upon that piece of wall, on its pale flowers, its blue harebells, its wilting herbage, with which she mingled memories as tender as those of childhood. The noise made by each leaf as it fell from its twig in the void of that echoing court gave answer to the secret questionings of the young girl, who could have stayed there the livelong day without perceiving the flight of time. Then came tumultuous heavings of the soul. She rose often, went to her glass, and looked at herself, as an author in good faith looks at his work to criticise it and blame it in his own mind.
“I am not beautiful enough for him!” Such was Eugenie’s thought, — a humble thought, fertile in suffering. The poor girl did not do herself justice; but modesty, or rather fear, is among the first of love’s virtues. Eugenie belonged to the type of children with sturdy constitutions, such as we see among the lesser bourgeoisie, whose beauties always seem a little vulgar; and yet, though she resembled the Venus of Milo, the lines of her figure were ennobled by the softer Christian sentiment which purifies womanhood and gives it a distinction unknown to the sculptors of antiquity. She had an enormous head, with the masculine yet delicate forehead of the Jupiter of Phidias, and gray eyes, to which her chaste life, penetrating fully into them, carried a flood of light. The features of her round face, formerly fresh and rosy, were at one time swollen by the small-pox, which destroyed the velvet texture of the skin, though it kindly left no other traces, and her cheek was still so soft and delicate that her mother’s kiss made a momentary red mark upon it. Her nose was somewhat too thick, but it harmonized well with the vermilion mouth, whose lips, creased in many lines, were full of love and kindness. The throat was exquisitely round. The bust, well curved and carefully covered, attracted the eye and inspired reverie. It lacked, no doubt, the grace which a fitting dress can bestow; but to a connoisseur the non-flexibility of her figure had its own charm. Eugenie, tall and strongly made, had none of the prettiness which pleases the masses; but she was beautiful with a beauty which the spirit recognizes, and none but artists truly love. A painter seeking here below for a type of Mary’s celestial purity, searching womankind for those proud modest eyes which Raphael divined, for those virgin lines, often due to chances of conception, which the modesty of Christian life alone can bestow or keep unchanged, — such a painter, in love with his ideal, would have found in the face of Eugenie the innate nobleness that is ignorant of itself; he would have seen beneath the calmness of that brow a world of love; he would have felt, in the shape of the eyes, in the fall of the eyelids, the presence of the nameless something that we call divine. Her features, the contour of her head, which no expression of pleasure had ever altered or wearied, were like the lines of the horizon softly traced in the far distance across the tranquil lakes. That calm and rosy countenance, margined with light like a lovely full-blown flower, rested the mind, held the eye, and imparted the charm of the conscience that was there reflected. Eugenie was standing on the shore of life where young illusions flower, where daisies are gathered with delights ere long to be unknown; and thus she said, looking at her image in the glass, unconscious as yet of love: “I am too ugly; he will not notice me.”<
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Then she opened the door of her chamber which led to the staircase, and stretched out her neck to listen for the household noises. “He is not up,” she thought, hearing Nanon’s morning cough as the good soul went and came, sweeping out the halls, lighting her fire, chaining the dog, and speaking to the beasts in the stable. Eugenie at once went down and ran to Nanon, who was milking the cow.
“Nanon, my good Nanon, make a little cream for my cousin’s breakfast.”
“Why, mademoiselle, you should have thought of that yesterday,” said Nanon, bursting into a loud peal of laughter. “I can’t make cream. Your cousin is a darling, a darling! oh, that he is! You should have seen him in his dressing-gown, all silk and gold! I saw him, I did! He wears linen as fine as the surplice of monsieur le cure.”
“Nanon, please make us a galette.”
“And who’ll give me wood for the oven, and flour and butter for the cakes?” said Nanon, who in her function of prime-minister to Grandet assumed at times enormous importance in the eyes of Eugenie and her mother. “Mustn’t rob the master to feast the cousin. You ask him for butter and flour and wood: he’s your father, perhaps he’ll give you some. See! there he is now, coming to give out the provisions.”
Eugenie escaped into the garden, quite frightened as she heard the staircase shaking under her father’s step. Already she felt the effects of that virgin modesty and that special consciousness of happiness which lead us to fancy, not perhaps without reason, that our thoughts are graven on our foreheads and are open to the eyes of all. Perceiving for the first time the cold nakedness of her father’s house, the poor girl felt a sort of rage that she could not put it in harmony with her cousin’s elegance. She felt the need of doing something for him, — what, she did not know. Ingenuous and truthful, she followed her angelic nature without mistrusting her impressions or her feelings. The mere sight of her cousin had wakened within her the natural yearnings of a woman, — yearnings that were the more likely to develop ardently because, having reached her twenty-third year, she was in the plenitude of her intelligence and her desires. For the first time in her life her heart was full of terror at the sight of her father; in him she saw the master of the fate, and she fancied herself guilty of wrong-doing in hiding from his knowledge certain thoughts. She walked with hasty steps, surprised to breathe a purer air, to feel the sun’s rays quickening her pulses, to absorb from their heat a moral warmth and a new life. As she turned over in her mind some stratagem by which to get the cake, a quarrel — an event as rare as the sight of swallows in winter — broke out between la Grande Nanon and Grandet. Armed with his keys, the master had come to dole out provisions for the day’s consumption.
“Is there any bread left from yesterday?” he said to Nanon.
“Not a crumb, monsieur.”
Grandet took a large round loaf, well floured and moulded in one of the flat baskets which they use for baking in Anjou, and was about to cut it, when Nanon said to him, —
“We are five, to-day, monsieur.”
“That’s true,” said Grandet, “but your loaves weigh six pounds; there’ll be some left. Besides, these young fellows from Paris don’t eat bread, you’ll see.”
“Then they must eat frippe?” said Nanon.
Frippe is a word of the local lexicon of Anjou, and means any accompaniment of bread, from butter which is spread upon it, the commonest kind of frippe, to peach preserve, the most distinguished of all the frippes; those who in their childhood have licked the frippe and left the bread, will comprehend the meaning of Nanon’s speech.
“No,” answered Grandet, “they eat neither bread nor frippe; they are something like marriageable girls.”
After ordering the meals for the day with his usual parsimony, the goodman, having locked the closets containing the supplies, was about to go towards the fruit-garden, when Nanon stopped him to say, —
“Monsieur, give me a little flour and some butter, and I’ll make a galette for the young ones.”
“Are you going to pillage the house on account of my nephew?”
“I wasn’t thinking any more of your nephew than I was of your dog, — not more than you think yourself; for, look here, you’ve only forked out six bits of sugar. I want eight.”
“What’s all this, Nanon? I have never seen you like this before. What have you got in your head? Are you the mistress here? You sha’n’t have more than six pieces of sugar.”
“Well, then, how is your nephew to sweeten his coffee?”
“With two pieces; I’ll go without myself.”
“Go without sugar at your age! I’d rather buy you some out of my own pocket.”
“Mind your own business.”
In spite of the recent fall in prices, sugar was still in Grandet’s eyes the most valuable of all the colonial products; to him it was always six francs a pound. The necessity of economizing it, acquired under the Empire, had grown to be the most inveterate of his habits. All women, even the greatest ninnies, know how to dodge and dodge to get their ends; Nanon abandoned the sugar for the sake of getting the galette.
“Mademoiselle!” she called through the window, “do you want some galette?”
“No, no,” answered Eugenie.
“Come, Nanon,” said Grandet, hearing his daughter’s voice. “See here.” He opened the cupboard where the flour was kept, gave her a cupful, and added a few ounces of butter to the piece he had already cut off.
“I shall want wood for the oven,” said the implacable Nanon.
“Well, take what you want,” he answered sadly; “but in that case you must make us a fruit-tart, and you’ll cook the whole dinner in the oven. In that way you won’t need two fires.”
“Goodness!” cried Nanon, “you needn’t tell me that.”
Grandet cast a look that was well-nigh paternal upon his faithful deputy.
“Mademoiselle,” she cried, when his back was turned, “we shall have the galette.”
Pere Grandet returned from the garden with the fruit and arranged a plateful on the kitchen-table.
“Just see, monsieur,” said Nanon, “what pretty boots your nephew has. What leather! why it smells good! What does he clean it with, I wonder? Am I to put your egg-polish on it?”
“Nanon, I think eggs would injure that kind of leather. Tell him you don’t know how to black morocco; yes, that’s morocco. He will get you something himself in Saumur to polish those boots with. I have heard that they put sugar into the blacking to make it shine.”
“They look good to eat,” said the cook, putting the boots to her nose. “Bless me! if they don’t smell like madame’s eau-de-cologne. Ah! how funny!”
“Funny!” said her master. “Do you call it funny to put more money into boots than the man who stands in them is worth?”
“Monsieur,” she said, when Grandet returned the second time, after locking the fruit-garden, “won’t you have the pot-au-feu put on once or twice a week on account of your nephew?”
“Yes.”
“Am I to go to the butcher’s?”
“Certainly not. We will make the broth of fowls; the farmers will bring them. I shall tell Cornoiller to shoot some crows; they make the best soup in the world.”
“Isn’t it true, monsieur, that crows eat the dead?”
“You are a fool, Nanon. They eat what they can get, like the rest of the world. Don’t we all live on the dead? What are legacies?”
Monsieur Grandet, having no further orders to give, drew out his watch, and seeing that he had half an hour to dispose of before breakfast, he took his hat, went and kissed his daughter, and said to her:
“Do you want to come for a walk in the fields, down by the Loire? I have something to do there.”
Eugenie fetched her straw bonnet, lined with pink taffeta; then the father and daughter went down the winding street to the shore.
“Where are you going at this early hour?” said Cruchot, the notary, meeting them.
“To see something,” answered Grandet
, not duped by the matutinal appearance of his friend.
When Pere Grandet went to “see something,” the notary knew by experience there was something to be got by going with him; so he went.
“Come, Cruchot,” said Grandet, “you are one of my friends. I’ll show you what folly it is to plant poplar-trees on good ground.”
“Do you call the sixty thousand francs that you pocketed for those that were in your fields down by the Loire, folly?” said Maitre Cruchot, opening his eyes with amazement. “What luck you have had! To cut down your trees at the very time they ran short of white-wood at Nantes, and to sell them at thirty francs!”
Eugenie listened, without knowing that she approached the most solemn moment of her whole life, and that the notary was about to bring down upon her head a paternal and supreme sentence. Grandet had now reached the magnificent fields which he owned on the banks of the Loire, where thirty workmen were employed in clearing away, filling up, and levelling the spots formerly occupied by the poplars.
“Maitre Cruchot, see how much ground this tree once took up! Jean,” he cried to a laborer, “m-m-measure with your r-r-rule, b-both ways.”
“Four times eight feet,” said the man.
“Thirty-two feet lost,” said Grandet to Cruchot. “I had three hundred poplars in this one line, isn’t that so? Well, then, three h-h-hundred times thir-thirty-two lost m-m-me five hundred in h-h-hay; add twice as much for the side rows, — fifteen hundred; the middle rows as much more. So we may c-c-call it a th-thousand b-b-bales of h-h-hay — ”
“Very good,” said Cruchot, to help out his friend; “a thousand bales are worth about six hundred francs.”
“Say t-t-twelve hundred, be-c-cause there’s three or four hundred francs on the second crop. Well, then, c-c-calculate that t-twelve thousand francs a year for f-f-forty years with interest c-c-comes to — ”
“Say sixty thousand francs,” said the notary.
Works of Honore De Balzac Page 326