Works of Honore De Balzac

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by Honoré de Balzac


  “Your veil of innocence?” said the priest. “Then you have treated Lucien with the sternest severity?”

  “Oh, Father, how can you, who know him, ask me such a question!” she replied with a smile. “Who can resist a god?”

  “Do not be blasphemous,” said the priest mildly. “No one can be like God. Exaggeration is out of place with true love; you had not a pure and genuine love for your idol. If you had undergone the conversion you boast of having felt, you would have acquired the virtues which are a part of womanhood; you would have known the charm of chastity, the refinements of modesty, the two virtues that are the glory of a maiden. — You do not love.”

  Esther’s gesture of horror was seen by the priest, but it had no effect on the impassibility of her confessor.

  “Yes; for you love him for yourself and not for himself, for the temporal enjoyments that delight you, and not for love itself. If he has thus taken possession of you, you cannot have felt that sacred thrill that is inspired by a being on whom God has set the seal of the most adorable perfections. Has it never occurred to you that you would degrade him by your past impurity, that you would corrupt a child by the overpowering seductions which earned you your nickname glorious in infamy? You have been illogical with yourself, and your passion of a day — — ”

  “Of a day?” she repeated, raising her eyes.

  “By what other name can you call a love that is not eternal, that does not unite us in the future life of the Christian, to the being we love?”

  “Ah, I will be a Catholic!” she cried in a hollow, vehement tone, that would have earned her the mercy of the Lord.

  “Can a girl who has received neither the baptism of the Church nor that of knowledge; who can neither read, nor write, nor pray; who cannot take a step without the stones in the street rising up to accuse her; noteworthy only for the fugitive gift of beauty which sickness may destroy to-morrow; can such a vile, degraded creature, fully aware too of her degradation — for if you had been ignorant of it and less devoted, you would have been more excusable — can the intended victim to suicide and hell hope to be the wife of Lucien de Rubempre?”

  Every word was a poniard thrust piercing the depths of her heart. At every word the louder sobs and abundant tears of the desperate girl showed the power with which light had flashed upon an intelligence as pure as that of a savage, upon a soul at length aroused, upon a nature over which depravity had laid a sheet of foul ice now thawed in the sunshine of faith.

  “Why did I not die!” was the only thought that found utterance in the midst of a torrent of ideas that racked and ravaged her brain.

  “My daughter,” said the terrible judge, “there is a love which is unconfessed before men, but of which the secret is received by the angels with smiles of gladness.”

  “What is that?”

  “Love without hope, when it inspires our life, when it fills us with the spirit of sacrifice, when it ennobles every act by the thought of reaching some ideal perfection. Yes, the angels approve of such love; it leads to the knowledge of God. To aim at perfection in order to be worthy of the one you love, to make for him a thousand secret sacrifices, adoring him from afar, giving your blood drop by drop, abnegating your self-love, never feeling any pride or anger as regards him, even concealing from him all knowledge of the dreadful jealousy he fires in your heart, giving him all he wishes were it to your own loss, loving what he loves, always turning your face to him to follow him without his knowing it — such love as that religion would have forgiven; it is no offence to laws human or divine, and would have led you into another road than that of your foul voluptuousness.”

  As she heard this horrible verdict, uttered in a word — and such a word! and spoken in such a tone! — Esther’s spirit rose up in fairly legitimate distrust. This word was like a thunder-clap giving warning of a storm about to break. She looked at the priest, and felt the grip on her vitals which wrings the bravest when face to face with sudden and imminent danger. No eye could have read what was passing in this man’s mind; but the boldest would have found more to quail at than to hope for in the expression of his eyes, once bright and yellow like those of a tiger, but now shrouded, from austerities and privations, with a haze like that which overhangs the horizon in the dog-days, when, though the earth is hot and luminous, the mist makes it indistinct and dim — almost invisible.

  The gravity of a Spaniard, the deep furrows which the myriad scars of virulent smallpox made hideously like broken ruts, were ploughed into his face, which was sallow and tanned by the sun. The hardness of this countenance was all the more conspicuous, being framed in the meagre dry wig of a priest who takes no care of his person, a black wig looking rusty in the light. His athletic frame, his hands like an old soldier’s, his broad, strong shoulders were those of the Caryatides which the architects of the Middle Ages introduced into some Italian palaces, remotely imitated in those of the front of the Porte-Saint-Martin theatre. The least clear-sighted observer might have seen that fiery passions or some unwonted accident must have thrown this man into the bosom of the Church; certainly none but the most tremendous shocks of lightning could have changed him, if indeed such a nature were susceptible of change.

  Women who have lived the life that Esther had so violently repudiated come to feel absolute indifference as to the critics of our day, who may be compared with them in some respects, and who feel at last perfect disregard of the formulas of art; they have read so many books, they see so many pass away, they are so much accustomed to written pages, they have gone through so many plots, they have seen so many dramas, they have written so many articles without saying what they meant, and have so often been treasonable to the cause of Art in favor of their personal likings and aversions, that they acquire a feeling of disgust of everything, and yet continue to pass judgment. It needs a miracle to make such a writer produce sound work, just as it needs another miracle to give birth to pure and noble love in the heart of a courtesan.

  The tone and manner of this priest, who seemed to have escaped from a picture by Zurbaran, struck this poor girl as so hostile, little as externals affected her, that she perceived herself to be less the object of his solitude than the instrument he needed for some scheme. Being unable to distinguish between the insinuating tongue of personal interest and the unction of true charity, for we must be acutely awake to recognize false coin when it is offered by a friend, she felt herself, as it were, in the talons of some fierce and monstrous bird of prey who, after hovering over her for long, had pounced down on her; and in her terror she cried in a voice of alarm:

  “I thought it was a priest’s duty to console us, and you are killing me!”

  At this innocent outcry the priest started and paused; he meditated a moment before replying. During that instant the two persons so strangely brought together studied each other cautiously. The priest understood the girl, though the girl could not understand the priest.

  He, no doubt, put aside some plan which had threatened the unhappy Esther, and came back to his first ideas.

  “We are physicians of the soul,” said he, in a mild voice, “and we know what remedies suit their maladies.”

  “Much must be forgiven to the wretched,” said Esther.

  She fancied she had been wrong; she slipped off the bed, threw herself at the man’s feet, kissed his gown with deep humility, and looked up at him with eyes full of tears.

  “I thought I had done so much!” she said.

  “Listen, my child. Your terrible reputation has cast Lucien’s family into grief. They are afraid, and not without reason, that you may lead him into dissipation, into endless folly — — ”

  “That is true; it was I who got him to the ball to mystify him.”

  “You are handsome enough to make him wish to triumph in you in the eyes of the world, to show you with pride, and make you an object for display. And if he wasted money only! — but he will waste his time, his powers; he will lose his inclination for the fine future his friends can
secure to him. Instead of being some day an ambassador, rich, admired and triumphant, he, like so many debauchees who choke their talents in the mud of Paris, will have been the lover of a degraded woman.

  “As for you, after rising for a time to the level of a sphere of elegance, you will presently sink back to your former life, for you have not in you the strength bestowed by a good education to enable you to resist vice and think of the future. You would no more be able to break with the women of your own class than you have broken with the men who shamed you at the opera this morning. Lucien’s true friends, alarmed by his passion for you, have dogged his steps and know all. Filled with horror, they have sent me to you to sound your views and decide your fate; but though they are powerful enough to clear a stumbling-stone out of the young man’s way, they are merciful. Understand this, child: a girl whom Lucien loves has claims on their regard, as a true Christian worships the slough on which, by chance, the divine light falls. I came to be the instrument of a beneficent purpose; — still, if I had found you utterly reprobate, armed with effrontery and astuteness, corrupt to the marrow, deaf to the voice of repentance, I should have abandoned you to their wrath.

  “The release, civil and political, which it is so hard to win, which the police is so right to withhold for a time in the interests of society, and which I heard you long for with all the ardor of true repentance — is here,” said the priest, taking an official-looking paper out of his belt. “You were seen yesterday, this letter of release is dated to-day. You see how powerful the people are who take an interest in Lucien.”

  At the sight of this document Esther was so ingenuously overcome by the convulsive agitation produced by unlooked-for joy, that a fixed smile parted her lips, like that of a crazy creature. The priest paused, looking at the girl to see whether, when once she had lost the horrible strength which corrupt natures find in corruption itself, and was thrown back on her frail and delicate primitive nature, she could endure so much excitement. If she had been a deceitful courtesan, Esther would have acted a part; but now that she was innocent and herself once more, she might perhaps die, as a blind man cured may lose his sight again if he is exposed to too bright a light. At this moment this man looked into the very depths of human nature, but his calmness was terrible in its rigidity; a cold alp, snow-bound and near to heaven, impenetrable and frowning, with flanks of granite, and yet beneficent.

  Such women are essentially impressionable beings, passing without reason from the most idiotic distrust to absolute confidence. In this respect they are lower than animals. Extreme in everything — in their joy and despair, in their religion and irreligion — they would almost all go mad if they were not decimated by the mortality peculiar to their class, and if happy chances did not lift one now and then from the slough in which they dwell. To understand the very depths of the wretchedness of this horrible existence, one must know how far in madness a creature can go without remaining there, by studying La Torpille’s violent ecstasy at the priest’s feet. The poor girl gazed at the paper of release with an expression which Dante has overlooked, and which surpassed the inventiveness of his Inferno. But a reaction came with tears. Esther rose, threw her arms round the priest’s neck, laid her head on his breast, which she wetted with her weeping, kissing the coarse stuff that covered that heart of steel as if she fain would touch it. She seized hold of him; she covered his hands with kisses; she poured out in a sacred effusion of gratitude her most coaxing caresses, lavished fond names on him, saying again and again in the midst of her honeyed words, “Let me have it!” in a thousand different tones of voice; she wrapped him in tenderness, covered him with her looks with a swiftness that found him defenceless; at last she charmed away his wrath.

  The priest perceived how well the girl had deserved her nickname; he understood how difficult it was to resist this bewitching creature; he suddenly comprehended Lucien’s love, and just what must have fascinated the poet. Such a passion hides among a thousand temptations a dart-like hook which is most apt to catch the lofty soul of an artist. These passions, inexplicable to the vulgar, are perfectly accounted for by the thirst for ideal beauty, which is characteristic of a creative mind. For are we not, in some degree, akin to the angels, whose task it is to bring the guilty to a better mind? are we not creative when we purify such a creature? How delightful it is to harmonize moral with physical beauty! What joy and pride if we succeed! How noble a task is that which has no instrument but love!

  Such alliances, made famous by the example of Aristotle, Socrates, Plato, Alcibiades, Cethegus, and Pompey, and yet so monstrous in the eyes of the vulgar, are based on the same feeling that prompted Louis XIV. to build Versailles, or that makes men rush into any ruinous enterprise — into converting the miasma of a marsh into a mass of fragrance surrounded by living waters; placing a lake at the top of a hill, as the Prince de Conti did at Nointel; or producing Swiss scenery at Cassan, like Bergeret, the farmer-general. In short, it is the application of art in the realm of morals.

  The priest, ashamed of having yielded to this weakness, hastily pushed Esther away, and she sat down quite abashed, for he said:

  “You are still the courtesan.” And he calmly replaced the paper in his sash.

  Esther, like a child who has a single wish in its head, kept her eyes fixed on the spot where the document lay hidden.

  “My child,” the priest went on after a pause, “your mother was a Jewess, and you have not been baptized; but, on the other hand, you have never been taken to the synagogue. You are in the limbo where little children are — — ”

  “Little children!” she echoed, in a tenderly pathetic tone.

  “As you are on the books of the police, a cipher outside the pale of social beings,” the priest went on, unmoved. “If love, seen as it swept past, led you to believe three months since that you were then born, you must feel that since that day you have been really an infant. You must, therefore, be led as if you were a child; you must be completely changed, and I will undertake to make you unrecognizable. To begin with, you must forget Lucien.”

  The words crushed the poor girl’s heart; she raised her eyes to the priest and shook her head; she could not speak, finding the executioner in the deliverer again.

  “At any rate, you must give up seeing him,” he went on. “I will take you to a religious house where young girls of the best families are educated; there you will become a Catholic, you will be trained in the practice of Christian exercises, you will be taught religion. You may come out an accomplished young lady, chaste, pure, well brought up, if — — ” The man lifted up a finger and paused.

  “If,” he went on, “you feel brave enough to leave the ‘Torpille’ behind you here.”

  “Ah!” cried the poor thing, to whom each word had been like a note of some melody to which the gates of Paradise were slowly opening. “Ah! if it were possible to shed all my blood here and have it renewed!”

  “Listen to me.”

  She was silent.

  “Your future fate depends on your power of forgetting. Think of the extent to which you pledge yourself. A word, a gesture, which betrays La Torpille will kill Lucien’s wife. A word murmured in a dream, an involuntary thought, an immodest glance, a gesture of impatience, a reminiscence of dissipation, an omission, a shake of the head that might reveal what you know, or what is known about you for your woes — — ”

  “Yes, yes, Father,” said the girl, with the exaltation of a saint. “To walk in shoes of red-hot iron and smile, to live in a pair of stays set with nails and maintain the grace of a dancer, to eat bread salted with ashes, to drink wormwood, — all will be sweet and easy!”

  She fell again on her knees, she kissed the priest’s shoes, she melted into tears that wetted them, she clasped his knees, and clung to them, murmuring foolish words as she wept for joy. Her long and beautiful light hair waved to the ground, a sort of carpet under the feet of the celestial messenger, whom she saw as gloomy and hard as ever when she lifted herself up and looke
d at him.

  “What have I done to offend you?” cried she, quite frightened. “I have heard of a woman, such as I am, who washed the feet of Jesus with perfumes. Alas! virtue has made me so poor that I have nothing but tears to offer you.”

  “Have you not understood?” he answered, in a cruel voice. “I tell you, you must be able to come out of the house to which I shall take you so completely changed, physically and morally, that no man or woman you have ever known will be able to call you ‘Esther’ and make you look round. Yesterday your love could not give you strength enough so completely to bury the prostitute that she could never reappear; and again to-day she revives in adoration which is due to none but God.”

  “Was it not He who sent you to me?” said she.

  “If during the course of your education you should even see Lucien, all would be lost,” he went on; “remember that.”

  “Who will comfort him?” said she.

  “What was it that you comforted him for?” asked the priest, in a tone in which, for the first time during this scene, there was a nervous quaver.

  “I do not know; he was often sad when he came.”

  “Sad!” said the priest. “Did he tell you why?”

  “Never,” answered she.

  “He was sad at loving such a girl as you!” exclaimed he.

  “Alas! and well he might be,” said she, with deep humility. “I am the most despicable creature of my sex, and I could find favor in his eyes only by the greatness of my love.”

  “That love must give you the courage to obey me blindly. If I were to take you straight from hence to the house where you are to be educated, everybody here would tell Lucien that you had gone away to-day, Sunday, with a priest; he might follow in your tracks. In the course of a week, the portress, not seeing me again, might suppose me to be what I am not. So, one evening — this day week — at seven o’clock, go out quietly and get into a cab that will be waiting for you at the bottom of the Rue des Frondeurs. During this week avoid Lucien, find excuses, have him sent from the door, and if he should come in, go up to some friend’s room. I shall know if you have seen him, and in that event all will be at an end. I shall not even come back. These eight days you will need to make up some suitable clothing and to hide your look of a prostitute,” said he, laying a purse on the chimney-shelf. “There is something in your manner, in your clothes — something indefinable which is well known to Parisians, and proclaims you what you are. Have you never met in the streets or on the Boulevards a modest and virtuous girl walking with her mother?”

 

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