“Often I remember soaking my bread in milk, as I sat by the window to take the fresh air; while my eyes wandered over a view of roofs — brown, gray, or red, slated or tiled, and covered with yellow or green mosses. At first the prospect may have seemed monotonous, but I very soon found peculiar beauties in it. Sometimes at night, streams of light through half-closed shutters would light up and color the dark abysses of this strange landscape. Sometimes the feeble lights of the street lamps sent up yellow gleams through the fog, and in each street dimly outlined the undulations of a crowd of roofs, like billows in a motionless sea. Very occasionally, too, a face appeared in this gloomy waste; above the flowers in some skyey garden I caught a glimpse of an old woman’s crooked angular profile as she watered her nasturtiums; or, in a crazy attic window, a young girl, fancying herself quite alone as she dressed herself — a view of nothing more than a fair forehead and long tresses held above her by a pretty white arm.
“I liked to see the short-lived plant-life in the gutters — poor weeds that a storm soon washed away. I studied the mosses, with their colors revived by showers, or transformed by the sun into a brown velvet that fitfully caught the light. Such things as these formed my recreations — the passing poetic moods of daylight, the melancholy mists, sudden gleams of sunlight, the silence and the magic of night, the mysteries of dawn, the smoke wreaths from each chimney; every chance event, in fact, in my curious world became familiar to me. I came to love this prison of my own choosing. This level Parisian prairie of roofs, beneath which lay populous abysses, suited my humor, and harmonized with my thoughts.
“Sudden descents into the world from the divine height of scientific meditation are very exhausting; and, besides, I had apprehended perfectly the bare life of the cloister. When I made up my mind to carry out this new plan of life, I looked for quarters in the most out-of-the-way parts of Paris. One evening, as I returned home to the Rue des Cordiers from the Place de l’Estrapade, I saw a girl of fourteen playing with a battledore at the corner of the Rue de Cluny, her winsome ways and laughter amused the neighbors. September was not yet over; it was warm and fine, so that women sat chatting before their doors as if it were a fete-day in some country town. At first I watched the charming expression of the girl’s face and her graceful attitudes, her pose fit for a painter. It was a pretty sight. I looked about me, seeking to understand this blithe simplicity in the midst of Paris, and saw that the street was a blind alley and but little frequented. I remembered that Jean Jacques had once lived here, and looked up the Hotel Saint-Quentin. Its dilapidated condition awakened hopes of a cheap lodging, and I determined to enter.
“I found myself in a room with a low ceiling; the candles, in classic-looking copper candle-sticks, were set in a row under each key. The predominating cleanliness of the room made a striking contrast to the usual state of such places. This one was as neat as a bit of genre; there was a charming trimness about the blue coverlet, the cooking pots and furniture. The mistress of the house rose and came to me. She seemed to be about forty years of age; sorrows had left their traces on her features, and weeping had dimmed her eyes. I deferentially mentioned the amount I could pay; it seemed to cause her no surprise; she sought out a key from the row, went up to the attics with me, and showed me a room that looked out on the neighboring roofs and courts; long poles with linen drying on them hung out of the window.
“Nothing could be uglier than this garret, awaiting its scholar, with its dingy yellow walls and odor of poverty. The roofing fell in a steep slope, and the sky was visible through chinks in the tiles. There was room for a bed, a table, and a few chairs, and beneath the highest point of the roof my piano could stand. Not being rich enough to furnish this cage (that might have been one of the Piombi of Venice), the poor woman had never been able to let it; and as I had saved from the recent sale the furniture that was in a fashion peculiarly mine, I very soon came to terms with my landlady, and moved in on the following day.
“For three years I lived in this airy sepulchre, and worked unflaggingly day and night; and so great was the pleasure that study seemed to me the fairest theme and the happiest solution of life. The tranquillity and peace that a scholar needs is something as sweet and exhilarating as love. Unspeakable joys are showered on us by the exertion of our mental faculties; the quest of ideas, and the tranquil contemplation of knowledge; delights indescribable, because purely intellectual and impalpable to our senses. So we are obliged to use material terms to express the mysteries of the soul. The pleasure of striking out in some lonely lake of clear water, with forests, rocks, and flowers around, and the soft stirring of the warm breeze, — all this would give, to those who knew them not, a very faint idea of the exultation with which my soul bathed itself in the beams of an unknown light, hearkened to the awful and uncertain voice of inspiration, as vision upon vision poured from some unknown source through my throbbing brain.
“No earthly pleasure can compare with the divine delight of watching the dawn of an idea in the space of abstractions as it rises like the morning sun; an idea that, better still, attains gradually like a child to puberty and man’s estate. Study lends a kind of enchantment to all our surroundings. The wretched desk covered with brown leather at which I wrote, my piano, bed, and armchair, the odd wall-paper and furniture seemed to have for me a kind of life in them, and to be humble friends of mine and mute partakers of my destiny. How often have I confided my soul to them in a glance! A warped bit of beading often met my eyes, and suggested new developments, — a striking proof of my system, or a felicitous word by which to render my all but inexpressible thought. By sheer contemplation of the things about me I discerned an expression and a character in each. If the setting sun happened to steal in through my narrow window, they would take new colors, fade or shine, grow dull or gay, and always amaze me with some new effect. These trifling incidents of a solitary life, which escape those preoccupied with outward affairs, make the solace of prisoners. And what was I but the captive of an idea, imprisoned in my system, but sustained also by the prospect of a brilliant future? At each obstacle that I overcame, I seemed to kiss the soft hands of a woman with a fair face, a wealthy, well-dressed woman, who should some day say softly, while she caressed my hair:
“‘Poor Angel, how thou hast suffered!’
“I had undertaken two great works — one a comedy that in a very short time must bring me wealth and fame, and an entry into those circles whither I wished to return, to exercise the royal privileges of a man of genius. You all saw nothing in that masterpiece but the blunder of a young man fresh from college, a babyish fiasco. Your jokes clipped the wings of a throng of illusions, which have never stirred since within me. You, dear Emile, alone brought soothing to the deep wounds that others had made in my heart. You alone will admire my ‘Theory of the Will.’ I devoted most of my time to that long work, for which I studied Oriental languages, physiology and anatomy. If I do not deceive myself, my labors will complete the task begun by Mesmer, Lavater, Gall, and Bichat, and open up new paths in science.
“There ends that fair life of mine, the daily sacrifice, the unrecognized silkworm’s toil, that is, perhaps, its own sole recompense. Since attaining years of discretion, until the day when I finished my ‘Theory,’ I observed, learned, wrote, and read unintermittingly; my life was one long imposition, as schoolboys say. Though by nature effeminately attached to Oriental indolence, sensual in tastes, and a wooer of dreams, I worked incessantly, and refused to taste any of the enjoyments of Parisian life. Though a glutton, I became abstemious; and loving exercise and sea voyages as I did, and haunted by the wish to visit many countries, still child enough to play at ducks and drakes with pebbles over a pond, I led a sedentary life with a pen in my fingers. I liked talking, but I went to sit and mutely listen to professors who gave public lectures at the Bibliotheque or the Museum. I slept upon my solitary pallet like a Benedictine brother, though woman was my one chimera, a chimera that fled from me as I wooed it! In short, my life has be
en a cruel contradiction, a perpetual cheat. After that, judge a man!
“Sometimes my natural propensities broke out like a fire long smothered. I was debarred from the women whose society I desired, stripped of everything and lodged in an artist’s garret, and by a sort of mirage or calenture I was surrounded by captivating mistresses. I drove through the streets of Paris, lolling on the soft cushions of a fine equipage. I plunged into dissipation, into corroding vice, I desired and possessed everything, for fasting had made me light-headed like the tempted Saint Anthony. Slumber, happily, would put an end at last to these devastating trances; and on the morrow science would beckon me, smiling, and I was faithful to her. I imagine that women reputed virtuous, must often fall a prey to these insane tempests of desire and passion, which rise in us in spite of ourselves. Such dreams have a charm of their own; they are something akin to evening gossip round the winter fire, when one sets out for some voyage in China. But what becomes of virtue during these delicious excursions, when fancy overleaps all difficulties?
“During the first ten months of seclusion I led the life of poverty and solitude that I have described to you; I used to steal out unobserved every morning to buy my own provisions for the day; I tidied my room; I was at once master and servant, and played the Diogenes with incredible spirit. But afterwards, while my hostess and her daughter watched my ways and behavior, scrutinized my appearance and divined my poverty, there could not but be some bonds between us; perhaps because they were themselves so very poor. Pauline, the charming child, whose latent and unconscious grace had, in a manner, brought me there, did me many services that I could not well refuse. All women fallen on evil days are sisters; they speak a common language; they have the same generosity — the generosity that possesses nothing, and so is lavish of its affection, of its time, and of its very self.
“Imperceptibly Pauline took me under her protection, and would do things for me. No kind of objection was made by her mother, whom I even surprised mending my linen; she blushed for the charitable occupation. In spite of myself, they took charge of me, and I accepted their services.
“In order to understand the peculiar condition of my mind, my preoccupation with work must be remembered, the tyranny of ideas, and the instinctive repugnance that a man who leads an intellectual life must ever feel for the material details of existence. Could I well repulse the delicate attentions of Pauline, who would noiselessly bring me my frugal repast, when she noticed that I had taken nothing for seven or eight hours? She had the tact of a woman and the inventiveness of a child; she would smile as she made sign to me that I must not see her. Ariel glided under my roof in the form of a sylph who foresaw every want of mine.
“One evening Pauline told me her story with touching simplicity. Her father had been a major in the horse grenadiers of the Imperial Guard. He had been taken prisoner by the Cossacks, at the passage of Beresina; and when Napoleon later on proposed an exchange, the Russian authorities made search for him in Siberia in vain; he had escaped with a view of reaching India, and since then Mme. Gaudin, my landlady, could hear no news of her husband. Then came the disasters of 1814 and 1815; and, left alone and without resource, she had decided to let furnished lodgings in order to keep herself and her daughter.
“She always hoped to see her husband again. Her greatest trouble was about her daughter’s education; the Princess Borghese was her Pauline’s godmother; and Pauline must not be unworthy of the fair future promised by her imperial protectress. When Mme. Gaudin confided to me this heavy trouble that preyed upon her, she said, with sharp pain in her voice, ‘I would give up the property and the scrap of paper that makes Gaudin a baron of the empire, and all our rights to the endowment of Wistchnau, if only Pauline could be brought up at Saint-Denis?’ Her words struck me; now I could show my gratitude for the kindnesses expended on me by the two women; all at once the idea of offering to finish Pauline’s education occurred to me; and the offer was made and accepted in the most perfect simplicity. In this way I came to have some hours of recreation. Pauline had natural aptitude; she learned so quickly, that she soon surpassed me at the piano. As she became accustomed to think aloud in my presence, she unfolded all the sweet refinements of a heart that was opening itself out to life, as some flower-cup opens slowly to the sun. She listened to me, pleased and thoughtful, letting her dark velvet eyes rest upon me with a half smile in them; she repeated her lessons in soft and gentle tones, and showed childish glee when I was satisfied with her. Her mother grew more and more anxious every day to shield the young girl from every danger (for all the beauty promised in early life was developing in the crescent moon), and was glad to see her spend whole days indoors in study. My piano was the only one she could use, and while I was out she practised on it. When I came home, Pauline would be in my room, in her shabby dress, but her slightest movement revealed her slender figure in its attractive grace, in spite of the coarse materials that she wore. As with the heroine of the fable of ‘Peau-d’Ane,’ a dainty foot peeped out of the clumsy shoes. But all her wealth of girlish beauty was as lost upon me. I had laid commands upon myself to see a sister only in Pauline. I dreaded lest I should betray her mother’s faith in me. I admired the lovely girl as if she had been a picture, or as the portrait of a dead mistress; she was at once my child and my statue. For me, another Pygmalion, the maiden with the hues of life and the living voice was to become a form of inanimate marble. I was very strict with her, but the more I made her feel my pedagogue’s severity, the more gentle and submissive she grew.
“If a generous feeling strengthened me in my reserve and self-restraint, prudent considerations were not lacking beside. Integrity of purpose cannot, I think, fail to accompany integrity in money matters. To my mind, to become insolvent or to betray a woman is the same sort of thing. If you love a young girl, or allow yourself to be beloved by her, a contract is implied, and its conditions should be thoroughly understood. We are free to break with the woman who sells herself, but not with the young girl who has given herself to us and does not know the extent of her sacrifice. I must have married Pauline, and that would have been madness. Would it not have given over that sweet girlish heart to terrible misfortunes? My poverty made its selfish voice heard, and set an iron barrier between that gentle nature and mine. Besides, I am ashamed to say, that I cannot imagine love in the midst of poverty. Perhaps this is a vitiation due to that malady of mankind called civilization; but a woman in squalid poverty would exert no fascination over me, were she attractive as Homer’s Galatea, the fair Helen.
“Ah, vive l’amour! But let it be in silk and cashmere, surrounded with the luxury which so marvelously embellishes it; for is it not perhaps itself a luxury? I enjoy making havoc with an elaborate erection of scented hair; I like to crush flowers, to disarrange and crease a smart toilette at will. A bizarre attraction lies for me in burning eyes that blaze through a lace veil, like flame through cannon smoke. My way of love would be to mount by a silken ladder, in the silence of a winter night. And what bliss to reach, all powdered with snow, a perfumed room, with hangings of painted silk, to find a woman there, who likewise shakes away the snow from her; for what other name can be found for the white muslin wrappings that vaguely define her, like some angel form issuing from a cloud! And then I wish for furtive joys, for the security of audacity. I want to see once more that woman of mystery, but let it be in the throng, dazzling, unapproachable, adored on all sides, dressed in laces and ablaze with diamonds, laying her commands upon every one; so exalted above us, that she inspires awe, and none dares to pay his homage to her.
“She gives me a stolen glance, amid her court, a look that exposes the unreality of all this; that resigns for me the world and all men in it! Truly I have scorned myself for a passion for a few yards of lace, velvet, and fine lawn, and the hairdresser’s feats of skill; a love of wax-lights, a carriage and a title, a heraldic coronet painted on window panes, or engraved by a jeweler; in short, a liking for all that is adventitious and least woman i
n woman. I have scorned and reasoned with myself, but all in vain.
“A woman of rank with her subtle smile, her high-born air, and self-esteem captivates me. The barriers she erects between herself and the world awaken my vanity, a good half of love. There would be more relish for me in bliss that all others envied. If my mistress does nothing that other women do, and neither lives nor conducts herself like them, wears a cloak that they cannot attain, breathes a perfume of her own, then she seems to rise far above me. The further she rises from earth, even in the earthlier aspects of love, the fairer she becomes for me.
“Luckily for me we have had no queen in France these twenty years, for I should have fallen in love with her. A woman must be wealthy to acquire the manners of a princess. What place had Pauline among these far-fetched imaginings? Could she bring me the love that is death, that brings every faculty into play, the nights that are paid for by life? We hardly die, I think, for an insignificant girl who gives herself to us; and I could never extinguish these feelings and poet’s dreams within me. I was born for an inaccessible love, and fortune has overtopped my desire.
“How often have I set satin shoes on Pauline’s tiny feet, confined her form, slender as a young poplar, in a robe of gauze, and thrown a loose scarf about her as I saw her tread the carpets in her mansion and led her out to her splendid carriage! In such guise I should have adored her. I endowed her with all the pride she lacked, stripped her of her virtues, her natural simple charm, and frank smile, in order to plunge her heart in our Styx of depravity that makes invulnerable, load her with our crimes, make of her the fantastical doll of our drawing-rooms, the frail being who lies about in the morning and comes to life again at night with the dawn of tapers. Pauline was fresh-hearted and affectionate — I would have had her cold and formal.
Works of Honore De Balzac Page 1105