‘The sole survivor,’ he said apologetically, as he made an incision. ‘Were you in the House when Attlee said that “armaments were not a policy”?’
‘Bobetty was scathing,’ said Roddy. ‘By the same token, I was talking to Duff about anti-aircraft shortages the other night.’
‘This continued opposition to conscription is going to do Labour harm in the long run,’ said Fettiplace-Jones, who no doubt wanted to avoid anything like a head-on clash, ‘even if things let up, as I hope they will.’
‘I hope you’re right,’ said Roddy, who was being more brusque than usual. ‘All the same, you’ll probably agree we ought to tackle problems of civil evacuation and food control.’
‘Do you know Magnus Donners?’
‘Never met him.’
‘I remember being greatly impressed by him as a boy,’ said Fettiplace-Jones. ‘I was taken to the House to hear a debate.’
He placed his hand on his forehead, grasping the errant lock, leaning back and smiling to himself, perhaps enjoyably contemplating the young Fettiplace-Jones’s first sight of the scene of his own future triumphs.
‘Not his delivery,’ he said quietly. ‘That was nothing. It was the mastery of detail. Now Donners is the sort of man to handle some of those administrative problems.’
‘Not too old?’
‘He knows the unions and gets on well with them.’
‘What does he think about the Czechs?’
‘Convinced nothing could be done short of war – at the same time not at all keen on the present situation. More of your view than mine.’
‘Is he, indeed?’ said Roddy. ‘It looked at one moment as if Donners would go to the Lords.’
‘I doubt if he ever wanted a peerage,’ said Fettiplace-Jones. ‘He has no children. My impression is that Donners is gearing his various concerns to the probability of war in spite of the settlement.’
‘Is he?’ said Roddy.
He had evidently no wish for argument with Fettiplace-Jones at that moment. The subject changed to the more general question of international guarantees.
I knew less of the political and industrial activities of Sir Magnus, than of his steady, if at times capricious, patronage of the arts. Like most rich patrons, his interests leant towards painting and music, rather than literature. Moreland described him as knowing the name of the book to be fashionably discussed at any given moment, being familiar with most of the standard authors. There Sir Magnus’s literary appreciation stopped, according to Moreland. He took no pleasure in reading. No doubt that was a wise precaution for a man of action, whose imagination must be rigorously disciplined, if the will is to remain unsapped by daydreams, painting and music being, for some reason, less deleterious than writing in that respect. I listened to Roddy and Fettiplace-Jones talking about Sir Magnus, without supposing for a moment that I should meet him again in the near future. He existed in my mind as one of those figures, dominating, no doubt, in their own remote sphere, but slightly ridiculous when seen casually at close quarters.
We had no car, so reached the Morelands’ by train.
‘It must be generations since anyone but highbrows lived in this cottage,’ said Moreland, when we arrived there. ‘I imagine most of the agricultural labourers round here commute from London.’
‘Baby Wentworth had it at one moment,’ said Matilda, a little maliciously. ‘She hated it and moved out almost at once.’
‘I’ve installed a piano in the studio,’ said Moreland. ‘I get some work done when I’m not feeling too much like hell, which hasn’t been often, lately.’
The cottage was a small, redbrick, oak-beamed affair, of some antiquity, though much restored, with a studio-room built out at the back. That was where Moreland had put his piano. He was not looking particularly well. When they were first married, Matilda had cleaned him up considerably. Now, his dark-blue suit – Moreland never made any concession to the sartorial conception of ‘country clothes’ – looked as if he had spent a restless night wearing it in bed. He had not shaved.
‘What’s been wrong?’
‘That lung of mine has been rather a bore.’
‘What are you working on?’
‘My ballet.’
‘How is it going?’
‘Stuck.’
‘It’s impossible to write with Hitler about.’
‘Utterly.’
He was in low spirits. His tangled, uncut hair emphasised the look his face sometimes assumed of belonging to a fractious, disappointed child. Matilda, on the other hand, so far from being depressed, as Isobel had represented her, now seemed lively and restless. She was wearing trousers that revealed each bone of her angular figure. Her greenish eyes, rather too large mouth, for some reason always made one think she would make a more powerful, more talented actress than her stage capabilities in fact justified. These immediately noticeable features, arresting rather than beautiful, also suggested, in some indirect manner, her practical abilities, her gift for organisation. Matilda’s present exhilaration might be explained, I thought, by the fact that these abilities were put to more use now than when the Morelands had lived in London. There, except late at night, or when they lay in bed late in the morning, they were rarely to be found in their flat. Here, they must be alone together most of the day, although no doubt much of the time Moreland was shut away in the studio at work. Matilda, when not acting, had sometimes complained in London that time hung on her hands, even though she was – or had formerly been to some extent – a kind of agent for Moreland, arranging much of his professional life, advising as to what jobs he accepted, what interviews he gave, when he must be left in peace. All the same, as I have said, it was chiefly matters outside the musical world that caused him pain and grief. In the business sphere, Matilda no doubt took a burden from him; in his musical life, as such, he may sometimes even have resented too much interference. Since the baby had died, they had had no other child.
‘You are eating sausages tonight,’ said Matilda, ‘and half-a-crown Barbera. As you know, I’m not a great cook. However, you’ll have a square meal tomorrow, as we’re going over to Stourwater for dinner.’
‘Can you bear it?’ said Moreland. ‘I’m not sure I can.’
‘Do cheer up, darling,’ said Matilda. ‘You know you’ll like it when we get there.’
‘Not so sure.’
‘Anyway, it’s got to be faced.’
Things had certainly changed. Formerly, Moreland had been the one who liked going to parties, staying up late, drinking a lot; Matilda, bored by people, especially some of Moreland’s musical friends, wanted as a rule to go home. Now the situation seemed reversed: Matilda anxious for company, Moreland immersed in work. Matilda’s tone, her immediate manner of bringing up the subject of Stourwater, was no doubt intended to show in the plainest terms that she herself felt completely at ease so far as visiting Sir Magnus was concerned. Although she had never attempted to conceal her former association with him – which would certainly not have been easy – she seemed to feel that present circumstances required her specially to emphasise her complete freedom from embarrassment. This demeanour was obviously intended to cover Moreland in that respect, as well as herself. She was announcing their policy as a married couple. Possibly she did not altogether carry Moreland with her. He was rebellious about something, even if not about the visit to Stourwater.
‘Have you seen the place before?’ he asked. ‘You realise we are going to conduct you to a Wagnerian castle, a palace where Ludwig of Bavaria wouldn’t have been ashamed to disport himself.’
‘I was there about ten years ago. Some people called Walpole-Wilson took me over. They live twenty or thirty miles away.’
‘I’ve heard Donners speak of them,’ said Matilda.
She always referred to Sir Magnus by his surname. Isobel and I used to discuss whether Matilda had so addressed him in their moments of closest intimacy.
‘After all,’ Isobel had said, ‘she can only have liked him for hi
s money. To call him “Donners” suggests capital appreciation much more than a pet-name. Besides, “Magnus” – if one could bring oneself to call him that – is almost more formal than “Donners”, without the advantage of conjuring up visions of dividends and allotment letters.’
‘Do you think Matilda only liked him for his money? She never attempted to get any out of him.’
‘It’s not a question of getting the money. It’s the money itself. Money is a charm like any other charm.’
‘As a symbol of power?’
‘Partly, perhaps. After all, men and women both like power in the opposite sex. Why not take it in the form of money?’
‘Do you really think Matilda liked nothing else about poor Sir Magnus?’
‘I didn’t think him very attractive myself the only time I saw him.’
‘Perhaps Matilda was won by his unconventional ways.’
‘Perhaps.’
‘You don’t think so?’
‘I don’t express an opinion.’
‘Still, I must agree, she left him in the end.’
‘I think Matilda is quite ambitious,’ said Isobel.
‘Then why did she leave Sir Magnus? She might have made him marry her.’
‘Because she took a fancy to Hugh.’
That was no doubt the answer. I had been struck, at the time she said this, by Isobel’s opinion that Matilda was ambitious.
‘Who are the Walpole-Wilsons?’ asked Moreland.
‘Sir Gavin Walpole-Wilson is a retired diplomat. His daughter, Eleanor, has shared a flat for years with Isobel’s sister, Norah. But, of course, you know Norah and Eleanor of old.’
Moreland reddened at the mention of Isobel’s sisters. Thought of them must still have called Priscilla uneasily to his mind. The subject of sisters-in-law was obviously one to be avoided. However, Matilda showed some inclination to continue to talk of them. She had rescued her husband from Priscilla, whom she could consider to have suffered a defeat. She may have wanted to emphasise that.
‘How are Norah and Eleanor?’ she asked.
‘Eleanor is trying to make up her mind again whether she will become a Catholic convert,’ said Isobel. ‘Heather Hopkins became an RC the other day. Hugo says that puts Eleanor in a dilemma. She wants to annoy Norah, but doesn’t want to please Hopkins.’
‘I practically never go to Stourwater,’ Moreland said, determined to change the subject from one that could possibly lead back to Priscilla. ‘Matty pops over there once in a way to see some high life. I recognise that Donners has his points – has in the past even been very obliging to me personally. The fact remains that when I did the incidental music for that film of his, I saw enough of him to last a lifetime.’
If Matilda had wanted to make clear her sentiments about Stourwater, Moreland had now been equally explicit about his own. The question of the proximity of Sir Magnus perhaps irked him more than he would admit to himself, certainly more than I expected. On inquiry, it appeared that even Matilda’s visits to Stourwater were rare. I thought Moreland was just in a bad mood, exaggerating his own dislike for ‘going out’. He was not by any means without a taste for occasional forays into rich life. This taste could hardly have been removed entirely by transferring himself to the country. Even in London, he had suffered periods of acute boredom. As the week-end took shape, it became clear that these fits of ennui were by no means a thing of the past. He would sit for hours without speaking, nursing a large tabby cat called Farinelli.
‘Do you think this sell-out is going to prevent a war?’ he said, when we were reading the papers on Sunday morning.
‘No.’
‘You think we ought to have fought this time?’
‘I don’t know. The one thing everybody agrees about is that we aren’t ready for it There’s no point in going to war if we are not going to win it. Losing’s not going to help anybody.’
‘What are you going to do when it comes?’
‘My name is on one of those various army reserves.’
‘How did you manage that?’
‘Offered myself, and was accepted, before all this last business started.’
‘I can only do ladylike things such as playing the piano,’ said Moreland gloomily. ‘I suppose I shall go on doing that if there’s a show-down. One wonders what the hell will happen. How are we getting to this place tonight?’
‘Donners rang up and said one of his guests is picking us up in a car,’ said Matilda.
‘When did he ring up?’
‘When you were all at the pub this morning.’
‘Why not tell us?’
‘I forgot,’ said Matilda. ‘I told Donners when we were asked he must arrange something. Finding transport is the least the rich can do, if they hope to enjoy one’s company. You must shave, sweetie, before we start.’
‘All right, all right,’ said Moreland, ‘I won’t let you all down by my tramp-like appearance. Do we know the name of our chauffeur?’
‘Somebody called Peter Templer,’ said Matilda. ‘Anybody ever heard of him?’
‘Certainly I’ve heard of Peter Templer,’ I said. ‘He’s one of my oldest friends. I haven’t seen him for years.’
‘Who is he? What’s he like?’
‘A stockbroker. Fast sports car, loud checks, blondes, golf, all that sort of thing. We were at school together.’
‘Wasn’t he the brother of that girl you used to know?’ said Isobel.
She spoke as if finally confirming a fact of which she had always been a little uncertain, at the same time smiling as if she hardly thought the pretence worth keeping up.
‘He was.’
‘Which girl?’ asked Moreland, without interest.
‘A woman called Jean Duport, whom I haven’t seen for years.’
‘Never heard of her,’ said Moreland.
I thought what a long time it seemed since I had visited Stourwater on that earlier occasion, when the luncheon party had been given for Prince Theodoric. Prince Theodoric’s name, as a pro-British element in a country ominously threatened from without by German political pressure, had been in the papers recently. Stringham, just engaged to Peggy Stepney, had still been one of Sir Magnus’s secretaries. Jean Duport, Peter Templer’s sister, had been there and I had wondered whether I was not perhaps in love with her. Now, I did not know where she was, was ignorant of the very hemisphere she inhabited. When last seen – parting infinitely painful – she had been on her way to South America, reunited with her awful husband. Baby Wentworth was still – though not long to remain – Sir Magnus’s ‘girl’. Matilda must have taken on the job soon after that visit of mine. If mere arrival in the neighbourhood had imparted, of itself, a strong sense of having slipped back into the past, that sensation was certainly intensified by the prospect of meeting Peter Templer again. He had passed from my life as completely as his sister. There was nothing at all surprising about his staying at Stourwater, when I came to examine the question, except his own dislike for houses of that sort. Business affairs might perfectly well have brought him within the orbit of Sir Magnus. One of the odd things about Templer was that, although pretty well equipped for social life of any kind, he found places like Stourwater in general too pretentious for his taste. He preferred circles where there was less competition, where he could safely be tipped as the man most likely to appeal to all the women present, most popular with the men. It was not that Templer was in any way ill-adapted to a larger sort of life, so much as the fact that he himself was unwilling to tolerate that larger life’s social disciplines, of which the chief was the ever-present danger of finding himself regarded as less important than someone else. That makes him sound intolerable. Templer was, on the contrary, one of the most easygoing, good-natured of men, but he liked being first in the field. He liked, especially, to be first in the field with women. After Mona left him, I imagined he had returned to this former pursuit.
‘I have rather suburban taste in ladies, like everything else,’ Templer used t
o say. ‘Golf, bridge, an occasional spot of crumpet, they are all I require to savour my seasonal financial flutter.’
The fact that he could analyse his tastes in this way made Templer a little unusual, considering what those tastes were. I felt pleasure in the thought that I was going to see him again, tempered by that faint uneasiness about meeting a friend who may have changed too much during the interval of absence to make practicable any renewal of former ties.
Dance to the Music of Time, Volume 2 Page 54